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Federation University Art Collection
Painting, 'From Day into Night' by Rosalind Lawson, 1998
This work was exhibited at 'Stories from Kitty's Lead Road' at Chiara Goya Gallery in 1999. Of the exhibition Ros Lawson explained: "Beyond the city, before the outback, lies a little-explored , unfashionable space - the "bushland" of suburbia. I explore this landscape of tension between nature and human settlement. It is the activities that occur within the lanscape that are of interest: animal husbandry, feral animals, nature walks, star gazing and more mythic qualities of the area. Within these themes lie the reflections of the artist I regard to the erfurbishment of the landscape and the desire to observe, classify and make significant in order to preserve nature."Rosalind LAWSON (11 January 1948 - ) Born Ballarat, Victoria Rosalind Lawson has spent much of her career working in rural environements, in Australia and Ireland. She has exhibited widely, and in 1997 won the Broken Hill Outback Art Prize. She holds a Master of Fine Art from R.M.I.T. (1995), a Diploma of Fine Art from R.M.I.T, A Diploma of Physical Education, from the University of Melbourne, and a Trained Teachers' Certificate from Melbourne Secondary Teachers' College . Between 1989 and 2012 Ros Lawson Lecturered in painting, drawing, papermaking, and was a tutor in Art History at the University of Ballarat Arts Academy (now Federation University). Her studio practice includes painting, drawing and paper art using handmade paper. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, rosalind lawson, lawson, ros lawson, birds -
Federation University Art Collection
Mixed media, Carole Wilson, 'Heart Mat' by Carole Wilson, 2001
Carole WILSON (1960- ) Born Canberra, Australia Carole Wilson is an artist living and working in Ballarat, Victoria where she is Associate Professor in Visual Arts and Deputy Dean in the School of Arts. Carole studied at both the Canberra School of Art and Philip Institute of Technology, now RMIT, in Melbourne and completed a PhD at the University of Ballarat in 2001. Her original training was in printmaking and she was a founding member of Jillposters, feminist poster group, in 1983 and worked at Another Planet Posters, Melbourne. For over a decade Carole Wilson has utilised discarded and salvaged materials such as floral carpets, maps and atlases to create works which engage with aspects of botany, garden history, travel and historical ornament. In recent years she has undertaken residencies in Italy, the US, Malaysia and The Netherlands which have all had a significant impact on her work. 'Woven Mantra: A Visual Expression of Meditation' is the title of Carole Wilson's thesis undertaken for a PhD - Visual Arts at the University of Ballarat in 2001. The research project examines the links between spiritual practice and visual art. More specifically, the research examines the relationships between repetition of a manta, and repetition of an image. 2010- Senior Lecturer in Visual Arts, Honours and Research Degrees Co-ordinator 2009-2011 Lecturer in Studio Practice and Postgraduate Co-ordinator 1999-2008 Lecturer in Visual Arts (Sessional) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed artwork by Carole Wilson.art, artwork, carole wilson, wilson, university of ballarat, doctorate, arts academy, mixed media, monoprint, haberdashery -
Federation University Art Collection
Painting - Abstract, Anne Saunders, 'Halycon' by Anne Saunders, 2001
Anne SAUNDERS (1955- ) Born Edinburgh, Scotland Arrived Australia 1977 Anne Saunders graduated from a Duncan of Jordanstone College of Art, Dundee, specialising in Illustration and Printmaking, and graduated with a Master of Arts (Fine Arts) by Research from La Trobe University Bendigoand in 1995. She is a former Senior Lecturer at the University of Ballarat Arts Academy (later Federation University), first appointed in 1987 as lecturer in Drawing and Printmaking, and in 1999 she was appointed Senior Lecturer in Drawing and Studio Co-ordinator. Anne Saunders retired from the University of Ballarat in 2010. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed abstract painting.art, artwork, saunders, university of ballarat, anne saunders -
Federation University Art Collection
Painting - Abstract, Anne Saunders, 'Mesh' by Anne Saunders, 2001
