According to information on the back of the photo, it was published in the Sunbury News to highlight then Back to Sunbury celebrations in 1952.A black and white photograph of the head and shoulders of three men. Two are dressed in evening suits and the third person is in a double breasted lounge suit for the "Back to Sunbury" celebrations. The men are identified from L-R as John Forbes, a Shire Officer, Eric Boardman, Owner of the Sunbury News, and Mr. Digman, Assistant Post Master.festivals and celebrations, forbes, john, boardman, eric, digman, - (mr), newspapers, back to sunbury, sunbury news, post offices, shire officers, postal workers, 1950s, george evans collection

The photograph was probably taken on either Anzac Day or Remembrance Day, 11 November because some men are wearing medals and others are holding wreaths.A sepia print of a group of 21 men standing at attention outside the newsagency in Brook Street, Sunbury. Three men are holding wreaths. There are two drummers and one is in uniform. There are two dogs near the drummers. Some men are wearing medals.KODAK PRINT / VELOX / (S) 579anzac day, ceremonies, festivals and celebrations, remembrance day, brook street, sunbury, men, clothing and dress, dogs, armed forces, sunbury newsagency, newagents, shops, businesses, george evans collection

A copy of one of the few postcards of Sunbury produced in the 1950s. It may have been produced for the 'Back to Sunbury' celebrations in 1952.A photocopy of a postcard showing the Royal Hotel on the corner of Evans Street and Brook Street looking east towards O'Shanassy Street. Two men are standing on the corner and the roads are not made and there are cars parked along the footpath.S. DAVIES SERIES NO 6 BROOK STREET SUNBURYbrook street, sunbury, hotels, evans street, postcards, festivals and celebrations, men, clothing and dress, transport, royal hotel, 1950s, george evans collection

This image of the bluestone buildings at Goonawarra is before it was renovated into the restaurant at the Goonawarra Vineyard and Winery.A black and white photograph of a bluestone building at Goonawarra with a corrugated iron roof and shed attached to the side. There is a doorway and a wooden fence in a state of disrepair.goonawarra winery, sunbury wine festival, festivals and celebrations, mcmahon, m p, barnier, john, goonawarra restaurant, restaurants, sip n'sup wine festival, sunbury, george evans collection

May O'Brien rode her horse to school when she was young.A black and white photocopy of Mrs May Morrison (nee O'Brien) re-enacting her daily horse-back ride to Our Lady of Mt Carmel Primary School.1952 / Mrs Morrison (nee O'Brien re-enacts her daily horse-back / ride to the Our Lady of Mt Carmel Primary School / Photographed at the "Back to Sunbury" celebrations in 1952.back to sunbury, festivals and celebrations, mt carmel primary school, schools, sunbury, houston, joan, morrison, may (mrs), o'brien, may (miss), boardman, eric, forbes, john, dignam, william, 1952, horses, transport, george evans collection

Peace celebrations and Final Welcome 18 December 1919A b/w photograph of a community activity showing Peace celebrations and Final Welcome.Handwritten on back: Peace celebrations and Final Welcome Dec. 18th 1919 Printed on back: POST CARD / CORRESPONDENCE / ADDRESS ONLY / STAMPworld war 1, postcards, community activities, festivals and celebrations, soldiers, armed forces, george evans collection

The bottle was donated to the Council by Hedley Elliott for an exhibition in the Art Gallery (George Evans Museum). Note that Goonawarra is misspelt on the label.Green glass bottle used for 1975 claret and bottled for the first Sunbury Fair. The label is printed in brown and cream and features a sketch of the Goonawarra Winery and surrounding area. There is a brief statement on the back about the winery and the background to production of the wine. On the back is a hand-written label, stuck on with clear tape giving an account of the origin of the bottle of wine, its donor and storage instructions. It has a black metal cap and miscellaneous markings on the flat bottom."Sunbury Fair / Goonawarra Vineyard (above) was established / in Sunbury in 1858 by the / Hon. J. G. Francis, former Premier of Victoria. / This 1975 Claret from the Stanley Wine Co. / was bottled by Emerald Wines especially / for the Sunbury Fair / WINE PRODUCED IN AUSTRALIA F100 750ml". The hand-written label is signed by John McKerrow in 1985.sunbury fair, wines, goonawarra vineyard, stanley wine company, emerald wines, elliott, hedley, mckerrow, john, festivals and celebrations, francis, j.g. (hon.), george evans collection, 1970s

This object was made to commemorate Sunbury 150 years.A bell-shaped wine glass with a fluted stem that tapers to a round base. Made of clear glass with gold transfer of "SUNBURY 150" on the front.Abstract motto Gold Transfer. / SUNBURY 150 / Living Today 1836 - 1986shire of bulla, sunbury 150, souvenirs, commemoration, festivals and celebrations, george evans collection

