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Queenscliffe Maritime Museum
Painting - Painting of Pilot Vessel Alvina, A V Gregory
Painting donated by Mr P Boyle, grandson of former pilot Harry Trueman who served on the PV Alvina. The Sydney Morning Herald 29 July 1903 THE NEW MELBOURNE PILOT STEAMER. ALVINA The new pilot steamer Alvina, which was recently purchased by the Port Phillip Sea pilots, was inspected on Thursday last by the members of the Victorian Marine Board and a number of gentlemen representing the leading shipping companies in Melbourne. The Alvina was formally the private yacht of Mr Marmaduke Fox a wealthy Yorkshire gentleman and is a trim craft of 145 tons register and a length of 18ft overall. Hitherto the sea pilots have managed to do their work with one steamer, the Victoria but it has long been apparent that a second vessel was required. The pilots upon whom the obligation of providing and maintaining their vessels devolves, thereupon made a successful bid for the yacht and, by an additional outlay of 700 pound, had her overhauled and refitted in Deane's Dock, Williamstown. On Thursday last the vessel made a trial trip to Point Cook for the purpose of satisfying the Marine Board and the underwriters as to her fitness for the work. She showed a speed of 11 knots and steamed smoothly and satisfactorily. During the trip the visitors assembled in the saloon and drank success to the new steamer. Captain Carrie, president of the Marine Board, congratulated the pilots on their acquisition, and said that the service was now second to none in the world. The new vessel which has been in the charge of Captain Wills is handsomely fitted up and contains two staterooms and four cabins for the pilots and sleeping accommodation for a crew of eight. In future one steamer will remain on the pilot grounds inside the Heads while the other will steam about outside Queenscliff. A framed and mounted water colour painting of the Pilot Vessel Alvina under glasspainting, alvina, pilot vessel -
Federation University Art Collection
Painting, Panke, Birgit, [Bathers] by Birgit Panke, 1971
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Large painting of bathers in the sea..art, artwork, birgit panke, birgit micich, bathers, water, available -
Pyrenees Shire Council
Painting, Late Morning Contrast by David Mellows, 2017
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture oil painting of a bush track"Verso signed: DAVID MELLOWS (lower left) verso: LATE MORNING CONTRAST DAVID MELLOWS 3/17" -
Clunes Museum
Newspaper - ARTICLE, Hepburn Advocate, LONGSTAFF PRINT FOR CLUNES
PAINTING EXECUTED IN CLUNESPRESENTATION OF PAINTINGARTICLE IN DAYLESFORD ADVOCATE, 19 AUGUST 2009, P.6. "LONGSTAFF PRINT FOR CLUNES" BY EMILY SOBEY. PHOTO OF MUSEUM VOLUNTEERS AND DONOR.PHOTO OF JUDITH FAWCETT; PAT COOK; EUGENE SCHLUSSER (DONOR) WITH PAINTING.longstaff, painting, 2009 -
Latrobe Regional Gallery
Painting, BELLANY, John b. 1942, Port Seton d. 2013, Untitled (Self Portrait), 1983
Oil on canvasSigned and dated 'Bellany '83' top right corner of painting. -
Latrobe Regional Gallery
Painting, CENTRE, Daryl, The Woolies, 2006
Watercolour on paperSigned and dated 'DCentre'06' lower right corner of painting.flock, sheep, agriculture -
Latrobe Regional Gallery
Painting, JACKSON, James Randalph b. 1882 Palmerston, New Zealand. d. 1975 Sydney, Sydney Harbour, Not dated
Oil on canvasSigned 'James R Jackson' in lower left corner of painting. -
The 69 Collective
Painting, Julie Harmsworth, Walk in the Sun, April 2013
This artwork is part of 69Fifteen, the book published in 2013 celebrating 69 Smith Street Gallery’s 15th year in operation as an artist-run space.Acrylic painting. Abstract image comprising twelve canvases. Colour scheme includes yellow, brown, aqua and green.julie harmsworth, 69 smith street gallery, artist-run initiative, artist-run space, melbourne art galleries, painting, abstract art, abstract painting, www.incarastudio.com.au -
Flagstaff Hill Maritime Museum and Village
Painting - Maritime painting, 1837
Research is currently being undertaken on this maritime painting.Painting behind glass, depicting P & O ship WILLIAM FAWCETT. Gold painted frame, gold matte. Signed N. P. Wilkinson ("on" at end of signature is obscured by matte). Inscriptions on back paper of frame. Signature on bottom right "N.P. WILKINSO - - " is partly obscured by the gold matte that covers the last letters "ON". (is artist Norman Wilkinson?) Inscription on paper on back of painting has pencil writing "24-ID 3/4/905" Also has a white sticker with pen writing "55"flagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, painting, norman wilkinson, n wilkinson, n p wilkinson, william fawcett, p & o ship -
Greensborough Historical Society
Painting, Lower Plenty Hotel, by Sylvia Jones, 1960-1970
Painted by Sylvia Jones 1960s from a photograph of Lower Plenty Hotel taken 1940s.Oil on canvas painting, framed and glazedlower plenty hotel, sylvia jones -
Glenelg Shire Council Cultural Collection
Painting, PATRICIA HARMAN, Whaler's Bluff, n.d
Painting of Whaler's Bluff - needs description -
Whitehorse Historical Society Inc.
