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Stawell Historical Society Inc
Archive - CD/DVD, CD containing files from creation of 1866 Panorama of Stawell from Big Hill 1866, 2008
Scans made at photographer in Main Street and Digitally Combined. Gold CD with writing Stawell from Big Hill 1866stawell, gold mining -
Lilydale RSL Sub Branch
Stamps, 100 Years of Service, 00/02/2001
Photographers: Historical Norman Brown, Contemporary George GitttoesSheetlet of 10x45c stamps. Historical on left: Charles Byrne and G Walker 29th/46th Btn New Guinea 1943 (AWM #16297) smaller image on left Light Horse on parade 1940 (AWM #001329). Contemporary on right: Trooper Jon Church carrying a child in Rwanda (1995) smaller image upper right Officers on Commando Officer Selection course Jul 1997. Selvedge features images of 13th Australian Light Horse in France 1918 (AWM #EO2979) and a soldier greeting the dawn in Balibo and the Rising Sun badge. -
The Beechworth Burke Museum
Photograph - Carte de Visite, James Bray, 1870
This photograph was taken in c.1870 and depicts Aaron Sherrtt who is best known for his involvements with, and eventual assassination by, the Kelly gang. He stands upright in the image with his arm leaning on a podium which reaches his hip. He is wearing an outfit for which he was infamous. Richard Warren, son of the proprietor of the Ovens and Murray Advertiser once stated that “anyone seeing [Aaron] coming down Ford Street would ask, “Who the hell’s this? Some advance agent for the circus?”’. The outfit Aaron wore for this particular photoshoot is reminiscent of this quote. He wears an unusual spotted shirt with a waistcoat and a sash is tied at his waist. He wears boots which turn up slightly at the toes. The hat is a “pork pie” hat which is worn in the typical “Greta Mob” style with the chinstrap under the nose. Aaron Sherritt was born in 1854 in Prahran, Melbourne, to Irish Protestant parents John and Anne. Sherritt stood at 5 foot 10. He had hazel eyes, dark brown hair and pale olive skin. Sherritt was childhood friends with Kelly Gang member, Joe Byrne, having previously attended the same school. Both men had a reputation for stealing horses and on one occasion, after stealing and butchering a cow, Sherritt and Byrne were convicted to six months in Beechworth Gaol (1876). Sherritt, along with Byrne, were reportedly recruited by Ned Kelly in 1877 in stealing stock; however, Sherritt never became a fully-fledged member of the Kelly Gang. Nevertheless, Sherritt scouted for the Kelly Gang in 1878. He later struck a deal with the police (specifically, with Chief Commissioner Standish) to save Joe Byrne's life in exchange for leading the police to the other members of the Gang. From then on, Aaron Sherritt lived the dangerous life of a double agent, providing police with what is assumed today to have been outdated or incorrect information in return for money. On the 26th of June 1880, Aaron Sherritt was murdered in the Woolshed Valley. He was approximately 23-25 years old at death. This event marked the start of the Kelly gang’s last days. Sherritt was murdered by Byrne in front of his wife, 15 year old and heavily pregnant Ellen “Belle” Sherritt and her mother Ellen Barry. Also in the Sherritt dwelling on this particular night were four policemen. The intention behind Sherritt’s murder was for the police to send word to Melbourne that the Kelly gang had murdered Sherritt and a police train would be sent to Glenrowan where the rest of the Kelly gang were waiting. This plan did not go as predicted and ultimately the Kelly gang fell at Glenrowan in 1880. This photograph was taken by James Bray who worked as a professional photographer in Camp Street Beechworth from 1870-1891. He was one of four men who photographed the Kelly Gang after the siege in Glenrowan in 1880. He is also renowned for his previous work photographing members of the Kelly gang. This photograph is part of the Burke Museum "Kelly album" which includes a significant collection of photographs and artefacts connected to Ned Kelly and the Kelly Gang. Ned Kelly and his gang have become ingrained in Australian popular culture and thus many museums, art galleries and private collections house material connected to the Kelly