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matching as it was feared
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Kew Historical Society IncJournal, Kewriosity : June 1985
Taking stock of our heritage / p1. Councillors take a slide! [Kew Recreation Centre] / p1. Community Notices [Auxiliaries; Clubs and Societies; General; Politics; Religious notices; Support groups] / p2&8. Update: Notes from Council [Revitalising Kew Junction; New pedestrian crossing] / Cr Robin Saunders [Mayor of Kew] p3. Kew playgroups / p4. In need of some good yarns ... [Crafts] / p4. Traffic management / p4. Going native at the Billabong / p4. Emergency drivers needed [Meals on Wheels] / p4. No brothels for Kew / p5. No news on Baby Safety Bassinet Loan Scheme / p5. Correction [Kew Councillors] / p5. Maths without fear / p5. Kew Community House / p5. Kew Rotary Art Show / p5. Youth Page - Employment and underemployment / p6. Kew Tennis Club Championships / p6. Vocational training at Kew Cottages / p7. Library News / p7. From the Influenza Epidemic to the Police Strike of 1923 - Part 2 of a personal memory of Kew / Bill Stent p8.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionTaking stock of our heritage / p1. Councillors take a slide! [Kew Recreation Centre] / p1. Community Notices [Auxiliaries; Clubs and Societies; General; Politics; Religious notices; Support groups] / p2&8. Update: Notes from Council [Revitalising Kew Junction; New pedestrian crossing] / Cr Robin Saunders [Mayor of Kew] p3. Kew playgroups / p4. In need of some good yarns ... [Crafts] / p4. Traffic management / p4. Going native at the Billabong / p4. Emergency drivers needed [Meals on Wheels] / p4. No brothels for Kew / p5. No news on Baby Safety Bassinet Loan Scheme / p5. Correction [Kew Councillors] / p5. Maths without fear / p5. Kew Community House / p5. Kew Rotary Art Show / p5. Youth Page - Employment and underemployment / p6. Kew Tennis Club Championships / p6. Vocational training at Kew Cottages / p7. Library News / p7. From the Influenza Epidemic to the Police Strike of 1923 - Part 2 of a personal memory of Kew / Bill Stent p8. publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
Kew Historical Society IncBook, Georgiana’s Journal: Melbourne 1841-1865, 1966
This diary tells the Australian story as it has never been told before and can never be told again. The journal consists mainly of entries in her diary made by Georgiana day by day as events took place. p.91; Brief mention of natives, fear of comet; p.100; Custom of exchanging names; plate facing p. 201 : portraits of Aboriginal people from Arthur's seat; p.204; Account of formation of Port Phillip Bay; p.213; Burial described; p.243; Words of songs of Goulburn blacks tribe; p.245; Description of a corroboree of men, and one of children; Place of women; p.247-253 is An Essay hostorical, geographical, anthropological and zoological taken from Georges Cahier dEcriture 1846; P.250; Description of the natives of New Holland - physical appearance, way of life, dances, shelters, food, weapons, method of stretching opossum skins; Vic. (S) - 6/9, 5/7, 5/5, 5/6, 4/7, 8/1.[Sydney] Angus and Robertson [1966] xxi, 262 p. illus., maps, ports. (part col.) 24 cm. non-fictionThis diary tells the Australian story as it has never been told before and can never be told again. The journal consists mainly of entries in her diary made by Georgiana day by day as events took place. p.91; Brief mention of natives, fear of comet; p.100; Custom of exchanging names; plate facing p. 201 : portraits of Aboriginal people from Arthur's seat; p.204; Account of formation of Port Phillip Bay; p.213; Burial described; p.243; Words of songs of Goulburn blacks tribe; p.245; Description of a corroboree of men, and one of children; Place of women; p.247-253 is An Essay hostorical, geographical, anthropological and zoological taken from Georges Cahier dEcriture 1846; P.250; Description of the natives of New Holland - physical appearance, way of life, dances, shelters, food, weapons, method of stretching opossum skins; Vic. (S) - 6/9, 5/7, 5/5, 5/6, 4/7, 8/1.mcrae, georgiana, georgiana mccrae, woman on victorian goldfields -