Anne SAUNDERS (1955- ) Born Edinburgh, Scotland Arrived Australia 1977 Anne Saunders graduated from a Duncan of Jordanstone College of Art, Dundee, specialising in Illustration and Printmaking, and graduated with a Master of Arts (Fine Arts) by Research from La Trobe University Bendigoand in 1995. She is a former Senior Lecturer at the University of Ballarat Arts Academy (later Federation University), first appointed in 1987 as lecturer in Drawing and Printmaking, and in 1999 she was appointed Senior Lecturer in Drawing and Studio Co-ordinator. Anne Saunders retired from the University of Ballarat in 2010. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Framed abstract painting.art, artwork, uinversity of ballarat, anne saunders, saunders -
Federation University Art Collection
Photograph, Erin McCuskey, 'Shiney Man' by Erin McCuskey
Erin McCUSKEY Erin is a filmmaker, photographer and digital media artist with a bent on ‘difference’. She is the Creative Director at Yum Studio where she has forged a national reputation for delivering innovative and unique creative media projects, using projection, media, social media and social broadcasting. Ern McCuskey has a passion for producing projects with human rights at their core. Her short films, installations and commissions have screened at Museum of Australian Democracy at Eureka (MADE), Melbourne International Film Festival (MIFF), Flickerfest, Indiefest, Gertrude St Projection Festival, Ballarat International Foto Biennale, numerous exhibitions, performances and collections. Erin’s work is informed by the knowledge that difference is a necessary part of society and the core of a healthy one. She is passionate about creating media that is thought provoking, possibly controversial and also entertaining. Media creation is a group pursuit and those behind the camera are more often control the balance of power, therefore she is committed to unique collective story development. “I believe that art is in the everyday, that we all can, should and do, create. My work is informed by the moving images of my siblings as children recorded by my father, the houses and homes, spaces and events, which live on as objects themselves in various homes as photos, archives, projected and loved. These flickering images were embedded and now I spend time creating more.” (Central Highlands Art Atlas, http://www.artsatlas.com.au/erin/) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Three photographs mounted side by side (portrait orientation). #1 image of curtains #2 image of sculpture of man reflected in a mirror #3 light reflecting through crystal door handle. Slight scratching on front bottom of frame. art, artwork, erin mccuskey, mccuskey, photography, foto, available -
Federation University Art Collection
Painting - Oil on Canvas, Shane Jones, 'Untitled #75' by Shane Jones, 2000
Shane JONES (1955- ) Born Melbourne Shane Jones is a graduate with a Masters in Fine Arts from Monash University, He practices art 'en plein air' and in the studio. Shane Jones' realist works feature the trompe l’oeil (trick the eye) tradition and he is considered one of Australia's foremost artists in this technique. The hyper-realist style of art creates an illusion that the objects depicted are the real thing while not being photographic. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A painting of a long white cloth being held by a white and a black hand. The identity of the subject is hidden, and the figure is absent. The unknown rather than the anonymity inhibits Shane Jones' imagery. art, artwork, shane jones, oil, oil on canvas, visual arts -
Federation University Art Collection
Photograph, Steinfort, Jessie, 'Mushrooms' by Jessie Steinfort, 1998
Jessie STEINFORT Steinfort was Studied Graphic Design at the University of Ballarat (later Federation University) After 12 years of working in design studios and advertising agencies, Steinfort is now a Senior Designer at Ogilvy Melbourne. And previously, he has been responsible for work on BMW & Mini, Carlton Football club, Melbourne Convention and Exhibition Centre, Melbourne Food & Wine Festival, AAMI, Yarra Valley Water, and Arts Centre Melbourne. From 2008 to 2011 Steinfort was lead designer and front-end web developer at clickDM (now HARDWIRE). Where he worked with such clients as HOSTPLUS, GSK, UniSuper and Swann Insurance. From 2000 to 2008 Steinfort was a designer at Mediation Communications working on print and interactive projects for; City of Melbourne, City of Greater Geelong, City of Port Phillip, Mentor Education, and ACMA. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Framed photograph of three mushrooms in a black background. This work was won the 1998 Student Acquisition Award. If you can provide information on this artist or artwork please use the email link below. photography, foto, mushrooms, food, close up, macro, colour, photo, jessie steinfort, alumni, available -
Federation University Art Collection
Painting, Veronica O'Hehir, [Unknown Title] by Veronica O'Hehir, pre 2000