story which allows the events and people to be researched and interpreted. Artefacts and photographs pertaining to the Kelly gang are particularly valuable for Australian museums. This particular photograph is significant for its connection to Beechworth photographer James Bray who is responsible for many images depicting members of the Kelly Gang. The photograph is also of artistic significance as an example of a Carte de Viste dating to 1880 and it's connection to Aaron Sherritt.Sepia rectangular photograph printed on card. Obverse: J.E.Bray./ Photo/ Beechworth Reverse: Portrait & Landscape/ Photographer 5/ Aaron Sherritt J E Bray Signature Beechworth/ Victoria Beware (almost erased out) Negatives Kept. Copies 5I/.Each May/ Be Had By Forwarding Name And Address/ Accompanied With Remittance To/ The Amount Of Order/ Photographs Coloured In Water Colours 10237. kelly album, woolshed valley, 1870s, kelly gang, joe byrne, ned kelly, aaron sherritt, james bray, beechworth, burke museum -
Tatura Irrigation & Wartime Camps Museum
Photograph, Goulburn Waranga No.2 Main Channel, 1957
Taken by the photographer for Victoria State Rivers and Water Supply Commission.Large sepia photograph dry mounted to cream board. Excavated channel with three levels - water in the lowest level, truck facing forward, second level, gang of workmen far distant on lowest level. Trees on horizon beyond top of bank.Below photo: "Goulburn-Waranga No.2 Channel"irrigation, channel, goulburn, waranga, victoria state rivers and water supply commission -
Tatura Irrigation & Wartime Camps Museum
Photograph, The Goulburn-Waranga Main Channel, 1957
Taken by the photographer for Victoria State Rivers and Water Supply Commission.Sepia photograph - dry mounted on cream cardboard. Wide view of water-filled channel, trees lining each bank Large photographAbove photo - "The Goulburn Waranga Main Channel"irrigation, goulburn, waranga, victoria state rivers and water supply commission, channel -
Tatura Irrigation & Wartime Camps Museum
Photograph, East Goulburn Main Channel, 1957
Taken by the photographer for Victoria State Rivers and Water Supply Commission.Large sepia photograph dry mounted on cream cardboard. 15" diameter concrete pylon, wooden scaffolding, with two men, left foreground, looking up into syphon mouth, one pointing right arm and index finger of right hand.Below Photo: "East Goulburn Main Channel / Construction of 15" Diameter Concrete Syphon" irrigation, goulburn, victoria state rivers and water supply commission, channel -
Tatura Irrigation & Wartime Camps Museum
Photograph, Goulburn-Waranga Channel, 1957
Taken by the photographer for Victoria State Rivers and Water Supply Commission.Large sepia photograph Dragline left of centre, with scoop bucket in action, right of centire, two men left of dragline cabin - wall of earth in foreground.Above photo: "Goulburn - Waranga Channel / Bucyrus 200W Walking Dragline"irrigation, goulburn, victoria state rivers and water supply commission, channel, dragline, bucyrus 200w -
Tatura Irrigation & Wartime Camps Museum
Photograph, Cattanach Canal, 1957
Taken by the photographer for Victoria State Rivers and Water Supply Commission.Large black and white photograph. Water in lowest level of canal, three levels of embankment shown on either side, rock fill left foregroundBelow photo: "Cattanach Canal"irrigation, victoria state rivers and water supply commission, cattanach canal -
Tatura Irrigation & Wartime Camps Museum
Photograph, Cattanach Canal, 1957
Taken by the photographer for Victoria State Rivers and Water Supply Commission.Large sepia photograph - water filled channel inlet and bank - Man standing on platform looking down on concrete wall of measuring weir.Above photo: "Cattanach Canal / Inlet and Measuring Weir to Waranga Basin."irrigation, victoria state rivers and water supply commission, cattanach canal -
Tatura Irrigation & Wartime Camps Museum
Photograph, Cattanach Canal, 1957
Taken by the photographer for Victoria State Rivers and Water Supply Commission.Large sepia photograph - large stretch of water in foreground, men leaning down from platform above measuring weir in middle of photograph - trees on bank left and middle distance.Above photo: "Cattanach Canal / Inlet and Measuring Weir to Waranga Basin."irrigation, victoria state rivers and water supply commission, cattanach canal, waranga basin, measuring weir -