Painting
Painting - lake scene with mountain in background.Canvas - prepared by Windsor and newton 98 Rathbone Place London.illustrations, oil -
Federation University Art Collection
Painting, 'The Joy of Colour' by Pauline O'Shannessy Dowling, 2005
This item won the Deputy Vice Chancellor's Acquisition Award in 2005. It is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A red, blue and green abstract paintingart, artwork, o'shannessy-dowling, available, pauline o'shannessy-dowling, abstract -
Pyrenees Shire Council
painting, Sue Jarvis, Lake Burrumbeet by Sue Jarvis
Donors Mr. A.F. Russell Mrs. Bettine James Mr. O.P. Gutauskas Hains & Sutton &co. Mr. F.W. Glare Mr. & Mrs. R.I. Read Fiery Creek Stage & Trading Co. Mr. P.B.A Cowden Mr. A.W.N Lyons Mr. J.McG. Troup Mrs. W.R.R Beggs Mr. W.J. Smith Mr. R. Read Mr. & Mrs. N..S.Reid Mr. K.W. McKenzie Mrs. Pam. Wotherspoon Mr. L.J.Harris Mr. R.A. Fraser Mr. W. Morcombe Mr. R.F. Gardiner Mr. S.R. Greenbank Mr. C. J. Hedges Mr. F.J. O'Briensignificant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture oil painting of Lake Burrumbeet with trees in the foreground"Signed: Jarvis (lower left) Verso: (handwritten and typed list) Painting of Lake Burrumbeet By Sue Jarvis Obtained by Cr. C.J. Hedges Cost $120 Donors Mr. A.F. Russell Mrs. Bettine James Mr. O.P. Gutauskas Hains & Sutton &co. Mr. F.W. Glare Mr. & Mrs. R.I. Read Fiery Creek Stage & Trading Co. Mr. P.B.A Cowden Mr. A.W.N Lyons Mr. J.McG. Troup Mrs. W.R.R Beggs Mr. W.J. Smith Mr. R. Read Mr. & Mrs. N..S.Reid Mr. K.W. McKenzie Mrs. Pam. Wotherspoon Mr. L.J.Harris Mr. R.A. Fraser Mr. W. Morcombe Mr. R.F. Gardiner Mr. S.R. Greenbank Mr. C. J. Hedges Mr. F.J. O'Brien" -
Brimbank City Council Art Collection
Painting, Helene Wild, Spur Velleia (Velleia Paradoxa), 1993
Local WildflowersSpur Velleia. Watercolour, 37 x 41cm - AR0055 (Botanical Illustration)Details of the plant on the back of the painting -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Painting - Oil, Three Trees
Painting by Charlotte Rippert, a German Lutheran Missionary in Egypt, arrested as a security risk in Cairo, 1941. Transported on Queen Elizabeth to Australia and interned at Camp 3 1941-1945.Framed oil painting - Three gum trees in foreground (trunks) - fence and meandering fields in the centre and a blue low-rise hill in the backgroundPainting - "C. R. Australia..." (cut off by frame)landscape -
Freemasons Victoria - United Grand Lodge of Victoria
Painting, His Royal Highness Albert Edward, Prince of Wales - Grand Master of U.G.L. of England 1874-1901, early 1900s
