Black and White photograph mounted onto heavy cardboard, original Victorian Railways Print, of Sturt St, looking east from the Ballarat City Fire Station tower, late 1930's, 1938? Photo has two trams east bound in the photo, along with a few motor vehicles. In the photo are a street side Garage, a bakery, Golden City Hotel, Town Hall, St. Patricks Church and Harry Davies & Co. Drapers and importers. Has title "Sturt Street, Ballarat" printed onto a label and fixed to the print. Victorian Railways Photograph - now held by State Library. Original photo will have copyright provisions. On rear of photograph, notes print ex ARHS, ex carriage 30AV, and in top right hand corner date 1938. On rear of photograph in top right hand corner "1938", central area of photo "725" in pencil, and lower central portion of the photo (in Warren Doubleday hand writing), "From A.R.H.S ex 30 AV".trams, tramways, sturt st, gold city hotel, st patricks, victorian railways

Document: Reply letter from the State Electricity Commission to Central Napoleon for their £30/-/- contribution toward the cost of restoring power to Central Napoleon Mine, Also stating that work for the substation will commence when materials available, letter found in Central Napoleon GM NL Minutes book No 2 now numbered 2205.712a.organization, business, industry - mining, mccoll rankin & stanistreet, mining, gold mining, central napoleon

Card details a Lancaster bomber, but in all likelihood its a Wellington bomber being serviced at an airfield by ground crew. Part of Frederick Gardner Davey DFC No.410533 RAAF Collection. See Cat. No. 3536P for his service record. Photo, black & white, white border, of an aircraft being serviced by two airmen. Buildings and trees visible in the background.On back, hand written in pencil: "Lancaster by day". On back, two stamps in purple ink: 1 "Copyright photos issued by Central Press Photos Ltd. Incorporating Central News Illustrations Service, 119 Fleet Street London E.C.4" 2 "Certified by Central Press Photos Ltd as passed by censor. Pres and censorship bureau"bombers, ww2

black and white photo : Central Deborah Gold Mining N.L. poppet head with corrugated iron sheds in foreground and right rear. On back Mng 49 ' Central Deborah 1960's ? ' On front op ' Central Deborah Mine, off High St., Golden Square. Now purchased by City Council for Mining Museum. 'Robert Wallace Stucioes, 6 Ruth St., Golden Square.organization, business, central deborah gold mine

Aulsebrook Collection: What's on in North Central Victoria Magazine 1971 -A5 magazines, 1) January/February 1972 (3490.43a): 15 pages, filled with advertisements, articles, information on towns in North Central Victoria, 2) April 1972 (3490.43b): 23 pages, filled with advertisements, articles and information on towns in North Central Victoria,

Document: Letter to Central Napoleon Gold Mines N.L from Dickson & Tadgell Chartered Accountants and Company Managers on behalf of North Nell Gwyne Company making an offer of £65 for Central Napoleon Company's Vertical Boiler, letter found in the Central Napoleon GM N.L Minutes Book No 2 now numbered 2205.712a.organization, business, industry - mining, mccoll rankin & stanistreet, mining, gold mining, central napoleon

Commemoration badge 25.4 1918Medallion, metal, silver colour, round with section at top with ring in, front has central depiction portrait of an AIF Soldier, rear has a central rectangular section with 3 x place names.On front face, “ HONOR to the AIF”, on rear around edge, “ANZAC Day 1918”, centre has “ Gallipoli , France, Palestine”medallions, honor to the aif, anzac day 1918

Maastricht, Holland, was the city where Petrus Regout established the De Sphinx pottery in 1836. De Sphinx operated under the name Petrus Regout & Co. until 1899. The firm was noted for its transfer-printed earthenware. Many factories in Maastricht are still making ceramics. The plate was created to celebrate the silver jubilee of Queen Wilhelmina in 1923.A ceramic plate decorated in blue with pictures and words. Central to the image is a coat of arms featuring a central lion and 4 identical hunting horns. The whole is surmounted by a crown. The rim is decorated with orange blossoms.The words read: "Mijn schilt en de betrouwen Syt Ghy O God myn Heer. Op U soo wil ick bouwen Verlaat my nimmermeer." These are words from the second verse of the National Anthem recorded in Old Dutch. The dates 1898-1923 also feature on the front of the plate. The back bears the maker's stamp, an imprint of a small arrow, an imprint of ¾ and the words "Made in Holland". The maker's stamp reads: "Petrus Regout & Co Maastricht". It is surmounted by a sphinx. There are also two holes in the rim to enable hanging of the plate.

