An artwork hanging in the main function room at Legacy House depicting Australians who have been awarded the Victoria Cross from the Boer War up to the Vietnam War.The prominent position shows the reverence Legatees feel for military history.Artwork on paper in wooden frame depicting images of those who were awarded the VC up to the Vietnam War.Subtitle is 'Limited Edition Series' and the print is numbered '763/950'.victoria cross, soldiers

Jodi HEFFERNAN (1967 - ) Born Melbourne This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed Limited Edition print exhibited as part of 'Parallel Prints'.artist, artwork, jodi heffernan, printmaking, linocut, parallel prints, silkscreen

Neale McSWAIN Neale McSwain was a student at the Ballarat College of Advanced Education (now Federation University) in 1986. The art acquisition prize for student work was awarded to Neale McSwain in 1986. This is the first time that the award was made for a sculpture. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Tall, red, steel sculpture. art, artwork, neale mcswain, mcswain, sculpture, ballarat college of advanced education, alumni

Belinda JANETZKI Belinda Janetzki undertook a Bachelor of Visual Arts Graphic Design (Multi Media) at the University of Ballarat (now Federation University) from 1998-2000. This work was acquired from the 2000 End of Year Student Exhibition. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed original graphics poster.art, artwork, belinda janetzki, poster, graphics, cleaning, available

Sybil CRAIG (18 November 1901-09 September 1989) Born London, England Arrived Australia 1902 The National Gallery School, Melbourne, gave Craig a sound training for her popular flower and portrait studies. However, her association with leading modernists between the wars led her to pursue her art in a deliberately experimental and spontaneous way. Sybil Craig was the third woman appointed by the Australian War Memorial as an official war artist. She was the first woman to paint women working in the munitions’ factories. The Castlemaine Art Gallery & Historical Museum, held the first retrospective exhibition of Sybil Craig's in 2006. The exhibition highlighted her wonderful use of colour and design in a diverse range of media, techniques and subject matter. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed pencil and watercolour sketchart, artwork, sybil craig, craig, available, pencil drawing, watercolour

Nadine SHERER (1979- ) In 2004 Nadine Sherer completed a Bachelor of Fine Arts (Honours) at the University of Ballarat (now Federation University) This work is an abstract landscape named after a colleague. A collograph is a print plate made from a low relief collage of strawboard, shellac and marble dust. It is printed using a similar method to the process of intaglio. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed collograph. Edition 1/2art, artwork, nadine sherer, landscape, printmaking, human movement collection, available

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed drawing of a man in sunglassesart, artwork, peter stronach, available (horsham), horsham campus, wimmera campus, horsham campus art collection

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Sculpture of a falconart, artwork, brian perry, falcon, bird, available, alumni

This work pays homage to Solomon J. Solomon’s Ajax and Cassandra. Andrew Potter’s painting tells of the subsequent event. Cassandra is undoubtedly a Trojan War casualty, symbolizing the personal pain of widows and rape victims. The flow of the fabric is the allegory of bloodshed, while the empty jar suggests displacement of refugees. Cassandra’s body, as mother earth, is a metaphor for the peaceful landscape that is desecrated by acts of war. The artist uses these iconic figures to exemplify and demonstrate why peace is always better than war. This work was awarded second prize in the 2009 Lucato Peace Prize. During that year Andrew Potter was undertaking the first year of a Bachelor of Visual Arts (Fine Arts) at the University of Ballarat’s Arts Academy. This item was runner up in the Lucato Peace Prize, and is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Painted canvas depicting a naked woman lying on the round beside a glass jar.art, artwork, andrew potter, potter, lucato peace prize, mythology, available

Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. Donated through the Australian Government's Cultural Gifts Program. art, artwork, wes walters, walters, federation college, available, alumni

