Identical trowel S027 presented to Mrs John Watson.Black leather box with crimson velvet and satin lining containing an engraved silver trowel with a turned bone patterned handle."Presented to Mrs Job Smith by the trustees of the Kew Wesleyan Church on the occasion of her laying a memorial stone of the completion of the Edifice December 11th 1889"kew wesleyan church

Olive green oblong leather box with blue velvet and white satin lining containing an engraved silver commemorative trowel."Presented to Rev.C. Mervyn Plumb L.TH. on the occasion of laying Foundation stone City Congregational Church Geelong 2nd May 1964 Gordon Williams & Associates. Architects.

The full costume used traditionally by ladies in the 16th to 19th century AD. Here used by Thessaloniki Association in Greek dances, parades and theatrical performances as a traditional costumeHistorical significance for the purposes it was used by Thessaloniki Association "The White Tower", in functions, dancing and parades.Red velvet girl's dancing costume vest with embroidery along outside and sleeves. Part "B" of a four piece costume.girl, dancing, costume, vest, βλαχοπούλα, γιλέκο, greek, στολή, plutarch

Item donated by R.W.T. Rowland, and was sent to the wife of a friend while serving in the 2/7th Battalion A.I.F. Middle East.|From the Returned Serviced League, Mitcham, 26 McDowall Street (cnr Harrison Street) closed in early 2014.Velvet square material 50cm x 40cm with 30cm x 40cm handpainted Oval Painting of the 'Blue Mosque in Jerusalem'handcrafts, hand painted, domestic items, furnishings

Japanese Captain during ww11.shoulder board, on black velvet sewn onto leather strip. gold strip. with two flowers and anchor on top button.

The Ballarat Hibernian Society was a friendly society formed at Ballarat in 1868. In 1871 the group amalgamated with a similar group in Melbourne to form the HACBS. Due to legislative changes the insurance interests of the society were absorbed into those of the IOOF in the late twentieth century . These collars were worn at official functions and meetings of the society. They vary in elaboration from heavily embroidered to very simple silk collars and many are embroidered with motifs such as kangaroos, emus, shamrocks and Irish harps.Large velvet ceremonial collar with gold metal braid trim and PP for Past President embroidered in gold metal thread.hibernian, hacbs, textile, ceremonial collar, friendly society.

The Hamilton-Smith collection was donated by the children of Grace Mary Hamilton-Smith nee Ellwood (1911-2004) and John Hamilton-Smith (1909-1984) who settled in Wodonga in the 1940s. The Ellwood family had lived in north-east Victoria since the late 1800s. Grace’s mother, Rosina Ellwood nee Smale, was the first teacher at Baranduda in 1888, and a foundation member of the C.W.A. Rosina and her husband Mark retired to Wodonga in 1934. Grace and John married at St. David’s Church, Albury in 1941. John was a grazier, and actively involved in Agricultural Societies. The collection contains significant items which reflect the local history of Wodonga, including handmade needlework, books, photographs, a wedding dress, maps, and material relating to the world wars. This quilt sampler was made before 1900 by Rosina Ellwood. Crazy quilts were fashionable in the late Victorian era. The rise of the trend is attributed to the display of Japanese art and ceramics at the 1876 Philadelphia Centennial Exposition (U.S.A.) that featured asymmetrical designs. Inspired, quilters began sewing pieces of fabric of different sizes and textures together into abstract, asymmetrical patterns. The craze spread from America around the world. Embroidery, ribbon and silk embellishments, and hand stitched applique birds and flowers were popular additions. One magazine estimated that a detailed crazy quilt could take over 1,500 hours to complete. Crazy quilts remained in fashion in metropolitan cities until about 1910, though the style endured for longer in rural areas. This item is unique, handmade and has a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history and women’s history.A colourful patchwork quilt sampler using mixed fabric types including velvet, cotton, brocade and satin, backed on cardboard.hamilton-smith collection, hamilton-smith, stiching, needlework, sewing, handmade, domestic, quilt, quilts, crazy quilt, crazy quilts, women's history

Clothing. A wire frame shape, with a black canvas lining, and covered on the outside with black velvet. The shape is ''head-hugging'' with scalloped extensions towards the ears. Beading in a floral design covers the shape - these are tiny round black glass beads and black bugle beads. These glass beads reflect the light against the black velvet.costume accessories, female, black velvet beaded cap

