Showing 824 items
matching engravings
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Gippsland Art Gallery
Print, Sandby, Paul (after), Battle Abbey in Sussex from Mr Wyndhams, 1780
Purchased, 2013Copper-line engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Sandby, Paul (after), View of Cory-Lin, on the River Clyde near Lanerk, 1778
Purchased, 2013Copper-line engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Sandby, Paul (after), A View down the River Clyde, from the top of Cory-Lin, 1778
Purchased, 2013Copper-line engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Sandby, Paul (after), Buildwas Abbey Shropshire, 1779
Purchased, 2013Copper-line engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Sandby, Paul (after), View of Boniton-Lin, 1778
Purchased, 2013Copper-line engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Sandby, Paul (after), Beauchief Abbey in Derbyshire, 1778
Purchased, 2013Copper-line engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Sandby, Paul (after), Inside of Bothwell Castle, 1778
Purchased, 2013Copper-line engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Sandby, Paul (after), Wenlock Abbey Shropshire, 1778
Purchased, 2013Copper-line engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Unknown Artist, Carnations, c.1800s
Donated from the estate of Dora Greenwall, 1975Hand-coloured engraving on cardgippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Le Barbier, Jean-Jacques, Vue de la Grande Glaciere, au Grunelwald, c.1770
Donated by Simon Gregg, 2013Copper line engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Le Barbier, Jean-Jacques, Vue de Mont Gemmi, avec le chemin pratique dons le roc, c.1770-80
Donated by Simon Gregg, 2013Copper line engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Lear, Edward (after), Pezoporus Formosus (Ground Parrot), 1836
Bequest of Caroline and Arthur Howard, 1984Hand coloured engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Turner, J.M.W, The Source of the Arveron in the Valley of Chamouni Savoy, 1816
Donated by Simon Gregg, 2013Engraving and mezzotint print on papergippsland, artwork, permanent collection -
Latrobe Regional Gallery
Print, SCHELL, Frederick B. b. c.1838 d.1905, Wilson's Promontory, c. 1890
Wood engraving. Not an original work. Signed with monogram lower right corner of image 'S.F' (stylised). Lower right area within image, word 'Echen'. Not dated. -
Vision Australia
Plaque - Object, Guiding Light plate, 1964?
The plaque believed to have been attached to the Guiding Light structure, which was installed at AFB's Brighton office due to the efforts of President Bruce Small. Although removed some years ago, the structure was a symbol used by the Association for the Blind as a visual way to represent it's work within the community. 1 metal plate with engraving "This Guiding Light symbol of the Association for the Blind was donated by Bruce Small, Esq. Member of Committee 1944-1954. President 1954-1964. Honorary Counsellor 1964-"association for the blind, fundraising, nameplates -
Bass Coast Shire Council - Robert Smith Collection
Work on paper - Story of John Serinet, Anonymous French, 19th Century
FrenchComic Strip, Process Engravingimagerie d'epinal album d'images -
Ballarat Diocesan Historical Commission
Wood engraving, Wood engraving of the installation of the first Catholic Bishop of Ballarat, 1874
The image depicts the installation of Ballarat's first Catholic Bishop in 1874, the first installation of a Catholic Bishop in regional Victoria.wood engraving image in monochrome.Caption below "Installation of the Roman Catholic Bishop of Ballarat".wood engraving, ballarat, installation, bishop, o'connor, st patrick's cathedral. -
Horsham Regional Art Gallery
Print, Sydenham EDWARDS, Botany Bay Lily (Crinum Pedunculatum), 1815
Donated through the Australian Government's Cultural Gifts Program by Katherine Littlewood, 2019hand coloured engraving on paper -
National Vietnam Veterans Museum (NVVM)
Functional Object - Cigarette Lighter
Brass Zippo lighter with engraving.1 RAR FSB Coral 19681 rar, zippo lighter, fsb coral -
Shepparton RSL Sub Branch
Cutlery Set, Grosvenor, c. 2000s
This cutlery set mirrors older examples held in the collection (K04) and may have been manufactured as recently as the 2000s. The manufacturer's name "GROSVENOR" and the defence symbol of the broad arrow indicates that the equipment was produced by an external company.This set is representative of a typical set issued to contemporary servicemen and women and as such, has social significance as a ubiquitous relic of service. The set has strong interpretive capacity, being able to draw on issues of equipment, food, technological shifts over time. The set also represents a shift in defence equipment production from government-run manufacturing, with the Australian Government Clothing Factory and Australian Defence Apparel etc., to outsourced contracted production with existing manufacturers such as Grosvenor, an established cutlery manufacturing company.Three piece fork, knife and spoon set held together by a flat headed pin on the knife handle which clips into corresponding holes on fork and knife handles. Handles are curved (concave) in centre. Spoon has engraving "[broad arrow] GROSVENOR 381"; Fork has engraving "[broad arrow] GROSVENOR 381"; Knife has engraving "[broad arrow] GROSVENOR 3".cutlery, knife, fork, spoon, food, equipment, ration -
Gippsland Art Gallery
Print, Partos, Paul, Abstract Form, 1981
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Etching, engraving and drypoint on copper on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Partos, Paul, Oblique Form, 1982-86
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Etching, engraving and aquatint on copper on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Prout, John Skinner (after), Avoca River, Victoria, c.1873
Gift of Ted and Gina Gregg, 2012Hand-coloured steel engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Prout, John Skinner (after), Corrobboree on the Banks of the Murray, c.1873
Gift of Ted and Gina Gregg, 2012Hand-coloured steel engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Prout, John Skinner (after), Diggers on the Road to a Rush, c.1873
Gift of Ted and Gina Gregg, 2012Hand-coloured steel engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Prout, John Skinner (after), Mount Macedon, Victoria, c.1873
Gift of Ted and Gina Gregg, 2012Hand-coloured steel engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Prout, John Skinner (after), Night Scene in the Diggings, c.1873
Gift of Ted and Gina Gregg, 2012Hand-coloured steel engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Prout, John Skinner (after), On the Goulbourn, Victoria, c.1873
Gift of Ted and Gina Gregg, 2012Hand-coloured steel engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Prout, John Skinner (after), On the Plenty, near Melbourne, c.1873
Gift of Ted and Gina Gregg, 2012Hand-coloured steel engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Prout, John Skinner (after), Port Phillip Heads, c.1873
Gift of Ted and Gina Gregg, 2012Hand-coloured steel engraving on papergippsland, artwork, permanent collection