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Tennis Australia
Racquet, Circa 1931
An unstrung Wright and Ditson 'Ace' tennis racquet, with: plastic tape around shoulders; and, fine-grooved, short, octagonal handle. Decal inscription along throat on obverse: ACE. Wright & Ditson Championship logo with tennis player on ball trademark feature on throat on reverse. Handwritten inscription above: GREATA. Materials: Wood, Lacquer, Glue, Metal, Ink, Leather, Plastictennis -
Tennis Australia
Racquet, Circa 1933
A Wright and Ditson 'Championship' tennis racquet, with: string whipping around shoulders and shaft; and leather handle grip with patterned perforations. Decal inscription across base of head on obverse: CHAMPIONSHIP. Wright & Ditson Championship logo with tennis player on ball trademark feature on throat on reverse. Materials: Wood, Lacquer, Glue, Metal, Ink, Leather, String, Gut, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1965
A Spalding, "Pancho Gonzales" Model tennis racquet, featuring whipping around shoulders, leather handle grip with perforations, and a white plastic butt cap. Manufacturer's name across base of head and on butt cap; model name across throat and along shaft. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Plastic, String, Adhesive tape, Leather, Plastictennis -
Tennis Australia
Racquet, Circa 1961
A Spalding, "Ashley Cooper" Match Play Model tennis racquet, featuring whipping around shoulders, leather handle grip, and burgundy leather butt cloth. Manufacturer's name across base of head; model name across throat. Wreathed 'S' trademark features on lower shaft. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Adhesive tape, Leathertennis -
Tennis Australia
Racquet, Circa 1968
A Spalding, Impact-180 Model tennis racquet, featuring whipping around shoulders. Manufacturer's name along sides of shaft; model name along shaft (both sides). 'S' symbol spray-painted across net. Hand grip bare wood (missing grip tape and butt cover). Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Painttennis -
Tennis Australia
Racquet & cover, Circa 1975
A Dunlop X-10 Squash, squash racquet (1), with racquet head cover (2). Racquet primarily comprises of a frame made from a singular piece of tubular metal, secured by a plastic bridge across the throat, and the hardened plastic handle below. Materials: Metal, Plastic, Synthetic material, Ink, Adhesive tape, Enamel, Nylon, Vinyl, Plastic, Ink, Metaltennis -
Tennis Australia
Racquet, Circa 1964
A Wilson, Jack Kramer Speed Flo tennis racquet. Base of head features Wilson logo. Throat features decal head and neck illustration of Kramer. Shaft and butt cap feature 'W' trademark. Leather handle grip features quatrefoil perforations. Materials: Wood, Nylon, Leather, Ink, Glue, Lacquer, Metal, Plastic, Paint, Ribbon, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1968
A Wilson Kramer Cup tennis racquet. Base of head features Wilson logo. Throat features rendered gold trophy cup device. Shaft and butt cap feature 'W' trademark. Leather handle grip features triangle-pattered perforations. Materials: Wood, Nylon, Leather, Ink, Glue, Lacquer, Metal, Plastic, Paint, Ribbon, Adhesive tape, Stringtennis -
Tennis Australia
Racquet, Circa 1980
A Wilson Jack Kramer Pro Staff tennis racquet. Base of head features Wilson logo. Throat features gold crown device. Shaft features two diamond devices along its length. Shaft and butt cap feature 'W' trademark. Materials: Wood, Nylon, Leather, Ink, Glue, Lacquer, Metal, Plastic, Paint, Ribbon, Ceramic, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1962
A Wilson, Maureen Connolly Personal tennis racquet. Base of head features Wilson logo. Throat features decal head and shoulders image of Connolly. Base of shaft and plastic butt cap feature 'W' trademark. Leather handle grip features clustered perforations. Materials: Wood, Nylon, Leather, Ink, Glue, Lacquer, Metal, Paint, Ribbon, Adhesive tape, Plastictennis -
Tennis Australia
Racquet, Circa 1962