This item was produced to commemorate the Australian Bicentennial 1788 - 1988An 'Anjou' style traditional red wine glass with a long stem and inturned bowl and flat base. There is a gold 'Shire of Bulla' transfer on the front.Front: 'Shire of Bulla' emblem Back: "Australian Bicentennial / 1788 - 1988"wine glasses, shire of bulla, australian bicentenary, festivals and celebrations, glasses, municipal offices, sunbury, george evans collection

BLACK & WHITE PHOTOGRAPH MRS. IMELDA McGRATH, STAR OF THE EVENING WITH TOM EVANS M.L.A. AT A JAMES ESMOND BALL.REVERSE SIDE PHOGRAPH. IMELDA McGRATH TOM EVANS MLA.local history, photography, photographs, events and celebrations, james esmond festival ball.

BLACK& WHITE PHOTOGRAPH OF JIM SHORT MP AND MRS. JAN SHORT AT JAMES ESMOND FESTIVAL BALLlocal history, photography, photographs, events and celebrations, james esmond ball

BLACK & WHITE PHOTOGRAPH, CLUNES TOWN HALL AT JAMES ESMOND FESTIVAL BALL.local history, photography, photographs, events and celebrations, james esmond festival ball.

BLACK & WHITE PHOTOGRAPH TAKEN IN CLUNES TOWN HALL, JAMES ESMOND FESTIVAL BALL.local history, photography, photographs, events and celebrations, james esmond fesival ball

BLACK & WHITE PHOTOGRAPH TAKEN IN ASSEMBLY ROOM IN TOWN HALL AT JAMES ESMOND FESTIVAL.local history, photography, photographs, events and celebrations, james esmond ball

BLACK & WHITEPHOTOGRAPH TAKEN IN ASSEMBLY HALL AT CLUNES TOWN HALL AT JAMES ESMOND FESTVAL BALLNOEL KLEINE MRS.KLEINE GREAT GRANDSON OF JAMES ESMONDlocal history, photography, photographs, events and celebrations, james esmond festival ball

Wayne Alfred is a member of the Namgis Tribe of the Kwakwaka'wakw people. As a master carver he has an extremely high level of carving skill and knowledge about his peoples cultural objects, customs, tribal stories and legends. The Totem Poles of the North Pacific Coast in British Columbia and Alaska are traditionally carved out of red or yellow cedar, which has a spiritual and practical purpose. The wood was known for its durability, its resistance to rotting and the inner bark was utilised in ropemaking, clothing, hats, baskets and so forth. The Kwakitul People consider the cedar tree to be among the most sacred of all things provided by the Creator. They believed the Cedar tree to be the axis of the world and a pathway to the upper world. The wood is shaped using implements such as adzes, axes, chisels, carving knives, and chainsaws. Misinterpreted as Gods and idols to be worshipped, totems usually serve six purposes, such as a house pillar for support, a memorial or mortuary pole to commemorate (and house) the deceased, a potlatch pole (used for important traditional indigenous celebrations), a ridicule pole used to shame and a heraldic or family crest pole. Characters and symbols on these totem poles usually display family crests, history, wealth, social rank, inheritance, and privilege, as well as animalistic imagery derived from native animals and mythological creatures. Their sequence are indicative of past family events, ancestors, myths, and heraldic crests, with the bottom figure usually being the most prominent. In this work the 'thunderbird' is symbolic of power, strength and of ancestory. The Commonwealth Games Totem Pole was presented to the people of Nillumbik on behalf of the Canadian Government in recognition of Melbourne as the hosts of the Melbourne Commonwealth Games Team in 2006. Carved in cedar wood, this totem pole incorporates bold cuts and colours (such as red and green) offset by strong black. A relative degree of realism is used to depict the alligator located on the bottom of the pole, a man and a 'thunderbird'/eagle located on the top. With protuding element. No inscriptions. Bold cuts used to outline the characters and symbols as well as decorative and stylised features all over the pole. public art, kwakwaka'wakw, namgis, alfred, north pacific coast, british columbia, canada, totem pole, carved, commonwealth games, melbourne festival, cedar

Important Victorian Labour Day annual event in Melbourne and many floats form a lengthy parade - celebration in the streets of Melbourne, concluding at the Alexandra Gardens along River Yarra; it is a presentation of various communities, arts and cultural performances in the State of Victoria.Getting together, celebrating multicultural community and many facets of social lifeGold plated trophy presented to Slovenian Association Melbourne in 1980 for the entry of a float at the Moomba parade.Melbourne Moomba Festival Chairmans Trophy 1980 Best Float by First Time Entrantslovenian association melbourne, moomba parade, moomba festival melbourne, moomba float