In 1870 the Earl de Grey was Grand Master of England, but his rule was short lived. After being converted to Roman Catholicism, he felt it was essential that he resign from Freemasonry as his church at the time was opposed to Freemasonry. Albert Edward Prince of Wales, later King Edward VII, readily accepted nomination as Grand Master of England and continued in office until his Accession in 1901.This portrait the Prince of Wales was painted by Thomas Flintoff. It is held within a very elaborate gilded frame which comes apart in 3 sections and is one of only two known types existing.Portrait oil painting of Prince Albert on canvas stretched over stretcher/strainer. Framed in a very elaborate qilded wood and rosen frame. Heavy ornamentation on top and bottom of the frame. Signed: 'T. Flintoff 1880', Placque: 'Grand Master U.G.L. of England 1874-1901 H.R.H. Albert Edward Prince of Wales by T. Flintoff'. portrait, painting, his royal highness albert edward prince of wales, freemasonry, freemasons, freemasons victoria -
Bendigo Military Museum
Painting - SODIERS MEMORIAL INSTITUTE
The building is the Soldiers Memorial Institute Pall Mall Bendigo. The period of the painting is between the years 2008 and 2016 after the remodeling of the Forecourt and the major renovations to the building 2016 - 18. This is the first of 3 water colours by Stan Thomas. The building was the HQ of the Bendigo RSL now known as the Bendigo Military Museum. Refer Cat No's 8000.2, 8222, 8224 for the building history.Painting, water colour, timber gold frame, painting is set in two white insets, painting shows a large building greyish colour with a dome on top by artist Stan Thomas.Hand painted on, "RSL Hall Bendigo", "Stan Thomas"brsl, smirsl, painting, rsl hall -
Latrobe Regional Gallery
Painting, HARRISON, Dr Aunty Eileen b. 1948, Possum Stitch, 2003
Acrylic on canvasSigned and dated 'E Harrison 03' in lower left corner of painting. -
Latrobe Regional Gallery
Painting, HARRISON, Dr Aunty Eileen b. 1948, Den of Nargun - Spirit Tracks, 2004
Acrylic on paperSigned and dated 'E Harrison 04' in lower left corner of painting. -
Latrobe Regional Gallery
Painting, DE KESSLER, Thomas b. 1925 Budapest, Hungary d. 2008 Melbourne, The Legions, 1967
Oil on boardSigned 'T de Kessler 1967' in lower right corner of painting. -
Clunes Museum
Painting, FORD, RICHARD [DICK]
Painting of Clunes with Methodist Church and P.O. in foregroundNilrichard ford, historia buildings in clunes -
Clunes Museum
Painting, F.R. ANDERSON
SILVER PAINTED WOODEN FRAMED PAINTING UNDER GLASS. BLACK BACKGROUND. DRAWING OF MT. BECKWORTH FLOWERS BY F.R. ANDERSON, CRESWICK. FLOWERS NAMED ON BACK OF PAINTINGON BACK LIST OF FLOWERS. MT. BECKWORTH FLOWERS BY F.R. ANDERSON, CRESWICKmt beckworth, flowers -
Whitehorse Historical Society Inc.