A Wilson, Tony Trabert Stylist tennis racquet. Base of head features Wilson logo. Throat and stem features model name. Stem features decal head and shoulders photo image of a young Trabert. Lower shaft and butt cap feature 'W' trademark. Materials: Wood, Nylon, Leather, Ribbon, Glue, Metal, Lacquer, Paint, Adhesive tape, Plastic, Stringtennis -
Tennis Australia
Racquet, Circa 1950
A Regent Court Star tennis racquet. Model name features across base of head. Regent trademark, (comprising of a red 'R' on a gold cup trophy, in front of a blue wall hanging), features on the throat. Regent logo features along length of shaft. Materials: Wood, Nylon, String, Glue, Lacquer, Metal, Ink, Paint, Leather, Adhesive tape, Plastictennis -
Tennis Australia
Racquet, Circa 1965
A Regent, Leslie Wonderling tennis racquet. Regent logo features across the base of the head. Model name features on the throat, accompanied by a triple fleur-de-lis. 'R' trademark features at base of shaft. Model details feature on the right side of the shaft. Materials: Wood, Nylon, String, Glue, Lacquer, Metal, Paint, Leather, Ribbon, Ink, Cloth, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1965
A Bancroft Pro Model tennis racquet, with ribbon whipping on shoulders and shaft, and leather handle with lozenge-patterned perforations. Bancroft logo features across base of head. Throat features model name with wreath device. Red 'B' trademark on butt cover. Materials: Wood, Nylon, Leather, Glue, Lacquer, Metal, Ink, Plastic, Ribbon, Adhesive tape, Painttennis -
National Wool Museum
Video recording, Australian Wool Corporation Bicentennial Collection 1988, 1988
Video of the 1988 Australian Wool Corporation Bicentennial Collection - Wool Fashion Show held at the Sydney Opera House. Evening hosted by Michael Parkinson and attended by Prince Charles and Princess Diana. The videotape goes for 3 hours and 40 minutes. The National Wool Museum was established in Geelong, Victoria in 1988 as part of the Australian Bicentennial Celebrations. basic VHS with black encasing around internal white tape despenser and blacktape. Has label on top which reads AUSTRALIAN WOOL CORPORATION. BICENTENNIAL COLLECTION. DURRATION: 3 HOURS 40 MINUTES. DATE: 4/1/1988. PAL VHS. and label on side which reads COPYRIGHT:. ALL RIGHTS RESERVED BY THE A.W.C.. AND UNITED TELECASTERS SYDNEY LTD..Lettering. Top: AUSTRALIAN WOOL CORPORATION BICENTENNIAL COLLECTION DURRATION: 3 HOURS 40 MINUTES DATE: 4/1/1988 PAL VHS Lettering. Side: COPYRIGHT: ALL RIGHTS RESERVED BY THE A.W.C. AND UNITED TELECASTERS SYDNEY LTD.australian bicentennial celebrations -
Federation University Historical Collection
Register of Attendances, Ballarat School of Mines Register of Attendances, 1983
The register lists names and attendances of trade classes at the Ballarat School of Mines.Light blue hard cover with green taped spine Education Department Victoria Technical Schools Register of attendances for the year 1983 in the subject of Woodwork Hobbies Names in the register include Christein Schmidt, Carol Daniel, Deirdre Baker, Dianna MCDonald, Susan Jones, Andrew Collins, Neil Hibberd, Rodney Bulacott, Lance Duffin, Ryan Darren Record closed.ballarat school of mines, woodwork, trades, hobby, b. jacobson -
Flagstaff Hill Maritime Museum and Village
Functional object - Knob, circa 1870s
This small knob has been manufactured to look like marble. It may have been used as a drawer or door handle, possibly part of the ship's furnishings because it appears to have been broken off its connecting shank. The encrustations on the surface are from being in the sea around 90 years. The knob was recovered from the wreck of the Loch Ard and is part of the John Chance collection. The Loch Ard was a clipper ship built in Scotland in 1873. In 1978 the ship was sailing to Melbourne with 54 people on board as well as a mixed cargo that included items for the 1880 International Exhibition in Melbourne. On June 1st 1878 it was not far from its destination when it crashed into Mutton Bird Island, east of Port Campbell. Only two people survived. The wreck was re-discovered in 1967 and the site is listed as a Historic Shipwreck. (See References and Significance for further information.)This knob is historically significant as it is an example of hardware fittings