Tatura Irrigation & Wartime Camps Museum
Photograph, Cattanach Canal, 1957
Taken by the photographer for Victoria State Rivers and Water Supply Commission.Large sepia photograph - Concrete structure, side wings, three centre supports, platform and framework above. Man standing, looking up from base. Cracked earth floor and embankment.Above photo: "Cattanach Canal / Regulator on Connection to No.1 Main Channel"irrigation, victoria state rivers and water supply commission, cattanach canal -
Tatura Irrigation & Wartime Camps Museum
Photograph, Cattanach Canal, 1957
Taken by the photographer for Victoria State Rivers and Water Supply Commission.Large sepia photograph - Construction equipment middle foreground, two bridges, truck crossing second bridge, trees, flat paddock, scattered trees, man working on nearer concrete bridge support.Below photo: "Cattanach Canal / Rail and Highway Bridges near Murchison"irrigation, victoria state rivers and water supply commission, cattanach canal, bridges -
Tatura Irrigation & Wartime Camps Museum
Photograph, Weed clearing - irrigation channel, 1957
Taken by the photographer for Victoria State Rivers and Water Supply Commission.Large black and white photograph Irrigation channel, weed clearing equipment in operation middle. Male operator, male observer behind, long unkempt weeds both sides of channelBelow photo: "Cleaning weeds and Silt from Supply Channel near Tatura"irrigation, victoria state rivers and water supply commission, channel maintenance -
Tatura Irrigation & Wartime Camps Museum
Photograph, New Fence Styles - Irrigation Channels, 1957
Taken by the photographer for Victoria State Rivers and Water Supply Commission.Large black and white photograph Concrete "fence" styles - One male worker handling sample in mid-distance, right of centre.Below photo: "New Fence Styles to enable easy access onto Commission Channel Reserves."irrigation, victoria state rivers and water supply commission, channel maintenance -
Stawell Historical Society Inc
Photograph, Scothman's United Mine c1877. Same as 6791
Stawell Mining Scene taken by Charles Nettleton Photographer 1877stawell -
Stawell Historical Society Inc
Photograph, Scothman's United Mine c1877
Stawell Mining Scene taken by Charles Nettleton Photographer 1877stawell -
Stawell Historical Society Inc
Photograph, Scothman's United Mine c1877. Same as 6791
Stawell Mining Scene taken by Charles Nettleton Photographer 1877stawell -
Malmsbury Historical Society
Photograph (Item), Meta Townsend Married A Sturgess, Malmsbury c1900
People - "Townsend, Meta" Associated with - Swiss Studios Melbourne (Photographer) -
Malmsbury Historical Society
Photograph (Item), Studio Portrait Of Meta Townsend C1888, Malmsbury c1888
People - "Townsend, Meta" Associated with - "Smith, W. H. (Photographer)" -
Malmsbury Historical Society
Photograph (Item), Studio Portrait Of Meta Townsend Aged 15 1903, Malmsbury 1903
People - "Townsend, Meta" Associated with - Talma & Co. Melbourne (Photographer) -
Ballarat Tramway Museum
Negative, Wal Jack, No. 23 as the Gold Tram at Victoria St to meet the Cobb and Co coach, 20/08/1951
The photographer notes that it was the last day of operation of No. 23, the Gold tram.Yields information about celebrations to welcome the Cobb and Co coach from Melbourne during the Centenary of Gold in Ballarat.Negative and Digital images of the Wal Jack Ballarat Negative file of No. 23 as the Gold Tram at Victoria St to meet the Cobb and Co coach (See Reg Items 5321 and 5323 and 8994 for a print.) Taken by Wal Jack 20-8-1951. Many people on the street attending the event.trams, tramways, gold tram, victoria st, special trams, tram 23 -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - anhydrous milk fat packaged in the Butteroil plant, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: Butteroil Plant (typed on paper sticky-taped to back, centre) Ralph Illidge Pty. Ltd./Photographer - Camera Supplies/ 75 Liebig St., Warrnambool 2239 (red and purple ink stamp, lower left)port of portland archives, butteroil plant, ralph illidge, portland -
Knox Historical Society Inc.
