Showing 6112 items
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Glen Eira Historical Society
Article - Shoobra Road, 63, Elsternwick
3 items on 63 Shoobra Road: 1/An advertising article dated 19/03/2004, from Property Review Weekly, giving details of original features and renovations done to 63 Shoobra Road, for forthcoming auction by Gary Peer. 2/Handwritten research by Claire Barton on 63 Shoobra Road giving house name in the 1910 Sands & McDougalls and owner/tenant, dated 30/09/2011. 3/An auction advertisement for 63 Shoobra Road on 06/12/2014 (newspaper add hand-dated as 11/11/2014).shoobra road, real estate agents, house names, elsternwick, wymswold, verandahs, street charles, fireplaces, architectural features, cast iron work, marble, gary peer & associates, stables, bay windows, carports -
Federation University Historical Collection
Photograph - Photo, Clare Gervasoni, Cockatoos visit the Geoffrey Blainey Research Centre at Federation University Australia, 2019, 21//2019
The sulphur crested cockatoo (scientific name Cacatua galerita) is a large white parrot with dark grey-black bill, a distinctive sulphur-yellow crest and a yellow wash on the underside of the wings. Sexes are similar, although the female can be separated at close range by its red-brown eye (darker brown in the male). Sulphur-crested Cockatoos are found in a variety of timbered habitats and are common around human settlements. The birds stay in the same area all year round. (http://www.birdsinbackyards.net/species/Cacatua-galerita, accessed 12/06/2014)Two Sulphur-crested cockatoos on the window ledge of the Geoffrey Blainey Research Centre at Federation University Australia. Numerous birds visit 'dance' along the window ledge including cockatiels, Magpie Larks, Crows and Rosellas.federation university australia, geoffrey blainey research centre, cockatoo, birds, native birds, sulphur-crested cockatoo -
Ballarat RSL Sub-Branch Inc.
Bible - New Testament
This object relates to Leslie Royce LILLINGSTON. He was born on 30/10/1917 in Ballarat, VIC. Leslie Royce served in the Army (VX22256) enlisting on, 05/06/1940 in Ballarat, VIC before being discharged from duties with the 2/12 FLD REGT as a Army Non-Commissioned Sergeant (SGT) on 14/01/1946. Leslie Royce LILLINGSTON was not a prisoner of war. Les Lillingston died 24/1/1991. His next of kin is George LILLINGSTON. He was a Rat of Tobruk 1941 9 DIV 2/12 BTN.Inscribed inside front cover - To Private G. W. Brady No. 3173 38th Btn Inf. A.I.F. No. 12 Camp Dorrington With Every Good Wish 9:11:1917 J Redmond C/E Chaplain 1st 2nd & 3rd T.B'sfirst world war (ww1), 1914 - 1918, literature, ballarat rsl, ballarat -
Ballarat RSL Sub-Branch Inc.
Wallet
This object relates to Leslie Royce LILLINGSTON. He was born on 30/10/1917 in Ballarat, VIC. Leslie Royce served in the Army (VX22256) enlisting on, 05/06/1940 in Ballarat, VIC before being discharged from duties with the 2/12 FLD REGT as a Army Non-Commissioned Sergeant (SGT) on 14/01/1946. Leslie Royce LILLINGSTON was not a prisoner of war. Les Lillingston died 24/1/1991. His next of kin is George LILLINGSTON. He was a Rat of Tobruk 1941 9 DIV 2/12 BTN.personal items, ballarat rsl, ballarat -
Ballarat Tramway Museum
Slide - 27 mm sq slide/s - set of 3, Lilian Butler, Sturt St and Ripon Sts, 1971
Yields information about Ripon St, Talbot St.Set of 3 Hanimex slides - what cardboard mounts: 1 - View Point line junction at Ripon St, looking north west with short tram stop pole and Ampol service station sign on the right. 2 - Water column North West corner of Sturt Street and Talbot Street (opposite the Fire Station). Column long gone. (Advised by Neville Britton 26/9/2016 - by e-mail) 3 - looking west - South side of Sturt St. Photo from the collection of Lilian Butlerballarat, tramways, trams, sturt st, view point, ripon st, tram stops -
Ballarat Tramway Museum
Document - Calendar, Cartoon by Augustine, "MTA 1983", 1982
Single sheet colour calendar for 1983, published by the Metropolitan Transit Authority (MTA), successors to the Melbourne and Metropolitan Tramways Board. Large portion of the calendar features the changeover from the MMTB to the MTA - eg green colours replacing the orange. Also on the base of the cartoon by Augustine is a number of caricatures of well known MMTB/MTA personnel. On top of the calendar has the letters M&MTB being demolished and those of the MTA being positioned. Printed on heavy cartridge paper. Image added 21-1-2016tramways, trams, melbourne, mmtb, mta, calendar -