made and used during the mid-to-late 19th century. This knob is significant for its connection with the John Chance Collection, which is historically significant as an example of artefacts from wrecks that had been lost in the coastal waters of Victoria from thirty to over one hundred years before John Chance and others discovered them. These artefacts are a sample of goods carried as cargo or personal possessions, and of ship hardware of that era. The knob is significant through its connection with the clipper ship Loch Ard (1873-1878), which is historically significant to both Victoria and Australia. The loss of the ship has been described as one of the ‘worst shipwreck tragedies’ and is well known in Victoria for the tragic death of 52 out of the 54 lives on board. The Loch Ard wreck is historically significant as a large international passenger and cargo clipper ship. It is registered on the Victorian Heritage Database VHR S417. The wreck site is labelled as ‘one of Victoria’s most spectacular diving sites’ and the area is a popular tourist site. It is part of Victoria’s Underwater Shipwreck Discovery Trail. Knob or handle; ceramic (faux marble), dome with flat base, brown colour with orange and cream swirls through it, polished surface. Base has two embedded round, rough-edged metal fittings. Encrustations adhere to the polished surface in pleases. Clear tape keeps large broken chip intact. Another chipped area reveals the rough inner surface of the marble.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, loch ard, knob, handle, door hardware, ceramic, faux marble, vintage, antique, cabinetry, door pull, drawer pull -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1910
This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle with a set measurement of one-sixth of gallon. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, olive green glass, handmade. Tall slim Gallon style liquor bottle. Applied double collar lip; square upper and flared lower. Mouth has remnants of tape and wire seal. Mould seam around shoulder. Body tapers slightly inward to the base. Push-up base has pontil mark and is embossed in large letters. Base is uneven. Embossed on base "6 TO THE GALLON"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, 6 to the gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable -
Bendigo Military Museum
Book - BOOK - facsimile, The Australian Newspaper - with Assistance of the "Staff of Central Army Records", "THE BATTLE OF ALAMEIN.", c1992
The Battle of Alamein - The Australian Casualties. The Australian`, The Weekend Australian - 50th Anniversary Special Edition. Honour Roll and Newspaper Articles.SOFT COVER BOOK - FOLIO FACSIMILE - Cloth tape binding. Cover - thin cardboard, front cover - black print on blue background, illustrated in black print three photographs - top/troops in a vehicle, bottom/ tanks and soldiers advamcing. Pages - paper, cut, plain white. Illustrated black and white copies of photographs. Owners stamp - inside front cover.Inside front cover - owner's stamp black ink "Mr W.J. HAMMILL, A.A.I.M./ PO Box 76, KANGAROO FLAT/ VICTORIA, 3505, AUSTRALIA"books, history, ww2 -
City of Greater Bendigo - Civic Collection
Letter - Correspondence between National Gallery of Victoria and Bendigo Art Gallery, Gorden Thomson, Deputy Director, National Gallery of Victoria, 16th February, 1961
Bendigo Art Gallery was founded in 1887. Typed and signed letter from Gordon Thomson, Deputy Director of the NGV addressed to Mr W. B. Bolton at Bendigo Art Gallery. Letter is on National Gallery of Victoria letterhead requesting photographs and information about the gallery on behalf of UNESCO for publication in the International journal 'Museum'. The letter has a postcard of the gallery taped to top left. Possibly related to Cat No 0305.Postcard lower centre; Murray Views No 35. Art Gallery, Bendigo Victoriabendigo art gallery, city of greater bendigo tourism -
Ballarat Tramway Museum
Poster, Len Millar, advertising technical and historical details of W4 671, c1995