Veronica O'HEHIR After graduating with a degree in fine art and a diploma in education, Veronica established herself as a practicing and exhibiting artist in Melbourne during the ‘90s-2000s. Veronica co-founded and directed RIPE gallery then later founded and directed KRAM gallery, she was also part of the Maribyrnong River Edge Arts Movement (MREAM); the studio where she met and worked alongside Faye. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed paintingart, artwork, veronical o'hehir, flora -
Federation University Art Collection
Work on paper - Printmaking - Aquatint, Model in Studio, 1988
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed acquatint etching of a model in a studio.art, artwork, horsham, barbara guille, alumni, printmaking -
Federation University Art Collection
Ceramic - Ceramic - hand built & coloured porcelain, Lo, Li Feng, 'Natural Series (Earth, Sky, Water)', by Li-Feng Lo, 2010
My work is informed by a philosophical and spiritual engagement with Buddhist ideas, particularly in response to environmental concerns. In this work I wanted to challenge myself and explore the limits of clay material. Clay allowed me to express myself and free my mind. When I revisited Australia in 2010 form my residency, the natural environment here still was the best to me. Li-Feng LO (1967- ) Born Taiwan Ceramic artist Dr Li-Feng Lo completed a PhD at Monash University in 2008. She was a resident artist in the Federation University Arts Academy ceramics studio in 2010. Li-Feng worked with Southern Ice porcelain to create sculptural forms in response to environmental concerns. Her work is informed by a philosophical and spiritual engagement with Buddhist ideas. These works were exhibited in the exhibition 'AIRed' at the Post Office Gallery in 2011. This was a group exhibition showcasing the work of six artists who undertook residencies at the Arts Academy over a couple of years. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Handbuilt (pinched), coloured porcelain form. Artist's Statement: In the beginning I try to use clay to achieve a dream-like quality by providing a feeling of flexibility like paper and fragility like glass. I was my artwork to the one with nature. Gift of the artist, 2010art, artwork, li-feng lo, ceramics, artist in residence, available, available ceramics, chinese -
Federation University Art Collection
Artwork, other - Handcut & Collaged maps on paper, 'Survey Vessel I' by Carole Wilson, 2008
Carole WILSON (1960- ) Born Canberra, Australia Carole Wilson undertook undergraduate studies at the Canberra School of Arts and Phillip Institute of Technology. She completed a Graduate Diploma in Education at the University of Ballarat in 1987, and a Doctor of Philosophy in 2000. She has chosen central motifs in her work, which she incorporates throughout a series. The urn has been a unifying motif in Wilson's map work and testifies to the way in which function drives form across cultures. Carole's work is held in many public collections including the National Gallery of Australia, the Powerhouse Museum, State Library of Victoria and a number of regional Victorian galleries. Her posters are in museum collections in Finland, Moscow and Poland. In 2001 Dr Wilson was awarded a Doctor of Philosophy (Visual Art) from the University of Ballarat (Now Federation University). She graduated with a Graduate Diploma in Education from University of Ballarat in 1987, and a Diploma of Art from the Phillip Institute of Technology (RMIT) in 1984. Carole Wilson lectures at Federation University Australia: 2010- Senior Lecturer in Visual Arts, Honours and Research Degrees Co-ordinator 2009-2011 Lecturer in Studio Practice and Postgraduate Co-ordinator 1999-2008 Lecturer in Visual Arts (Sessional) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Donated through the Australian Government's Cultural Gifts Program by Anne M. Drum, 2011art, artwork, carole wilson, maps, urn, alumni, available, staffmember -
Federation University Art Collection
Print, 'Collagraph 3' by Carole Wilson, 2007
Carole WILSON (1960- ) Born Canberra, Australia Carole Wilson undertook undergraduate studies at the Canberra School of Arts and Phillip Institute of Technology. She completed a Graduate Diploma in Education at the University of Ballarat in 1987, and a Doctor of Philosophy in 2000. She has chosen central motifs in her work, which she incorporates throughout a series. The urn has been a unifying motif in Wilson's map work and testifies to the way in which function drives form across cultures. Carole's work is held in many public collections including the National Gallery of Australia, the Powerhouse Museum, State Library of Victoria and a number of regional Victorian galleries. Her posters are in museum collections in Finland, Moscow and Poland. In 2001 Dr Wilson was