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National Wool Museum
Ledger, 1936-1937
Found in the National Wool Museum, may have been used in the wool brokers office display. Although it is unclear, we believe it may be the original wool broker ledger for one of the agents working out of the Dennys Lascelles building. Ledger contains an alphabetic list (by surname) of all wool growers who sold through this agent/broker, including name, number of bales/fadges/sacks, property address, bale stencil used, stock agent rebate and date of arrival. There is also a list of new clients on the back pages.Cloth-bound cardboard front and back cover ledger. Covers and spine are brown. Pale brown sticker on front indicates the year, some of the numbers are printed in reverse. Ledger contains lined pages with headings below which is hand-written text in pen and pencil, listing names and details in alphabetical order. -
National Wool Museum
Ledger, 1935-1936
Found in the National Wool Museum, may have been used in the wool brokers office display. Although it is unclear, we believe it may be the original wool broker ledger for one of the agents working out of the Dennys Lascelles building. Ledger contains an alphabetic list (by surname) of all wool growers who sold through this agent/broker, including name, number of bales/fadges/sacks, property address, bale stencil used, stock agent rebate and date of arrival. There is also a list of new clients on the back pages.Cloth-bound cardboard front and back cover ledger. Covers and spine are red. Faded white sticker on front indicates the year. Ledger contains lined pages with headings below which is hand-written text in pen and pencil, listing names and details in alphabetical order. -
National Wool Museum
Archive (Series) - Ledger, 1925-1926
Wool broker ledger for an agent working out of the Dennys Lascelles building. Ledger tracks information on wool growers who sold with agent working out of the Deenys Lascelles building. Includes name, number of bales/fadges/sacks, property address, bale stencil used, stock agent rebate and date of arrival. Also contains a list of new clients on back pages.Alphabetical wool brokerwool broker -
National Wool Museum
Ledger, 1928-1929
Found in the National Wool Museum, may have been used in the wool brokers office display. Although it is unclear, we believe it may be the original wool broker ledger for one of the agents working out of the Dennys Lascelles building. Ledger contains an alphabetic list (by surname) of all wool growers who sold through this agent/broker, including name, number of bales/fadges/sacks, property address, bale stencil used, stock agent rebate and date of arrival. There is also a list of new clients on the back pages.Cloth-bound cardboard front and back cover ledger. Covers and spine are green. Faded white sticker on front indicates the year. Ledger contains lined pages with headings below which is hand-written text in pen and pencil, listing names and details in alphabetical order. -
National Wool Museum
Ledger, 1921-1922
Found in the National Wool Museum, may have been used in the wool brokers office display. Although it is unclear, we believe it may be the original wool broker ledger for one of the agents working out of the Dennys Lascelles building. Ledger contains an alphabetic list (by surname) of all wool growers who sold through this agent/broker, including name, number of bales/fadges/sacks, property address, bale stencil used, stock agent rebate and date of arrival. There is also a list of new clients on the back pages.Cloth-bound cardboard front and back cover ledger. Covers are green and spine is red. Faded white sticker on front indicates the year. Ledger contains lined pages with headings below which is hand-written text in pen and pencil, listing names and details in alphabetical order. -
National Wool Museum
Ledger, 1930-1931
Found in the National Wool Museum, may have been used in the wool brokers office display. Although it is unclear, we believe it may be the original wool broker ledger for one of the agents working out of the Dennys Lascelles building. Ledger contains an alphabetic list (by surname) of all wool growers who sold through this agent/broker, including name, number of bales/fadges/sacks, property address, bale stencil used, stock agent rebate and date of arrival. There is also a list of new clients on the back pages.Cloth-bound cardboard front and back cover ledger. Covers and spine are red. Pale brown sticker on front indicates the year. Ledger contains lined pages with headings below which is hand-written text in pen and pencil, listing names and details in alphabetical order. -
