Black and white photograph, multiple people, photograph with two women at the centre who are called Di Cook and Carla Ashman with drinks in their hands. Bendigo Advertiser description on back of photo: Di Cook (Rob's wife), Carla Ashman (Basil's wife).recreations, sports, awards, di cook, (rob's wife) and carla ashman (basil's wife)

Photograph (proof 62) of a group of people consisting of two women, two men and three children posing in front of a crop of corn, The corn is higher than the men standing. The children are dressed in play clothes, while the adults are in casual working clothestopic, farming, cornfield, crop of corn, farming

Photograph - black and white. Photograph of a wedding, a large wedding party. Bride and Groom, 6 other women and 6 other men and 3 young girls and 1 young boy (all possibly wedding party). Wedding dress full length.Vincent Kelly Studio, Mitchell Street, Bendigo.person, group, wedding portrait, cloonan family collection. vincent kelly photographer.

A black and white photograph of Vietnamese refugees from the war in North Vietnam, mainly women, construct a refugee village at Tuy Hoa. in 2 Corps. of South Vietnam. The absence of males amongst the refugees was very notable and to some, even more suspicious.photograph, refugee village, tuy hoa, gibbons collection catalogue, vietnamese refugees

There are two railway bridges within the Rupertswood grounds. This bridge is over Jackson's Creek near the weir.A photograph of a bridge across a river. There are three women standing in the foreground on the LHS and there is a manmade waterfall in front of the bridge. On the RHS there is a steep sided vine covered drop into the river and there are lightly wooded hills on the LHS of the river. The bridge supports are stone and the span is metal.railway bridge, bridges, jackson's creek, women, waterfalls, rupertswood, sunbury, clothing and dress, george evans collection

Baptist Church members Picnic Groups (3 photos) Probably Halls Gap. Group probably beside Baptist Church c. 1900sThree black & white photos depicting groups of people. Two are the same and one of older period. One photo is of 12 women seated in front of a stone building. The earlier photo in a circular frame is of 9 people in a group in front of a brick building.stawell

During WW1 a competition took place to design a suitable plaque to be given to the bereaved next of kin of fallen servicemen & women which resulted in the 'Dead Man's Penny'. The illustration is in memory of William Lionel Schwerkolt and sent to his brother, Charles Schwerkolt.During WW1 a competition took place to design a suitable plaque to be given to the bereaved next of kin of fallen servicemen & women which resulted in the 'Dead Man's Penny'world war 1914 -1918, plaques, schwerkolt, william lionel, charles clarence victor

Black and white photograph of Venga Guest House. It shows a timber and cement sheet building, gable roof, bay window, half veranda at front, hydrangeas flowering in garden, picket fence at front, two women in picture. Lakes Entrance Victoriaguesthouses, architecture, fences

Black and white photograph showing twenty two member of the Lee family. Men and boys all well dressed, some in suits, shirt and tie. Women in style of era. Taken at the Lee family home Hunter street Lakes Entrance VictoriaThe Lee Family 1935genealogy

Image shows the Mt Dandenong Store and Post Office that replaced the former Post office and Store that was located on the corner of Old Coach and Farndons Roads. The store relocated following the opening of the new Main Road in 1926. The store pictured was on the corner of Helen Street and the Main Road. The image was taken in 1930. The photograph was taken by a member of the Dower family.Donated as a jpeg digital image that shows the Mt Dandenong Store on the corner of Helen Street and the Main Road in 1930. Two women and a man are standing at the front. Signs advertising the Store & Post Office, Age and Argus are clearly visible on top of the verandah.Front of image: 1930 Second Mt Dandenong Store replacing original store (Blyths Road)mt dandenong, post office, store, mt dandenong store, main road

An unsealed plastic container of three Virginia Slims 'Women's Tennis' balls. Missing metal ring-pull lid but has a plastic reclosure cap. Contains three original yellow balls. Materials: Metal, Ink, Plastic, Synthetic material, Rubbertennis

Colour photograph. Gallery space on ground floor corridor. Art is coloured abstract paintings from an unidentified artist. Two women appear right of frame. Taken from the corridor towards the south of the QVWC building towards the entrance and Lonsdale street.art exhibitions, historic buildings, cultural structures and establishments

The Female relative's badge with 2 Stars is believed to have belonged to Mrs Keane. She had 2 sons who served with the 6th Battalion 2nd AIF. VX6710 A. Keane was killed in the Battle for Crete on 2nd April 1941. His brother VX6725 L. G. Keane was taken prisoner in the same battle.oo430 . 1 WW1 Memorial Death Plaque, , .2 WW2 Females Relative Badge also known as Women of Australian Badge with 2 stars . 3 WW2 Mother and Widow's Badge also known as the Weeping Woman's Badge with 1 star.Death plaque named to Clyde Alexander Lumsden. Female Relative badge No 8252 Mother and Widows Badge No 708