Ballarat Tramway Museum
Functional Object - Trolley Wire Sample, Metal Manufacturers - Kemba Wire and Rod of Port Kembla NSW, Oct. 1996
Sample length (260mm long) of 107mm2 trolley wire supplied by Metal Manufacturers (Port Kembla Wire and Rod) - November 1996, Used in ceremony of 26/11/1996 when Victorian Minister of Transport, Alan Brown handed over the Trolley Wire (2km) to Museum. Sample supplied ex Test lab - had been tested for hardness. Wire type known as HC - high conductivity. Images added 3-12-2016 See Courier p6 of 27/11/1996 - see Reg. Item No. 503. trolley wire, btm -
Ballarat Tramway Museum
Functional Object - Trolley Wire Sample, Trolley Ear
Short ear (3 screw) with worn trolley wire bent at either end. Ear - brass, with clamp on fitting used to hold trolley wire in position and steel bolt, steel spring washer. Trolley wire cut about 40mm on either side. One side has pulled out of ear - has no groove on one side. Shows how ear has worn while in service. Screws could not be removed while attached to wire. See original worksheet for sketch. Images added 3-12-2016ballarat, overhead, trolley wire, fittings -
Ballarat Tramway Museum
Functional Object - Trolley Wire Sample
Sample of trolley wire taken from overhead (South Trolley) at ear 10, which has been heavily distorted, with metal flow under ear, and abrasion marks possibly due to trolley pole "bounce". Grooving of wire varies with position of ear etc. Shows where 6 screw ear was located. Has cut marks at either end. See Reg. item 514 for details of wire size. See sketch for cross-sections and colours on original worksheet. Images added 3-12-2016ballarat, overhead, fittings, trolley wire -
Ballarat Tramway Museum
Document - Photocopy, The Courier Ballarat, "Support for Tram Plan", Aug. 2002
Photocopy of parts of pages 1 and 2 of the Courier, Ballarat, 31/7/2002, titled "Support for Tram Plan" written by Catherine Best. The item reports on the meeting held the previous day at the Town Hall to explain the details of the $20m proposal to return trams to the streets of Ballarat. Notes the Couriers web poll. Has photos of Ballarat Tourism Board chair Judy Verlin and of part of the crowd at the meeting. Full Image and 2nd copy of sheets added 14-1-2016 from donation of Kathy Stanley. Second copy - Has date and page number written in under headline in ink.trams, tramways, ballarat city tramway, public meeting, ballarat revival -
Ballarat Tramway Museum
Document - Newsletter, Ballarat Tramway Preservation Society (BTPS), BTPS Information sheet, May. 1971
Has a strong association with the formation of the BTPS and the involvement of Melbourne based tramway enthusiasts - notes a Melbourne interim council and its work and a forthcoming meeting in Ballarat.Single page - foolscap size green coloured paper, printed using the Gestetner wax stencil process; titled "Information Sheet No. 1". gives details on the progress to operate the trams in Ballarat, a Melbourne Interim Council, SEC donation and that a public meeting to be held in Ballarat on 30th May with details of the trains. See Reg Item 3928 for a circular advertising a tram tour prior to the meeting. Details names of the Melbourne Interim Council persons. Second copy from donation of the Tom Murray Estate added 20-11-2016.trams, tramways, btps, meetings -
Ballarat Tramway Museum
Document - Folder with papers, Mary Steele, "Beside the Lake", c2000
Photocopy - 24 sheets from a book contained within a red cover multi sheet folder - titled "Beside the Lake", written by Mary Steele, the daughter of the 5th Bishop of Ballarat writing about her memories living in Bishops court Ballarat from 1936. Not all pages copied. Has notes on the lake, Sturt St, the building, Lake Wendouree, a plan of the house block, the garden. Published by Hyland House - 2000 - Trove notes it as 246 pages. Bookmark as at 19-8-2016 - http://trove.nla.gov.au/work/6790878 trams, tramways, anglican church, lake wendouree, ballarat, bishops court -
