UNIDENTIFIED PHOTOGRAPH DONATED BY W. GAYFORD, 20 WOLSLEY STREET, MONT ALBERTFLYSPOTTED, FADED AND DAMAGED PHOTOGRAPH OF A ROOM OR HALL FULL OF UNIFORMED MENlocal history, photography, photograph, early citizens

Stawell Football Team 1927 in front of Grandstand Central Park. Back Row: Jack Hall Snr, Phil Gray, Albert Oliver, Bob McCracken, Aut. Blackford, Charlie Oliver, Angus Dalziel 2nd Row: Pryderich, McComb, Bill Whitty, Jack Walker, Wally Rooke, XXX? Ray Maddocks, Rodger Uhre, Horrie Hunt, Wadsworth, Jim May, Darby Earle, 3rd Row: Alan Blachford, jack Hall, Ike Cooper, Jack Bissett (C/C), Len Mawson?, Len Hutton, Clem Hall, Joe Middleton (Trainer) Front Row: Clarrie Bates, Eric Rich, Nat Powell (Head trainer), Dick Holiday.Football Team photograph in front of weatherboard wall. Probably No 1 Grandstand. Black and white copy of original photograph with football teams names. List of names written on back of cardboard (see context for list). Cahills Studio Horsham Stawell F.C. Season 1927stawell sport

Stawell Football Club 1925 premiers. Back Row: Joe Middleton (Trainer), Albert (Oliver)? Geo Gilbert, Ralph Dalkin, Jack Richards (lke's father), W.J. Earle (Pres), Jack Neylan? Bert Newton, A.E. Smith (ANZ Bank), Stan Freeland. Middle Row: Les Hutton, Rocky Davidson, Bill Northeast, Frank Spurrell? Mick Dalziel, Jack Gray, Ray Rowe, H. Hunt, XXX? Sam Ross (Boundry), Bill Lewis. Front Row Les Gram, Joe Brown, lke Richards, B. Hall, W. Twomey (V.C.), W. Walton (Chinga) (Capt. Coach) Dick Holliday, Wingie Ross, lke Cooper (Glenorchy), jack Sullivan, Len Clearson. Sitting in front Nat Powell (Masseur). Also, a list of people Hovie? Hunt, lke Cooper C. Hall, A. (Bert) Newton (Committee) eight on back row, lke Richards Junior, H. (Wingy) Ross, Dick Holladay, L. Clearson, Bill Twomey, W. (Chinga) Walton (Coach), Bill Earle (President), John Richards Senior, Sweeny, F. Spurrell (Policemen), Ralph Dalkin (Committee), jack Gray, L. Clearson, George Gilbert, Phillips, Blatchford, W. Lewis (Auditor) J. Sullivan, Nat Powell. Came from Bert Newton then to Isaac newton then to Hartley Newton (son). Black and white team photograph taken in front of No 1 Grandstand.Premiers 1925 Stawell Football Club W.J. Chapman Photo Artist Stawell. (see context for list of players names and Stawell Football Club)stawell sport