'Black Day' was part of a series of paintings drawn from a larger body of work produced over a four-year period exploring the 'harsher side' of the Australian landscape and the aftermath of extreme weatehr events and climatic occurences of fire, flood, drough and wind. Although loosely based on real places and events, the works are essentially fictional with ideas gleaned from popular media - telveision, Internet, magazines and newspapers. While my return to abstraction and landcape painting from figuration has been relatively recent, the natural environment has always been informed by my artistic practice regardless of subject matter, and has had always informed my artistic practice regardless of subject matter, and has had a long-standing influence on the aesthetics, the compositional structre and imagery in my work. The flattening of the picture plane and the prominent horizontal and vertical marks in my composition are informed by a response to both natural and man-made interventions in the land - the muted and restricted colour palette echoing my response to extrems in environmental changes, particulalry of cental and western ditrict Victoria. Created in the studio environment, I consisder this boxy of work as being imaginative 'conglomerates' which reflect varying perspectives and textural interpretrations of the land - defining and expresssing my response to particular and significant climatic, environmental events and my personal experiances. September 2012Tarli GLOVER Tarli Glover undertook a Bachelor of Arts at Ballarat College of Advanced Education [now Federation University] between 1980 and 1983, majoring in Fine Art Painting. Based in Central Victoria, she has been practicing professionally for over three decades and has exhibited widely throughout Australia. While Tarli's work covers a wide range of creative disciplines’ she concentrate’s primarily on painting, drawing and multi-media works with a focus on both landscape and figurative genres. Her work leans toward semi abstract symbolism and representation. This item is part of the Federation University Art Collection and was purchased for the collection by Vice Chancellor David Battersby. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Acrylic on canvas paintingart, artwork, glover, tarli glover, bushfire, alumni, available

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Digital output on canvasart, artwork, marijke groothuis, photography, digital, gippsland campus, churchill

Anthony WOODWARD Born Australia Works Canada Anthony Woodward has a passion for small press zines and alternative comics. His work over the years has been mostly autobiographical, however, in the past 5-6 years he has been experimenting with fictional comics. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed canvasart, artwork, anthony woodward, printmaking, available, stencil, alumni

Marianne SEBETTI (1987- ) Born Vladikavkaz, Russia Arrived Australia 2012 This work was completed while the artist was completing a Bachelor of Visual Arts (Fine Art) at Federation University Australia. Framed drawing. University of Ballarat DVC Art Acquisition Award, 2014Signed verso in pencil 'Marianne Sebetti, The Harvester, 2014'artist, artwork, sebetti, marianne sebetti, drawing, agriculture, harvest

John Andrew GARDNER (1906-1987) Born Camperdown, Victoria John Gardner studied at the Nataional Gallery School Melbourne. He later travelled with Rex Battarbee through central and eastern Australia. He initially worked as a commercial art before taking up painting full time and became known for painting bush landscape and Aboriginal life in oils. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed landscape featuring mountains. art, artwork, john comoner, john a. comoner, landscape, mountains, available

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, breuer, grant breuer, available, grant bruer, abstract

Alexandria McKIM (1991- ) Born Australia Alexandra McKim completed studies at the University of Ballarat Arts Academy (now Federation University) in 2013. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.64 marbled porcelain halves creating a porcelain diamond. University of Ballarat Acquisition Award, 2013art, artwork, mckim, ceramics, university of ballarat acquisition award, alexandra mckim, dome

Celia ROSSER (1930- ) Born Melbourne, Victoria Celia Elizabeth Rosser is a renowned Australian botanical artist, best known for having published The Banksias, a three-volume series of monographs containing watercolour paintings of every Banksia species. She trained in Art at the Melbourne Institute of Technology In 1970, Celia was appointed Science Faculty Artist at Monash University. Four years later she was appointed University Botanical Artist, and began the project of painting every Banksia species. The project took over 25 years to complete, and resulted in the publication of a three volume monograph entitled The Banksias, with accompanying text by Alex George. Publication of the final volume in 2000 represented the first time that such a large genus has been entirely painted. In 1977 Celia Rosser was awarded the Linnaean Society of London's Jill Smythies Award for botanical illustration, and in 1995 was awarded a Medal of the Order of Australia. Monash University awarded her an honorary Master of Science degree in 1981, and an honorary PhD in 1999. Banksia Rosserae is the last banksia species discovered and was named after the artist. Since 2002, the Friends of the Royal Botanic Gardens Melbourne have awarded the "Celia Rosser Medal for Botanical Art" to outstanding exhibitors at their "The Art of Botanical Illustration" exhibition. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007..1) Framed photolithograph of Banksia ornata (Desert Banksia) by Celia Rosser. .2) Unframed photolithograph of Banksia ornata (Desert Banksia) by Celia Rosser.art, artwork, celia rosser, rosser, botanical, banksia, gippsland campus