Yields information about W4 671 technical details and demonstrates how the advertising in W4 class tramcars were used by the BTM.Poster advertising technical and historical details of W4 671. Consists of two sheets of paper printed with the information and taped together. Made by Len Millar prior to the tram's visit to Melbourne in 1996. Were located in the end advertising panels over the doors of W7 671 until replaced with a photo display panel during 2009, when collected. Two copies held.trams, tramways, advertisements, posters, w class trams -
Kew Historical Society Inc
Clothing - Chemisette, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Chemisette with a square neckline and three buttons down the front. It has an attached peplum. The sleeves and neckline are edged with lace. A row of ribbon insertion lace tape is attached to fabric of neckline. 30 mm in from the front of the neckline is a row of drawn thread work. Bodice is also decorated with 4 rows of triple pin tucking. The garment is short sleeved. The buttonholes are concealedlace, women's clothing, underwear, camisoles, chemisettes, undergarments -
Glenelg Shire Council Cultural Collection
Slide - Lantern Slides, n.d
Two glass lantern slides in cardboard box, both showing men at working bees (two different images) at Hanlon Park. Photo on one glass slide, then another plain glass slide fixed over image. Slides bound with white adhesive tape. Box has maker's label on front, label advising what to do if slides are fault, on bottom.Front: a) 'Some of the 'BUSY-BEES' HANLON PARK PORTLAND ' written in black pen, top of slide 'SOME OF THE 'BEES' HANLON PARK PORTLAND' scratched into slide, bottom. b) 'SOME OF THE 'BEES' HANLON PARK PORTLAND' -pen, top of slide 'THE BEES HANLON PARK PORTLAND TOYE PHOTO' scratched into slide, bottom -
Ballarat Tramway Museum
Photograph - Framed Print, Electric Supply Co. of Vic (ESCo), 1906
Yields information abut the official opening of the Ballarat Electric tramway system and the people involved, including how they were dressed for the occasion. Note the American flag on the tramcar. Framed Black and white photograph of the opening of the Ballarat Tramway ESCo electric System. Ballarat Mayor Cr Barker under the guidance of Mr George Laurens drove the tram - No. 1. See Reg Item 4459 for the high quality digital scan. Frame - wood, gold and black lining, non reflective glass, with card back and white tape and a hanging string on the rear.trams, tramways, esco, ballarat, opening, first tram -
Ballarat Tramway Museum
Newspaper, N. Hill, "Off the rails about our trams", 27/03/1996 12:00:00 AM
Letters to the Editor of The Courier, Ballarat, of 27/3/1996, titled "Off the rails about our trams" written by N. Hill of Skipton St. Ballarat responding to a letter from M. Sargent of March 9 see Reg. Item 1498. Supports the return of trams to Ballarat. On the bottom of the cutting, a piece of tape has been added to add newspaper details.On the bottom edge " Ballarat Courier WED 27/3/96".letter to the editor, ballarat city tramway, ballarat revival -
Melbourne Tram Museum
Ephemera - Timetable, Melbourne & Metropolitan Tramways Board (MMTB), Glenhuntly depot weekdays - Carnegie - City route, c1969
Timetable - listing the various runs, times at various timing point or locations for Glenhuntly depot weekdays - Carnegie - City route. Five photocopied pages stapled in the top left hand corner. On the rear of each sheet (all the same) details of the route, time points. Each sheet has been taped on the rear for storage and hole punched. Front and back sheets scanned.Has number "4" in the top right hand corner - part of the index page.trams, tramways, mmtb, carnegie, glenhuntly tram depot, timetables -
Flagstaff Hill Maritime Museum and Village
Document - Building Specifications, Bank of Australasia, Specifications Bank of Australasia Warrnambool, before March 18, 1860