Queen Victoria Women's CentreNewspaper excerpt, The Sunday Age, Car Chaos fear at Queen Victoria Site: Lonsdale Street's Greek quarter feels threatened by development plans, 29 October 2000
Newspaper excerpt from The Sunday Age. Page 5 and a smaller introduction probably from the front page. Smaller excerpt colour photo of blue-stone and cast-iron wall which was to be demolished. Larger excerpt, a black and white aerial view of QVWC and the block where it is situated. building construction, building permits, historic building -
Clayton RSL Sub Branchhard cover fiction book, The Red Badge of Courage, 1983 original novel 1895
novel set in the civil warThe novel is known for its distinctive style, which includes realistic battle sequences as well as the repeated use of color imagery, and ironic tone. Separating itself from a traditional war narrative, Crane's story reflects the inner experience of its protagonist (a soldier fleeing from combat) rather than the external world around him. Also notable for its use of what Crane called a "psychological portrayal of fear",[1] the novel's allegorical and symbolic qualities are often debated by critics. Several of the themes that the story explores are maturation, heroism, cowardice, and the indifference of nature. The Red Badge of Courage garnered widespread acclaim, what H. G. Wells called "an orgy of praise",[2] shortly after its publication, making Crane an instant celebrity at the age of twenty-four. The novel and its author did have their initial detractors, however, including author and veteran Ambrose Bierce. Adapted several times for the screen, the novel became a bestseller. It has never been out of print and is now thought to be Crane's most important work and a major American text.Red hard cover fiction novel -
Gippsland Art GalleryPainting, Jago, Esther, Fear, 2006
Donated by the artist, 2008Watercolour on papergippsland, artwork, permanent collection -
Beechworth Honey ArchivePublication, Nie bójmy się pszcół: No fear of bees: photo book (Gritsch, H.), Stóze, 2011, 2011
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Lilydale RSL Sub BranchBook, Written & Prepared by Service Personnel of the R.A.N, HMAS - Fear God Honour The King, !942 revised 1954
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Mrs Aeneas Gunn Memorial LibraryBook, Cassell, The Cruel sea, 1953
Based on the author's own vivid experiences, The Cruel Sea is the nail-biting story of the crew of HMS Compass Rose, a corvette assigned to protect convoys during World War II.Darting back and forth across the icy North Atlantic, Compass Rose played a deadly cat-and-mouse game with packs of German U-boats lying in wait beneath the ocean waves.Packed with tension and vivid descriptions of agonizing U-boat hunts, this tale of the most bitter and chilling campaign of the war tells of ordinary men who had to master their own fears before they could face a brutal menace--one which would strike without warning from the deep.p.416.fictionBased on the author's own vivid experiences, The Cruel Sea is the nail-biting story of the crew of HMS Compass Rose, a corvette assigned to protect convoys during World War II.Darting back and forth across the icy North Atlantic, Compass Rose played a deadly cat-and-mouse game with packs of German U-boats lying in wait beneath the ocean waves.Packed with tension and vivid descriptions of agonizing U-boat hunts, this tale of the most bitter and chilling campaign of the war tells of ordinary men who had to master their own fears before they could face a brutal menace--one which would strike without warning from the deep. world war 1939-1945 - naval operations - britain, world war 1939-1945 - fiction -
Mrs Aeneas Gunn Memorial LibraryBook, John Ruskin, The Stones of Venice: v.1. The Foundations, ????
Part of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically.Ill, p.373non-fictionPart of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically. venice, venice - architecture -
Mrs Aeneas Gunn Memorial LibraryBook, John Ruskin, The Stones of Venice: v.2. The Sea Stories, ????
