France post WW1 photo-postcards showing building and bomb damage sustained during WW1.Rectangular in shape,Beige in colour.Made from cardboard and paper.SERIE 17 GUERRE EUROPEENNE Le Nord-De La France Villes Bombardeescards,picture post cards,lara r.s.l.

John Arnold Seitz (1883-1963) was the Director of Education from 1936-1948. Prior to joining the State Education system he was a senior master at Scotch College, Melbourne, from 1910-1914. He then became Headmaster of Hamilton College, 1915-1921.Certificate printed on beige paper. Name and signature added Certificate number - 25646 Signature of Director: A J Seitz Certificate made out to Geoffrey L Allen

Major General Sir Alan Hollick Ramsay, Director of Education 1948-1960 when he retired. He was born 12 March, 1895 and began teaching in 1912. He enlisted in the AIF as a gunner - 21/07/1915. He resumed teaching on his return from the War in 1919. In 1939 he enlisted in the 2nd AIF as Commander Royal Artillery 9th Division. He was appointed GOC (Major General) of 5th Division. He returned to the Education Department, eventually becoming Director of Education and served under both a Labour and Liberal Premier.Certificate printed on beige paper. Name and signature added Certificate number - 23344 Signature of Director: Alan H Ramsay Certificate made out to Donald George Furlong

Alexander McDonell was the Director of Education from 1960-1965.Certificate printed on beige paper. Name and signature added Signature of Director of Education: A McDonell Certificate made out to Paul David Beechey

Martin Peter Hansen, Director of Education 1928-1932. He was born in 1874 and began teaching in 1894. He resigned in 1895 but rejoined in 1896. In 1900 he left the department and taught at Wesley College for nine years - Senior Master. 1909 he rejoined the Education Department as Inspector of Registered Teachers and Schools. Later he was appointed Chief Inspector of Secondary Schools. He died in December 1932 aged 58.Certificate printed on beige paper. Name and signature added Signature of Director of Education: M A Hansen Certificate made out to Maurice B Proven Certificate number: 2324

Frank Tate was the first Director of Education for Victoria, 1902-1928. During this time World War I occurred and he enlisted. Due to his support for the French during this time he was awarded "Chevalier of the Legion of Honor". Certificate printed on beige paper. Name and signature added Signature of Director of Education: Frank Tate Certificate made out to Ed M Roberts Certificate number: 4 "Credit" hand written after statement of pass Red school stamp - Ballarat School of Mines

Alexander McDonell was the Director of Education from 1960-1965Certificate printed on beige card. Signature of Director added Signature of Director of Education: A McDonell This is a blank certificate

University of Ballarat was a predecessor of Federation UniversityWhite soft covered book with beige university flag.handbook, university of ballarat

Army Battlejacket. Duntroon. Beige Lanyard, Trousers (u266)uniform, 1986, army

8429.1 - Brown-beige faded book; fairly thick

Collector says: Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized checked blanket in corn, beige and green 'Mareeno' /Pure Australian Wool/Export Quality/Made in Australiawool, blanket, blanket fever, mareeno