These specifications were for the Bank of Australasia building on the corner of Timor and Kepler Streets in Warrnambool. The two-storey stone Regency building was built by Roberts & Co. in 1859 and it still stands today, a hundred and sixty years later. Above the doorway, the words "BANK OF AUSTRALASIA" were etched into the stone. In 1856 Roberts & Co. built the Warrnambool Post Office on Timor Street, and in 1858 purchased land on Timor Street. The Bank of Australasia was incorporated by the Royal Charter of England in March 1834. The bank began in Australia on 14th December 1835, opening in Sydney. The Acting Superintendent of the bank at that time was David Charters McArthur. He was Superintendent from 1867-to 1876. The Melbourne branch opened on 28th August 1838 in a two-roomed brick cottage on the north side of Little Collins Street, where two huge mastiff dogs were used at night to guard the bank. The government also provided an armed military sentinel. Due to the bank's rapid growth, a new building for the Melbourne branch was opened in 1840 at 75 Collins Street West. By 1879 the bank had been upgraded to a magnificent two-storey building on the corners of Collins and Queens Streets, with the entry on Collins Street. In 1951 the Bank of Australasia amalgamated with the Union Bank to form Australia and New Zealand Bank, now known as the ANZ. Then in 1970, the ANZ merged with both the ES&A and the London Bank of Australia to form the ANZ Banking Group Limited. The ANZ Banking Group Ltd kindly donated a variety of historic items from the Bank of Australasia. BANK of AUSTRALASIA, WARRNAMBOOL – In 1854 Warrnambool had two banks, the Union Bank and the Bank of Australasia. Later, completely different bank businesses opened; in 1867 the National Bank of Australasia, then in 1875 the Colonial Bank of Australasia. The original Warrnambool branch of the Bank of Australasia was established in July 1854, and operated from a leased cottage on Merri Street, close to Liebig Street. The bank later bought a stone building previously erected by drapers Cramond & Dickson on the corner of Timor and Gibson Streets. Samuel Hannaford was a teller and then Manager at the Warrnambool branch from 1855 to 1856 and the Warrnambool Council chose that bank for its dealings during 1856-57. In 1859 Roberts & Co. was awarded the contract to build the new Bank of Australasia branch for the sum of £3,000. The land was on a sand hill on the northeast corner of Timor and Kepler Streets and had been bought in 1855 from investor James Cust. The new building opened on May 21, 1860. The bank continued to operate there until 1951 when it merged with the Union Bank to form the ANZ Bank, which continued operating from its Liebig Street building. Warrnambool City Council purchased the former Bank of Australasia building in 1971 and renovated it, then on 3rd December 1973 it was officially opened as the Art Gallery by Cr. Harold Stephenson and Gallery Director John Welsh. The Gallery transferred to the purpose-built building in Liebig Street in 1986 and the old bank building is now the Gallery club. Staff at the Bank of Australasia in Warrnambool included the following men but others were also involved: Samuel Hannaford, Teller then Manager from 1855-1856; W H Palmer, Manager from January 1857 until November 1869 when the Teller Basil Spence was promoted to Manager; H B Chomley, Manager from April 1873 and still there in 1886; A Butt, Manager in 1895-1904; J R McCleary Accountant and Acting Manager for 12 months, until 1900; A Kirk, Manager 1904; J Moore, staff until his transfer to Bendigo in December 1908; J S Bath was Manager until 1915; C C Cox, Manager until April 1923; Richard C Stanley, Manager 1923 to April 1928. The document with the building specifications for the Bank of Australasia, Warrnambool has historical significance as it was the basis for the building housing the Bank from early 1860. The document is also a historical record of the specifications and the builders of the mid-1800s in Warrnambool. The document is also significant for its association with Roberts & Co. which also built the Warrnambool Post Office. The document is significant for its association with the Bank of Australasia in Warrnambool, the first bank in Warrnambool, established in 1854. The bank continued to operate until its merger in 1951 when it became the ANZ Bank, which is still in operation today. The Bank was an integral part of the establishment and growth of commerce in Colonial Warrnambool and