This piece of functional Trench Art was made by Stewart Noble during World War 2 (circa 1940) while serving on a Mine Sweeper among the Pacific Islands. It is believed that the bullet spoon was chrome plated after the war, while he worked at the Government Aircraft Factory. Trench art is described as any decorative item made by soldiers, prisoners of war, or civilians where the manufacture is directly linked to a war. The making of trench art was a popular past time during leisure hours at the front, where skilled military personnel created the items. Common examples of trench art are decorated shell and bullet casings, and items carved from wood and bone. Trench art has been in existence since the Napoleonic wars however it was most common during World War 1, and to a lesser extent during World War 2. This bullet spoon has historic significance because it is an example of the type of functional or artistic small items, that were made from war scrap during spare time by soldiers or other personnel associated with a war. This particular item indicates that a reasonably high degree of skill was required to make the bullet spoon.Chrome plated teaspoon with a discharged .303 bullet for the handle.trench art, bullet spoon, .303 bullet, stewart noble, war souvenier, chrome teaspoon

The hospital in King Edward Avenue Sunshine was originally known as St Andrew's Hospital and it was run by the Sisters Carruthers who in 1946 decided to retire. The hospital became the Sunshine & District Community Hospital on 15 September 1946. In the First Annual Report for the period 15 September 1946 to 30 June 1947, it is stated that of the 413 patients admitted 37.8% were members and 62.2% non members, and that the hospital was "...responsible for hospital attention under benefits to approximately 2000 residents." Just what the exact benefits were is unknown. Did members receive cheaper treatment, cheaper pharmaceuticals, guaranteed hospital bed, or something else? If anybody can provide the information it would be greatly appreciated. The 1946 cards show that L.W. Noble of Morris Street, Sunshine had a Single Membership which cost 26 shillings ($2.60) per annum, and that J.H.F Noble of the same address had a Double Membership which cost 39 shillings ($3.90) per annum. The cards were issued when payments for the first 4 weeks of membership were made, which were 2 shillings for Single and 3 shillings for Double. The stickers inside provide a record of continuing membership payments.These two cards indicate that membership of the Sunshine & District Community Hospital was a way of receiving Treatment or Membership benefits. This type of membership of a hospital appears to be a forerunner to the present day memberships provided by the various Hospital Benefits Associations. The cards also provide information about the cost of being a member of the Sunshine & District Community Hospital in 1946, and how the membership payments were recorded.The membership cards are actually small booklets with the Single Membership Card being Yellow coloured and the Double Membership Card being Blue coloured.Single Membership Card No. 983 / Double Membership Card No. 297 / Sunshine & District Community Hospital (Incorporated) / King Edward Avenue Sunshine / N.B.--This Card Must be submitted when requiring Treatment or Membership Benefitshospital membership card, sunshine & district community hospital, leslie noble, l.w. noble, j.h.f. noble, 94 morris street sunshine, king edward avenue sunshine, 30 september 1946, no. 983, no. 297, membership cards (1946)

Many displaced people who migrated to Australia after World War 2 brought similar tubs with them as part of their luggage. The tubs were valued by the migrants because they were used for washing clothes and other laundry items, and for bathing children and even adults. The tub in our possession was brought out to Australia in 1950 by the Pierzak family who eventually settled in North Sunshine, Victoria. The following story about the Pierzak family has been provided by the daughter Halina Wlodarczyk (nee Pierzak). The father Stanislaw Pierzak was born on the 26th of July 1916 in Zbrza, and the mother Teodozja (Teodozia) Szalas on the 5th of March 1919 in Goleciny, both villages in the Kielce district of Poland. In 1940 they were both taken by the German Army to work as slave labour on farms in Germany. Stanislaw worked in the Saxonia area and Teodozja near Dillingen. The work was hard, and when Teodozja contracted pneumonia she was told that she would not be given any food if she did not work. After the war the displaced persons, as they were called, were settled in various barracks and camps organised by the United States Army. Stanislaw and Teodozja married in Gablingen, Bavaria, Germany, and Halina was born in the camp at Gablingen in 1949. The displaced people were given the choice of several countries if they wanted to migrate from war torn Germany, and so the Pierzak family chose Australia. The Pierzak family set sail from Naples, Italy aboard the ship General M. B. Stewart and arrived in Sydney on the 17th of April 1950. The men and women had to stay in separate quarters, and many passengers were so sick that they did not think they would survive the journey. In Australia they lived in migrant camps in NSW at Bathurst, Orange, Parkes and Cowra. To pay off their fares to Australia migrants were required to work under contract for 2 years. Stanislaw Pierzak worked in Broken Hill NSW returning to visit his family every 3 to 4 months. The son John was born in the Red Cross building at the Parkes camp in 1952. In 1953 the whole family moved to Melbourne and lived in a converted garage in Victor Street, North Sunshine. In 1954 the family bought a bungalow on a block of land in Compton Parade, North Sunshine, where eventually they built a house. Stanislaw Pierzak worked at Steelweld in Ashley Street, Braybrook travelling there on his bicycle, while Teodozja Pierzak found work at Smorgon in West Footscray. Stanislaw and Teodozja Pierzak lived in North Sunshine for the rest of their lives, and Mrs Pierzak always said that Sunshine was the best place in the world.Tubs like this which belonged to displaced people were highly valued possessions and are of historic significance. They were brought out to Australia after World War 2 by many migrating displaced families. The tubs were used for washing activities in the camps in Germany, and the migrant camps in Australia, and also when people lived in bungalows in Australia before they built houses with laundries and bathrooms.Oval shaped galvanised iron tub with two rigid handles, one at each end. The top of the tub is larger than the base. The galvanising is deteriorating in some parts which show a whitish appearance. There are some small dents, and a few chips in the galvanising where surface rust has appeared.The number 70 is stamped on both sides.washing tub, galvanised tub, laundry, bath, displaced persons, immigration, general m. b. stewart, galvanized tub, pierzak, galvanised wash tub