awarded a Doctor of Philosophy (Visual Art) from the University of Ballarat (Now Federation University). She graduated with a Graduate Diploma in Education from University of Ballarat in 1987, and a Diploma of Art from the Phillip Institute of Technology (RMIT) in 1984. Carole Wilson lectures at Federation University Australia: 2010- Senior Lecturer in Visual Arts, Honours and Research Degrees Co-ordinator 2009-2011 Lecturer in Studio Practice and Postgraduate Co-ordinator 1999-2008 Lecturer in Visual Arts (Sessional) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Carole Wilson lectures at Federation University Australia: Framed collograph by Carole Wilson. art, artwork, wilson, carole wilson, available -
Federation University Art Collection
Work on paper - Artwork - Printmaking, 'Homage' by Geoffrey Ricardo, 2005
GEOFFREY RICARDO (1964- ) Born Melbourne, Australia 1984-86 Bachelor of Arts (Fine Art), Printmaking, Chisholm Institute of Technology, Melbourne 1987-89 Printing Assistant at Bill Young Studios, Editioning intaglio prints, King Valley, VIC 1988 Full-time Studio Technician at Printmaking Department, Chisholm Institute of Technology, Melbourne 1989-90 Graduate Diploma (Fine Art), Printmaking, Monash University, Melbourne 1991 Traveled to England, France, Spain and USA (Winsor & Newton International Travelling Bursary, National Students Art Prize) Worked in private studios in Gaucin, Spain and New York, USA 1994-95 Master of Fine Arts, Monash University, Melbourne 1995 Guest Lecturer, Victorian College of the Arts, Melbourne Traveled to Europe and America 1996 Guest Lecturer, Royal Melbourne Institute of Technology, Melbourne 1990-98 Sessional Lecturer, Monash University, Melbourne 1998 Traveled to America and Mexico 2001-05 Sessional Lecturer, The Victorian College of the Arts, Melbourne 2003-10 Printmaking Workshops, Warrnambool TAFE, Warrnambool, VIC 2004 Traveled to Europe, Mexico and Cuba 2005 Lecturer, National Art School (Summer School), Sydney Sessional Lecturer, Monash University, Melbourne Lecturer, Institution of Koorie Education, Deakin University, Geelong, VIC This aquatint is one of a limited edition of 30 and was printed by Gunnell/Leighfield at Chrysalis Publishing. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.artwork, geoffrey ricardo, kangaroo, aquatint, printmaking, etching -
Federation University Art Collection
Artwork, other, Rosalind Lawson, 'Of Picnics and Billabongs Grey' by Rosalind Lawson, 2009
Rosalind LAWSON (11 January 1948 - ) Born Ballarat, Victoria Rosalind Lawson has spent much of her career working in rural environements, in Australia and Ireland. She has exhibited widely, and in 1997 won the Broken Hill Outback Art Prize. She holds a Master of Fine Art from R.M.I.T. (1995), a Diploma of Fine Art from R.M.I.T, A Diploma of Physical Education, from the University of Melbourne, and a Trained Teachers' Certificate from Melbourne Secondary Teachers' College . Between 1989 and 2012 Ros Lawson Lecturered in painting, drawing, papermaking, and was a tutor in Art History, at the University of Ballarat Arts Academy (now Federation University). Her studio practice includes painting, drawing and paper art using handmade paper. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed stencilled and cut handmade paper in grey, black and orange.art, artwork, rosalind lawson, paper, papermaking, lawson, hand made paper, abstract -
Federation University Art Collection
Painting, Isabel Huntington, 'Sunflower' by Isabel Huntington, c1956
Isabel HUNTINGTON (1905 - 04 December 1971) Isabel McCausland was educated at Ballarat and married Robert Keith Huntington in 1931, and which time Isabel was living in the Melbourne suburb of Preston. Isabel Huntington was a painter, craft officer and craft worker. She studied at Ballarat High School, Ballarat Technical Art School (a division of the School of Mines) and RMIT, and was a member of the Victorian Artists' Society and the Contemporary Art Society. In 1945 she was appointed Director of Handcrafts for the Victorian Division of the Red Cross Society. Isabel Huntington had previously held the position of Supervisor of Handcrafts at Heidelberg Military Hospital for three and a half years. She was a member or the Arts and Crafts Society. Isabel Huntington had five 'one-man" shows, three in Melbourne, one in Ballarat and one in Hamilton, Victoria. The critics of the day described Isobel Huntington's work as Post Impressionist and Expressionist. 