This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A commentary about the La Trobe Cottage and a catalogue of its contentsla trobe's cottage, charles joseph latrobe, governors of victoria

"Vee Raising Machinery" - Tomlinsons (Rochdale) Ltd, c.1953.Book / catalogue for raising machinery by Tomlinsons (Rochdale) Ltd, 1953.textile finishing, tomlinsons (rochdale) ltd, raising machinery

"Westinghouse Australia self-lapping driver's brake valve Type W" circular No. C6 dated 1936, describing the type of brake valve, its features, operations, adjustment, associated double check valve and drawings shown with parts. This type of valve was used by the MMTB, replacing the Manual Lap type on almost the entire fleet. It gives a lot better control over the braking of a tram by drivers.Yields information about the Westinghouse Type W brake valve.Document or catalogue circular - 4 loose pages, quarto No. C6tramways, technical information, tramcars, brakes, brake valves, westinghouse

The Red-Necked Grebe is a medium sized bird with a long neck and pointed bill. During the non-breeding months, this bird has grey, white and brown plumage. During the breeding seasons, the Red-necked Grebe has a rusty red coloured fore-neck and breast with a black bill and white cheeks. This species can be located in freshwater lakes of the northern hemisphere. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.A Red-Necked Grebe of medium size stylised in a standing position with the face positioned forward. The bird stands on a wooden pedestal with two tags around its legs. One tag is paper and documents cataloguing information and the second is metal and lists the number 4492. This Red-Necked Grebe has pale feathers of white, grey and browns typical of this species in the non-breeding months. The face is positioned towards the front and the small eyes are made from dark glass.Paper tag: 32a Red-necked Grebe Catalogue, Page, 43. Metal tag: 4492taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, red-necked grebe

Clear cellophane sealed pack containing cardboard holder and CD Rom catalogue of third year, University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) graduating student work, 2001. Card insert, with slots for holding CD Rom, printed full, four colour process. Refer item 29169.1 for screen captures from CD Rom. Clear cellophane sealed pack containing cardboard holder and CD Rom catalogue of third year, University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) graduating student work, 2001. Card insert, with slots for holding CD Rom, printed full, four colour process.university of ballarat, federation university, graphic design, multimedia

The white-bellied cuckooshrike inhabits regions across Australia, Indonesia, Papua New Guinea, and the Solomon Islands. In Australia, it is distributed widely, occurring in tropical northern areas as well as in the eastern parts of the country, including northern Western Australia, the Northern Territory, Queensland, New South Wales, Victoria, and southeastern South Australia. The species is prevalent throughout Papua New Guinea and the Solomon Islands, but less frequently observed in Indonesia. Within Indonesia, it is most commonly found in the northern Moluccas, with occasional sightings in Eastern Wallacea. This specimen was originally identified as a young Black-Cuckoo-shrike and catalogued as such in the Burke Museum original catalogue. Analysis conducted as part of a conservation treatment in 2024 reclassified the specimen as a white-bellied cuckooshrike. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This specimen is a young White-bellied cuckooshrike which stands perched on a wooden mount. It has pale grey colouring which is darker on the rear. The wings are tipped with grey-brown feathers and the same colour feathers also appear on the bird's tale. The specimen has dark limbs and bill and this specimen is provided with two glass eyes which are dark in colouring. The bird has a more creamy pale grey on the throat and stomach. It has a black facial mask which is restricted to an eye stripe. 21a / Black Faced Graculus / See catalogue page 11taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, cuckoo, shrike, common birds, australian birds, australian bird, white-bellied cuckooshrike

Volume 1 of 3(?) volumes. 313 p. : dark blue cover with brown leather trim. Title page missing, information for catalogue record from online sources and British Library catalogue.fictionfiction, charlotte riddell (mrs j. h. riddell)

Nineteen page double sided paper catalogue held with one staple in the top left corner. Pages are blue, yellow and white with black printed text. Cover shows printed text in blue, red, black and white with Dalgety Farmers banner and logo. front: [printed] CATALOGUE / No. G05’g / SEASON / 1988/89 / Dalgety Farmers / WILL OFFER BY AUCTION / AT THE / WOOL EXCHANGE / NATIONAL WOOL CENTRE, MOORABOOL STREET, / GEELONG / ON / WEDNESDAY 30TH NOVEMBER 1988 / 7352 BALES. WOOL.agriculture, wool, sales, dalgety, geelong, wool exchange, national wool centre, auction, catalogue

