Black Glass 1860 bottle concave basecontainers, domestic

Chiffonier was used for storage in a workshop and rescued and restored by George Cox and K. Huntsman a descendant of original ownerCedar chiffonier with raised backboard to three sides of top. Raised centre panel with pointed top to doors. Matching round wooden knobs. Small plaque on top left hand side showing original owner and dateFrom the Estate of Benjamin Huntsman 1821-1886furniture, domestic

Donated by Box Hill Historical SocietyGreen coloured tobacco tin. Printing on lid 'Celebrated'' Phoenix Long Cut'. Gold Medal cien 1888. Face of woman in circle on left hand side of lid. 'Aromatic Long Cut' on lower edges. 'Phoenix Aromatic Long Cut' on each end of tin with picture of a phoenix.containers, domestic

Donated by Box Hill Historical SocietyGold coloured tin. A crown in red and gold on the top with a scroll with 'Semper Fidelis' printed on it. An oval shape below scroll outlined in gold with 'WINFRED' 'London' and 'Superior cigarettes'/ Inside on lid 'WINFRED' cigarettes printed within a scrolled outline. Below is printed ARDATH TOBACCO Co LONDON ENGLAND.containers, domestic

Donated by Box Hill Historical SocietySmall green tin with three gold stripes across the top. Below is the 'Garrick' with the silhouette of the sphinx in black with cigarettes on a gold background. 'Virginia' 'Filter Tips' in black on base of lid. inside 'the new idea in cigarette smoking' is printed in black with a square outlined in black with 'The Garrick' and the outline of the sphinx and cigarettes within the square. Garrick Filter Tips is printed underneath.The Garrick and as abovecontainers, domestic

Donated by the box Hill Historical SocietySmall green tin 'The Three caftles cigarettes' printed in black, below is 'W D & H O Wills, Bristol and Sydney' with a crest with three castles'. 'There's no sweeter tobacco comes from Virginia no better brand than the three caftles is written on a scroll and signed 'The Virginian'. Below are three signs saying Prize medal. Inside lid there is a scroll with There is no sweeter tobacco comes from Virginia and no better brand than the 'three Caftles' 'The virginian'. W M Thackerayas abovecontainers, domestic

Donated by Box Hill Historical SocietyRound grey coloured with silver coloured lid (badly pitted). Printing on tin 'Dobies Four Square (overprinted on design of 4 green squares 2 top 2 bottom). Mixture'. Under green squares- Regd Trade Mark. Under word mixture- Empire Deluxe' George Dobie and sons Ltd Paisley Scotland'. Around rim of tin lid 'Manufactures of quality tobacco since 1809' Base of tin Made in Scotland with 2ozs net between made in and Scotland.Made in Scotland 2ozs netcontainers, domestic

donated by Box Hill Historical SocietyRound tin, white background with red border. 'Macbaren's(R)' in red printing below is a coat of arms with 'Golden Brown' and 'Fully Ripe' on either side in navy blue , 'Plum Cake' across middle of tin on dark blue background 'Navy Blend' in red below and 'Aromatic' in white below on navy background . Specially prepared from the best grades of tobacco. Net WT 2ozs. Plum Cake printed on side of lid.as abovecontainers, domestic

Single drawer with mirror on top It stood on a tall boy (a set of drawers) used for a man's toilet requirements.furniture, domestic

Decorative silver type box. Separate lid. Bamboo leaves pattercontainers, domestic

Also known as 'Platform Rocker', 'Spring Rocker', and 'Dexter Rocker'. Unlike traditional rockers it does not tend to creep along the floor when used. Carved wooden rocking chair, originally covered with a red velvet on the back and brown leather criss-crossing on seat. It has now been re-upholstered in Old Gold, cotton damask brocade.furniture, domestic

Cedar chiffonier with raised backboards on three sides. Two doors with raised fronts as decoration. Pine sides. White knob on door.furniture, domestic

Wooden chair with arms, leather seat cover quilted design and studded.furniture, domestic

Shiny aluminium body, lid, spout wire handle,firm handle opposite spout and red bakelite knob on lid. Rivets join handles to body. spout soldered to body.Black circle encircling a white G with a diagonal 'LODA'containers, domestic