Melbourne Tram Museum
Pamphlet, The Met, "Met Plan", Sep. 1988
Folded A2 sheet to A4 size, full colour, printed both sides, titled "Met Plan" dated September 1988, detailing planning for Melbourne Public Transport, known as "MetPlan", prepared by The Met. Shows the various proposals for railway upgrades, tram extensions, details the purpose, the Task, Vision, Patronage, Resources, system improvements. Has details of projects proposed for the Western, Northern, Eastern and South Regions. On the inside has a large map of Melbourne showing the various projects. 2nd copy added 23-10-2016trams, tramways, melbourne, traffic control, transportation, met, planning, public transport, metplan, tramway proposals, railways -
Melbourne Tram Museum
Newspaper, The Truth, Bakers Road tram terminus, c1971
Newspaper Clipping - from possibly The Truth newspaper (see item on rear about the TV series Dave and Mabel) of W5 794 or 734 at the Bakers Road Sydney Road terminus, c1970. Tram showing route number 20. In the background is a milkbar on the corner advertising The Sun, and Streets ice cream. Shows the poor road condition at the corner. A web search shows that the TV programme - Snake Gully ran during 1971 and 1972 - see http://www.classicaustraliantv.com/SnakeGullyEps.htm - accessed 2/11/2016trams, tramways, sydney rd, route 20, bakers rd, tram 734, tram 794 -
Melbourne Tram Museum
Newspaper, "Bus conductors' jobs to go as 20-year dispute ends", c1986
Newspaper Clipping - from an unknown paper, titled "Bus conductors' jobs to go as 20-year dispute ends" - about the agreement with the ATMOEA about the removal of bus conductors on the Bulleen - Garden City bus route. Quotes Mr. Tom Roper ( Minister) and Jim Harper (union secretary). Also notes railway disputes. c1986 (Tom Roper Minister for Transport 1985 - 1987) - http://www.parliament.vic.gov.au/re-member/details/1408-thomas-william-roper (accessed 3-11-2016). Item written by Tony Harringtontrams, tramways, buses, garden city, buses, conductors, unions, disputes -
Melbourne Tram Museum
Newspaper, "Keeping Track of the trams", c1964
Cutting from an unknown newspaper, c1964, titled "Keeping Track of the trams", about the possibility of new trams. Notes how many trams are in service, and how old the newest tram is 8 years old and some notes on new trams, costs and types of trams and current practice. On the rear of the cutting is a report that the Minister for Local Government Mr. Rupert Hamer had received the revised King St bridge collapse in 1962. Mr. Hamer commenced as the Minister in 1963 (Parliament web site access 18-11-2016)trams, tramways, king st, new trams, mmtb, history -
Melbourne Tram Museum
Administrative record - Depot List, Preston Workshops, "Allocation of Tramcars as at 26 March 1927", 1927
Photocopy onto an A4 sheet, two sheets, stapled in top left hand corner, titled "Location of cars at end of 28 Day Period 26-3-27", listing the class of trams allocated or allocation to each depot in Melbourne, including trams at Preston workshops, bodies under construction, W, X and Y class cars. Includes Coburg, Preston and Footscray. Shows depot allocation. Not known when copy made. 2nd copy added 14-5-2016 from the estate of Charles Craig.trams, tramways, preston workshops, lists, tramcars, lists, depots, depot allocation -
Bendigo Military Museum
Domestic object - CLOCK, MANTLE PIECE, Gilbert Clock Co. U.S.A, possible 1918 - 1921
This clock was originally in the front Office of the Soldiers Memorial Institute Bendigo on the mantlepiece of the fireplace. Original donor or date of being placed is unknown. It was last used in 2005 by Jack Barnes OAM who wound it every day he was in the Office, he was Secretary for 43 years of the BRSL. After the renovations to the SMI in 2016 - 18 it was placed on the mantlepiece of the fireplace in what is now called "The Building and RSL History Room"Mantle Piece Clock, timber frame, hinged glass cover over the face is missing, numbers are 1 - 12 on clock face, rear door to the mechanism, a pendulum weight is taped to the inside, no wind up key.On Clock face, "Gilbert". Around clock face, "Made in Winsted Conn United States of America"brsl, smirsl, mantle -
Whitehorse Historical Society Inc.