In 1885 John Francis Brown first planted 10 acres of vines in Milawa, Victoria. Brown Brothers was founded in 1889 when the vines were ready to produce their first crop, as John hoped his brothers would join him in this new and promising venture. This did not happen but the name remained. Since 1899 Brown Brothers has grown into one of Australia’s largest family-owned wine businesses and now operates several vineyards in Victoria and Tasmania. These ceramic jars were used by Brown Brothers in the 1970s and 1980s to package Port, Muscat and Tokay. Fortified wines packaged in this manner would maintain their quality for decades as long as the wax seal was unbroken. Elischer Pottery was started in Sandringham, Melbourne Victoria in 1947 by well-known sculptor John (Johann Wolfgang) Elischer (1891-1966) and his son, also named John, (known as Wolly). John (Snr) was born in Vienna and trained at the Academy of Vienna from 1908 to 1911 and was an Associate of the Royal Academy Vienna. John (Senior) died in 1966 and the business was continued by his son John (Wolly), until 1987 when it was sold. Prior to that, at some time, he started making pieces the brand NCP. The business continues today as “Unique Ceramics” in Highett, Victoria. They continue to use the “Elischer” brand on some of their products.This jug is representative of an historic and continuing leading Australian Winemaker located in Northeast Victoria.An earthenware wine jug created for Brown Brothers Milawa Vineyard manufactured by John Elischer Pottery. The jug has a tradition loop handle. The bottom half of the jug is a traditional beige colour with a darker brown top section. The logo is imprinted in black and is covered in a clear glaze. The cork stopper is still intact although before being opened would have been sealed with wax.Company logo on one side: at top a central male image between the text "Founding Father /John F Brown. In a central oval around the name "Milawa", BROWN BROTHERS/ VINEYARD AUSTRALIA" On base: "97"brown brothers milawa, elischer pottery, northeast victorian wineries

A fully decorated Boch Delfts wall plate depicting a scene with water, sailing boats, a small dinghy, distant land with village and a glimpse of shore in the foreground. The whole is encircled by a ribbon of blue. The broad outer edge is decorated with leaf and flower patterns.The marks "Boch" and "Delfts" encircled by flower patterns cover a small central area on the back.

A number of these fans were ordered from Indonesia by Lia Kellener, the founder of Tempo Doeloe in Melbourne.The item relates to the move of many Dutch to The Netherlands or Australia from post-WWII Dutch East Indies. After a 4year struggle immediately following the ousting of the Japanese in 1945, Indonesia officially gained independence from The Netherlands in 1949. Small Indonesian fan produced for the 50th anniversary of Tempo Doeloe in Australia. The fan is made in a similar manner to the so-called Wayang dolls and is reminiscent of this aspect of traditional Indonesian culture.An orange central patch bears the words: Tempo Doeloe 1945-1995 Indonesia - Australia.

Mother Earth was created by modernist era sculptor George Allen. It is located in the western median strip at the intersection of Sturt and Raglan Streets. Made from Hawksbury stone on a granite base, the sculptor has created a female figure as the centrepiece, with two reliefs figures at the front and rear depicting a miner and a farmer. The work was created in commemoration of Mr Frank Pinkerton, an esteemed local lawyer in Ballarat. George Allen won the commission to design and execute the Pinkerton Statue in open competition in 1949. The statue is a significant work of one of Victoria's leading sculptors of the mid twentieth century, and controversy at the time surrounding its installation reflects the general attitude of the period to progressive public sculpture.Mother Earth was classified as regionally significant by the National Trust in 2003. The statement of significance below ha been provided by the National Trust, Victoria: The Pinkerton Statue by George Allen is of a simplified female figure which symbolises 'Earth', with smaller figures representing Mining and Agriculture carved in bas-relief at its base. The statue is carved in Hawkesbury Freestone and mounted on a granite plinth. It is located in a prominent position in central Ballarat. The statue in commemoration of Mr. Frank Pinkerton, an esteemed local lawyer, erected in Ballarat in 1952 is significant for aesthetic and social reasons at a Regional level. The statue is a significant example of the work of one of Victoria's leading sculptors of the mid twentieth century, and the controversy at the time surrounding its installation reflects the general attitude of the period to progressive public sculptures. George Allen won the commission to design and execute the Pinkerton Statue in open competition in 1949 against a large group of his peers. Following this. Allen was again successful in another major competition to design the National War Memorial for the Forecourt of the Shrine of Remembrance in Melbourne in 1951. Allen chose to work in a 'symbolic' manner using simplified forms with little detail, and relying on the strength of composition, 'boldness of statement' and the consideration of material for impact. Because of its lack of realism the Pinkerton Statue engendered much controversy, particularly within the popular press at the time, although it was generally appreciated in artistic circles. Allen had travelled extensively in Europe in the late 1930's, but his work mainly reflected influences from early modem sculptors in the United Kingdom such as Frank Dobson and Eric Gill. The Pinkerton Statue was the first example of modem sculpture to be erected in Ballarat and is an excellent example Allen's own work and the changing artistic culture of the period. Allen himself said that it reflected the "spirit of the time". A large Hawkesbury Freestone statue of a female figure and smaller figures representing Mining and Agriculture carved in bas-relief at its base. The statue is mounted on a granite plinth.CENTRAL FIGURE EARTH EMERGING FROM RELIEF FIGURES REPRESENTING THE INDUSTRIES OF MINING AND AGRICULTURE.pinkerton, mother earth