Yiannoudes Family Film Memorabilia It is normally a time consuming and difficult task to accurately assess a collection’s significance to the primary criteria, however in the case of the “Yiannoudes Family Film Memorabilia” we have no hesitation of its high significance about its historic, social, rarity, interpretive, cultural and provenance to Australia, including the country side where most of this collection memorabilia visited. From January 1959 and until 1982, “Cosmopolitan Motion Pictures”, owned by Mr Peter Yannoudes (Παναγιώτης Γιαννούδης) and Mr Stathis Raftopoulos (Στάθης Ραφτόπουλος) travelled around Australia to entertain the Greek, Turkish, Indian and Yugoslav speaking population of Australia and provide a significant cinema culture. They travelled as far as Perth in WA, Adelaide in SA, Tasmania, Darwin in Nt, Canberra in ACT and Sydney and NSW. However they found themselves also in places like Berri and Renmark in NSW, where concentrations of migrants lived and thrived during the period. Initially they were travelling by train, carrying all their equipment by hand and placing them in boxes and suitcases. However after 1962 when they acquired their first automobile, travelling became less of a burden, nevertheless cumbersome and laborious. They carried with them initially two portable projectors (second one as a backup) and at times travelled with a third in order to ensure that technology will not be letting them down at the time of film projection. At times the films were projected onto a white sheet of cloth because there was no proper screen to project it on at the venue they were using. Mr P. Yiannoudes has also published a book in October 2010, titled “Greek Cinema Across Australia – Behind the Scenes”. The book was published in two languages, English and in Greek. Details about the launch can be found on the Diasporic Literature Spot website at this address (in the Greek language) http://diasporic.org/ellinika/biblia/greek-films-in-australia/. His book is devoted to those with whom he co-operated in order to bring for the first time Greek language films into Australia. Their names are: Stathis Raftopoulos, Andreas Papadopoulos, Andreas Katopodis, Theodoros Kanellopoulos, Michael Ioannou, Fotis Hatzipavlides, Kostas Vrahnas, Evaggelos Terpenos, Dionysis Lourantos, Dimitris Georgiou, Vasilis Florias and Jim Gragie. All businessmen with the right entrepreneurial spirit to be the first and to make their mark in the making of cultural Australia. Mr P. Yiannoudes a Cypriot by descent born in the town of Vouni, a village in the area of Lemesos. In Lemesos he learned the first few things about cinema which would help him in all his later life. He migrated to Australia in 1956 has been a prominent member of the Greek & Cypriot Communities in Melbourne for many decades. He has been President of the Cypriot Community, President of Federation of Cypriot Communities in Australia (for 18 years), President of SEKA (for 26 years) and highly regarded member of the Greek-Cypriots Diaspora since he also has been Vice-President of the Global Federation of Cypriots of Diaspora for 18 years. Mr P. Yiannoudes is now working on creating a small museum of these pieces in the back of the Westgarth Theatre with the help of the Plutarch Project and …. In this collection numbering hundreds of items, we will try and capture some of the glory that was the Greek film industry in Australia for 23 years between 1959 and 1982. “Cosmopolitan Motion Pictures” also owned a large number of cinemas in Melbourne, the National Theatre in Richmond, the Westgarth Theatre in Northcote (which is still owned by the Yiannoudes family today), Sun Theatre in Yarraville, Kinema in Albert Park, Empire Theatre in Brunswick, Paramount Theatre in Oakleigh, Globe Theatre in Richmond, Galaxy Theatre in Brunswick and the Cosmopolitan Theatre in Brusnwick. At the same time they were hiring other theatres for film projections. They were the Astor Theatre in St. Kilda, Victoria Theatre in Richmond, Sunshine Theatre in Sunshine. Apart from Melbourne they were using the Pantheon Theatre in Adelaide, the Norwood Town Hall in Adelaide, the Shepparton Town Hall in Shepparton, the Premier Theatre in Perth, the Rivoli Theatre in Berri and the Renmark Theatre in Renmark. The number of films shown around Australia were over 1500 in total whilst about 1218 of them were in the Greek language. Other languages shown were in Turkish (about 150 films), Yugoslavian (about 100 films), English, French, German, Swedish, Dutch language films. “Cosmopolitan Motion Pictures” was the first company to bring Swedish and Dutch films to Australia. They also showed Martial Arts films for the first time in Australia in 1975 at the Galaxy Theatre in Melbourne. However one of the most significant pieces that tell the story with places and dates is the Show Logbook. The Show Logbook has a large number of stories to tell. It is still intact and in fair condition after all these years of travelling around Australia. It is categorised with an alphabetic index on the right by film title. Greek, Indian, Turkish and Yugoslav language film titles adorn its pages alongside the place where they were first shown, the towns and cities they visited and the dates for each one. It is an extremely significant part of history of the settlement of migrants in Australia. This Log Book is of Primary Significance to the "Cosmopolitan Motion Pictures" and the Yiannoudes family film memorabilia collection. It has a Historic, Social, Provenance and Rarity significance for the settlement of migrants in Australia and the entertainment industry.This is the Log Book, manually updated and used by "Cosmopolitan Motion Pictures" for films shown in different parts of AustraliaCollins Stock Records Booklogbook, films, shown, cultural, language, greek, australia, γιαννούδης, κατάσταση, yiannoudes

