Showing 680 items
matching etchings
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Bass Coast Shire Council - Robert Smith Collection
Artwork, other - The Wooden Bridge at Sulmona, near Tivoli, Jan Both
Dutch about 1618 - 1652Etching H.10 vi -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - (1) At Bawburgh / (2) Untitled, John Crome
English 1768 - 1821Two etchings on one Sheet 6 x 19cm plate -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Tribute to Karl Liebknnecht [Gedankblatt fur Karl Liebknecht] (part) 1919, Kathe Kollwitz
German 1867 - 1945Etching K.137VA b -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Self-portrait [ Selbstbildnis] 1921, Kathe Kollwitz
German 1867 - 1945Etching K.155 vii -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - The Large Boulder in the Wood, Allaert Van Everdingan
Dutch 1621 - 1675Etching H 94 iv -
Ballarat Heritage Services
Photograph - Photograph - Black and White, B.E. Minns, Horses Taking a Break by B.E. Minns
B. E. MINNS (17 Nov 1864-21 Feb 1937) Born Newcastle, New South Wales Died: 21 Feb 1937, Sydney, New South Wales Benjamin Edwin Minns was the Foundation President of the Australian Watercolour Institute. Framed etching of two horses.signed lower right "B.E. Minns"b.e. minns, etching horses, horse -
Federation University Art Collection
Work on paper, [Footware] by Joyce Nowrungal, 2008
Etching of a high healed shoejoyce nowrungal, gippsland art collection -
Anglesea and District Historical Society
Newspaper Holder, Uranium Glass, Unknown - Estimated date 1930's?
Pale yellow-green, uranium glass object was used as a newspaper holder. The rolled newspaper was inserted through the hole in the middle. The glass has been pressed with geometrical patterns.Green-yellow frosted glass with floral design etchings.newspapers, glass, uranium glass, depression glass, vaseline glass -
Federation University Art Collection
Work on paper, Charles Blackman, 'Into the Beautiful Garden' by Charles Blackman, c1990
Charles BLACKMAN (12 August 1928-20 Aug 2018) Born Sydney, New South Wales, Australia Worked in England 1961–66 Charles Blackman left school at thirteen and worked with the Sydney Sun. He attended night classes in drawing and design at the East Sydney Technical College from 1942-1945 under Hayward Veal.Framed sepia limited edition etching.87/90charles blackman, printmanking -
Federation University Art Collection
Bookplate, 'Ex Libris Bookplate for Katherine Littlewood' by Robbie Harmsworth
Framed bookplate created by the etching technique.artwork, artist, bookplate, etching, keith wingrove memorial trust, katherine littlewood, available -
Federation University Art Collection
Bookplate, 'Ex Libris John Gartner'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Black and white etching of a printing pressSignature with the year 86australian bookplate design award, bookplate, keith wingrove memorial trust, printmaking -
Gippsland Art Gallery
Print, Partos, Paul, Reflection, 1981
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Drypoint and softground copper etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Partos, Paul, Abstract Form, 1981
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Etching, engraving and drypoint on copper on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Partos, Paul, Oblique Form, 1982-86
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Etching, engraving and aquatint on copper on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Penny, Sabriyyah (Sab), Windy Landscape, 2017
Purchased, 2017Drypoint etching and chine-colle on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Dorber, Judy, Chrysalis, 2015
Donated by the artist, 2015Two-plate aluminium etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Duxbury, Lesley, A Certain Light, 2015
Donated by the artist, 2015Relief etching and chine colle on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Fabijanska, Kasia, Aquifer, 2015
Purchased, 2017Two-plate etching and aquatint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Senbergs, Jan, Port Liardet Limner, 1992
Donated by the Bank of Melbourne, 1997Etching and aquatint on paper (4 sheets)gippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Stevenson, Caroline, Castle, 2017
Purchased, 2017Drypoint etching and chine-colle on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Kleefsman, Deborah, Moon Rising, 2017
Purchased, 2017Drypoint etching and chine-colle on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Kline, Gillian, Evening Funeral on Nth Boundary Rd, 2013
Donated by the artist, 2013Three plate colour etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Kline, Gillian, Spirit of the Bush, 2013
Purchased with the assistance of the Gippsland Art Gallery Society, 2013Two plate colour etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Kluge-Pott, Hertha, Facets of a Cocoon, 1996
Purchased, 1997Drypoint etching and chine-colle on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Leti, Bruno, Metro Memories, 1990
Donated by the artist, 1997Etching, lithograph and chine colle on papergippsland, artwork, permanent collection -
Latrobe Regional Gallery
Print, QUIRK, Bonnie b. 1932, Suburb Shifting, Not dated
Hard and soft ground etching with aquatint.Signed 'Bonnie Quirk' lower right under printed image. Title 'Suburb Shifting' middle centre beneath image. Edition 9/50, lower left corner under printed image. -
Federation University Art Collection
Work on paper - Etching, Graeme Drendel, [In anticipation of the skeptics] by Graeme Drendel
Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. A etching of a man with a man size goose.graeme drendel, printmaking, goose, fauna -
Federation University Art Collection
Work on paper - Etching, Graeme Drendel, Rooms x 3 by Graeme Drendel
Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. Three etchings showing aspects of a room.graeme drendel, printmaking -
Federation University Art Collection
Work on paper - Printmaking, McDermott, Vivienne, 'The Apple' by Vivienne McDermott, 2007
Vivienne McDERMOTT Working primarily in printmaking, drawing, mixed media and found/recycled object sculpture Vivienne McDermott lecturerf in Printmaking and Drawing at Ballarat University in 2000-2010 and collaborated with arts group Ratartat on public and community arts projects has taken her to many places throughout Australia. Her subjects include the Australian landscape, local characters and wildlife, the human condition and landscape. Now based in the Western Kimberley region of Australia Vivienne McDermott was Artist in Residence at Wulungarra Community School in 2012 -2013, and exhibits annually in Australia and New York City. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Abstract FigurativeFramed drypoint etching on Fabriano paper.vivienne mcdermott, mcdermott, apple, fruit, alumni, printmaking, available, drypoint, etching -
Federation University Art Collection
Printmaking - etching copper plate, Untitled, 2009
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed etching depicting a section of a skeleton.art, artwork, printmaking, etching, skeleton, available, ric munro