Showing 3492 items
matching back to portland
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Glenelg Shire Council Cultural CollectionPrint - Print - Australia, South coast, Victoria, vicinity of Portland Portland Bay, n.d
... Cliff Street Portland great-ocean-road Port of Portland ...Port of Portland Authority archives.Front: (no inscriptions) Back: (no inscriptions)port of portland archives, portland harbour -
Glenelg Shire Council Cultural CollectionPainting, A S Murray, Tasmanian Coast Scene, n.d
CEMA Art Collection Previously located in History HouseThe painting depicts a large body of water with a shore line in the foreground on the left. Depicted in shades of grey, the calm water features a patch of white in the centre. In the background to the right, is a distant view of a small patch of land covered in trees. Behind the land is an out of focus view of mountains in the distance. The top half of the work features a grey cloudy sky. The work has a gilded ornate frame with cardboard and gold mounts and glass.Front: A.S. Murray Label attached to glass front: Presented to Council in 1984 by A.S. Murray Dunrobin Back: W. Hamer 189 Sturt Street Ballarat VICTORIA BUILDINGS, OPPOSITE CITY FIRE BRIGADE -
Glenelg Shire Council Cultural CollectionPainting, Greenmount, n.d
CEMA Art Collection Previously located in History HouseThe painting depicts a double storey bluestone building with a pair of red doors on both storeys. The top storey has a small balcony with black railing. To the right of the building is a single storey wooden building with two water tanks out the front. To the left of the building is a yellow wall and the edge of a tall Norfolk Pine. In the foreground is a grass area with clumps of tall grass. The background is a blue and grey sky. The work has a gold and black frame and exposed canvas.Front: DEB Back: (No inscriptions) -
Glenelg Shire Council Cultural CollectionPainting, Thomas Clark, Muntham, c. 1865
The landscape painting depicts rolling green hills with a valley through the centre. Scattered throughout the painting are numerous trees and cattle. The foreground is a darker green which creates a shadow effect. Within the foreground are more detailed trees, tree stumps and birds. The background is a cloudy sky in shades of blue, pink, purple and orange. Work has a heavy gilded ornate frame.Front: (No inscriptions) Back: (Not available) -
Glenelg Shire Council Cultural CollectionPainting, DEB, Ettrick, n.d
CEMA Art Collection Previously located in History HouseThe painting depicts four buildings within a bush setting. Within the foreground is a body of water with various plants lining it's banks. The midsection of the painting is defined by a wooden fence which extends across the centre of the work. In the background are two sets of two houses. The houses are surrounded by various trees and both sets of houses have roads which extend down to the fenceline. The top half of the work is a yellow and blue sky. The work has a black and gold frame and exposed canvas.Front: DEB Back: (No inscriptions) -
Glenelg Shire Council Cultural CollectionPainting, DEB, Julia Street, n.d
CEMA Art Collection Previously located in History HouseThe painting depicts a street scene with ten buildings in a line. The foreground represents a road and is depicted in various shades of brown, green and yellow. The row of buildings is a mixture of double and single storeys. The most prominent building is a double storey grey building with four top storey windows and a chimney. The top half of the work is a blue and yellow sky. The work has a gold and black frame and exposed canvas.Front: DEB Back: (No inscriptions) -
Glenelg Shire Council Cultural CollectionPainting, DEB, Percy Street, n.d
CEMA Art Collection Previously located in History HouseThe painting depicts a street scene with several buildings and people. The foreground represents a road and is depicted in shades of brown and yellow. Several men stand on the edge of the road and one sits in a horse and buggy. Behind the men are several buildings with wooden fences. The building in the centre of the work is yellow with a white roof and two white chimneys. The top half of the work is a predominately blue sky with lines of yellow, pink and white. The work has a gold and black frame and exposed canvas.Front: DEB Back: (No inscriptions) -
Glenelg Shire Council Cultural CollectionArtwork, other - Etching, BRIGIT THOMAS, Lady Nelson, c. 2015