National Wool Museum
Ledger, 1920-1921
Found in the National Wool Museum, may have been used in the wool brokers office display. Although it is unclear, we believe it may be the original wool broker ledger for one of the agents working out of the Dennys Lascelles building. Ledger contains an alphabetic list (by surname) of all wool growers who sold through this agent/broker, including name, number of bales/fadges/sacks, property address, bale stencil used, stock agent rebate and date of arrival. There is also a list of new clients on the back pages.Cloth-bound cardboard front and back cover ledger. Covers are navy blue and spine is black. Faded white sticker on front indicates the year. Ledger contains lined pages with headings below which is hand-written text in pen and pencil, listing names and details in alphabetical order. -
National Wool Museum
Certificate
Certificate awarded to Mr. Charles Wilson Peel for the best sample of merino lambs wool at the annual show for the Geelong Agricultural and Pastoral Society. The certificate is undated. Mr Peel owned a superfine merino stud at Gnawarre named Callenondah.Cream coloured stiff paper certificate with black printed text and sketches. Black ink handwritten personalised text to C.W. Peel for best lambs wool sample. Heading at top of certificate above the Australian coat of arms and sketch of horse and cow heads. -
National Wool Museum
Certificate
Certificate awarded to Mr. Charles Wilson Peel for the best sample of merino lambs wool at the annual show for the Geelong Agricultural and Pastoral Society. The certificate is undated. Mr Peel owned a superfine merino stud at Gnawarre named Callenondah.Red coloured stiff paper certificate with black printed text and sketches. Black ink handwritten personalised text to C.W. Peel for best lambs wool sample. Heading at top of certificate above the Australian coat of arms and sketch of horse and cow heads. -
National Wool Museum
Certificate
Certificate awarded to Mr. Charles Wilson Peel for the best sample of merino lambs wool at the annual show for the Geelong Agricultural and Pastoral Society, 1973. The certificate is undated. Mr Peel owned a superfine merino stud at Gnawarre named Callenondah. Red coloured stiff paper certificate with black printed text and sketches. Black ink handwritten personalised text to C.W. Peel for best lambs wool sample. Heading at top of certificate above the Australian coat of arms and sketch of horse and cow heads. -
National Wool Museum
Certificate
Certificate awarded to Mr. Charles Wilson Peel for the best sample of merino lambs wool at the annual show for the Geelong Agricultural and Pastoral Society. The certificate is undated. Mr Peel owned a superfine merino stud at Gnawarre named CallenondahRed coloured stiff paper certificate with black printed text and sketches. Black ink handwritten personalised text to C.W. Peel for best lambs wool sample. Heading at top of certificate above the Australian coat of arms and sketch of horse and cow heads. -
National Wool Museum
Document - Certificate, 1973
Certificate awarded to Mr. Charles Wilson Peel for the best sample of Corriedale ewe or wether fleece at the annual show for the Geelong Agricultural and Pastoral Society, 1973. The certificate is undated. Mr Peel owned a superfine merino stud at Gnawarre named Callenondah.Red coloured stiff paper certificate with black printed text and sketches. Black ink handwritten personalised text to C.W. Peel for best corriedale wool sample. Heading at top of certificate above the Australian coat of arms and sketch of horse and cow heads.geelong agricultural and pastoral society, corriedal ewe, wether fleece, charles wilson peel -
National Wool Museum
Certificate
Certificate awarded to Mr. Charles Wilson Peel from the Geelong Legacy Fleece Show, 1969. The certificate is for Third Prize. Mr Peel owned a superfine merino stud at Gnawarre named Callenondah.Cream coloured stiff paper certificate with navy blue printed text and sketches. Black ink handwritten personalised text to C.W. Peel at Gnawarre. Heading at top of certificate above two symbolic rams. This certificate is for Class N, Section 1. -