Large wooden two door wardrobe with wooden handlesfurniture, domestic

Wooden chair with rounded back and green painted seatfurniture, domestic

Large wooden wardrobe with two mirrored doors with ornate carved detachable head piece and large drawer at bottom.furniture, domestic

Restored by George Cox, MLADark timber wash stand with turned legs. Main shelf has circular hole for basin. Second shelf near base. Hanging bar above main shelf at rear.furniture, domestic

Bed was restored by George Cox - former committee member.Wooden double bed. Four ends are rounded and on castors. Mahogany in colour.furniture, domestic

Restored by George Cox. It is thought to be rare - possibly Victorian.Small table with octagonal top. Top is covered in dark red plush velvet and has black fringing around edge. Legs are crossed together and splayed out.furniture, domestic

Restored by George Cox, retired M.L.A. and member of founding committee of the historical society.Wooden rocking chair with wooden carved back. Material on back and seat in dark checked pattern. Rocking base.furniture, domestic

Mahogney dressing table with six drawers. Large mirror surmounted by two ornately carved supports which sit on small drawers on top of dressing table.furniture, domestic

Rescued by George Cox from an old house being demolished to make way for Pacific Way, Forest Hill. Restored by George CoxCedar chiffonier with zinc mesh sides. One drawer and two doors. Shelf supported by two pedestals. Four turned wood legs.furniture, domestic

Cream painted wooden meat safe on four legs. Wire mesh insert front and sides. furniture, domestic

Carved wooden rocking chair. Back was originally upholstered in material with flowered pattern on striped background and seat upholstered in hessian. Now re-upholstered in red/black material.furniture, domestic

Blue cardboard box with white flowery decoration at the edges, Ingram's Perfex enema, English manufacture guaranteed. Inside the box a cake decoration set with a bag and eight nozzles, a metal circle and small tongues, A one page of instructions on how to decorate a cake is included. Aileen and John Ellison Collection. domestic, cake decoration

The key is one of a collection of seven 1860s keys once belonged to the Glenample Homestead near Princetown. They are all keyed with different bits and would have opened the external panelled doors of the Georgian building. The keys would now be around 150 years old. The keys are now part of the John Chance Collection. Locksmiths became a recognised trade by the middle of the 19th century, doing work that blacksmiths and gunsmiths would have done. They were craftsmen and trained apprentices for their trade. The local community and businesses relied on them for making a wide variety of precision objects such as locks and keys, knives, ornamental and decorative latticework, fine instruments, accurate tools and hardware items. Glenample Homestead became famous after the disastrous wreck of the sailing ship Loch Ard on June 1, 1878. The owners, Hugh Hamilton Gibson and Peter McArthur, were involved in the rescue and recovery of Eva Carmichael and Tom Pearce, the only two survivors, as well as overseeing the salvage of items from the shipwreck and the burial of those who lost their lives. Eva first met Jane Shields at Glenample and they became long-time friends. The keys are significant as an example of mid-19th century locksmith hardware, and for their connection with Glenample Homestead, and for their connection to the history of the Loch Ard shipwreck’s only two survivors. Glenample Homestead is of historical, social and architectural significance to the State of Victoria and is listed on the Victorian Heritage Register (VHR H0392). It is a historical example of early settlement and development of a run in the coastal land of South West Victoria, and it is constructed from locally quarried sandstone but doesn’t take away from its Georgian design. Glenample Homestead is of State significance through its unique connection with the wreck of the ship Loch Ard and the connection to its owners, Hugh and Lavinia Gibson and Peter McArthur, played a historically and socially significant role in the rescue and care of the survivors, the salvage of goods and the burial of those who lost their lives. The shipwreck of the Loch Ard itself is of significance for Victoria and is registered on the Victorian Heritage Register (S417). Key; steel domestic door key. Flat open bow with 'figure 8' space, collar on shank, close to the bow. Round shank flares out slightly above the collar on the bit. The rectangular bit has internal and external notches and grooves. There is a rounded pin on the end.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, glenample homestead, victorian heritage register vhr h0392, georgian homestead, loch ard, princetown, jane shields, eva carmichael, tom pearce, blue china tea set, antique door key, glenample photographs, john chance