Part of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically.Ill, p.406.non-fictionPart of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically. venice, venice - architecture -
Mont De LanceyBook, Martha Finley (Martha Farquharson et al, Mildred's Boys and Girls, copyright 1886, 1914
A family story of Mildred's life with her children and husband set in the time of the Civil War in America. The Landreths harbour a family of fugitive slaves and fear the possibility of sending fathers, sons brothers and cousins off to fight. Strong religious themes throughout.Tan coloured floral fabric hardcover novel, Mildred's Boys and Girls by Martha Finley (Martha Farquharson) with black lettering for title and author. Spine has title, author and publisher in black lettering and a coloured flower.fictionA family story of Mildred's life with her children and husband set in the time of the Civil War in America. The Landreths harbour a family of fugitive slaves and fear the possibility of sending fathers, sons brothers and cousins off to fight. Strong religious themes throughout.family life fiction, civil war united states, children's fiction, religious fiction -
Ringwood RSL Sub-BranchBook - Fear God Honour The King, H.M.A.S
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Wodonga & District Historical Society IncBook - Airmen I have Met - Their Stories, Derrick Rolland, 1999
This book includes biographies of 16 different airmen with whom the compiler has come in contact. They have had their own uniques experiences in aviation. 12 of them served in the Royal Australian Air Force (RAAF). One of the aviators featured in this publication is Joe Drage, Born on 10 July 1931 in Walwa, Joseph Gordon (Joe) Drage operated a timber mill and earthmoving business, but his great passion was aviation. After obtaining his pilot’s licence at the age of 19, Mr. Drage set about buying vintage aircraft that he feared would be sold overseas. He bought his first aircraft, a Tiger Moth in 1965. In 1972 he established Drage Historical Aircraft Museum on about 60 ha of land in Wodonga, with 5 planes. Over time this grew to 21 planes which Joe maintained so that they were all in flying order. His museum was the location for several air shows which included fly-ins by members of the Antique Aeroplane Association. The land occupied by the Museum was compulsorily acquired by the Albury-Wodonga Development Corporation and Wangaratta council bought the aircraft collection for about $2 million. They opened Drage Airworld in 1984. The cost of maintaining the collection became too much for the council which closed it down in 2002. Joe Drage died on 9 August 2017.This publication has a hard cover with a dust jacket. It consists of 191 pages, including 85 black and white and 12 coloured images.This book includes biographies of 16 different airmen with whom the compiler has come in contact. They have had their own uniques experiences in aviation. 12 of them served in the Royal Australian Air Force (RAAF). One of the aviators featured in this publication is Joe Drage, Born on 10 July 1931 in Walwa, Joseph Gordon (Joe) Drage operated a timber mill and earthmoving business, but his great passion was aviation. After obtaining his pilot’s licence at the age of 19, Mr. Drage set about buying vintage aircraft that he feared would be sold overseas. He bought his first aircraft, a Tiger Moth in 1965. In 1972 he established Drage Historical Aircraft Museum on about 60 ha of land in Wodonga, with 5 planes. Over time this grew to 21 planes which Joe maintained so that they were all in flying order. His museum was the location for several air shows which included fly-ins by members of the Antique Aeroplane Association. The land occupied by the Museum was compulsorily acquired by the Albury-Wodonga Development Corporation and Wangaratta council bought the aircraft collection for about $2 million. They opened Drage Airworld in 1984. The cost of maintaining the collection became too much for the council which closed it down in 2002. Joe Drage died on 9 August 2017.air pilots australia, aviation history, joe drage, joe drage airworld -
Box Hill Historical Society
Book, Burwood Boys: Seven stories of success, 2018
The seven stories in this book are told by former residents of Burwood Boys' Home, some of whom arrived there from other residential institutions. The stories provide a window into an earlier era of Melbourne's social history, from the 1930's to the 1970's. These are stories of resilience, good humour and positivity, but also of abandonment, confusion and fear as families made hard decisions. They vary in length, and include one longer extract from an autobiographical work by Hector Davis OAM, who arrived at Burwood, aged eight in 1934.A5, 154 pages; black & white photos and some coloured photosnon-fictionThe seven stories in this book are told by former residents of Burwood Boys' Home, some of whom arrived there from other residential institutions. The stories provide a window into an earlier era of Melbourne's social history, from the 1930's to the 1970's. These are stories of resilience, good humour and positivity, but also of abandonment, confusion and fear as families made hard decisions. They vary in length, and include one longer extract from an autobiographical work by Hector Davis OAM, who arrived at Burwood, aged eight in 1934.burwood boys' home, child care, burwood children's home, reminiscences, davis> hector, bastow> ted, williams> vern, richardson> kevin, howden> bob, snell> ed, holmes> michael j. -
National Vietnam Veterans Museum (NVVM)Book, Murphy, John, Harvest of Fear: A history of Australia's Vietnam War. (Copy 2), 1993
The most complete account yet of Australia's longest war.The most complete account yet of Australia's longest war.vietnamese conflict , 1961-1975 - australia, 1961-1975 - protest movements - australia, ngo dinh diem, tet offensive -
National Vietnam Veterans Museum (NVVM)Book, McKay, Gary, Vietnam fragments: An oral history of Australians at war. (Copy 2)
Vietnam Fragments is a rare collection of impressions, reactions, feelings and fears - the often spell-bounding personal experiences of Australians who saw active service in the second Indo-China War. This was Australia's longest war.Vietnam Fragments is a rare collection of impressions, reactions, feelings and fears - the often spell-bounding personal experiences of Australians who saw active service in the second Indo-China War. This was Australia's longest war. vietnam war, 1961-1975- personal narratives, australian army
