Square Butter Dish with English woodland scene, Trees and flowersstawell

Large butter knife with leaf pattern on blade and engraved handle.EP on NSdomestic items, cutlery

3 Pieces of Box Sides. From Butter Factory Buildingstawell

Wooden Box Stawell Butter Company 56 lbs Netstawell

Rationing regulations for food and clothing were gazetted on 14 May 1942. Rationing was introduced to manage shortages and control civilian consumption. It aimed to curb inflation, reduce total consumer spending, and limit impending shortages of essential goods. The broad reasoning behind the introduction of rationing was to ensure the equitable distribution of food and clothing. It was also hoped that a cut on consumer spending would lead to an increase in savings, which in turn could be invested in war loans. Australians were never as short of food nor rationed as heavily as civilians in the United Kingdom. Rationing was enforced by the use of coupons and was limited to clothing, tea, sugar, butter, and meat. From time to time, eggs and milk were also rationed under a system of priority for vulnerable groups during periods of shortage. Rationing was administered by the Rationing Commission. The basis for policing food rationing was through the surrender of coupons before rationed goods could be supplied. This had to occur between traders as well as consumers. Coupons were passed back from consumers to retailers, from retailers to wholesalers, and in many cases from wholesalers to producers, who were requested to return them to the commission. Breaches of rationing regulations were punishable under the general provisions of National Security Regulations by fines of to £100 or up to six-months imprisonment. Responding to the complaint that these penalties were inadequate, the government passed the Black Marketing Act at the end of 1942. This Act was for more serious cases and could carry a minimum penalty of £1,000.The clothing ration books and coupons belonged to Edna Barrie, the food ration card belonged to Wendy Barrie and the tea and butter ration card belong to Elizabeth Daley.local identities, war

Three wooden butter or shortbread stamps with patterns of, cow, rooster and rose.domestic equipment, food preparation, kitchen

Sepia postcard depicting the Corryong Butter Factory. Part of the Cudgewa Series.corryong butter factory

White porcelain bread and butter plate with gold and dark blue border265 (in gold on back)domestic items, crockery

Wooden Butter Mould (Bell Shaped) featuring carved Bird designstawell

Butter Maker. Glass jar with metal lid, beater and handle combination.stawell

Deborah KLEIN (1951- ) Born Melbourne, Victorian Deborah Klein grew up in the inner southern suburb of St. Kilda and lived and worked in London from 1973 - 1980. The experience of living in both of these places was to have a significant and enduring influence on her work. She gained degree and post degree qualifications from Chisholm Institute of Technology, Melbourne and Gippsland College of Advanced Education, and a Research MA from Monash University, Gippsland. Since 1988 Deborah Klein has held regular solo exhibitions and participated in group exhibitions in Australia and internationally. Her work is represented in public and university museum collections throughout Australia. This work was exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed, handcoloured linocut depicting a butterly with a female head with braided hair.Edition 2/36artist, artwork, deborah klein, klein, butterfly, insect, animal, printmaking, linocut, parallel prints, alumni

Silver butter knife and jam spoon with engraving, and mother of pearl handles.butterknives, spoons, jam spoons

Invoice issued by Bendigo Butter Factory, Mundy and Mollison Streets, dated 28th February, 1937 to Mr. C. Pieper, Inglewood, for supply of butter in 50 lb lots, receipt 1358 attached to invoice.bendigo, business, bendigo butter factory

Two black and white photographs of scale from the Cohuna Butter Factory Boiler. Photos show a pile of scale on a bench with a brick wall behind it. Written on the back of one is: Cohuna Butter Factory Boiler Scale.sciences, bill ashman collection - correspondence, photograph, cohuna butter factory

"Cherry and Sons Pty Ltd", dates this churn to post 1904. In 1858, Edward Cherry began making butter churns in his spare time. Thisi became a full time business with the first factory opening in Gisborne in 1875, using imported NZ kauri pine. Steam was used to bend the base and then it was 12 months drying time before the churn was available for sale. Edward died in 1909 and the business was taken over by his son George until his death in 1917. During the polio epidemic in the 1930's, the company also made respirators. The company closed iin the 1970's.A wooden butter churn with handle and lid. the handle turns a spoked wooden paddle inside to make butter. It is a light brown colour, 30 centimetres high, 32 centimetres long and 21 centimetres wide. The wooden handle on the outside of the box is nine centimetres long three and a half centimetres wide tapering to one and a half centimetres wide, it's attached to a piece of metal that's 13 centimetres long, one and a half centimetres wide and half a centimetre thick. This is attached to a metal rod one centimetre in diameter that goes through the box and is attached to the other side of the box. A wooden frame 24 centimetres by 18 centimetres with two one centimetre wide pieces inside it is attached to the rod.CHERRY & SONS PTY. LTD. GISBORNE VICTORIA T1 Directions for use butter churn, cherry and sons pty ltd

Butter Slice (pat) wooden rectangular grooved wooden pat with flat handleflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Square wooden butter churn. Metal shaft on handle with turned wooden handle.

Typed notes The Last Cab Home A Centenery Reminisce The First Butter Factorydocument, gold, industries, lucy hill collection

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the modern day.Colour photograph of a woman in period costume making butter in Amess House kitchen [catalogue number written on reverse in pencil]churchill island, photograph

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the modern day.Colour photograph of a woman in period costume making butter in Amess House kitchen [catalogue number written on reverse in pencil]churchill island, photograph

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the modern day.Colour photograph of man in contemporary costume churning butter in the kitchen of Amess House [catalogue number written on reverse in pencil]churchill island, photograph

Small Scalloped edged Butter Dish. Deep blue edging and autumn coloursstawell

BRIDGE OVER CRESWICK CREEKBRIDGE OVER CREEK "BUTTER FACTORY" BRIDGE AT THE FOOT OF CAMERON ST. CLUNES.BRIDGE. CLUNES 6local history, document, postcard, bridges

PHOTOCOPY CLUNES BUTTER FACTORY, TWO LADIES STANDING IN FRONT OF WIRE FENCE.CLUNES DAIRY COMPANYlocal history, photography, photographs, buildings

two wooden butter pats with one side smooth and the other ridged with groovesdairy equipment