Wooden cigar box which would have held 25 cigars made by Henri Wintermans in Holland. Henri Wintermans first started production in The Netherlands in 1904. The brand covers all sizes of cigars.Black velvet label with grey pictures of tobacco plant, two lighthouses and the words "Henri Wintermans" on top. Sticker on side: "Fabrikaat & Bouquet" gold & black "Henri Wintermans". Bottom: Stamp 8-57 (possiby a date) / Stamp - 25 cigars, HOLLAND Inside: Same velvet label with gold printing of tobacco plant and "Henri Wintermans. Etched into both sides: "Henri Wintermans". smoking, cigars, henri wintermans

This item was made and worn by Marjorie Burton. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from middle-class working church-going family. Her mother was a milliner who mademany of Marjorie’s clothes, hats and outfits. Marjorie was married in 1938 to a salesman who later became a mechanic in the R.A.F. during WW11This item is an example of a handcrafted item and reflects the handcraft skills of women necessary during the 1950's in Great Britain.A hand-sewn pale green velvet bow made as a dress accessory. It has narrow straps and fastens with clear plastic studs. accessory womens-clothing velvet-bow burton-marjorie

Case lined with red velvet contains 2 Commemerative Medallions depicting the landing at Gallipoli and the reverse depicting Simpson and his DonkeyNumismatics society of Australia

Cylindrical brown leather container with attached lid fastened with two straps and buckle. Shoulder strap attached. Container lined with velvetleatherwork, military-equipment

During the Victorian era, the period (1837-1901) in which Queen Victoria ruled England. The queen’s influence was felt throughout the world, including in the United States and Australia where Victorian values shaped society and style, especially in home décor. This period’s distinct style presents an eclectic mix of highly ornamented furniture, wallpaper, and knick-knacks. Particularly in terms of furniture, and the characteristic floral patterns and rich, contrasting colours, wall hanging that enjoyed the height of its popularity during the Victorian era were of the spiritual type with an either embroidered or punched paper religious motto or bible quote. Mottoes were commonly hung high up on the wall or in an area of prominence, to remind the viewer of their important message, such as "Home sweet Home “He Leadeth Me” and “Honesty, Industry, and Sobriety.” Short and pithy, they embodied the ideals of Victorian society. Technological advances contributed to the boom of religious mottoes whereas before the Industrial Revolution home décor of this sort was handmade and therefore minimal, now consumers could purchase and fill their homes with all sorts of mass-produced ephemera goods similar to the subject item. Many of these mass-produced period pieces still exist today, often in their original frames, ceramic, or paper formats. Flagstaff maritime museum has many examples of mottoes on display that serve to reflect the period in which values of home, faith, and Christianity were very prominent in everyday Victorian society. For more information on the Giles collection see Acquisition section this document: An item that reflects the social values and attitudes of the late Victorian era that was used to promote good Christian and moral values in many households. These items of decoration were very popular at this time and the subject item is significant as it gives a snapshot into the social norms of past generations. The Giles family collection is of additional social significance at a local level, because it not only illustrates the level of material support the Warrnambool community gave to Flagstaff Hill during it’s establishment. But the Giles collection also gives us an additional view into what domestic life was like in early colonial times prior to Federation.Wall decoration, framed handmade embroidered tapestry with the woven inscription, Frame has velvet cover. This item is part of the Giles CollectionHome Sweet Home, in gothic scriptflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, soft furnishing, wall decoration, home sweet home, wall hanging, handmade wall hanging, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century handcraft, mrs vera giles

Made for Kilpatrick & Co, Melbourne and used at Ballarat School of Mines. This mathematical instrument allowed users to determine the area of a curved region tracing its boundary. Two arms - one arm anchored at the end away from the pivot and one arm traced the drawing. The graph produced polar co-ordinates.A polar planimeter, housed in a storage box with molded, velvet lined interior. Hinged lid with clasp. Black fabric outside cover.Swiss made for Kilpatrik & Co. Melbourne Serial No. 62712 Paper sticker on underside of box "Made in Switzerland"planimeter, kilpatrick & co., polar planimeter, ballarat school of mines, mathematical instrument, area, curved region