Lapel badge with pin and clip on back and a safety chain and fine gold pin. Blue and red enamel around edges, with white and blue RSL badge replica in centre. Badge in shape of shield.CENTRAL RSL VICTORIA, blue background. WOMENS AUXILIARY red background. Back: Stokes.

Black and white photograph. Poppet legs. Corrugated iron buildings and associated mine equipment. Dam in foreground. Three houses at R. Inscriptions: on back - rubber stamp 'Central Nell Gwynne Gold Mining Company. No liability:mine, gold, central nell gwynne mine, bendigo, mines and mining, mines, mining, poppet head, landscape

Presented to John Waugh whose son believed to be William John Waugh No 307 who was KIA on Gallipoli Peninsula 2.5.1915Badge, round silver coloured with a central square shape with reddish background.On front, “ Sailors Soldiers Assoc of Victoria”, On the rear, “8573 John Waugh”badges, fathers association

Tram at Central Deborah Mine. Photo taken 1992 by Roy Mitchell.bendigo, tramways, tourist tram

Tram at Central Deborah Mine. Photo taken 1992 by Roy Mitchell.bendigo, tramways, tourist tram

Central Deborah Gold Mine poppet head, Violet Street, Bendigo.slide, bendigo, central deborah gold mine, central deborah gold mine, violet street, bendigo

Black and white photograph of Central Deborah gold mine elevator shaft.mining, business, central deborah gold mine

Colour Photograph of the Main Gates at Central Park Stawell November 1984

Article concerning re-development of Box Hill Central Shopping Centreshopping centres, box hill central

Colour photograph of a sandstone building and terracing at Central Springs, Lake Daylesford.This Terracing and Bridge eracted by Springs Improvement Committee 1952central springs, daylesford, lake daylesford, mineral water, kiosk, sandstone, springs improvement committee, swimming pool, swimming sheds

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. While cotton apron, edged with lace. There is a central panel of insertion lace.clothing - women's, aprons, protective wear, fashion design, fashion -- 1950s

White China Tuscan Bowl Printed with The Palms, Central Park Stawellstawell

Rectangular wood plaque containing a central silver plaque depicting a dragon. Nonematcham skipper, plaque, silver, dragon

Portrait of Hans and Letitia Hecht with a description of the Trust they founded. Between them is a page outlining the work of the Trust they established. The description reads: "H. & L. Hecht Trust. Thanks for Sharing Our Vision. The Association for the Blind thanks the H. & L. Hecht Trust for their generous support of our Western Metropolitan Regional Low Vision Clinic. The trust was established by the late Hans Hecht, an immigrant from Germany who arrived in Australia in 1900. He married Letitia Robinson in 1911. A successful importer and manufacturer, he set up the H. & L. Hecht Trust to give something back to the community for the help he and his wife had received. Hans Hecht died in Melbourne in 1965, aged 84. Letitia died two years later aged 87. Their kindness lives on in the support which their trust has given for the work of the Association for the Blind through their trustees: Mr D W Rogers, Sir Peter Derham, Perpetual Trustees Victoria Limited."2 black and white photographs with central panel of text in grey frame association for the blind, h & l hecht trust

Melton Uniting Church event held at Melton Central Pre-Schoolchurches