Queen Victoria’s appreciation of German artist Franz Xaver Winterhalter (1805-1873) began after she saw portraits by him of other European monarchs. Accordingly, between 1842 and 1861 he made fifteen visits to England and painted over 100 portraits of Her Majesty, the royal family and other friends and dignitaries. In 1843 Winterhalter was commissioned to paint matching portraits of Queen Victoria and Albert, the Prince Consort. These originals hang in the Garter Throne Room at Windsor Castle and are part of the UK Royal Collection. Many legitimate copies of Winterhalter’s portrait were produced and presented to the Parliaments of the British Empire, including the Parliament of Victoria. Such copies are referred to as “After F. X. Winterhalter” and artists responsible include William Corden and John Prescott Knight. When creating copies, artists were not restricted by the size of the original portrait. Walterhalter’s original is 2.7m x 1.7m whereas copies can reach an impressive 4.5 metres in height. The portrait that hangs in Queens Hall at the Parliament of Victoria is not signed. Comparison with other copies of the work suggest that the Parliament’s painting may have been completed by William Corden. The Government Art Collection (United Kingdom), has a Queen Victoria copy in their collection and Parliament’s portrait has similar traits. A copy by John Prescott Knight which hangs in the Legislative Council in the Parliament of Tasmania is quite different, particularly with reference to the shape of the young Queen’s face, which is rounder in the Corden portraits.This portrait of Queen Victoria was presented as a gift by the British Government to the Parliament of Victoria in April 1860. Painted on fine linen supplied under Royal Warrant by the workshop Winsor and Newton, London, the frame has been embellished with elaborate wooden carvings. Framed portrait, oil on linen, of Queen Victoria. Victoria is posed in front of a curtain partially obscuring a building (possibly Buckingham Palace) in the background. Timber frame with a layer of gesso and decorative composition ornaments. There are rose, scotch thistle, clover leaf and Acanthus ornaments. A carved wood and composition element crown, resting on a tassled pillow sits on top of the frame.Canvas unsigned. Verso printed: ‘WINSOR AND NEWTON / Rathbone Place, London’. Embossed stamp into stretcher wood, stamped ‘Winsor and Newton’ in black ink.victoria queen of great britain, 1819-1901, winterhalter, franz xaver, 1805-1873, corden, william, queens hall, parliament of victoria

Yields information about the last day of SEC Tramway operations in Ballarat and has a strong association with the archivist.Set of 7 - 35mm negatives, of the last day of operations in Ballarat on 19-9-1971 .1 - 34 and another bogie leave Skipton St loop .2 - At Urquhart St .3 - 39 outside Sebastopol Town Hall .4 - 42 crosses Albert St, note bus stop sign .5 - ditto with a "ancient" motor car in the view - the car is probably a lot younger than the tram. .6 - 37 leads 43, 34 and 40 in the City Loop at 5.40pm .7 - 42 on level crossing, Lydiard Sttrams, tramways, closure, skipton st, urquhart st, sebastopol, sebastopol town hall, city loop, sturt st, lydiard st, level crossing, tram 34 tram 39 tram 42 tram 37

Digital image of tram 38 inbound in Albert St Sebastopol with the now Carmel Welsh Presbyterian church in the background. The church hall next to the bluestone church as since been replaced with an office-type building. The tram has the destination of Mt Pleasant which is unusual for this line and has a "Trotting Bray Raceway Friday Night" auxiliary board. Photo by Peter Knife 10/5/1969. Yields information about Ballarat's trams in May 1969.Digital image of a colour slide.tramways, tramcars, ballarat, tram 38, albert st, sebastopol, presbyterian church

Yields information about trams 28 and 18 at the Grey St loop on the Sebastopol line.Agfa colour slide, white cardboard mount, photo by Keith Caldwell during 1963 of: Trams 28 (Sebastopol) and 18 (Lydiard St Nth) crossing at the Grey St Loop, Albert St Sebastopol. No. 28 has a Twin Lakes sign and 18 a dancing at Civic Hall on their dash panels. No. 28 has a Georgette Ladies Salon roof advertisement.In ink "1963"tramways, trams, albert st, sebastopol, grey st loop, gray st, tram 28, tram 18