Clothing - Cotton Striped Dress, c1930s
Dress owned by Catherine Ann Windsor (Kitty) (born 23 Nov 1919 died 17 Nov 2002) in the 1930s/1940s. She was grandmother of Rachael Cottle, Whitehorse Historical Society Secretary (2011-2016). Catherine was the gate-keeper at the Tunstall (Nunawading) railway gates at Springvale Road during 1934-1952. A house was supplied for the gatekeeper. The gates were closed to traffic from midnight to 5 am.Dress with elastic shirring top and frilled neckline with puff sleeves. Rayon material. Coloured orange, green, grey and white.tunstall (nunawading) railway station, windsor, catherine ann (kitty), cottle, rachael, dress, victorian railways -
Ambulance Victoria Museum
Time clock, Simplex, JCG4L4, Simplex Int. Time Equipment
Used to record the start/finish times and days of work by its employees. A card with a unique employee identifier was inserted in the machine by the employee at the start and end of a shirt and the information was sent to the human resources/pay section to allow the updating of staff records and pays. This example was in in use at the Victorian Civil Ambulance Service from at leats the early 1960s (source Chas Martin AHSV curator 17 October 2016).Grey metal box. Clock face set in centre and slit in bottom. Cut power cord at back.Clock on and off -
Federation University Art Collection
Sculpture - Artwork, 'The More Bones the Better' by Yhonnie Scarce, 2016
Yhonnie SCARCE (1973- ) Born Woomera, South Australia Language group: Kokatha, Southern desert region and Nukunu, Spencer region Yhonnie Scarce works predominantly in glass. She majored in glass withing a Bachelor of Visual Arts (Honours) course at the South Australian School of Art, Adelaide, and holds a Master of Fine Arts from Monash University. One of the first contemporary Australian artists to explore the political and aesthetic power of glass, Scarce describes her work as ‘politically motivated and emotionally driven’. Scarce’s work often references the on-going effects of colonisation on Aboriginal people, In particular her research focus has explored the impact of the removal and relocation of Aboriginal people from their homelands and the forcible removal of Aboriginal children from their families. (https://thisisnofantasy.com/artist/yhonnie-scarce/, accessed 10 September 2018)Artist's Statement 'The More Bones the Better', 2016 Yhonnie Scarce was born in Woomera, SA and belongs to the Kokatha and Nukunu peoples. Scarce embraces a non traditional approach to glass blowing using glass as more than a mere material, acting as a lens and a mirror, Scarce reflects and exposes the tragedies of Australia’s colonisation. She applies the technical rigours of traditional glass blowing techniques in an innovative and unconventional manner. In particular Scarce uses glass to explore the lives and histories of Aboriginal Australians. Hand blown glass is shaped, engraved, painted and smashed to create indigenous fruits and vegetables such as bush bananas, bush plums and long yams symbolic of her peoples culture and traditions. With their elongated, torso-like shapes, they even evoke human bodies. Akin to a gatherer of bush food Scarce creates glass-gatherings of the persecuted. The repetition of brittle ambiguous bodies collected for experimentation and examination conjures the relentless impact of colonisation and the litany of abuses suffered by Aboriginal people. Within her research Scarce encountered a variety of ethnographic studies examining the use of scientific interventions amongst Indigenous cultures. These include Government sanctioned illegal drug testing of children in orphanages and other dubious medical practices amongst indigenous prison inmates. This work metaphorically looks at these situations and poses questions of what might have gone on in such a laboratory. The judge of the 2017 Guirguis New Art Prize (GNAP), Simon Maidment, Senior Curator, Contemporary Art, National Gallery of Victoria said; “The winning work by Yhonnie Scarce captures the sensitivity to materials she displays throughout her artistic practice. The blown and shattered glass elements are a delicate contrast to the shocking and little discussed histories of Aboriginal exploitation and abuse in the name of science in Australia. Engaging this topic, this work is haunting, in the same way those lived and documented experiences continue to haunt the collective unconscious of this country. Yhonnie Scarce’s work, The More Bones the Better 2016, I believe makes an important contribution to the Collection of Federation University Australia and will engage and move diverse audiences with its technical accomplishment, beauty and message. Yhonnie Scarce was born in Woomera SA and belongs to the Kokatha and Nukunu peoples. Scarce embraces a non-traditional approach to glass blowing using her medium as more than a mere material. Applying the technical rigours of traditional glass blowing in an innovative and