White pillow sham with wide crochet border. Centre piece of Mount Mellick embroidery in white.handcrafts, crocheting or crochet work, manchester, bedding

Square white cotton doyley with white embroidery and drawn thread work. Drawn thread border.handcrafts, needlework, manchester, table linen

Purple waist 'cocktail' apron with coloured fringing. Vivid embroidery in yellow, red, pink and green.costume, female working

Apricot sleeveless long nightdress scalloped edge on neckline with self embroidery at neckline. Tie for waist.costume, female nightwear

Used in the Port Fairy Masonic Lodge of the MUIOOF during rituals.White satin Grand Master's Lodge apron with metallic thread embroidery and black fabric backingMUIOOF symbol embroidered on frontlocal history, societies, muioof, masonic lodge

Northern District School of Nursing nurse's base uniform 1950s - 70sTwo veils of nurse uniform in organdie and lawn cotton hemmed on all sides with machine embroidery.nurses uniform, northern district school of nursing, veil

The fabric of this child's dress includes 'Broderie Anglaise, a form of needlework involving patterns of holes that are each stitched to form a finish that will not fray. The dress features a homemade button.. This handcraft dates back to the 1500s. It became popular in the 1800s and early 1900s, particularly for women's nightwear and underclothing.This child's dress has handcraft and needlework skills that were popular in the 19th and early 20th centuries. The dress also features a homemade button.Child's dress, white fabric, with short sleeves, gathered waist and scalloped hemline. The bodice and shirt have Broderie Anglaise embroidery inserts, with the holes formed into a star pattern. The bodice insert is a 'V' shape. The back has a ribbon tie and is finished with a homemade button.flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, child's dress, clothing, embroidery, broderie anglaise, handmade button, handmade dress, child's fashion, dressmaker, handcraft, needlework, lacework

Embroidered cushion cover in wooden frame with blue border & glass front. Embroidery representing Allied flags.“Souvenir from Egypt 1915”manchester-furnishings, handcrafts-embroidery, frame accessories, military history-souvenirs, eygpt

This decorative embroidered tray cover or tray cloth is beautifully handmade by either Sarah Lees or her daughter Ann Dale (nee Lees). In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” It was a tradition for brides to have a 'glory box' containing linen and embroidered articles to take to their new home. Many of the items were made by Daisy, a skilled dressmaker. Daisy began her apprenticeship at two shillings and sixpence per week at Miss A. E. Emery's dressmaking establishment at 150-152 Liebig Street, Warrnambool. Considered to be the leading house of fashion in Warrnambool, Miss Emery employed about eight young women who worked long hours to sew elaborate gowns for clients, including wives of graziers who would attend the race carnivals and social functions in Warrnambool. (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families) This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is significant for its association with a ‘glory box’ or hope chest’, a tradition of single ladies making and collecting a range of linen and other domestic items in preparation for their future marriage. The item is a fine example of early 20th-century needlework and handmade domestic items.Tray cover, rectangle in shape, white with white floral embroidery. Part of the Chamberlain Dale Lees Collection.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, handmade, craft, manchester, linen, haberdashery, needlework, tray cover, tray cloth, tea service, sarah lees, ann dale (nee lees)

This pair of white decorative pillow-shams is an example of the dressmaking skills of the women of the pioneer settlers families in Moorabbin Shire c1900Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these familiesA pair of white, decorative pillow-shams with beautiful embroidery and the initials A&G. Possibly made for a ‘Glory Box’A & G embroidered on centre of each piecebrighton, moorabbin, linen, pioneers, haberdashery, market gardeners, dressmakers, craft work

Fine white linen ladies handkerchief with embroidery in corner. 15mm hand stiched border on all sides.Nil.handkerchief

Muslin Blouse Embroidered in White. Elastic Waste. Hook & Eye front. Magyar Sleeves. Cotton Embroidery.stawell clothing material