throughout Australia.Building Specifications; five large cream-coloured pages, folded in half to make a book. Handwritten text in black ink. Rectangular paper sheets were folded in half parallel to the short sides then stapled together near the fold A remnant of green tape suggests it was used to seal the binding. The specifications relate to the Bank of Australasia's Timor Street branch in Warrnambool, 1860.Handwritten in pencil on front cover "Completion date 18th March 1860" "Cost £2,860 sterling" Script handwriting, black ink on cover "Specifications / Bank of Australasia / Warrnambool"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, commerce, banking, bank of australasia, australia & new zealand bank, anz bank, david charters mcarthur, 1860, regency building, specifications, bank building, roberts & co. -
Flagstaff Hill Maritime Museum and Village
Uniform - Sailor's Collar, Early to mid-20th century
This sailor's collar is part of a naval uniform. It once belonged to R S Wallace, who served in the RAN (Royal Australian Navy). From January 1857 the Australian Navy uniform was formally established. The uniform, referred to as a 'sailor's suit', includes a blue flap collar such as this one. Sailors in the Royal Australian Navy wore collars of this design from the early 20th century. The rating personnel of the Royal Canadian Navy were issued with a very similar collar from 1910 to the 1950s. The blue denim collars were buttoned or died inside their tops with the back and the striped portion of the front flaps showing.The navy flap collar represents the uniform of a rating sailor in the Royal Australian Navy in the early to mid-20th century, connecting it to the maritime history of Australia and the evolution of the uniform of the navy. The collar is the only one in this museum's collection.Sailor's collar; a flap collar of blue fabric with three white stripes around the outside edges, apart from the centre flap that has no stripes. The collar is a rectangle with half divided into three flaps or strips. It has an inscription. The underside is lined with blue striped white fabric and there are tapes attached for fastening it. The Royal Australian Navy collar once belonged to R S Wallace."R.S. Wallace"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, sailor’s collar, sailor’s uniform, uniform, military, navy, ran, royal australian navy, r s wallace, seamen's collar, australian defence forces, naval force, sailor's sit, sailor's rig, flap collar, naval collar -
Flagstaff Hill Maritime Museum and Village
Photograph - Building, Bank of Australasia Warrnambool, ca. 1860
This sepia coloured photograph show the image of the former Bank of Australasia in Warrnambool. The two-storey building was built for the bank on the corner of Timor and Kepler Streets and opened there for business in 1860. It is now one of the City's Historic Buildings. The Bank of Australasia was incorporated by Royal Charter of England in March 1834. It came to Australia on 14th December 1835, opening in Sydney. The Acting Superintendent of the Bank of Australasia in Sydney at that time was David Charters McArthur. He was Superintendent from 1867-to 1876. The Melbourne branch of the Bank of Australasia opened on 28th August 1838 in a two-roomed brick cottage on the north side of Little Collins Street. Two huge mastiff dogs were kept in the backyard and let loose at night to guard the bank. The government also provided an armed military sentinel. Due to the bank's rapid growth, a new building for the Melbourne branch was opened in 1840 at 75 Collins Street West. By 1879 the bank had been upgraded to a magnificent two-storey building on the corners of Collins and Queens Streets, with the entry on Collins Street. In 1951 the Bank of Australasia amalgamated with the Union Bank to form the Australia and New Zealand Bank, now known as the ANZ. Then in 1970, the ANZ merged with both the ES&A and the London Bank of Australia to form the ANZ Banking Group Limited. The ANZ Banking Group Ltd kindly donated a variety of historic items from the Bank of Australasia. BANK of AUSTRALASIA, WARRNAMBOOL – In 1854 Warrnambool had two banks, the