unconventional manner, Scarce’s glass objects act as a lens and a mirror to reflect and expose the tragedies of Australia’s colonisation and, in particular, explore the lives and histories of Aboriginal Australians. Hand-blown glass is shaped, engraved, painted and smashed to represent indigenous fruits and vegetables such as bush bananas, bush plums and long yams, symbolic of Scarce’s people’s culture and traditions. While these elongated shapes on the one hand represent fruit and vegetables, gathered and grouped as in the gathering of bush food, Scarce’s torso-like bodies and forms are glass ‘gatherings’ representative of the gathering of people. Here, the many brittle bodies act as a metaphor for the collection, experimentation and examinations undertaken by government authorities on Aboriginal communities researched by Scarce. Exposing a variety of ethnographic studies, examining the use of scientific interventions on Indigenous cultures, Scarce also revealed Government sanctioned illegal drug testing of children in orphanages and other dubious medical practices undertaken on indigenous prison inmates. Scarce’s gatherings also reflect the impact of colonisation and the relentless conjuring and litany of abuses suffered by Aboriginal people. The More Bones the Better metaphorically looks at these situations and poses questions of what was undertaken and investigated in these laboratories. guirguis new art prize, yhonnie scarce, glass, aboriginal -
Eltham District Historical Society Inc
Photograph, Jim Connor, Main Road, Eltham, 14 Jan 2017
Eltham Gateway, 860 Main Road, Eltham Situated on a large block of approximately 1,442 sq metres, it was last sold for $1.4 million 30 Oct. 2016. The premises had been left in an abandoned state for some time and on the evening of 6 July 2021 it was attended by the CFA and 8 emergency vehicles due to a fire. Breathing apparatus was required due to hazardous smoke conditions. The building was reportedly demolished by August 2021.Tomorrow's history documented todayeltham, jim connor collection, main road, eltham gateway -
Eltham District Historical Society Inc
Photograph, Jim Connor, Main Road, Eltham, 14 Jan 2017
Eltham Gateway, 860 Main Road, Eltham Situated on a large block of approximately 1,442 sq metres, it was last sold for $1.4 million 30 Oct. 2016. The premises had been left in an abandoned state for some time and on the evening of 6 July 2021 it was attended by the CFA and 8 emergency vehicles due to a fire. Breathing apparatus was required due to hazardous smoke conditions. The building was reportedly demolished by August 2021.Tomorrow's history documented todayeltham, jim connor collection, main road, eltham gateway -
Ballarat Clarendon College
Sculpture - Pendant, 1900s
Item purchased on eBay 2016. Belonged to Terry Pepperell (dec 2013), an avid school badge collector and an expert in school memorabilia. This pendant was possibly designed by Terry. Terry was a past President of the Numismatic Association of Victoria and a medal designer in his own right. His significant private collection of school memorabilia was auctioned after his death. This piece was purchased by James McLachlan-Troup and sold to the school via eBay. No particular significance to the school apart from its creative use of school memorabilia. Small enamel Ballarat College crest on a Stokes pendant backing with linkterry-pepperell -
Mission to Seafarers Victoria
Photograph - Digital copy, Black and white, Kerr Bros Studio, c. 1955
The photograph shows a ship visit. It is historically significant and thought to be one of a series of photographs linked to a publicity campaign circa 1955-1956 promoting the work of the Mission. The campaign partly inspired by the Centenary year of the Mission in Australia (1956) also resulted in the production of a black and white short film "The Flying Angel", featuring and Padre Oliver and the work of the Mission was deposited in 2016 with the Australian Centre for the Moving Image, (ACMI) Federation Square, Melbourne.Padre Frank Oliver, Chaplain to the Mission to Seafarers 1930 - 1960 led the Mission through a period of significant changes through the mid 20th C. This image is one of a series of key images showing the work of the Mission Chaplain in the Post WWII period. Father Frank Oliver wearing uniform including officers cap walking up a gangway and being met by a group of four men. There is a fifth man standing slightly to the left of the photograph.Discolouration on the bottom left and top centre of the photograph.uniform, machinery, ship, crew, gangway, deck, handshake, chains, rope, buoy, pulleys, rivets, padre oliver, frank leslie oliver, mission to seafarers, mission to seamen, seamen's mission, robin kent, kerr bros studio -
Birchip History Museum
Photograph, 18/09/1915
