German 1867 - 1945Etching and Aquatint K14

German 1867 - 1945Etching, aquatint , emeryK.37V, Plate 6, Weavers cycle

German 1867 - 1945Etching K.106Inscribed beneath image

Hand coloured etchingTitle in margins

Etching, Bartsch 277ii

Etching 10/45Signed, titled and numbered

Etching D. 34Initialled in plate

Etching D. 36Initialled u.l in plate

Etching, soft ground

Flemish 1599 - 1641Etching M.H 6vii

AustraliaEtching, Artist's ProofSigned, dated and editioned

Mohammed and the Origami Lightning" was a print I made in 1980, soon after my return from Mossman, north Queensland and a six month stint of studying the metaphysics of Shaik Ibn Arabi with Diane Cilento. The unspeakable omniscience of the prophet is conjured up in the left hand part of the image, and the playfull fantasy of a make believe world in the right hand part. These two realities spliced into the one printed image was what I found very attractive at the time. (March 2021)Jock CLUTTERBUCK (1945- ) Born Edenhope, Victoria Jock Clutterbuck is a sculptor and printmaker of national significance, his prints in colour etchings and aquatints are often from shaped plates and reflect themes found in his sculpture. Known for sophisticated and detailed abstract form, Clutterbuck studied sculpture and drawing at the Royal Melbourne Institute of Technology from 1965 – 1966, where he subsequently taught from 1969 – 1973 before taking up a role as the lecturer in Sculpture at the Victorian College of the Arts from 1974 – 2000. This work is an etching with aquatint and colour stencil on Torinoko An early supporter was Tate Adams, who established the Crossley Gallery to exhibit prints. He urged Jock Clutterbuck to create a series of etchings for Crossley Gallery, a gallery estabished by Tate to exhibit prints. Clutterbuck was awarded the National Gallery of Victoria Society Drawing Prize in 1966, the Australian Print Council Prize in 1969 and 1973, the Geelong Print Prize in 1972, the State Government Bicentenary award for sculpture in 1970, the PCA print prize in 1973, the Fremantle Arts Centre Print Prize in 1976 and the Caulfield Arts Centre Sculpture Award in 1979. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, jock clutterbuck, printmaking, etching, printmaking etching, available

framed coloured etching on paper above image 'London, Pub May 1 1812, at R.Ackermann's repository of Art, 101, Strand Plate 17' under image 'design'd & etch'd by Rowlandson Doctor Syntax drawing after nature,rowlandson, r. ackermann, coloured etching, medical theme, available

Etching, aquatint and electric grinderSigned and dated 'Jenny Peterson 2002' lower right corner under printed image. Titled 'Helmet' centred under below printed image. Edition 10/40, numbered lower left under printed image.

B. E. MINNS (17 Nov 1864-21 Feb 1937) Born Newcastle, New South Wales Died: 21 Feb 1937, Sydney, New South Wales Benjamin Edwin Minns was the Foundation President of the Australian Watercolour Institute. Framed etching of two horses.signed lower right "B.E. Minns"b.e. minns, etching horses, horse

Queenscliffe life c1863Life in Queenscliffe in c1863Prints of an illustrations of etchings, c1863Reverse - " nil ".historical references

Donated by the artist, 2015Copper-plate etching on papergippsland, artwork, permanent collection

Donated from the estate of Patricia Marie White, 2013Soft-ground etching on papergippsland, artwork, permanent collection

Purchased with the assistance of John Leslie OBE, 2015Soft-ground etching on papergippsland, artwork, permanent collection

Purchased, 2019Copper-plate etching on papergippsland, artwork, permanent collection

Donated by the artist, 2015Photo-polymer etching on papergippsland, artwork, permanent collection

Donated from the estate of Patricia Marie White, 2013Two-plate etching on papergippsland, artwork, permanent collection

Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Four-colour etching on papergippsland, artwork, permanent collection

Donated by the artist, 2015Copper plate etching on papergippsland, artwork, permanent collection

Donated from the estate of Patricia Marie White, 2013Intaglio etching and aquatint on papergippsland, artwork, permanent collection

Purchased, 2017Etching, aquatint and pigment on papergippsland, artwork, permanent collection

Donated by Freestone Press, 2016Photo-etching and drypoint on papergippsland, artwork, permanent collection

Purchased, 2019White ground etching on papergippsland, artwork, permanent collection

Purchased, 2018White ground etching on papergippsland, artwork, permanent collection

Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Roulette on copper etching on papergippsland, artwork, permanent collection