Opera Glasses came into existence as a result of a long line of inventions, and further improvements upon those inventions. The process started in the year 1608 when a Dutch optician by the name of Hans Lipperhey developed the first pair of binoculars with a magnification capability of X3. Less than a year later, a well-known inventor and philosopher by the name of Galileo developed what became known as the Galilean telescope. Advertisements were first found for opera glasses and theatre binoculars in London as early as 1730 in the form of a long collapsible telescope. The "Opera Glass" as it was referred to; was often covered in enamel, gems, ivory, or other art and paintings. For almost 100 years opera glasses existed merely as telescopes. In Vienna, in 1823 the first binocular opera glasses and theatre binoculars began to appear. They were two simple Galilean telescopes with a bridge in the centre, each telescope focused independently from the other by extending or shortening the telescope until the desired focus was achieved, which was useful, yet very cumbersome. Two years later in Paris, Pierre Lemiere improved on this design and created a centre focus wheel. This allowed the focusing of both telescopes together. After this development, opera glasses and theatre binoculars grew in popularity because of the superior view they facilitated in opera and theatre houses. The beautiful design of the glasses themselves also added appeal to the opera-going crowd. By the 1850's opera glasses and theatre, glasses had become a must-have fashion accessory for all opera and theatregoers. A vintage pair of 1920s opera glasses probably made in France by an unknown maker the item is significant due to it's provenance that can be traced and it's completeness as a useful social item and fashion accessory used by theatergoers from the mid 19th century and well into the 20th century. Some people still use modern variants of theater glasses today to improve their enjoyment of the theater.Both glasses and case are covered with black and white snake skin. Case lined with purple velvet, and has brass closure clip.Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, flagstaff hill maritime village, great ocean road, opera glasses, serpentine opera glasses, binoculars, accessories, optical instrument, scientific instrument, theater glasses, french opera glasses, hans lipperhey

Small black leather covered box with hinged lid, brass catch, cream silk lining & bllack velvet lined lid.domestic equipment, containers, box

Gift to Alex Gillespie from H. L. (Harry) Richardson. Nec Tamen Consumebatur translates to "Not Yet Spent".Silver and teal blue pair of Presbyterian Church of Australia cuff links, G144.1 & G144.2 in a mustard coloured velvet box G144.3"NEC TAMEN CONSUMEBATUR"presbyterian church of australia, gillespie, alex

Red Velvet Tea Cosy with Ornate Beading. Glass Beads Silver and White. Rose and white Braid trim. Kapok padding.stawell clothing material

Milton Arthur Williamson was born in Clunes, he enlisted in 1915 at the age of 22 years and 5 months. This medal is The Anzac Commemorative Medal..1 BRONZE ANZAC MEDAL .2 LEATHER COVERED BOX LINED WITH PURPLE SATIN LID IN PURPLE VELVET MOUNT FOR MEDALM A WILLIAMSON - 1915 ANZAClocal history, numismatics medals military, williamson

The full costume used traditionally by girls in the 16th to 19th century AD. In Australia used by Thessaloniki Association “The White Tower” in Greek dances, parades and theatrical performances as a traditional costume.Historical significance for the purposes it was used by Thessaloniki Association "The White Tower", in functions, dancing and parades.Girl's dancing costume apron, red velvet with embroidery along outside. Red lining. Part "C" of a 4 piece costume.girl, dancing, costume, apron, βλαχοπούλα, ποδιά, greek, plutarch, στολή

Gift to guests at Mayoral Dinner Dance held on 10th June, 1994 at Golden Sands Receptions, 399 Blackburn Road, East BurwoodBlue and gold ball point pen. City of Nunawading printed on clip. In black velvet gold rimmed snap lid box.City of Nunawading. City crest on topdomestic items, writing equipment

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Dark blue ruched crushed velvet evening jacket with a wine coloured trim. The waisted jacket has a scalloped hem at the front.australian fashion -- 1930s, evening jackets, evening wear

One Pair of gold framed Spectacles or Glasses in case. One lens broken. Case metal covered in leather and velvet lined.stawell

not recordedA beautiful example of feminine apparel from the art deco periodGold velvet evening cape with ruched collar and pleated basque handpainted dragon, flora outlined in gold thread with silk liningcostume, female, art deco

Handmade by E.J.; Quayle.Hand-painted mirror with floral design - white flowers etched onto mirror with green leaves. Has red velvet border.mirrors

Belonged to Mrs. H.N. LordPair of round cuff links and tie stud - in black onyx edged with gold. All in white box lined with red velvet.cufflinks, clothing accessories, neckwear, studs