National Wool Museum
Certificate
Certificate awarded to Mr. Charles Wilson Peel from the Geelong Legacy Fleece Show, 1969.. The certificate is for Third Prize. Mr Peel owned a superfine merino stud at Gnawarre named Callenondah.Cream coloured stiff paper certificate with navy blue printed text and sketches. Black ink handwritten personalised text to C.W. Peel at Gnawarre. Heading at top of certificate above two symbolic rams. This is for Class M, Section 1. -
National Wool Museum
Certificate
Certificate awarded to Mr. Charles Wilson Peel from the Geelong Legacy Fleece Show, 1973. The certificate is for Third Prize. Mr Peel owned a superfine merino stud at Gnawarre named Callenondah.Cream coloured stiff paper certificate with navy blue printed text and sketches. Black ink handwritten personalised text to C.W. Peel at Gnawarre. Heading at top of certificate above two symbolic rams. This is for Class K, Section 1. -
National Wool Museum
Certificate
Certificate awarded to Mr. Charles Wilson Peel from the Royal Agricultural Society of Victoria, 1969. The certificate is for Third Prize. Mr Peel owned a superfine merino stud at Gnawarre named Callenondah. Cream coloured stiff paper certificate with dull gold/green borders, black text and grey typed personalised text to C.W. Peel for Merino lambs wool. Heading at top of certificate. -
National Wool Museum
Photograph - 01 Bendigo, Nicole Marie, Women In Wool - Photographic Collection, 2018
National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie -
National Wool Museum
Photographs, 1930-1939
Humorous photographs of overseas wool buyers in Australia around late 1930s. Photographs have names of wool buyers on the rear of the image. Images were a joke between wool buyers created by superimposing the head of the wool buyer on a famous person's torso. Some images also have name of famous person's torso on rear.26 Photographs in total. Each has a famous person's torso with the face of a overseas wool buyer superimposed on top. On the rear of the image is the name of the overseas wool buyer.Photographs have names of wool buyers on the rear of the image. Some images also have name of famous person's torso on rear. Inscriptions are written in pencil and are have a cursive fontwool sales -
National Wool Museum
Stencil - BUNKER HILL
This stencil was used as a property name for the transportation of wool bales. All wool bales stamped with BUNKER HILL would have transported from or to Bunker Hill.Wool bale export stencil - BUNKER HILLBUNKER HILLwool transportation, wool sales, wool export -
National Wool Museum
Stencil - TIENSIN
This stencil was used as a property name for the transportation of wool bales. All wool bales stamped with TIENSIN would have transported from or to Tiensin.Wool bale export stencil - TIENSINTIENSINwool transportation, wool export, wool sales -
National Wool Museum
Stencil - R CARN
This stencil was used as a property name for the transportation of wool bales.Wool bale export stencil - R CARNR CARNwool sales, wool transport, wool export -
National Wool Museum
Stencil - EURIPIDES
This stencil was used as a ship identifier stamp for the transportation of wool bales. Euripides was a transport ship summoned by the Australian government in 1914 to carry soldiers of the Australian Imperial Force and reinforcements to battalions serving in Gallipoli, Egypt, and on the Western Front. The ship continued to carry troops until 1919. During the Second World War Euripides was again summoned by the Australian Government under its new name ‘Akaroa’. The ship retired and broken up in 1954. Wool bales marked EURIPIDES would have been transported on the Euripides ship.Wool bale stencil - EURIPIDESEURIPIDESwool sales, wool transportation, wwi, wwii -
National Wool Museum
Stencil - PORT
This stencil was used to identify the destination of wool bales. The PORT stencil would be used as a prefix to the destination name.Wool bale export stencil - PORTPORTwool - transportation, wool sales, wool class, wool classers -
St Kilda Historical Society
Photograph, Plaque marking the site of the first block of land sold in the first Crown Land Sales in St Kilda 7 Dec 1842, c. 1980s?