Jeff WOODGER Born Melbourne, Victoria Jeff studied art at La Trobe University in 1986, and a Graduate Diploma in teaching in 1989. He worked as a teacher from 1990 to 1998. In 1994 Jeff was awarded a Master of Arts from La Trobe University. He then studied at the prestigious Slade School, London and the National Gallery of Art in Washington D.C. Jeff Woodger completed a Doctor of Philosophy (Fine Art) at University of Ballarat (now Federation University) in 2006. This work was part of the exhibition assessment for this study. Jeff Woodger has lived and worked in Japan regularly since 1994. His passion is to paint post romantic landscapes in the classical style which are deeply inspired by many of the seventeenth century greats such as Claude Lorraine and Salvator Rosa. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, clunes, landscape, artist, jeff woodger, alumni

Ellen Parke founder of Lakes Entrance Artworks at first exhibition at RSL Hall Barkes Avenue Lakes Entrance VictoriaColour photograph of Ellen Parke founder of Lakes Entrance Artworks at first exhibition at RSL Hall Barkes Avenue Lakes Entrance Victoriaarts, businesses, people

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed ceramic artwork made from slip cast earthenware.art, artwork, louise curtis, ceramics

Annie BURNS Annie Burns attended the Victorian College of the Arts. She lives and works in Melbourne. Her works are mainly oils on canvas, wood panels and aluminium. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Artwork featuring a woman in a tutu like skirt.art, artwork, oil, oil on canvas, available, annie burns

It is likely this item was received from the estate of John 'Jack' Courier. Courier left a bequest to the College consisting of a significant number of artworks by himself and others.Abstract artwork on paper. Artwork consists of a range of geometric shapes in shades of blue, brown and black. The artwork has been adhered to a piece of brown board. Title of work written at bottom left is partly obscured, but appears to read 'Blue Landscape'. The artist's name is handwritten at bottom right and reads 'J. Courier 5/12'. The board appears to have been previously housed inside a frame, as the back edges of the board have suffered losses from the removal of tape. Handwritten inscription on the back of the work has been partially lost, but reads '...E LANDSCAPE/J. COURIER/368 TOORAK RD/STH YARRA/Price $22'. There are four small stickers from Gibson's Auctioneers attached to the back of the artwork.

This magazine is representative of event guides prepared for the Rip Curl Pro at Bells Beach each year. This particular event guide features unique artwork by Indigenous artist/surfer Glenn Romanis including an indigenous representation of the world famous Bells Beach 'bell' on the top left hand corner.The 2000 Rip Curl; Pro event guide featured unique artwork by Indigenous artist Glenn Romanis. During this period the event was one of the first major sporting events in Australia to embrace Aboriginal culture.Full colour 32 page magazine with information about the 2000 Rip Curl Pro / Sunsmart Classic at Bells Beach. The cover features artwork by Indigenous artists Glenn Romanis. The artwork features an indigenous theme relating to Bells Beach.The cover includes the official event title plus sponsors logos, Rip Curl, Sunsmart, Coca-Cola, Tracks surfing magazine, Surfing Victoria, Surf Coast Tourism, Association of Surfing Professionals and Offshore Music.cheyne horan, bells beach, layne beachley, kelly slater, rip curl pro, sunsmart classic, glenn romanis, offshore music festival, terry richardson, nicky wood, mark occhilupo, tom curren, shane dorian, surfers appreciating the natural environment

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Abstract If you are able to assist i information on the artist or artwork please use the comment link below. art, artwork