'Her enjoyment of the use of colour and her sense of vitality is obvious in her most original conception of the relationship of art to flowers.' Ursula Hoff judged the 1965 Albury awards for watercolour, and religious paintings in oils, awarding the prize to Isabel Huntington. In the same year Isabel Huntington travelled to Europe. In Ballarat's Crouch Prize Isabel Huntington was commended three times. After returning from overseas she taught at Rosanna High School, Victoria. Isabel Huntington lived at Montmorency, Victoria, and was there at the time of her death. Her studio was located at 10 Nokes Court, Montmorency, 3094. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007 in 1971.Framed painting of a sunflower. The signature at the lower right has been oversigned in white 'Huntington 1962". A note on the back of the work suggests it was more like to have been created in 1956, and it was first purchased between 1956 and 1958. If you can share information on this artist or artwork please use the email link below.A note on the back says "Sunflower 1962 Oil/Pastel Insurance Isobel Huntington Gouache 1956 Black Box. Huntingdon (sic) Isobel. Acquired between 1956 - 1958"art, artwork, gouache, painting, sunflower, isabel huntington, handcraft, arts and crafts society, crouch prize, ursula hoff, alumni, flora, ballarat teachers' college art collection, isobel huntington, isabel mccausland -
Federation University Art Collection
Sculpture, Dan Wollmering, 'Definition' by Dan Wollmering, 1996
... of Fine Arts and Sculpture Studio Coordinator, Faculty of Art... Studio Coordinator, Faculty of Art and Design, Monash University ...Dan WOLLMERING Born St. Paul Minnesota, USA. Arrived Australia 1975. In 2009 he was Senior Lecturer in the Department of Fine Arts and Sculpture Studio Coordinator, Faculty of Art and Design, Monash University (Gippsland Campus)Painted steel sculpture artwork, artist, dan wollmering, gippsland campus, sculpture, staffmember -
Federation University Art Collection
Work on paper, 'Sun and Moon Nature' by Kees Hos, 1964
Kees HOS In 1956 Kees and his wife Tina made a new life with their two children in the arts community of New Zealand. In Australia Kees established the art school at Gippsland College of Advanced Education in 1971 with a radical multidisciplinary approach to art education. He generously delivered encouragement and opportunities to many people including lecturers, visiting artists and students. His small team literally built an art school from zero. Temporary accommodation in an old factory and service station in Morwell moved to three student-built studios on the Gippsland Campus. His highest recognition was 1997 when the names of Kees and Albertine Hos were added to the Wall of Honour in the Garden of the Righteous at Yad Vasheem in Jerusalem along with many others who put their lives on the line against the biggest killing machine the world had known. The ‘hiding-place’ in Kees and Tina’s home was discovered but Tina managed to rescue a baby as her own while the Jewish parents were transported to Auschwitz and Dachau. Kees was on the run using his printmaking skills to forge passports but was eventually captured and jailed, the war’s end saving his life. Gippsland Director's Collection, Acquired 1973.Signed and dated lower right in pencil "Kees Hos '64"artist, artwork, kees hos, gippsland campus, gippsland director's collection, printmaking, wall of honour in the garden of the righteous -
Federation University Art Collection
Sculpture, 'Vehicle of Transience' by Anderson Hunt, 1994-1995
Anderson HUNT Anderson Hunt is associated with Down Street Studios. He studied a Graduate Diploma in Visual Art at the Gippsland Centre of Art and Design (GCAD) This work was purchased by the Gippsland Campus Enhancement Project, 1996.artist, artwork, anderson hunt, sculpture, gippsland campus, alumni -
Federation University Art Collection
Laser Print, 'Paper Shawl' by Carole Wilson
Carole WILSON (1960- ) Born Canberra, Australia Carole Wilson is an artist living and working in Ballarat, Victoria where she is Associate Professor in Visual Arts and Deputy Dean in the School of Arts. Carole studied at both the Canberra School of Art and Philip Institute of Technology, now RMIT, in Melbourne and completed a PhD at the University of Ballarat in 2001. Her original training was in printmaking and she was a founding member of Jillposters, feminist poster group, in 1983 and worked at Another Planet Posters, Melbourne. For over a decade Carole Wilson has utilised discarded and salvaged materials such as floral carpets, maps and atlases to create works which engage with aspects of botany, garden history, travel and historical ornament. In recent years she has undertaken residencies in Italy, the US, Malaysia and The Netherlands which have all had a significant impact on her work. 'Woven Mantra: A Visual Expression of Meditation' is the title of Carole Wilson's thesis undertaken for a PhD - Visual Arts at the University of Ballarat in 2001. The research project examines the links between spiritual practice and visual art. More specifically, the research examines the relationships between repetition of a manta, and repetition of an image. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Carole Wilson lectures at Federation University Australia: 2010- Senior Lecturer in Visual Arts, Honours and Research Degrees Co-ordinator 2009-2011 Lecturer in Studio Practice and Postgraduate Co-ordinator 1999-2008 Lecturer in Visual Arts (Sessional) art, artwork, carole wilson, alumni -