Etching, hand coloured, white mount, black-painted wooden frame, reflective glass, hanging wire across width of frame, on backFront: 'Lady Nelson A/P BT' - hand written, pencil in between etching and mount Back: Artist's business card glued to back of etching, lower left hand corner -
Glenelg Shire Council Cultural CollectionPainting, James McLear, Untitled, 1990
A depiction of a seascape with six large rocky outcrops emerging from the ocean. The rocks are painted in horizontal layers of red, yellow and blue. The sea is indigo with highlights in white and darker areas of near black. Sky depicts a dawn or dusk view, with lower half washed in apricot and yellow with touches of red/orange. Upper half of sky is blue. In faun matt and framed under glass in wooden frame with gold edging.Front: McL 90 (lower right) (white paint) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Print - Lithograph, Early View of Town of Portland, 1890-1905
Displayed in History House. Removed from frame and rehoused, January 2007. Previously owned by Murray Wilson, 1923-1989.Donated by Mrs Betty Wilson in memory of her husband, Murray Wilson (1923 - 1989)Lithograph of a drawing of Portland, viewed from an elevated position. Cliffs on foreground right curve towards a series of piers. To right is a church and a series of houses on blocks, with a wide street in front. Couta boats, row boats and steam ships are in the harbour, one steamship is berthed at the end of a long pier with a railway track leading from it. In background the coastline curves around the harbour, with a lighthouse evident on a bluff at upper left of image.Front: (no inscriptions) Back: Murray F. Wilson/from E. Wilson (on backing board, now removed) -
Glenelg Shire Council Cultural CollectionPrint - Print (reproduction), Will Longstaff, The Immortal Shrine, n.d
CEMA Art collection Previously located in History HouseThe print depicts a night view of a city street. In the foreground are ghosly figures completing a military march along a wide street. On the left side is a large white Remembrance Shrine with three flags hanging on individual flagpoles. In the background are numerous multi-storey buildings with a row of light streetlights in front. The work is completed in various shades of blue and mounted with brown card. Framed with a gold and black frame, the work has an exposed canvas.Front: Brass embossed plate: THE IMMORTAL SHRINE BY WILL LONGSTAFF COPYRIGHT REGISTERED Back: (No inscriptions) -
Glenelg Shire Council Cultural CollectionArtwork, other - Painting, Neville Touzeau, Eclipse 3, 1972
UnknownAbstract composition of 24 circles, evenly spaced across image. In orange, yellow, brown, green, blue and white, with each alternate circle taking on aspects of the colours beside it. Set in dark blue background. Mounted in dark green matt. In wooden frame with glass glazing.Front: (no inscriptions) Back: "Eclipse 3" Neville Touzeau $40 '72 Touzeau 276 (lower right)(blue pen) Touzeau (black felt pen) Flight IV 50 Touzeau (blue pen, scribbled out in blue felt pen) -
Glenelg Shire Council Cultural CollectionPainting, A.S. Murray, A Rocky Gorge, n.d
CEMA Art collection Previously located in History HouseThe painting portrays a gorge from the perspective of being in the gorge and looking towards the shore. In the foreground is a small body of water with large brown rocks to the right. Yellow sand extends from the rocks around to the left of the water. The sand stretches from the water's edge to the large cliffs in the background that form the borders of the gorge. The work is mounted and framed in an ornate gilded frame with glass.Front: A.S.Murray (signature lower left) A ROCKY GORGE by A.S.MURRAY (sticker - lower centre on glass) Back: 3132 (small yellow sticker) -
Glenelg Shire Council Cultural CollectionPrint, Norman Poole et al, Fishing Boat, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of a fishing boat on slipway. The boat and ground surrounding it are predominantly black with a small amount of orange. The sky is dark blue and fades into a lighter blue on the right side of the work.Front: Norman Poole (lower right) (pencil) Back: 31 -
Glenelg Shire Council Cultural CollectionPainting, Travis Webber, Greenmount, c. 1955