Cream Quilt with embroidery, State school 502 Students names embroidered. Names in squares made of cotton.stawell clothing material education

Used by Mrs Jean Ashcroft (nee Broad) and probably worked by her. She came from Galashiels ScotlandFine white linen table runner with drawn threadwork hem and whitework embroidery of flowers, leaves and ribbonnonemanchester, table linen

Box containing multiple embroidery cotton threads. Box has bird and leaves and flowers painted on lid.handcrafts, equipment

Round white cotton doyley decorated with cut out embroidery. Scalloped edging in button hole stitch.handcrafts, needlework, manchester, table linen

Square white cotton doyley with centre flower embroidery in white. Scalloped edging in button hole stitch.handcrafts, needlework, manchester, table linen

Worked in Needlework Class - 1943 At high schoolPink sampler - cotton Loose cream insert - other Blanket stich edge Various embroidery stitchesEmbroideredpink needlework sampler, needlework, heather mcnamara & isobel mcnamara

WWI souvenir postcard.Rectangular postcard with embroidery on front. Embroidered floral detail, white flowers and green leaves, and a Union Jack. Front: "Rally / to / the Flag"souvenir postcard, embroidered postcard, wwi, union jack

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Large black silk fringed shawl (aka piano shawl) that incorporates large areas of pink embroidery. table cloths, table covers, manton de manilas - piano shawls

This nightgown belonged to Toula Mavrokefalos Black, nee Raftopoulos (1892-1976). Born in Ithaca, Toula's family migrated to Romania when she was only a baby. She learned to sew as a child while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. In 1914, Toula emigrated to Australia with her husband Constantine Mavrokefalos. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Her daughter Olga Black spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years. BHS holds a collection of garments and textiles made by the women of Olga's family, spanning four generations.Women's cream cotton sleeveless nightgown. Cutwork embroidery on bodice. Blue stain under one arm.nightgown, toula black, toula mavrokefalos, 1900s

Doily - cream linen with a crocheted edge. Embroidery on each side with yellow and orange flowers and green leaves.doilies, table linen

A round cream linen doily with khaki coloured floral embroidery, open cut pattern and a scalloped edge.doilies, table linen, furniture accessories, soft furnishings

Fine cream silk. Round neckline, centre front opening (no fasteners ).All edges are featuring a cut out profile, almost giving a scalloped edge.These are outlined with shaped running - stitch embroidery, forming peaked shapes. Eyelet embroidery around the neckline, suggest there was once a ribbon tie around the neckline. Two interlocking squares on either side fronts are outlined with silk embroidery - one square floral, one square eyelets. Extended sleeves.costume, children's, jacket or bodice

Overcoat issued to "G.F. Turner".Coat and Belt - navy blue colour cotton/polyester twill fabric. 1. Overcoat - single breasted with concealed buttons, collar, two inset side pockets. Lining - fawn colour cotton twill fabric with manufacturers information on black colour cotton label. Buttons - black colour plastic. Belt loops. Owners label - handwritten on coat lining. 2. Belt - with black colour metal slide buckle and belt tapes.1. Handwritten - black ink felt tip pen "G.F. TURNER". Manufacturers information - yellow thread embroidery "M.TX".uniforms, ran, overcoat, g.f. turner

White tape lace on a card which is enclosed in a large illustrated envelope. The mid 19th century 'Renaissance Lace' is wound around cardboard which is in the large envelope. The lace depicts five petaled daisies with an eyelet on each side. The envelope is illustrated with drawings of snowdrops. It opens on the front with small snowdrops drawn around the square opening. On the right hand top corner there is a drawing of mountains with a village in the valley.'Snow-Bleach Embroidery' Man. in Switzerland. Guaranteed to retain its Snow-Whiteness. 'All Cotton' No. 83177 20yds E600handcrafts, lacemaking, documents, envelopes