This is a photograph of the Birchip Rifle Club taken at Birchip on 18th September, 1915. Most names are on the back of photo. Given to the Birchip Historical Society by Mary Fielding in 2016. Names..Harold Bolden, P Matthews, C.Sheean, a.Wilson, Frank millar, F.O'Donnell, Andy Fraser, M.O'Donnell, J.O'Donnell, J.R.McLeish, B.H.Warne,C.Bull, J.Hillgrove.W.H.Watts,W.Clover, E.Sanders,J.Busteed, F.White, Jas Coffey, S.CarlisleN.McDoual, J.Lockwood, P.Williams, H.S.Mitchell, J.M.Kensley, R.C. HannahThis is a photo of the Birchip Rifle Club taken after at an event at Birchip. Photo of rifle club mounted on cardBirchip Rifle Club 18th September 1915. All names on back.birchip rifle club, photograph, birchip, 1915 photo -
Ambulance Victoria Museum
Steriliser, Fogmaster, Model 6208, AFA Corporation, Circa 1960
Used to sterilise ambulances after carry patients to the former Fairfield Infectious Diseases Hospital. A mixture of water and disinfectant was heated and blown through the ambulance for a minimum of 10 minutes after an infectious patient was moved. Equipment was held at either the Fairfield ambulance station or at the Fairfield Infectious Diseases Hospital. Units were in use from at least 1962 through to the 1980s. Source Chas Martin curator AHSV 29 April 2016Aluminium electrical unit with swivel top portion CHALLENGER FOGMASTER TRI-JETinfectious diseases -
Glen Eira Historical Society
Letter - Rosstown Railway
This file contains two items: 1/A group of eight letters, predominantly between Hon. Secretary of Caulfield Historical Society R. Ballantyne and members of the Caulfield City Council written between 1981 and 1983, regarding the installation of a plaque in commemoration of the centenary of the Rosstown Railway. The first two letters are handwritten from R. Ballantyne to G. Calder and Carol Camy, dated 01/06/1981 and 22/02/1982. The letter to G. Calder supports a suggestion in the May edition of the CAULFIELD CONTACT for the installation of a plaque in celebration of the centenary of the Rosstown Railway, suggesting a potential site for another plaque on Curraweena Road. The letter to Carol Harry discusses the costing of the plague and a possible contribution towards this cost from the Caulfield Historical Society. The letter appears to be incomplete, having no sign off from the author. Attached to the letter is what appears to be a suggestion for the inscription of the plaque. The letters addressed to R. Ballantyne are typed and dated 12/06/1981, 24/06/1981, 14/07/19891, 17/12/1981 and 08/09/1983, from A. Craig and D.B. Hogan on behalf of City Manager G.K. Calder and City Liason Officer Carol Harry. All letters concern the commemorative plaque, with these from Carol Harry including handwritten notes which appear to be in R. Ballantyne’s handwriting. The final letter is from Mayoral Secretary Norma Polglase to Miss B. Snowball, dated 23/08/1983, inviting her to attend the unveiling of the plaque. Also included in the item are Council Committee Meeting minutes, dated 16/05/1981, broaching the subject of installing the plaque in Koornang Road. 2/Four colour photographs and two black and white copies of one of the photographs, all dated 18/09/1983 and showing the opening of the commemorative plaque in Marrara Gardens. Two photographs picture Mayor Brian Rudski and City Manager Graham Calder with a crowd of unidentified people present. One photograph and both copies are of the inscription on the plaque, with the wording identical to that of the handwritten note by R. Ballantyne, in item one.caulfield, caulfield south, calder g.k., calder g., hawthorn road, glen eira road, ballantyne r., office workers, caulfield contact, norman peter, groups, glen huntly, koornang road, mills, sugar mills, caulfield historical society, caulfield city council, caulfield town hall, official buildings, glen huntly neville street fourteen, parliamentary representatives, rosstown, rosstown railway, rosstown railway centenary, festivals and celebrations, centenaries, historical markers, plaques, monuments and memorials, ross murray, railways, land transport, curraweena road, parts of buildings or structures, bluestone structures, construction materials, caulfield community liaison officer, harry carol, currency, finances, onley peter, elsternwick, oakleigh, council meetings, caulfield council chambers, caulfield municipal chambers, caulfield municipal offices, craig a., caulfield city manager, city of caulfield, caulfield physical environment committee, public meetings, meetings, ross james, hogan o.b., arrow engraving, campbell f., snowball miss., elsternwick gladstone parade nineteen, walters w.r., marara road gardens, marara road, marara gardens, narrawong road, ceremonies, caulfield mayors, polglase norma, mayoral secretaries, railways routes, documents, correspondence, rudski brian, calder graham, events and activities, official buildings, insignia, local government, local officials and employees, parks and reserves, buildings structures and establishments, official events, festivals and celebrations, occupations, political processes, local history, history, financial economics, local government finance -