CEMA Art Collection Previously located in History HouseThe painting depicts a large stone building with two smaller buildings in the foreground. Within the foreground is a small patch of dirt and grass with a side view of a small building to the right and a front and side view of a small stone building to the left. In the background is the large building which features two chimmneys. To the left of the building is a leafless tree and pale blue sky. The work has a gold and green frame with glass.Front: "GREENMOUNT" (brown, lower left) TRAVIS WEBBER (brown, lower right) 23 (white sticker attached to glass Back: (No inscriptions) -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Helichrysum acuminatum (orange Everlasting). Helichrysum scorpioides (Button Everlasting), 1984
Part of "The Woolcock Gallery Collection". Exhibited CEMA, 1989.Studies of three daisies with details. Study on the left is two-stemmed, with leaves, a stalk, and one open and one closed yellow flower. There are long tapered petals on the open flower. The central study has a long stalk, long leaves at the base becoming sparser at the top. The flower is yellow with a large central androecium and a corolla of small petals. On the far right are two detailed studies: a top view of a daisy with a corolla of small petals and a side view of a stamen.Front: CEW/84 (base of flower, lower left) (colour pencil) Helichrysum acuminatum (Orange Everlasting) " scorpioides (Button Everlasting) (lower left) (pencil) CEWoolcock (signature, lower right) (pencil) Back: 35 (upper left) (pen) -
Glenelg Shire Council Cultural CollectionPrint, Albert Henry Fullwood, Portland Victoria, c. 1886
... Cliff Street Portland great-ocean-road Nil Front: A. Hy Fullwood ...NilScene of Portland Harbour. View includes people walking on beaches, jetties, moored boats (some with sails, some without). Upper centre of image shows a town, with a church to the right. To the left centre is a planned garden with people promenading. In foreground is empty land with a few seagulls. A train track enters the image on bottom centre. Print is predominantly in shades of blue, grey and brown. Mounted in dark cream matt, in wooden frame with glass.Front: A. Hy Fullwood (lower left, grey paint) "Portland Victoria" A. H. Fullwood 1836-1930 (printed below image) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Photograph, Island Park Oval, Casterton, n.d
SOURCED FROM CASTERTON TOWN HALL (FORMER SHIRE OF GLENELG)Black and white photo of Island Park Oval, CastertonBack: 'Island Park oval' - green biro, handwrittencasterton, island park oval -
![Painting, untitled [Portland Port], n.d](/media/collectors/4f729f5597f83e03086015b1/items/655a82f77f3f3810362edb30/item-media/655a83847f3f3810362ef766/item-fit-380x285.jpg)
Glenelg Shire Council Cultural CollectionPainting, untitled [Portland Port], n.d
Art Collection Previously located in History HouseThe painting depicts the Portland Port from an aerial perspective. The perspective is taken from the ocean looking down across the Port and into the town of Portland. Within the foreground is the ocean beyond the Main Breakwater, the Main Breakwater and the Port. Within the Port nine large ships are docked and another is being brought into the Port by two tugboats. The background features a distant view of the town of Portland and the landscape beyond the township. The work has a white wooden frame and glass.Front: TROMPF (white paint, bottom right corner) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Photograph, Glenelg Manufacturing Co, c. 1963
SOURCED FROM CASTERTON TOWN HALL (FORMER SHIRE OF GLENELG)Black and white photograph. Glenelg Manufacturing Co. Pty. Ltd building, Casterton. This was originally Casterton Flour Mill.Back: 'Glenelg manufacturing Co. Pty Ltd (originally Casterton flour mill) handwritten in blue biro Blue biro line, arrowed both ends, drawn across photo, '3"' above lineglenelg manufacturing co, casterton flour mill -
Glenelg Shire Council Cultural Collection
Postcard, Bill Vivian Postcard, n.d
Black and white photo postcard. Head and shoulders photo of Bill Vivian. He is dressed in naval uniform; the word 'Protector' can be seen on the front of his hat'Back: 'Uncle Bill Vivian' - handwritten in blue pen.bill vivian, military, navy -
Glenelg Shire Council Cultural CollectionPainting, Stephen Spurrier, Landscape Near Condah, 1966
