Illustrative photograph of Dr. Kilpatricks residence at Yarra Glen. Reproduced as one of a montage in "The Leader" January 6th, 1894 page 31. The house is fenced with an established front garden. A horse and cart and people pose in the foreground. Dr. William Kilpatrick was in practice around Yarra Glen & Lilydale during the late 1880s - 90s. He married Honorah Farrell, the daughter of the local publican and a son, William was born to them in Omeo, 1906. He died in Castlemaine in 1925 Source: Mrs. E.W. Motschall (nee Marjorie Smith), Long Gully Road, Panton HillThis photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, yarra glen, cave hill, dr. kilpatrick, "the leader"

Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Preliminary sketch of 'Sunninghill', 228 Cotham Road, Kew by the artist Joy Stewart. Inscription: "Sunninghill". Signed and dated by the artist: "JStewart, September 1979"joy stewart, sunninghill (cotham road), cotham road (kew)

This oil painting is in a handmade, carved frame, dates back to the period of the old Warrnambool Museum and Art Gallery. The two-masted, sail-and-steam-powered ship has the sails and bow shape of a tall clipper ship plus the extra power of steam. It dates to the transition between the clipper ships with their billowing sails and the steam-powered ships, which happened in the late 19th to early 20th century. The flag flown from the stern is that of the British Merchant Navy that traded around the world to transport cargo, and later passengers, from one destination to another. The painting was originally catalogued as the "S.S. Warrnambool" although it has a different design. It was also attributed to the ship portrait painter, the renowned C.K.M. - Charles Keith Miller - but differs from his style. Further research is being carried out at this time. In 1966, between the closure of the old Warrnambool Museum and Art Gallery and the distribution of the painting to Flagstaff Hill, this painting was repaired by David Heysen, son of the German-born artist Hans Heysen OBE. David was born in Hahndorf (called Ambleside for a short period of time), South Australia, married Lyly Refshauge from Melbourne, and they raised a family on their property in Kalangadoo, near Penola, in South Australia.The painting's frame is an example of handmade carving and joinery created in the late 19th century. The artist has depicted the image of a historical sail-and-steam ship of the type in which cargo was traded across the world, including to and from Australia. Vessels such as this also brought migrants to Australia.Painting, oil on board, in hand carved wooden frame with floral and geometric pattern, inner border painted gold. Image of a two-masted sail and steam ship, sails raised, black funnel emitting smoke. Hull is black with white horizontal stripe and white trim around sides of deck. Three lifeboats are visible. Bow is ‘clipper shape’ with what appears to be a figurehead. A red ensign flag flies at the stern and a blue and red flag is attached to the mainmast. The frame has been assembled using Mortice and Tenon joints, one of which is exposed on the back, lower right corner. Chandelier chain has been attached for hanging. There is no visible signature, date or title on the front of the painting. The back board has empty holes spaced around the edge and is held in place by staples. The visible surface has remnants of adhesive from two rectangular attachment s. There are two small white stickers attached, one with a hand written inscription. There are pencil and pen inscriptions. The painting is protected by cardboard with inscriptions in marking pen.On back board, written in the style used by the Warrnambool Museum and Art Gallery: - On white sticker, in pen “A-P31/1-74” - Pencil “A27/1883 / Artist CKM 1883 / Title SS Warrnambool / oil on board” Written in pen by the repairer - “Repaired & re-drilled – cleaned etc. / David Heysen 11/66” Written by Flagstaff Hill’s Cataloguer - Pencil “3031” On cardboard wrapper, in marking pen: - “S.S. Warrnambool / by / C.K.M. 1883” - “A-P/31/1-74” - “3031”flagstaff hill, warrnambool, shipwrecked coast, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, s s warrnambool, charles keith miller, charles miller, steam and sail ship, british merchant navy, slipper shaped bow, 19th century sea trade, warrnambool museum and art gallery, old warrnambool art gallery, hand carved picture frame, mortice and tennon picture frame, migrants, c.k.m.

The insulator factory and ovens were located on the SW corner of Velma Grove and Mount Dandenong Road approx. Quarrying for clay was done in the nearby area. Refer photographs of the factory.Two ceramic insulators made in East Ringwood from local clay. Colour grey. Conical with indentation in middle for wires. There is a second 'skirt' inside to enhance insulating performance. The inner hole is threaded.

Queen Elizabeth II welcomed by Governor General Sir William Slim during her visit to Australia in 1954.Colour photograph non-fictionSupplement to the "Listener In"royal tour of australia 1954, queen elizabeth ii, royal family

Small catalogue with sketches of faces on front cover and photographs of bibles in different languages, all in red ink.bible, scriptures, languages

Black paperback with gold text. Front cover depicts Sepia toned photograph of six women having tea. Back cover is black with recommendations and information about contents of the book.non-fictionStudy of the place and life of middle-class Victorian era women.victorian, middle-class, women, nineteenth century, women’s health education, modernization, warrnambool

An A4 document on white paper covered in an orange plastic folder with black bindingvietnam war, 1961-1975 -- chemical warfare -- health aspects, agent orange - toxicology herbicides - war use

Index, bibliography, notes, ill, maps, p.534.the official history of the Australian army training team in Vietnam between 1962 and 1972vietnam war 1961-1975 – australian involvement, vietnam war 1961-1975 – regimental histories - australia

Ill, p.160.non-fictionHurley at war provides an illuminating record of one mans experience in two world warswar photographers - australia, frank hurley - war diaries

Ill, p.160.non-fictionPhotographic essay of Australian involvement in both world warswar photographers - australia, frank hurley

This article was published in 'Architecture in Australia', p86-93.walsh st library

Response by Governments to the Royal Commission into Deaths in Custody. Looks at likely causes, bail, Legal Services, links with family and community, language and heritage.criminal justice system, australian law enforcement, police, aboriginal prisoners, race relations, racism, racial stereotyping

This publication was published as part of a community project coordinated by C.H.A.R.M in collaboration with the community, the Immigration Museum and proudly supported by the Scanlon Foundation and the Victorian Multicultural Commission. It was produced after much time and effort had been spent researching and collating information about people who migrated to Australia from the islands of Mauritius and Rodrigues. particularly those in Victoria. Publication with faces of people from the islands of Mauritius and Rodrigues and sunset picture on the coverImmigration Museum Project - Sponsored by the Victorian Multicultural Commission and C.H.A.R.M. Vic.beyond the postcard image, community project, mauritians and rodriguans in victoria

Woodcut, paper cutoutInscribed in lower section of printed cutout: Signed 'Jonas Ropponen 2004' Titled 'In the Beginning' Edition 11/25

Soft cover book with 649 pages. Text with black/white copies of sketches and photographs. Author A.W. Jose

Students Working in the Field Station (1) Digging trenches. (2) Pruning fruit trees.students, field station, digging, trenches, pruning, fruit trees