BHS CollectionDiggers & mining. Life Of The Selectors. Women were always willing helpers with men's work. Markings; Life Of The Selectors Set 432 No. 13 ''The Pioneers'' by George Bell in '' The Story of the Camera in Australia.'' Cato, J., p33 (1955). Used as a teaching aid.Visual Education Centreeducation, tertiary, goldfields

Bella Guerin was born on 23 April 1858, at Williamstown, Victoria. She studied at home to matriculate in 1878, and then gained her Bachelor of Arts from the University of Melbourne in 1883, becoming the first woman to graduate from an Australian university; she followed this with a Master of Arts in 1885. She taught at Loreto Convent, Ballarat, urging the establishment of higher education scholarships to produce ‘a band of noble thoughtful women as a powerful influence for good’. She married an elderly poet, Henry Halloran, who died shortly afterwards leaving her with a young son, Henry. She returned to teaching and from the mid-1890s frequented suffragist circles. A second marriage in 1909 to George D’Arcie Lavender was also short lived. Bella Guerin was vice-president of the Women’s Political Association from 1912–14 and co-authored Vida Goldstein’s 1913 Senate election pamphlet. However, dual membership of the non-party feminist camp and the Labor Party was prohibited by the latter in 1914, so from that date she campaigned for the Victorian Socialist Party and the Women’s Socialist League, speaking out on a range of controversial issues. She led the Labor Women’s Anti-Conscription Fellowship during the 1916 referendum campaign. In 1918, as vice-president of the Labor Party’s Women’s Central Organising Committee, she caused controversy by describing Labor women as ‘performing poodles and packhorses’ who were used for fundraising but under-represented in policy decisions—and she was right. Bella died in Adelaide on 26 July 1923 of cirrhosis of the liver and is remembered for her idealism, her oratory skills and her commitment to equity for women. Black and white photograph copy print of Bella Halloran (nee Guerin) with her son Henry. .2) Photograph that has been removed from displaybella guerin, bella halloran, henry halloran, julia margaret guerin, feminist, university women

Bella Guerin was born on 23 April 1858, at Williamstown, Victoria. She studied at home to matriculate in 1878, and then gained her Bachelor of Arts from the University of Melbourne in 1883, becoming the first woman to graduate from an Australian university; she followed this with a Master of Arts in 1885. She taught at Loreto Convent, Ballarat, urging the establishment of higher education scholarships to produce ‘a band of noble thoughtful women as a powerful influence for good’. She married an elderly poet, Henry Halloran, who died shortly afterwards leaving her with a young son, Henry. She returned to teaching and from the mid-1890s frequented suffragist circles. A second marriage in 1909 to George D’Arcie Lavender was also short lived. Bella Guerin was vice-president of the Women’s Political Association from 1912–14 and co-authored Vida Goldstein’s 1913 Senate election pamphlet. However, dual membership of the non-party feminist camp and the Labor Party was prohibited by the latter in 1914, so from that date she campaigned for the Victorian Socialist Party and the Women’s Socialist League, speaking out on a range of controversial issues. She led the Labor Women’s Anti-Conscription Fellowship during the 1916 referendum campaign. In 1918, as vice-president of the Labor Party’s Women’s Central Organising Committee, she caused controversy by describing Labor women as ‘performing poodles and packhorses’ who were used for fundraising but under-represented in policy decisions—and she was right. Bella died in Adelaide on 26 July 1923 of cirrhosis of the liver and is remembered for her idealism, her oratory skills and her commitment to equity for women. Duplicate photograph of Julia Margaret (Bella) Guerin the first woman graduate of The University of Melbourne, B.A. 1883, M.A. 1885, The original is held by Melbourne University Archives. bella guerin, bella halloran, julia margaret guerin, university of melbourne, graduation, feminist, university women

Depicted is a group of five young women dressed in fancy costumes (two girls sit upon chairs while three girls stand behind them) upon a stage next to an older woman dressed in a formal dress is sitting behind a microphone and table. The women in the photograph are part of a concert party. The older woman is Isabel Rosengren, a local teacher. Black and white rectangular reproduced photograph printed on matte photographic paper.Reverse: 5646 (in black pen)/ Teacher - Isabel Rosengren (in pencil)/ ADVERTISER (stamped in blue ink)/burke museum, beechworth, concert, concert party, isabel rosengren, entertainment album