Photograph, Group photo at Fern Tree Gully in 1896, 1896
The photo is of a group of 15 women and 11 men in bush type location with many holding a glass bottle presumably of refreshment. A note on the reverse side indicates that the photo may have been taken on Boxing Day (..."ing Day Fern Tree Gully 1896" but the corner of the photo with the rest of the inscription is missing). The photo is significant as it was taken by George Rose of "The Rose Collection" fame. It was noted on the reverse side was taken at Fern Tree Gully (written the early way as seperate words rather than Ferntree Gully as written today).Group Photo Sepia Fixed to mounting boardSticker affixed to reverse side- Should any copies of this Photograph be required kindly quote number to prevent mistakes.- No. 510 Photographer: Geo. Rose, 123 Chapel Street, Windsor. Inscription: ...ing Day, Fern Tree Gully 1896photo fern tree gully 1896 no.510 -
Kew Historical Society Inc
Photograph, Stuart Tompkins Studios, Kew Municipal Library: Opening of Extentions by The Hon. L.W. Balvin M.L.A. Chief Secretary, 19 October 1954
Kew Library history: 1860: Kew's first library was the Kew Literary and Scientific Society, which opened on 6 August 1860. 1884: Kew Town Hall was extended and the library transferred to a room on the upper floor. This was not an ideal arrangement as the room was required for Council purposes. 1904: A cottage adjoining Kew Town Hall was purchased for use as a library. 1937: The library was closed for a major overhaul of stock and renovation of the building. It reopened in December 1937 and remained there for more than 35 years. 1973: When the Civic Centre opened in Charles Street, Kew, the library moved in. 1987: Kew Library moved to its current location in the converted city hall, overlooking the beautiful Alexandra Gardens. The library was officially opened at this site on Friday 23 October 1987 by the Mayor of Kew, Cr James Tutt.An historically interesting photographic record of investment in public infrastructure and services by municipal councils during the 1950s. Framed photographic collage showing the opening of Extensions to the Kew Municipal Library by The Hon. L.W. Balvin M.L.A. Chief Secretary on 19 August 1954. The photos are in their original mount and frame.[Inscription] "Kew Municipal Library: Opening of Extentions by The Hon. L.W. Balvin M.L.A. Chief Secretary 19.8.1954, with Cr. A.S.C. Stevens J.P. Mayor and Cr. W.D. Vaughan J.P. Chairman Library Council". [Photographer] "Stuart Tompkins Studios."kew library, cr a.s.c. stevens, cr w.d. vaughan, australian photographers - stuart tompkins studio -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph - Remount section
Remount Section broke and prepared horses for Light Horse RegimentsRare photo of men of very small unitBlack and white photograph mounted on card of eight soldiers posed in front of building. The soldiers on either end of group are possibly indigenous men.On reverse " Remount Depo ( sic ) " and " Mr. J. Bell Box 5 Wangaratta " also in faint pencil " L - 1003 - 1 " and very faint ink stamp " M B Read Photographer 10 Mathews Pd Toorak Melbourne "military, horses, remount, world war one, wwi, aboriginal -
Surrey Hills Historical Society Collection
Photograph, David Miller and Lily Vipond Mair and family and friends on outing, c1932
David Miller (Dave) Mair (1879-1938) married Lily Vipond Deakin (1890-1945) in 1910. They had 5 children: Geoffrey David (1913-1970), Beryl (1916-1976), Gwynneth (1917-1997), Isabel Lillian (1921-1997) and Shirley Inez (1928-1968). Personal communication from Laurie Newton, Beryl's daughter: Dave and Lily initially lived in East Melbourne after they married. Dave walked across the gardens to work at the MCG. He never drove or owned a car. Geoffrey, Beryl and Gwynneth were born in East Melbourne. They subsequently moved to Louise Avenue, Mont Albert and Isabel may have been born while they were there. Later they purchased 20 Barton Street, Mont Albert. Shirley was born after they moved to Barton Street. Electoral roll details: 1919 68 Park Street, Hawthorn 1922 24 Louise Avenue, Mont Albert 1924 20 Barton Street, Mont Albert Dave Mair was a very keen sportsman. The woman named as Mattie was Martha Dunham Brooks b1892, Camberwell. She was the daughter of Arthur 'Empire' Brooks and his