Winner of Portland Art Society Art Prize for the category of watercolours.An abstract depiction of a landscape. The work is predominantly completed in shades of blue, purple and green using a watercolour technique. Further detail has been added to the work using black ink ink and white paint. The work has a painted wooden frame with with white mount and glass.Front: Stephen Spurrier (black ink, lower left) 1966 Back: Stephen Spurrier "Landscape Near Condah" (1967) typed label Watercolourscema, portland artists society -
Glenelg Shire Council Cultural CollectionDrawing, Jenny Ward, K.S. Anderson, 1981
Sketch of a man wearing a suit jacket, shirt and tie. Hair is roughly sketched above a high forehead and heavy eyebrows.Front: K.S. Anderson (signature, lower right) (blue pen). 13 November 1981 (lower right). Jenny Ward (signature, lower left in image) (pen). Back: 1996 (upper left) (pencil) -
Glenelg Shire Council Cultural Collection
Photograph, Group photo - children in fancy dress, n.d
... Cliff Street Portland great-ocean-road Back: 'Knight Hennely ...Black and white photo, glued to dark grey mount board. Group of seven children, quite young to teenagers, standing in front of brick wall. All in fancy dress. (Names on back of mount board) Man sitting on 'throne', wearing crown.Back: 'Knight Hennely(?) Fossit Seayrs(?) Knight Thomas Alice Adia Eric May Marin Ina Will' handwritten, black ink -
Glenelg Shire Council Cultural Collection
Functional object - Seal, Port of Portland Authority Seal, 1980s
Used by Port of Portland Authority for sealing of documents between 1982-1997.256.1: Positive section (metal) of Port of Portland Authority seal. Logo and text at top and bottom plates. Port of Portland Authority (around outside) [image of lighthouse, cliff, anchor and ocean] (centre) 256.2: Negative section (bronze) of Port of Portland Authority seal. Logo and text at top and bottom plates. Port of Portland Authority (around outside) [image of lighthouse, cliff, anchor and ocean] (centre)Front: Port of Portland Authority * (around outside) [image of lighthouse, cliff, anchor and ocean] (centre) Back: - -
Glenelg Shire Council Cultural CollectionPainting, Isabel Huntington, Poppies in Flanders Field, 1968
CEMA Art Collection Winner of 1968 Portland Art Society Prize for the category of other media.The painting is an abstract depiction of a field which is predominantly yellow with patches of red. The largest red patches are in the lower right corner and centre left side. Another focus point of the work is a large yellow mound slightly off centre which may represent a haystack. The background is a light blue sky. The work has a painted wooden frame with material mount and glass covering only the paint surface.Front: Huntington (signature, lower left) Back: ISABEL HUNTINGTON "POPPIES IN FLANDERS FIELD" (1968) (typed label) Yellow Sticker: 1968-cema, portland artists society, wwi -
Glenelg Shire Council Cultural Collection
Functional object - Milk Bottle, n.d
Found on Admella wreck by an Abalone Diver some time ago, perhaps 10 plus years. Has been stored in donors shed ever since.Found on wreck of AdmellaCream coloured milk bottle ceramic, flat bottom, broken top, clear glazed.Front: Indented rim for attaching lid. Indentation near base appears to be from when it was made. Back: -admella -
Glenelg Shire Council Cultural CollectionDrawing, Noel Jones, Laneway, 1971
NoneView of a lanway. The laneway begins lower centre of image and recedes into image, halting 1/3 into the image. It is flanked by a high wooden fence on the right and a low wooden pole fence on the left. Behind fence on the right is the top of the wall and the roof of a house. One the left there is a house on a slight hill, rising above the road. There are houses in the background, with power poles and antennae visible above the roof lines. Mounted in black matt. Framed in silver frame with glass.Front: NWJones 71/ (lower left, black felt tip pen) Back: "Laneway" N.W. Jones 31 Linden St Box Hill Sth $25.00 (centre, black felt-tip pen) -
Glenelg Shire Council Cultural Collection
Photograph, Poolaigelo Memorial Hall, c. 1963
SOURCED FROM CASTERTON TOWN HALL (FORMER SHIRE OF GLENELG)Black and white photo. Poolaigelo Memorial Hall, same view as 7182Back: Black stamp- 003755casterton, poolaigelo memorial hall -
Glenelg Shire Council Cultural Collection
Souvenir - Dish, Casterton Town Hall Dish, n.d
... Cliff Street Portland great-ocean-road Back: Makers stamp ...White china dish with view of Casterton Town Hall, scalloped edges.Back: Makers stamp Victoria Made in Bohemia Fine China