Trudi HARLEY Born Korumburra, Victoria Born in country Victoria Trudi Harley graduated with a Bachelor of Education (Art and Craft) at Victoria College, Burwood. After teaching for 10 years in both Government and Independent schools in Melbourne she worked as a Sales Executive and Art Educator for Cavalier Art Supplies for 16 years. Recently Trudi Harley completed a Bachelor of Arts (Visual Arts) (Honours) with Distinction between 2008 – 2009, and a Master of Arts (Research), Visual Art between 2010 – 2012 at the University of Ballarat (now Federation University). Maintaining an artistic practice while in a business partnership Trudi Harley owns and runs Atelier Art Supplies in Williamstown, Victoria, which is a major supporter of the arts in the western suburbs of Melbourne/ This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Artist's Statement: As an artist am continually drawn to ‘what makes us who we are’ and as a result the work, whatever it may be, is a reflection on what makes me who I am. In this I refer to perception, experience and memory as aspects that contribute to our sense of reality. By using these references I intend to engage the audience and develop a sense of connection and community through the visual image. ‘Fallen’ was not necessarily a reflection on my own life but of life in general as I recall at the time I had a family member who was struggling to cope with their own reality. I can also recall at the time reflecting on the adage ‘walk a mile in my shoes’ and the pressures we all face in life. Added to this were my own influences of upbringing, I have always been particularly drawn to fabrics and patterns as my mother was/is (getting a little old now) a seamstress and my father was a bit of a ‘perfectionist’. During my honours study I came across the term ‘Esperpento’ which included such visual elements as exaggeration and unusual viewpoints. Fallen was a comment on the psychology associated with expectations in life, or more importantly those expectations placed on offspring by their parents. This painting reflected the consequences of not living up to those expectations. It is unfortunate that in life, by the time you get to the point of realising that you have the opportunity to set your own standards, that you’ve probably embodied a great many set of values by osmosis and that you’ve now claimed them as your own. The view is from above to dramatize the subject, the figure placed compositionally in the top right hand corner to open up the picture plane and allow for the narrative to continue outside the visual area of the canvas. It was also in this painting that I rubbed back some of the darker oil paint to allow the lighter underpainting to show through.art, artwork, trudi harley, harley, carpet, portrait, self-portrait, alumni

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed woodblack art, artwork, natham ward, alumni, portrait, yul brenner, horsham campus art collection, horsham available

Gareth SAMSOM (19 November 1939- ) Born Melbourne Sansom describes a desire to constantly surprise and challenge himself as an artist. He had his first exhibition in 1959. His paintings of the 1960s were characterised by a distorted use of line, shape and colour and were influenced by abstract expressionism, Francis Bacon and Sidney Nolan. Over time, his work has also drawn on punk, dada, Basquiat, T.S. Eliot, urban graffiti, classical Greek philosophy and art theory across a variety of media ranging from drawing, printmaking and collage to photomontage and photography. Sansom lectured in Art at the Ballarat Teachers' college, and was appointed Head of Painting at the Victorian College of the Arts from 1977-1985, and Dean School of Art at the Victorian College of the Arts from 1986-1991. He was artist-in-residence at the University of Melbourne in 1985, which was when he resumed his full-time painting practice with a series of large works on canvas. The Federation University Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.'Looking for God in Abstract Art 2' is a play on the debate over the respective virtues of abstraction and figuration that has preoccupied artists and critics for more than a century. Sanson has always walked a wobbly line between the two, adroitly avoiding falling headlong into either camp. It is also a gentle dig at the pretensions to higher spiritual meaning in abstract art. In the centre are two photographs, one of rubber masks and the other of the artist in a lurid fright wig and mask and using a spray can like a young tagger. These images, where the artist wears a mask and teeters on bright red platforms, are wonderfully ludicrous send-ups of the 'fine art' of painting. (Geoff Wallis from 'Gareth Sansom: Alternative Person", Art Gallery of Ballarat, 2012) This work was exhibited and published in the catalogue of the exhibition 'Gareth Sansom: Alternative Person' at the Art Gallery of Ballarat in 2012 item. art, artwork, gareth sansom, sansom, mixed media, oils, enamel, photo-collage

Earl INGELBY (1939- ) After training at RMIT in 1960s, Earl Ingleby worked and undertook further training in Europe before returning to Australia in late 1969. He currently lives and works in Creswick, Victoria. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.One in as set of three. .1) Lithograph of a kingfisherSigned and editioned at lower side "5/50 Kingfisher Litho E. Inglebyart, artwork, earl ingleby, j.a. hoskin, bird, kingfisher, available, fauna