wife Mary Jane Wilson who lived at 21 York Street. They also had twin boys: Thomas Moffat Brooks – b. 1899, Surrey Hills; d. 1906 and Edwin Dunham Wilson Brooks – b. 1899, Surrey Hills; d. 1971 Heidelberg. The donor remembered the later as a builder of 11 York Street. Martha m. Clifford Ernest Cairns in 1935. Mattie Cairns was the donor's godmother. This is part of a large donation of material from the Deakin, Mair and Young families. This is part of a large donation of material from the Deakin, Mair and Young families all of which had connections with Surrey Hills / Mont Albert.A black & white photo of a man, a women, 2 women, a girl and a young lady beside a car in a country setting. The girl is bending to pat a dog.On rear: "Mum Dad Mair / Shirl Isabel Mattie / Digger - Cliff Cairns / Dog" in blue biro. Thought to be Beryl Mair's handwriting. "LILY" and "DAVE" in lead pencil above Mum and Dad. Photographer's stamp "653" in blue ink.dave mair, david miller mair, lilly vipond deakin, lily vipond mair, shirley inez mair, isabel lillian mair, mattie brooks, martha dunham brooks, cars -
Federation University Historical Collection
Photograph - Black and White, Foto: Vinders, Frank Wright, Officials and Child at Kerkrade, 1960's
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of three men and a child. A man, Frank Wright, is bending down to shake the hand of a young boy who is seated on a small chair in the middle of a sports ground. Squatting next to him is another man, possibly his father and behind the child is a man dressed in a uniform. At the bottom of the photo, the head of another photographer can just be seen. In the background can be seen a large audience in the stands and several officials are standing watching the interaction between Frank and the child. The place is Kerkrade, the Netherlands.Hand written on the front of the mounting board - Foto Vindersfrank wright, foto vinders, kerkrade -
Bendigo Historical Society Inc.
Slide - HORWOOD COLLECTION: VICTORIA HILL, c1965
Horwood Collection. 2 poppet heads one near the Long Gully Church on the corner of Creeth Street and Eaglehawk Rd the other past that one in the distance most likely Victoria Hill. Petrol station to the right of the road is now a BP Station on the corner of Cuneen St. and Eaglehawk Rd. View from Eaglehawk Rd. Long Gully. (Car in driveway must belong to the photographer as this car is in many of the photos.). Victoria Hill 2 poppet legs from Eaglehawk Rd. Long Gully. OCT65M Made in AustraliaKodakmine, gold, victoria hill, horwood collection. 2 poppet heads one near the long gully church the corner of creeth street and eaglehawk rd the other in the distance most likely victoria hill. petrol station to the right of the road now bp station corner of cuneen st. and eaglehawk rd. , view from e'hawk rd., long gully. victoria hill 2 poppet legs from e'hawk rd long gully -
Bendigo Historical Society Inc.
Photograph - HOUSE & HORSE & BUGGY
Small photograph of a weatherboard house with a tiled roof. The house has an unequal gable, a veranda at the front and part way down one side which is made into a room. It has the same roof material as the house. At the back is a large chimney just above gable height. There are some short shrubs at the side of the house and a picket fence with a girl standing in front of it. In front of the house is the horse and buggy with the family sitting in it. In the foreground is the driveway and some shrubs. Photo mounted on white card with a gold border and photographer's name faintly on the back in pink.? Baume, 5 Collins St., Melbournebuildings, house, homes, house & horse & buggy, ? baume -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A LADY
Small head and shoulder portrait of a lady. The portrait is very pale. She is wearing a dark dress with a wide lacy collar and a brooch at the neckline. She is wearing a lacy type of hat. Photo mounted on cream card with rounded corners and black printing on the front and back. The back has a Coat of Arms and printing: - By Special Appointment. Photographer to His Excellency the Lord Lieutenant of Ireland and patronized by H. R. H. The Prince of Wales and H. R. H. the Duke of Cambridge. Date printed on the back is 1887.J. T. Haden, 255 Broad Street, Birminghamphotograph, portrait, female, portrait of a lady, j t haden