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. The textiles in the Haeusler collection belonged to Ilma Margaret Ernestine Haeusler (née Tasker), born in 1900 in Tallangatta. These textiles were handmade by Ilma between 1919 and 1928 for use in the family home during her marriage to Louis Alfred Haeusler (b.1878). Ilma died in childbirth in 1928, leaving one surviving son, John Alfred Lyell (b.1922). In the nineteenth and early twentieth century prior to the mass production of clothing and textiles, needlework, alongside motherhood, was the defining work of women. Hand sewing and embroidery was central in the everyday lives and domestic roles of women.The item is handmade and unique, with well documented provenance. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history. Haeusler Collection Handmade Cotton Napkin with Decorative Bordertextiles, sewing, handiwork, women's history, domestic, craft, family, social history, haeusler collection, haeusler, wodonga

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. The textiles in the Haeusler collection belonged to Ilma Margaret Ernestine Haeusler (née Tasker), born in 1900 in Tallangatta. These textiles were handmade by Ilma between 1919 and 1928 for use in the family home during her marriage to Louis Alfred Haeusler (b.1878). Ilma died in childbirth in 1928, leaving one surviving son, John Alfred Lyell (b.1922). In the nineteenth and early twentieth century prior to the mass production of clothing and textiles, needlework, alongside motherhood, was the defining work of women. Hand sewing and embroidery was central in the everyday lives and domestic roles of women.The item is handmade and unique, with well documented provenance. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history.A handmade white pillow sham with needlework.textiles, sewing, handiwork, women's history, domestic, craft, family, social history, hauseler, haeusler collection, wodonga

The key is one of a collection of seven 1860s keys once belonged to the Glenample Homestead near Princetown. They are all keyed with different bits and would have opened the external panelled doors of the Georgian building. The keys would now be around 150 years old. The keys are now part of the John Chance Collection. Locksmiths became a recognised trade by the middle of the 19th century, doing work that blacksmiths and gunsmiths would have done. They were craftsmen and trained apprentices for their trade. The local community and businesses relied on them for making a wide variety of precision objects such as locks and keys, knives, ornamental and decorative latticework, fine instruments, accurate tools and hardware items. Glenample Homestead became famous after the disastrous wreck of the sailing ship Loch Ard on June 1, 1878. The owners, Hugh Hamilton Gibson and Peter McArthur, were involved in the rescue and recovery of Eva Carmichael and Tom Pearce, the only two survivors, as well as overseeing the salvage of items from the shipwreck and the burial of those who lost their lives. Eva first met Jane Shields at Glenample and they became long-time friends.The keys are significant as an example of mid-19th century locksmith hardware, and for their connection with Glenample Homestead, and for their connection to the history of the Loch Ard shipwreck’s only two survivors. The set of keys also hold significance as they were discovered by John Chance, who was also a diver from the wreck of the Loch Ard in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Glenample Homestead is of historical, social and architectural significance to the State of Victoria and is listed on the Victorian Heritage Register (VHR H0392). It is a historical example of early settlement and development of a run in the coastal land of South West Victoria, and it is constructed from locally quarried sandstone but doesn’t take away from its Georgian design. Glenample Homestead is of State significance through its unique connection with the wreck of the ship Loch Ard and the connection to its owners, Hugh and Lavinia Gibson and Peter McArthur, played a historically and socially significant role in the rescue and care of the survivors, the salvage of goods and the burial of those who lost their lives. The shipwreck of the Loch Ard itself is of significance for Victoria and is registered on the Victorian Heritage Register (S417). Key; steel domestic door key. Flat open bow with 'figure 8' space, narrow collar on shank, close to the bow. Round shank flares out slightly above the collar on the bit. The rectangular bit has internal and external notches and grooves. There is a rounded pin on the end.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, glenample homestead, victorian heritage register vhr h0392, georgian homestead, loch ard, princetown, jane shields, eva carmichael, tom pearce, blue china tea set, antique door key, glenample photographs, john chance