A black and white photograph of Our Lady of Mt Carmel School after the construction of extra classrooms in the 1990sschools, catholic schools, education, our lady of mt carmel school, george evans collection

Property sketches done for Frank Gordon Real Estate in the 1990s. "Clareville", 101 Spring St South built environment - domestic, frank gordon & co, spring street

Three photographs of the View Street frontage of Dudley House Possibly taken 1990s Offices of the BHS 1974-1999

Property sketches done for Frank Gordon Real Estate in the 1990s. 175 Stokes Street (former A Peterson, Grocers)built environment - domestic, built environment - commercial, frank gordon & co, stokes street, a peterson, business and traders - grocers and supermarkets

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.View of the entrance to D'Estaville on the south side of the house. D'Estaville, built for Sir William Stawell, was the home of the Figuerola sisters from the 1940s to the 1990s. The photograph is from the Alma Figuerola photograph album. alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic)

Brian Cleveland taught art to Swinburne students from the 1970s to 1990s and sketched and recorded iconic areas of the city that were scheduled to vanish or be seriously altered. The Port Melbourne drawings were predominantly done in the 1990sSeventy-two (72)) pencil drawings (some with watercolour washes) by Brian Cleveland. Sites include: Centenary Bridge (including demolition) ; ships ; Princes Pier ; Station Pier ; structures and cranes on piers ; cable tram sheds ; London Hotel ; foreshore views ; Beacons (leading lights) ; kiosks ; Missions to Seamen building: railway stations.built environment, built environment - civic, piers and wharves - princes pier, piers and wharves - station pier, engineering - bridges, brian cleveland, centenary bridge, missions to seamen

Digital image of drink coaster from Watsonia RSL, 1990s.Part of a collection of miscellaneous historical images with a connection to the local area.Digital image of coaster. White card with red text and logo.watsonia rsl, drinking culture, beer mats

Digital image of sticker (possibly a "bumper sticker") Greensborough, 1990s.Part of a collection of miscellaneous historical images with a connection to the local area.Digital image of advertising sticker. White card with red heart and black text.greensborough

Digital image of drink coaster from Greensborough RSL, 1990s.Part of a collection of miscellaneous historical images with a connection to the local area.Digital image of drink coaster, white card with blue text and logo"Greensborough RSL"greensborough rsl

Property sketches done for Frank Gordon Real Estate in the 1990s. 201- 205 Ross Street (corner Bridge Street). Milk Barbuilt environment - commercial, frank gordon & co, ross street

A collection of newsletters including news items, cartoons, stories, staff information, advertising and reports about staff activities at Falls Creek in the 1990s."Towie Times" is a collection of newsletters compiled for tow operators at Falls Creek in the 1990s. It contained articles including anecdotes, employee of the week, serious reports and staff information, cartoons and advertisements capturing life as a "towie" at Falls Creek.falls creek staff, falls creek social life, falls creek activities

Box made by donor in a workshop at the Vermont South Community House during the 1990s.A fabric covered round hat box with lid in black fabric with red and blue roses pattern with fawn connecting lattice pattern.

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.The east side of D'Estaville (built for Sir William Stawell). It was the home of the Figuerola sisters from the 1940s to the 1990s. The large ground floor room at centre was used by the artist as her studio. The photograph is from the Alma Figuerola photo album. alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic)

Football team, c. 1990s. Please contact [email protected] to request access to this record.sport

Bnei Mitzvah, c. 1990s. Please contact [email protected] to request access to this record.

Hat was worn to the Spring Carnival races at Flemington Racecourse end 1980s - early 1990sSmall red straw hator fascinator with large red feather and red veilingMiss Biernercostume, female headwear