Painting - Yarran Dheren, Yarran Dheren '88, 1988
Painting of Yarran Dheren by Barbara Rogalski, a member of Whitehorse Historical Society. Painting is one of a set of 4.Oil Painting of bush setting with water course and yellow wattle in flower and pink blossom tree in centre. Mounted in beige cotton fabric with inner beige plastic frame. Outer frame of brown wood with gold trim. Painted at Yarran Dheren, Mitcham.Signed by Barbara Rogalskipainting, yarran dheren reserve -
Flagstaff Hill Maritime Museum and Village
Book - Literary Work, A Hundred Years of British Painting 1851 to 1951, 1951
The author Eric Hesketh Hubbard (1892-1957) was born in England and lived in London. He was a painter, printer, designer, writer and lecturer. He also held the position of President of the Royal Society of British Artists and was a Fellow of the Society of Antiquaries, London. The book is part of Flagstaff Hill's Pattison Collection, a large group of books and records, some of which are rare and valuable. The collection was originally owned by the Warrnambool Mechanics' Institute, which was founded in 1853 and is named after Warrnambool's Public Librarian, Ralph Pattison. The publisher firm Longmans, Green & Co. was founded in 1724 in London by Thomas Longman under the name Longman. In August of that year, he bought the two shops and goods of William Taylor and set up his publishing house there at 39 Paternoster Row. The shops were called Black Swan and Ship, and it is said that the 'ship' sign was the inspiration for Longman's Logo. After many changes of name and management, the firm was incorporated in 1926 as Longmans, Green & Co. Pty Ltd. The firm was acquired by Pearson in 1968 and was known as Pearson Longman or Pearson PLC. This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The book is important for its connection with the London publisher Longmans, Green & Co. The firm has been established for over two centuries and is renowned for publishing encyclopedias, dictionaries, books on English grammar, textbooks, poetry, reference books, novels, magazines and more. The book has additional importance for its connection to the Pattison Collection, which, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institutes’ Collection. The Warrnambool Mechanics’ Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and its important role in people's intellectual, cultural and social development throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance.A Hundred Years of British Painting 1851 to 1951 Hesketh Hubbard; President of the Royal Society of British Artists: Fellow of the Society of Antiquaries, London Author: Hesketh Hubbard Publisher: Longmans Green & Co Date: 1951 Purple cloth hardcover book with pasted jacket showing an oval design on the front cover. The book title has used either the word 'one hundred' or the numeral '100'. The fly page has a logo; a cartouche shape surrounding a sailing ship above the number 1724. This book is part of the Pattison Collection.Label on spine: "PAT 759.2 HUB" Sticker on pastedown front endpaper: "Warrnambool Public Library" covered by a sticker "Corangamite Regional Library Service" Stamp on front loose endpaper: "Corangamite Regional Library Service" Fly has a logo: "[cartouche shape] enclosing a sailing ship above "1724" "warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, great ocean road, hesketh hubbard, a hundred years of british painting, a 100 years of british painting, longmans green & co, british painting, british art, hesketh hvbbard, 1951, mid-20th century -
Latrobe Regional Gallery
Painting, DE KESSLER, Thomas b. 1925 Budapest, Hungary d. 2008 Melbourne, Portrait of (Dr) Baron Anthony Szeleczky, 1962
Oil on canvas board Signed and dated 'T De Kessler 1962' in lower right corner of painting. -
Clunes Museum
Painting, MRS. HOLLY BARKELL
Painted by Mrs. Holly Barkell and presented to Mr & Mrs Eberhardt on the occasion of their marriage.Oil painting on wood, depicting two female figures at water edge, male figure in boat on water, painting surround done in black paint. Painted by Holly Barkell.Nilbarkell, mrs. holly, oil painting, landscape, eberhardt -
Mission to Seafarers Victoria
photograph - Photograph, Sepia, Mr and Mrs Gurney Goldsmith, Apprentices painting ship, 1906
Small monochrome photograph depicting 3 men standing on a ladder with paint pots and brushes next to the keel, secured by ropes.Written in pencil on verso "12"barque crocodile, liverpool, seafarers, painting, life on board, reverend alfred gurney goldsmith, goldsmith album, paint, brushes, keel, ropes, ladder -
Orbost & District Historical Society
Painting, Cameron, Grace (Miss), Circa 1920-1930
Grace Cameron was the daughter of John Cameron who selected the first land on the Snowy River flats. She was the sister of Annie (later Mrs John Gilbert) who was the first white girl born in Orbost.This item is aesthetically significant and shows the skill and craftmanship of the women of the early settler families.Large oblong oil painting on green painted tin with the top and bottom rolled for decoration. Painting of three single petalled pink roses in full bloom with two small buds.tin painting cameron-grace art -
Bendigo Military Museum
Painting - PAINTING, FRAMED
The building was the HQ of the Eaglehawk RSL Sub Branch. This version was a prototype of a 2 part set of the 3 Bendigo RSL’s HQ’s Cat No’s 8231, 8232 & 8233. This painting was done prior to the building being demolished post 2005. Refer cat No 8124P for an early photo of the building, also 8118 & 8110.Painting - water colour, by the artist StanThomas of a building “RSL HALL, EAGLEHAWK” Frame- black, colour painted timber frame with inner frame / mount white painted timber . No glass Hand painted on lower edge of painting “RSL HALL EAGLEHAWK / STAN THOMAS”ehrsl, brsl, smirsl, water colour