Federation University Art Collection
Painting - Printmaking - Etching, 'The Studio' by Maryanne Coutts, 1996, 1996
Maryanne COUTTS (1960- ) Born Australia Maryanne Coutts studied at the Victorian College of the Arts (VCA), The University of Melbourne, 1979 -1981, the University of NSW (UNSW),1984 and achieved a PhD at Federation University Australia in 1999. She has exhibited extensively throughout Australia and internationally including UK, Spain and Thailand and is currently Head of Drawing at the National Art School, Sydney. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Etching by Maryanne Coutts showing a corner of the Printmaking Studio at the University of Ballarat, Mount Helen Campus. The etching is presented in an the University of Ballarat Printmaking Artists' Book 1996.art, artwork, maryanne coutts, coutts, artists' book, printmaking, etching -
Federation University Art Collection
Laser Print, 'Kali's Star with Orange Crosses' by Carole Wilson
Carole WILSON (1960- ) Born Canberra, Australia Carole Wilson is an artist living and working in Ballarat, Victoria where she is Associate Professor in Visual Arts and Deputy Dean in the School of Arts. Carole studied at both the Canberra School of Art and Philip Institute of Technology, now RMIT, in Melbourne and completed a PhD at the University of Ballarat in 2001. Her original training was in printmaking and she was a founding member of Jillposters, feminist poster group, in 1983 and worked at Another Planet Posters, Melbourne. For over a decade Carole Wilson has utilised discarded and salvaged materials such as floral carpets, maps and atlases to create works which engage with aspects of botany, garden history, travel and historical ornament. In recent years she has undertaken residencies in Italy, the US, Malaysia and The Netherlands which have all had a significant impact on her work. 'Woven Mantra: A Visual Expression of Meditation' is the title of Carole Wilson's thesis undertaken for a PhD - Visual Arts at the University of Ballarat in 2001. The research project examines the links between spiritual practice and visual art. More specifically, the research examines the relationships between repetition of a manta, and repetition of an image. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Carole Wilson lectures at Federation University Australia: 2010- Senior Lecturer in Visual Arts, Honours and Research Degrees Co-ordinator 2009-2011 Lecturer in Studio Practice and Postgraduate Co-ordinator 1999-2008 Lecturer in Visual Arts (Sessional) art, artwork, carole wilson, printmaking, alumni -
Federation University Art Collection
Gouache on paper, Larwill, David, 'On the Picks' by David Larwill, 2003
David Larwill was a founding member of Melbourne’s Roar Studios. His work is influenced by movements as diverse as tribal art, Aboriginal art and abstracted figuration of the 1940s and 1950s. Larwill’s paintings are characterised by their simplified forms and overall pattern. Figures and animals populate his images, painted in an almost child-like naïve manner that is technically very sophisticated. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, david larwill, larwill, gouache -
Federation University Art Collection
Work on paper - Printmaking, Geoffrey Ricardo, "The Illuminated City" by Geoffrey Ricardo, 1999
Geoffrey RICARDO (1964- ) Born Melbourne, Australia 1984-86 Bachelor of Arts (Fine Art), Printmaking, Chisholm Institute of Technology, Melbourne 1987-89 Printing Assistant at Bill Young Studios, Editioning intaglio prints, King Valley, VIC 1988 Full-time Studio Technician at Printmaking Department, Chisholm Institute of Technology, Melbourne 1989-90 Graduate Diploma (Fine Art), Printmaking, Monash University, Melbourne 1991 Travelled to England, France, Spain and USA (Winsor & Newton International Travelling Bursary, Framed intaglio print from Geoffrey Ricardo's 'A Dark City, A Narrative' suite. Under image in pencil ' "The Illuminated City" Ricardo 99"geoffrey ricardo, printmaking, framed print, intaglio, etching -
Federation University Art Collection
Work on paper - Artwork - Printmaking, Ricardo, Geoffrey, 'A Daily Double' by Geoffrey Ricardo, 1990