Union Back and the Bank of Australasia. Later, completely different bank businesses opened; in 1867 the National Bank of Australasia, then in 1875 the Colonial Bank of Australasia. The original Warrnambool branch of the Bank of Australasia was established in July 1854, and operated from a leased cottage on Merri Street, close to Liebig Street. The bank later bought a stone building previously erected by drapers Cramond & Dickson on the corner of Timor and Gibson Streets. Samuel Hannaford was a teller and then Manager at the Warrnambool branch from 1855 to 1856 and the Warrnambool Council chose that bank for its dealings during 1856-57. In 1859 Roberts & Co. was awarded the contract to build the new Bank of Australasia branch for the sum of £3,000. The land was on a sand hill on the northeast corner of Timor and Kepler Streets and had been bought in 1855 from investor James Cust. The new building opened on May 21, 1860. The bank continued to operate there until 1951 when it merged with the Union Bank to form the ANZ Bank, which continued operating from its Liebig Street building. Warrnambool City Council purchased the former Bank of Australasia building in 1971 and renovated it, then on 3rd December 1973 it was officially opened as the Art Gallery by Cr. Harold Stephenson and Gallery Director John Welsh. The Gallery transferred to the purpose-built building in Liebig Street in 1986 and the old bank building is now the Gallery club. Staff at the Bank of Australasia in Warrnambool included the following men but others were also involved: Samuel Hannaford, Teller then Manager from 1855-1856; W H Palmer, Manager from January 1857 until November 1869 when the Teller Basil Spence was promoted to Manager; H B Chomley, Manager from April 1873 and still there in 1886; A Butt, Manager in 1895-1904; J R McCleary Accountant and Acting Manager for 12 months, until 1900; A Kirk, Manager 1904; J Moore, staff until his transfer to Bendigo in December 1908; J S Bath was Manager until 1915; C C Cox, Manager until April 1923; Richard C Stanley, Manager 1923 to April 1928. The photograph is significant historically for its connection with the Bank of Australasia. The early Australian bank was established in 1834 by Royal Charter and opened in Sydney, Australia, in Sydney in 1835. The bank had many Australian offices in November 1877, particularly on the east and south coasts. Victoria had 45 percent of all Offices. The photograph has local historical significance for its association with the Warrnambool Bank of Australasia, which was established early in Warrnambool's history. It was Warrnambool Council’s first bank. The bank continued to operate until the organisation's merger in 1951 when it became the ANZ Bank Group of today. The Bank was an integral part of the growth of local commerce and the community.Black and white (or sepia) rectangular photograph, landscape orientation. Image of a two-storey building on a street corner. It is the former Bank of Australasia, Warrnambool, on the corner of Timor and Kepler Streets that was built in 1860. The reverse has a round, serrated-edged red label with an inscription, covered in opaque tape, plus four lines of handwritten text. There are several pin holes through the photograph.Label with: "AH2 2 / W.BOOL" Writing in pen: "D. K. Frew / --- / ---- / ----"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, bank of australasia, boa, union bank, australia & new zealand bank, anz bank, david charters mcarthur, d c mcarthur, commerce, banking, samuel hannaford, w h palmer, basil spence, h b chomley, a butt, j r mccleary, a kirk, j moore, j s bath, c c cox, richard c stanley, historic building, roberts & co., james cust, bank of australasia warrnambool -
Bendigo Historical Society Inc.
Clothing - CAMISOLE
Camisole. Cotton crochet yoke front and back, extending into short sleeves. Filet crochet, edged at neckline and sleeve edges with crochet in a shell like pattern. Front bodice has two rows of three pintucks either side of a cross-over front. Three pintucks either side of back. A lower hem has a drawstring tape to close the cross-over front.costume, female, underwear