Pages feature student works, contacts and artist statements. Introduction by Associate Professor Richard Chew, Director, Arts Academy Ballarat and Gippsland, School of Arts. Notes ongoing adaptation to "challenges of living, working and learning with extended lockdowns and changing restrictions" of the Covid-19 pandemic. Last page features long list of staff and supporters as well as EYE committee. Inside back cover features sponsors. Catalogue includes Bachelor of Communication Design (3), Bachelor of Visual Arts (11), Bachelor of Fine Arts (Gippsland) (3), Honours (Gippsland) (2), Honours (Ballarat) (2), Graduate Diploma of Ceramics (1), Advanced Diploma of Graphic Design (3), Diploma of Graphic Design (8). Liam Smith, Taylah Fenwick, Zainab Zaidi, Beth Aldcock, Concetta McFall, Donna Morrison, Garth Horsfield, India Potter, Emmalie-Kate Bird, Kristen Britten, Kya Duro, Ruby Hyatt, Sarah Canham, Tayla Champion, Alix Machen, Curtis Anderson, Georgia Gooding, Molly Berry, Tracey Raine, Vienna Bischard, Lauren Matthews, Aaron Haywood, Aprille Cantillas, Jesse Noonan-Wade, Mahalia Howard, Aquila Tavai, Ashleigh Freeman, Jackson Begelhole, Jarli-Kai Humm, Marina Melenhorst, Pauline Whitbourne, Sam Katzer, Samuel Francis. Catalogue to accompany the Federation University, Bachelor of Visual Arts graduate exhibition, 2021. 60pp + 4pp cover, saddle-stitched book, full colour throughout.federation university, visual arts, graphic design, arts academy, camp street campus, exhibition, eye, end of year exhibition, liam smith, taylah fenwick, zainab zaidi, beth aldcock, concetta mcfall, donna morrison, garth horsfield, india potter, emmalie-kate bird, kristen britten, kya duro, ruby hyatt, sarah canham, tayla champion, alix machen, curtis anderson, georgia gooding, molly berry, tracey raine, vienna bischard, lauren matthews, aaron haywood, aprille cantillas, jesse noonan-wade, mahalia howard, aquila tavai, ashleigh freeman, jackson begelhole, jarli-kai humm, marina melenhorst, pauline whitbourne, sam katzer, samuel francis.

In this catalogue / Zine, students are responding to the theme of "End". Students: Nathan Burke, Leroy Cassar, Steven Curcio, Shaun Dewitte, Shayla Gibson, Joe Halliwell, Nikki Luitjes, Stephanie Martin, Claudia Prendergast, Adam Trethowan, Cheyenne Monaghan, Caitlin Wytkamp. 12 students. Thank you to lecturers and supporters, Alistair Heighway, Ben Mangan, Chrissie Smith, Claire Blake, Debbie Hill, Ewen Ross, Jason Grace, Jimmy Pasakos, John McDonald, Justin Weyers, Paul Mah, Peter Gaulke, Peter Pilven, Phillip Berry, Roberta Crisci-Richardson, Sam Harmer, Travis Price. Thank you to final year staff, Ben Mangan, Chrissie Smith, Nicholas Mau, Peter Gaulke, Phillip Berry.Promotional catalogue created by Federation University third year, graduating students, 2016. 24pp full colour text pages and 4pp saddle stitched cover (printed dark orange and blue), uncoated stock.university of ballarat, federation university, graphic design, multimedia, bachelor, degree, camp street campus, arts academy, nathan burke, leroy cassar, steven curcio, shaun dewitte, shayla gibson, joe halliwell, nikki luitjes, stephanie martin, claudia prendergast, adam trethowan, cheyenne monaghan, caitlin wytkamp, alistair heighway, ben mangan, chrissie smith, claire blake, debbie hill, ewen ross, jason grace, jimmy pasakos, john mcdonald, justin weyers, paul mah, peter gaulke, peter pilven, phillip berry, roberta crisci-richardson, sam harmer, travis price

Catalogue card reads, 'Foundation stone at "Lionsbrae", 17/11/1985'."This building was officially opened by His Worship The Mayor Cr. Bill Wilkins J.P. on 17th November 1985 - Alan C. Robertson Chief Executive"

Softcover, Catalogue of an exhibition at the Department of Prints and drawings in the British Museum 1978walsh st library