GEOFFREY RICARDO (1964- ) Born Melbourne, Australia 1984-86 Bachelor of Arts (Fine Art), Printmaking, Chisholm Institute of Technology, Melbourne 1987-89 Printing Assistant at Bill Young Studios, Editioning intaglio prints, King Valley, VIC 1988 Full-time Studio Technician at Printmaking Department, Chisholm Institute of Technology, Melbourne 1989-90 Graduate Diploma (Fine Art), Printmaking, Monash University, Melbourne 1991 Travelled to England, France, Spain and USA (Winsor & Newton International Travelling Bursary, National Students Art Prize) Worked in private studios in Gaucin, Spain and New York, USA 1994-95 Master of Fine Arts, Monash University, Melbourne 1995 Guest Lecturer, Victorian College of the Arts, Melbourne Traveled to Europe and America 1996 Guest Lecturer, Royal Melbourne Institute of Technology, Melbourne 1990-98 Sessional Lecturer, Monash University, Melbourne 1998 Traveled to America and Mexico 2001-05 Sessional Lecturer, The Victorian College of the Arts, Melbourne 2003-10 Printmaking Workshops, Warrnambool TAFE, Warrnambool, VIC 2004 Traveled to Europe, Mexico and Cuba 2005 Lecturer, National Art School (Summer School), Sydney Sessional Lecturer, Monash University, Melbourne Lecturer, Institution of Koorie Education, Deakin University, Geelong, VIC Framed limited edition print of two running horses being ridden by numerous people. Donated through the Australian Goverment's Cultural Gifts Prorgram by Katherine Littlewood. geoffrey ricardo, available, horses, animals, horse racing -
Federation University Art Collection
Work on paper - Printmaking, 'Bonfire' by Geoffrey Ricardo, 1992
GEOFFREY RICARDO (1964- ) Born Melbourne, Australia 1984-86 Bachelor of Arts (Fine Art), Printmaking, Chisholm Institute of Technology, Melbourne 1987-89 Printing Assistant at Bill Young Studios, Editioning intaglio prints, King Valley, VIC 1988 Full-time Studio Technician at Printmaking Department, Chisholm Institute of Technology, Melbourne 1989-90 Graduate Diploma (Fine Art), Printmaking, Monash University, Melbourne 1991 Traveled to England, France, Spain and USA (Winsor & Newton International Travelling Bursary, National Students Art Prize) Worked in private studios in Gaucin, Spain and New York, USA 1994-95 Master of Fine Arts, Monash University, Melbourne 1995 Guest Lecturer, Victorian College of the Arts, Melbourne Traveled to Europe and America 1996 Guest Lecturer, Royal Melbourne Institute of Technology, Melbourne 1990-98 Sessional Lecturer, Monash University, Melbourne 1998 Traveled to America and Mexico 2001-05 Sessional Lecturer, The Victorian College of the Arts, Melbourne 2003-10 Printmaking Workshops, Warrnambool TAFE, Warrnambool, VIC 2004 Traveled to Europe, Mexico and Cuba 2005 Lecturer, National Art School (Summer School), Sydney Sessional Lecturer, Monash University, Melbourne Lecturer, Institution of Koorie Education, Deakin University, Geelong, VICFramed etching with aquatint depicting a silhouette of man in front of a bonfire. Donated through the Australian Government's Cultural Gifts Programme by Katherine Littlewood.LowerLHS 'State AP' Lower RHS 'Ricardo'geoffrey ricardo, bonfire, printmaking, available -
Federation University Art Collection
Artwork - Printmaking, Les Kossatz, 'Studio Table' by Les Kossatz, 1985
Les KOSSATZ (1934-2011) Les Kossatz was a painter, printmaker, sculptor and stained-glass designerFramed lithograph. Donated through the Australian Gifts Programme by Katherine Littlewood.Edition 10/15less kossatz, tools, studio, equipment -
Federation University Art Collection
Ceramic, Roswitha Wulff, Woodfired Bowl by Roswitha Wulff, 1986, 1986
"I am an Australian of German parents born in Persia. I was taught by Peter Rushforth, with a very strong Japanese influence. My work attempts to incorporate these four elements of my history. For form, my influence comes from Art Nouveau, or Jugendstil as it is called in Germany. Techniques are informed by pottery from Japan, China, Korea and Germany. My colours are inspired by the Australian landscape. Using the language of woodfiring, I create a personal vocabulary with new subjects, grammar and syntax, which make each pot a one-off object containing all my diverse influences." (Roswitha Wulff)Roswitha WULFF (1941- ) Born Tabrize, Iran. Arrived Austrqalia c1949 Roswitha Wulff spent her early childhood with her mother, potter Helma Klett, in Germany. In 1964, she obtained a ceramics certificate from the East Sydney Technical College. From 1964-65, she worked with Robin Welch and Ian Sprague at Sprague's Mungeribar Pottery in Upper Beaconsfield, VIC. In 1966 she worked at the Sturt Pottery in Mittagong, NSW under Les Blakebrough. Between 1967 and 1969 Roswitha Wulff travelled overseas, spending 6 monthe with Robin Welch after his