Paul Borg is a local artist who lives and works in the area. In 2014 he was short listed for the Rick Amor drawing prize at Art Gallery of Ballarat.Dimensional artwork, oil and mixed media, with view of thistles growing in suburbia. Collage has real thistles incorporated into the foreground.

Social realism pertaining to the Western SuburbsView of United Transport Fire from Moreland Street Studio. More people viewed the fire than showed up for the Footscray parade a fews earlier. The Mr Whippy van made an economical killing, while the atmosphere was suffering the same results. AR0099social realism, western suburbs

Local SceneImpressionistic view of valley with a creek running through it. Three horses in the foreground - AR0064Information about the artist on the back. "James Farrell is a member of the Victorian Artists Society" and "is represented at the Australian War Memorial, Canberra".keilor, maribyrnong, river, painting, impressionist, landscape

Black and White Photograph of Sea shells

Australian bush / rural landscape painting - Impressionistic with four cows under tree in the bottom left of the picturelandscape, impressionist

Local Significance. Part of the 1989 Hunt Club Exhibition.West bank Kororoit Creek looking east. Looking directly across the creek. Foliage in the immediate foreground. Creek in the midground, Stone embankment across the river. - AR0038photograph, kororoit creek, robert, pointon

Local scene - historical.Oil on Canvas

Artwork based on a Vietnamese custom called "Dancing Unicorn Festival" Occuring at the "TET" during New Years and Autumn's full moon. Typical scene would include boys dancing with a "unicorn" and others dancing around. Sometimes this festival can be seen in Victoria. Artist associated with The Living Museum of the West.Le Van Tai. Dancing Unicorn. Gouache on paper, 76 x 52cm. Blue painting in a cubist / futurist style.

Local WildflowersLocal Wildflowers - Part of a series of 14 commissioned for Keilor City CouncilAR0006Details of the plant on the back of the painting

Local Indigenous PlantWatercolour paintings - Indigenous Plants of the Basalt Plains. Part of series of 14 commissioned paintings.

Local Indigenous PlantAR0117 Description of the plant at the back of the painting.

Part of a series of 14 commissioned works for Keilor City Council, Local Indigenous PlantPart of a series of 14 commissioned works for Keilor City Council - AR0005Details of the plant on the back of the painting

Local WildflowersLocal Wildflowers Part of a series of 14 commissioned for Keilor City CouncilAR0007Details of the plant on the back of the painting

Local SceneHuntsman Chemical Plant in distance. Quarry now a tip to the right. Taken in South Sunshine near Kororoit Creek - AR0036

Local SceneWest of Fairbain Road facing east towards city with grasslands and box thorns. - AR0039

Local SceneBuckingham Crescent, South Sunshine AR0115

Local LandscapeEast of Fairbiarn Road, South Sunshine, looking east - AR0002landscape, photograph

Depicts local scene: Ely's House:- First Office, Keilor Roads Board 1863; Church of England School 1853 to c. 1865; Keilor Post OfficeOld House picture made out of bark, early keilor

Local SceneOil on Canvas, painting of an old house

One of a series of paintings by F. DischOil on Canvas, oil painting of The organ Pipes (rock formation) in Keilor.