Navy formal blazer worn by the Lady President of Heidelberg Golf Club in 1999.Navy women's blazer with navy lining, metal buttons and embroidered pocket.Pocket embroidery: 'HGC Crest and Lady President 1999", on manufacturer's label: "Neat n' trim uniforms. Made in Fiji"clothing, hgc lady presidents, jan balgowan

This postcard was hand-embroidered in France and sent to Australia during World War I. A large piece of silk would be hand-embroidered by French women with the same pattern 20 times or so, then the large completed piece would be sent to a factory to be cut up and the individual pieces mounted on card. They had varying themes and patterns, greetings such as happy birthday or thinking of you, featuring butterflies, flowers and sometimes patriotic flags of allied countries involved in the war. They were marketed to troops to send home to female members of the family and girlfriends. It was estimated 10 million silk postcards were produced in Europe between 1915 and 1919. During World War 1 postcards were a welcome means of personal communication for many people. Most information came from newspapers or broadcasts.A small Christmas postcard of fabric with embroidery of flowers around the British flag and "Happy Christmas" sewn along the bottom."I am still going well & strong Love to all Maurie"ww1-correspondence ww1 postcard

Badges belonging to W.O. 1 "Keith Cooper", No. 3798359. Part of the Cooper Collection. See Catalogue No. 7868 for details of Cooper's service.Conjoined W.O.1 badges featuring the Australian Coat of Arms in black, white and blue embroidery. Background is khaki.cooper collection, keith cooper, rank insignia, warrant officer

This item is one of many 19th century items donated to Flagstaff Hill Maritime Village by the Giles Family, and known as the “Giles Family Collection”. Henry Giles was born at Tower Hill, Victoria in 1858 and worked as a labourer on the Warrnambool Breakwater. His wife, Mary Jane, was born in 1860 at Cooramook and worked as a student teacher at Mailor’s Flat Secondary School. The Giles family lived at The Maam, Wangoom in the late 19th century, before moving to New South Wales in 1895, where Henry built bridges. Henry died in 1933 and Mary Jane died seven years later. Flagstaff Hill holds a number of objects associated with the Giles family, which were donated by Flagstaff Hill volunteers Vera and Aurelin Giles (Henry and Mary Jane’s daughter and granddaughter respectively). These are predominantly located in the Lighthouse Keeper’s Cottage and include: Living room • Cloths (made by Vera Giles) • Portraits of Mary and Henry Giles • 1 x dresser • Covers on dresser • 1 x bellows Baby’s room • 1 x blessing (in the baby’s room) • 1 x picture of boy and girl • 1 x rocking chair • 1 x cushion (made by V Giles) • 1 x chest (belonging to Mary Jane Giles’s mother, Jane Fleming who migrated to Australia from Ireland in 1843) • 1 x chest cover • Bed materials Bedroom • 1 x knitted bedspread and cushion cover (knitted by V Giles) • Pillow shams and covers (Mrs Catherine King) • Pillow cases (Mary Giles) • 1 x wash stand (Mary Giles) • Towels (lace knitted by Aurelin Giles) • 1 x washstand cover • 1 x white ceramic dog • Shaving items • 1 x dressing table mirror • 1 x dressing table cover (made by Aurelin Giles) • 1 x framed motto • 2 x texts • 1 x settee (sofa) • 1x wardrobe (Vera Giles donated the wardrobe in the Lighthouse Keeper’s Cottage to Flagstaff Hill. According to Aurelin Giles, it was originally owned by William Swinton junior and was later given to a friend of the Giles family.) Kitchen • Settee covers (made by V Giles) • 1 x sideboard • 1 x butter churner • 2 x pictures • 1 x white cheese dome • 1 x wash-up tray • 2 x jugs • 1 x vegetable bowl and dish • 1 x willow pattern dinner set • Glass butter and jam dishes. The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established. Tray cloth, white cotton with blue floral embroidery, chrchet edge. Some small tears. (Giles Collection) Tag attached "LHK N7"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, giles family, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century linen, 19th century handcraft, tray cloth