return to England and 9 months as a full-time thrower at Briglin Pottery, London, as well as working in potteries in Denmark and Germany. From 1969-70, she worked in North-West Pakistan as a research scholar for the Smithonian Institute and the University of NSW. Returning to Australia in 1970, she set up a workshop in Paddington, NSW, with the help of an Australia Council grant and taught part-time at the East Sydney Technical College and the Willoughby Workshop Art Centre. Since then she has been a lecturer and Head of Ceramics in many institutions, including the National Art School. In the 1990s she moved her studio to Botany Bay, NSW.. While working with the vessel form, she sees her pots as abstract landscapes. Recently she has also been working with wall tiles. During a residency at the Canberra School of Art in 2002, she developed tiles that looked like woodfired pillows with soft rounded rims. In 2007, she used such tiles to create a mural commemorating the Sesquicentenary of St Vincent's Hospital in Paddington. Woodfired stoneware bowl with flay ashSigned on baseroswitha wulff, jan feder, jan feder memorial ceramics collection, woodfire, ceramics, gippsland campus, botany bay studio pottery -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Jan Feder, Lidded Stoneware Casseroles with iron glaze by Jan Feder, 1981
Jan FEDER ( - 1981) Jan Feder is an alumna of Federation University having studied ceramics at the Gippsland Institute of Advanced Education (now Federation Univesity Gippsland campus). Jan Feder was respected by all students for her diligence and technical ability. Her tragic death in 1981 evoked an immediate response from her peers for a memorial. Students discussed a number of memorial options, such as funds for equipment, scholarships and awards. The decision to commence a collection was made based on the idea that all future students culd benefit from the availability of a collection, whereas only a very few individuals could benefit from a scholarship. Students immediately set about raising money by selling 'seconds' called 'Junque Sales'. a total of $760.00 was raised and the first two works purchased were by Victor Greenaway and Victoria Howlett. Ceramic works were purchased from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught at the Gippsland Campus. The Artist in Residendence Program assisted the collection, with many resident artists conrtibuting to the Collection (ie Robin Welch, Anna Zamorska, Sandy Brown), as well as international guests. Ceramic events such as 'Strzelecki Spotkanie 1984' and 'Woodfire 86' also resulted on major contributions to the collection. Three lidded pots by Jan Feder made in 1981.jan feder, jan feder memorial ceramics collection, ceramics, gippsland campus, alumni, casserole -
Federation University Art Collection
Ceramic - Stoneware, [Group of Vessels] by Jan Feder, 1980
Jan FEDER Born Barmera, South Australia Jan Feder was a student at the Gippsland Centre of Art and Design in the 1980s. She had started studying ceramics in Adelaide, deciding to continue here study at Churchill under Hedley Potts' tutelage after moving to Strezlecki. In her final year Jan was an on-campus weekday resident to save on the travel time. This work is part of the Jan Feder Memorial Ceramics Collection which was amassed with funds raised by Jan Feder's student peers at the Gippsland Centre for Art and Design in the mid 1980s after Jan Feder passed away. Although many of the works are donated the intention of the collection was to purchase from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught at the Churchill Campus. A group of ceramic vessels by Jan Feder, an alumna of the Gippsland Centre for Art and Design (GCAD). After her death in the mid 1980s her student peers amassed funds to create a memorial collection. jan feder, jan feder memorial ceramics collection, gippsland campus, alumni, ceramics -
Federation University Art Collection
Ceramic, Giuseppe Ranieri, Majolica Candle Holder by Guiseppe Raneri, 1980s
“My main aim is to develop a sense of understanding in the mystery of the human condition, both in the reality of life and the spirituality of death. My work uses figurative imagery, both painterly and sculptural in the ceramic medium.” (http://gallery.baag.com.au/?p=34)Giuseppe RANERI (1959- ) Born Italy Giuseppe Raneri completed a Bachelor of Arts in Ceramic Design in 1982, followed by a residency at the Meat Market Craft Centre before travelling extensively overseas. Upon his return to Australia he set up his own studio in Fitzroy from 1988-1997. His work includes colourful hand-painted tablewareCeramic candlestick with majolica decoration. ceramics, gippsland campus, giuseppi raneri, jan feder memorial ceramics collection