Set of 14 Kodachrome transparencies taken on 23/11/1962. 1162.1 - tram 38 turning into Lydiard St. North from Sturt St. with tram 20 in background. Many motor vehicles in photo. 1162.2 - as above, but a minute of so later. Has Mutual Life building in background as well as Town Hall. 1162.3 - No. 40 entering Albert St. from Skipton St. outbound to Sebastopol. 1162.4 - No. 40 near start of side of the road running in Albert St. heading to Sebastopol. 1162.5 - No. 40 at the City terminus, on the South side of Sturt St. Has Town Hall and other buildings along the south side of Sturt St. in the background. 1162.6 - No. 40 at Sebastopol terminus - shows arrangement of the signs at the terminus. 1162.7 - No. 40 and No. 38 crossing at loop between Sayle and Grey St. No. 40 inbound. 1162.8 - No. 40 turning from Drummond St. South to Sturt St. at Hospital Corner with Southern Cross Hotel in background. 1162.9 - No. 18 in Wendouree Parade near Forest St. heading east with destination of "Victoria St." 1162.10 - Nos 41 and 39 at Depot Junction. Both trams have SEC ads. 1162.11 - No. 39 turning into the depot from Wendouree Parade - showing destination of "Gardens via Drummond Nth" 1162.12- No. 17 at Lydiard St. North terminus, showing destination of "Grey St. Sebas". Has a Twin Lakes sign 1162.13 - ditto, but with trolley pole turned around. Has SEC Briquettes roof ad and Whitehorse whiskey ad on rear dash panel. 1162.14 - No. 40 outbound to Sebastopol crossing Albert St. 1162.1 -"Nos. 38 and 20 in Sturt St. Ballarat at corner of Lydiard St." 1162.2 - "No. 38 turns into Lydiard St. as No. 20 waits at stop in Sturt St. Ballarat" 1162.3 - "No. 40 entering Albert St. from Skipton St. Redan on Sebastopol route." 1162.4 - "No 40 at beginning of reserved track on Sebastopol route, Albert St. Redan." 1162.5 - "No. 40 in Sturt St. Ballarat near cnr. of Armstrong St." 1162.6 - "No. 40 at Sebastopol terminus" 1162.7 - "No. 38 and 40 crossing at Sayle St. Loop on Albert St. reserved track, Sebastopol route" 1162.8 - "No. 40 turning into Sturt St. from Drummond St." 1162.9 - "No. 18 in Wendouree Pde. Ballarat near tramway depot" 1162.10 - "No. 41 and 39 outside Ballarat tramway depot, Lake Wendouree in background" 1162.11 - "No. 39 entering tramway depot from Wendouree Parade, Ballarat" 1162.12 - "No 17 at Lydiard St. North terminus, Ballarat North" 1162.13 - "No 17 at Lydiard St. North terminus, Ballarat North" 1162.14 - "No. 40 crossing Albert St. Sebastopol as reserved track switches from left to right of road" All have date stamp of "23 Nov. 1962" in purple ink. All black ink unless otherwise noted.tramways, trams, ballarat, albert st., sturt st., sebastopol, grey st., hospital corner, wendouree parade, depot junction, lydiard st. north, tram 17, tram 18, tram 20, tram 38, tram 39, tram 40, tram 41

Photo of Ballarat tram No. 17, northbound or inbound in Albert St. Sebastopol, passing the Borough of Sebastopol Town Hall. Tram has a Twin Lakes sign on the rear of the car. Kodak cardboard mount slide, taken Mark Plummer, September 1971tramways, trams, sebastopol, albert st, sebastopol town hall, tram 17

Photo of Ballarat tram No. 17, northbound in Albert St. Sebastopol, passing the Manchester Unity IOOF Sebastopol Hall, at 113 Albert St. Sebastopol It was originally the South Star Mine Office. Tram has destination of Lydiard St. North Kodak cardboard mount slide, taken Mark Plummer, September 1971tramways, trams, sebastopol, manchester unity, albert st, tram 17