colour photograph unmounted (2 identical photographs)This plaque marks the site of the first block of land sold in the first Crown Land Sales in St Kilda 7 Dec 1842. The buyer was Lieut. James Ross Lawrence, R N, Captain of the Schooner 'Lady of St Kilda'. He named Acland st after Sir Thomas Dyke Acland, owner of "The Lady of St Kilda". This plaque was unveiled by Commander RS Veale RAN (retd) CMG for St Kilda City Council. 24 March 1985. -
St Kilda Historical Society
Photograph, Christ Church St Kilda exterior - images collection #1
Christ Church was constructed in 1854-57 and designed in Decorated Gothic style by Albert Purchase & Charles Swyer. It was enlarged in 1874 and 1881 to the designs of Sydney W Smith. It is one of four main buildings constructed on land granted to the Church of England in 1855 and named Church Square. The other buildings are the bishop's residence, vicarage and parish hall. Heritage Victoria describes it as a 'rare and significant square in the history of town planning in Victoria which demonstrates the importance of the church to the community'. It is built from rarely used undressed random coursed sandstone from Point King Sorrento. It is located at 14 Acland Street, St Kilda. The triangular rose window is said to have been modelled on Lichfield Cathedral and shows outstanding craftsmanship. According to Heritage Victoria, the only other known example in Victoria is at St Georges Presbyterian Church in East St Kilda, designed by the same architect, Albert Purchas.colour photograph unmountedrose window, acland street, purchase, swyer, st kilda, christ church -
St Kilda Historical Society
Photograph, 26/11/1978
Image taken on a bus trip, 26 November 1978. Christ Church was constructed in 1854-57 and designed in Decorated Gothic style by Albert Purchase & Charles Swyer. It was enlarged in 1874 and 1881 to the designs of Sydney W Smith. It is one of four main buildings constructed on land granted to the Church of England in 1855 and named Church Square. The other buildings are the bishop's residence, vicarage and parish hall. Heritage Victoria describes it as a 'rare and significant square in the history of town planning in Victoria which demonstrates the importance of the church to the community'. It is built from rarely used undressed random coursed sandstone from Point King Sorrento. It is located at 14 Acland Street, St Kilda. The triangular rose window is said to have been modelled on Lichfield Cathedral and shows outstanding craftsmanship. According to Heritage Victoria, the only other known example in Victoria is at St Georges Presbyterian Church in East St Kilda, designed by the same architect, Albert Purchas.colour photograph polaroidSKHS Bus trip 26/11/78 Christ Churchrose window, acland street, purchase, swyer, st kilda, christ church, churches -
St Kilda Historical Society
Photograph, Boer War Memorial, c. 1991?
List of names from C to Wcolour photograph unmountedTroopers: J C Cowden, J P Deegan, W J Eddington, J Gardiner, J A Madden, W Henderson, L Hutchinson, W Leishman, H V Mays, M R Morris, C A Mullen, G Mullen, L L Mullen, F L Newell, T J F Putt, S Parrott, R Pomeroy, J C Ross, F Raleigh, G Smith, S Smith, P SInclair, C G Stewart, J M Thomas, S Tompsitt, G M Wells, H T Wells, D H Willan -
St Kilda Historical Society
Photograph, Christ Church St Kilda exterior - images collection #2
Christ Church was constructed in 1854-57 and designed in Decorated Gothic style by Albert Purchase & Charles Swyer. It was enlarged in 1874 and 1881 to the designs of Sydney W Smith. It is one of four main buildings constructed on land granted to the Church of England in 1855 and named Church Square. The other buildings are the bishop's residence, vicarage and parish hall. Heritage Victoria describes it as a 'rare and significant square in the history of town planning in Victoria which demonstrates the importance of the church to the community'. It is built from rarely used undressed random coursed sandstone from Point King Sorrento. It is located at 14 Acland Street, St Kilda. The triangular rose window is said to have been modelled on Lichfield Cathedral and shows outstanding craftsmanship. According to Heritage Victoria, the only other known example in Victoria is at St Georges Presbyterian Church in East St Kilda, designed by the same architect, Albert Purchas. The Church has a varied collection of stained glass, including work by leading stained glass firms and artists in Victoria in the nineteenth and early twentieth century: Ferguson & Urie, William Montgomery and Brooks Robinson. The 'shipwreck window,' north west transept, is an historically significant memorial window dedicated to Miles and William Dalzell Nicholson, the second and third sons of the Hon. William Nicholson, M.L.A, a Lord Mayor of Melbourne and Premier of Victoria in the 1850s. Miles, died in England on 27 April 1874. His younger brother William died in the wreck of the ‘British Admiral’ off King Island on 23 May 1874. The images show the condition of the church at the time they were taken (c 2012). Signs of deterioration can be seen. The bell is not rung any more because of damage to the stonework.There has been some remedial work since and the National Trust of Australia conducted a heritage restoration appeal.churches, acland street, purchase, swyer, st kilda, christ church -
St Kilda Historical Society
Photograph, Boer War Memorial
colour photograph, unmountedphotograph of memorial clearly depicting names of soldiers -
St Kilda Historical Society
Photograph, Boer War Memorial
colour photograph, unmountedphotograph of memorial clearly depicting names of soldiers