National Wool Museum
Textile - Community Textile Tapestry, Lisa Kendal et al, WARM, 2016
WARM was a community textile art project that saw over 250 knitters come together to create a beautiful collage tapestry. Made entirely from wool, the artwork contains more than 1000 individual hand knitted sections. The project takes aim at global warming, it highlights both the causes and solutions for us to create a sustainable and safe climate for future generations. Lisa Kendal, the co-creator of the project, said “One of the problems in the world is that we have forgotten how to warm ourselves with wool. We have become too dependent on fossil fuels (for heating)”. This is the key idea surrounding the project. WARM began as two large scale images created by Lars Stenberg. The first image is a landscape scarred by coal mining. The second image is the same landscape only many decades later. Regeneration and regrowth have taken over the landscape and hidden the past coal mine completely. In its place is a beautiful landscape including trees, native flowers, a lake, lots of greenery and wind turbines. From March to the end of August in 2016, knitters worked hard to create the over one thousand pieces that came together to form the final tapestry. The pieces were all designed by Fibre Artist Georgie Nicolson of Tikki Knitting Designs, who converted the second image of the healed landscape into patterns for the 250 plus knitters to follow. These patterns included unusual designs such as gum leaves, trees, native flowers and even the wind turbines. During several days of installation, the knitted pieces were stitched together by Lars Stenberg over a picture of the first image of the operational coal mine. They worked to create the second image of the renewed landscape; like an enormous collage. The WARM project was donated to the National Wool Museum in 2021. It was a much-loved hanging within the Ballarat Hospital for many years before coming to the museum. More information about the project can be found on the following website. http://www.seam.org.au/warm The tapestry is made from 1000+ hand knitted sections stitched together to make an image. In the foreground of this image is a large gum tree that stretches from the bottom left to the top right corner. The trunk of this tree follows the left edge of the tapestry, with foliage from the gum tree spanning its top border. The bottom third of the tapestry is predominantly green grass with yellow, pink and red flowers providing sporadic colour. The middle third encompasses a lake, with orange colours surrounding the banks of the water as opposed to the green grasses of the bottom third. To the right of the lake are wind turbines. The top third of the tapestry is blue sky with white clouds. It also contains the previously described gum tree leaves. Each piece of the tapestry is 100% wool and was hand knitted and stitched together. The Tapestry is accompanied by an oil painting on canvas. It is a painting that matches the tapestry and served as a template for the final tapestry. Finally, the tapestry is accompanied by another pointing on wood board. This final panting is of a coal mine. This is the setting before regeneration and regrowth have reclaimed this site, which is the theme captured in the final tapestry. In the foreground of the coal mine painting is the same gum tree described in the tapestry; however, it is grey and sickle with only 4 leaves visible at the top border, compared to the numerous leaves in the tapestry. Also in the foreground is a broken barb wire fence adding to the unwelcoming nature of the site. The colour scheme of this image is of dark greys and browns. A coal fired power plant can be seen in the final third of the image with four chimneys emitting plumes of smoke into the sky. In front of this power plant is the spiral shape of a coal mine, burrowing deep into the earth’s crust. Inside of the coal mine 3 yellow trucks are seen mining and transporting coal to the top of the mine.warm, community textile tapestry, knitting, community artwork, global warming -
Glen Eira Historical Society
Document - Glenfern
This file contains four items about the Watson family, sometime owners of Glenfern. Photocopy of Thomas Lauder Watson family tree, great grandfather of the Watsons of Glenfern, period 1820 to 1988. Photocopy of James Watson and Agnes Montgomery Bookman wedding certificate dated 20/06/1883. Photocopy of Thomas Watson birth certificate 17/10/1816. Photocopy of article on Thomas Greenless Watson, 1859-1912, parliamentary official. Article on his schooling, and his further business history, his marriage details and tribute from Premier William Watt, 1871-1946.watson thomas lauder, watson james, brookman agnes montgomery, watson jessie, watson thomas, watson thomas greenless, watson kathleen, hall kathleen, glendora, house names, nepean highway, elsternwick, offices of parliament