Mrs Jean Yule O.A.M. was editor of the "Women in the Church" column of the Australian Presbyterian Life newspaper 1960 - 1975. Member of the Presbyterian Church Freedom from Hunger Victorian committee. President of the Presbyterian Women's Association (P.W.A.) 1966 - 1969. Representative to the East Asian Christian Conference. Presbyterian Church Elder; field officer World Christian Action 1974.B & W gloss, waist length photograph of Mrs Jean Yule.mrs jean yule, presbyterian, presbyterian life, freedom from hunger, p.w.a., writer

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. The dress was owned and worn by Kew resident, Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s.Cream silk evening dress with applied ribbon and flowers. The dress has a high round neck and buttoned sleeves and cuffs. It has a zip at the back with hooks and eyes at the neck.mcintyre collection, women's clothing, evening wear, australian fashion - 1970s, evening dresses, dione mcintyre

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This evening dress is one of a number of items donated by Teresa Mayer.Full length black lace evening dress with a fitted black silk lining. The ‘v’ necked gown has a very full skirt. The lace has an abstract floral pattern. The garment has been dated to the 1930s.women's clothing, australian fashion - 1930s, evening dresses, evening wear

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. The outfit was owned, worn and donated to the collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Cream coloured taffeta wedding dress with long leg of mutton sleeves and bustle women's clothing, fashion and textiles collection - kew historical society, wedding dresses, mcintyre collection, dione mcinytre, fashion design, fashion -- 1960s

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.The outfit was owned, worn and donated to the collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Elegant ice green coloured sunray pleated sleeveless dress. The dress comes from the earliest period of Prue Acton's design career [1963-91].Label: Prue Actonaustralian fashion - 1960s, women's clothing, day wear, mcintyre collection

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. The outfit was owned, worn and donated to the collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s.Brightly coloured, long sleeve floral cotton coat dress which has regular pink plastic buttons to waist.Label: Kenneth Pirriekenneth pirrie, women's clothing, australian fashion - 1970s, mcintyre collection, day wear, coat dresses

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This dress is one of a number donated to the collection by Rosemary Vaughan-Smith. Full-length cream and purple paisley pattern evening dress.Nilwomen's clothing, caftans, evening dresses, australian fashion - 1960-1969, rosemary vaughan-smith, australian fashion - 1960s

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This dress is one of a number donated to the collection by Rosemary Vaughan-Smith.Full length multi-coloured striped satin dress cut on the bias. This style became popular in the 1930s.women's clothing, australian fashion - 1930s, evening dresses, rosemary vaughan-smith

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This dress is one of a number donated to the collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Long white raw silk dress with beading and sequins applied to a high neck and short sleeves.women's clothing, australian fashion - 1960s, evening wear, mcintyre collection, dione mcintyre

Black and white photo of a group of Jajoweroung or Loddon Aboriginal people in front of their camp. The group consists of four women sitting behind some wooden branches and four men all in native dress. Two men are standing holding spears and two are sitting. The male standing to the left is Prince Charlie and standing to the right is Batten. Behind them is a hut made of bark and sticks. On the bottom of the photo is printed in black ink 'Aboriginal Camp - on - Boort Creek - 1863 -' Photo is inside envelope 2400 418a. On the back of photo 2400 419a the following is hand written in blue ink. The Jajoweroung or Loddon Tribe of Blacks. Aboriginal Camp - on Boort Creek, 1863. Names of Aborigines - Left to Right. Women sitting in front row - Lizzie, Caroline, Maryanne, Kitty. The two men sitting behind the women - Adam, Nero. The two men standing back row - Prince Charlie, Batten. Photo is in envelope 2400.418aphoto, group, aboriginal camp boort creek, boort creek, prince charles, jajoweroung or loddon tribe

The Australian Woman's Mirror, was an Australian weekly women's magazine published by The Bulletin magazine in Sydney, between 1924 and 1961.Women's magazines reflect class and family structures as well as contemporary women’s role in society. A 32 pp magazine, titled The Australian Woman's Mirror. The magazine's contents include recipes, knitting patterns and articles about fashion, holiday destinations and household tips.It also contains short stories, poems, and a serialised novel. On the front cover is a b/w photograph of a woman wearing a knitted jerkin indicating that the pattern is inside the magazine. The magazine cost 3d and is dated Tuesday, Sept. 4 1945.magazine-the- australian-woman's-mirror literature

The story of men & women from Nathalia & district whose courage & service distinguished them during the Great War.Dark green, soft cardboard cover, black & dark red print on front, spine & back. Background is dark red, front illustrated collection of 14 black/ white, sepia & colour photos. Back has collection of 4 black / white photos & 1 colour poster. 107 pages, cut, plain, white. Illustrated, black/ white, sepia & colour photos, maps, newspaper clippings, certificates.book, courage, nathalia