artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 3 Lynne St., Nunawading. This property is listed as having sold for $510,000 in 2003 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a two story rendered house. On the left is a driveway leading toa garage in the background. In the right hand foreground is a front garden.14 Milton St., Nunawading Picken © 2002 Fletcherswhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading

These thread spools come from the Fletcher Jones Factory in Warrnambool. They would have been used in the sewing and manufacture of the men's and ladies' garments made at the factory. The Fletcher Jones factory was established by David Fletcher Jones in 1948. David Fletcher Jones (1895-1977) set up as a travelling hawker selling drapery in the Western District in the 1920s. In the same decade he opened a shop in Warrnambool manufacturing men's clothing, specialising in the production of men's trousers. In 1946 a Fletcher Jones shop was opened in Melbourne and a company, Fletcher Jones and Staff, was established in 1951. The company expanded to manufacturing both men's and women's clothing, opening outlets in all States and becoming well-known Australia-wide. The company was dissolved in 2011 and the Warrnambool factory was sold.These items are of interest as a memento of the Fletcher Jones Factory and the Fletcher Jones company, one of the most important businesses ever established in Warrnambool and certainly one of the most cherished by the local Warrnambool community..1 A wooden stand with upright spikes holding 11 spools containing coloured thread (various colours). The threads are on blue and black plastic reels. .2 A wooden stand with upright spikes holding 16 spools containing coloured thread (various colours). The threads are on blue and black plastic reels.fletcher jones and staff pty ltd, fletcher jones factory warrnambool

Bendigo Advertiser ''The way we were'' from 2000. All smiles: some of the women who lived in Fosterville at the turn of the century, back left: Eliza Coad, Alice Richards, Ethel Bleese, Ruby Fletcher, Jessie Richards, Nettie Schade, Hilda Coad. Front left: Kate Fletcher, Tilly Sexton, Nelly Caulfield, Madge Puche, Zoe Puche and Lyla Corner. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Document: McColl, Rankin and Stanistreet - Herbert Jackson Leed of Bendigo gold lease document. No. 11075, Vol. 325, Fol. 35875 - lease adjoins Fletcher Street, Bendigo.organization, mining, herbert jackson leed - gold lease, mccoll, rankin and stanistreet, herbert jackson leed, gold mining, lease documents

Document: McColl, Rankin and Stanistreet - Deborah Extended Gold Mining Company - gold mining lease 11308, Vol. 333, Fol. 054, adjoins Fletcher Street, Bendigo.organization, mining, deborah extended gold mining compan, mccoll, rankin and stanistreet, deborah extended gold mining company, gold mining, lease documents

This magazine was edited by Meredith Fletcher.This journal is a useful reference for the history of the Bairnsdale to Orbost Railway. Two copies of a 64 pp magazine, titled Gippsland Heritage Journal. It has a red cover with a b/w photograph of a special train taking workers to Melbourne for a Christmas break c 1915. The journal is No 17, December 1994 and cost $7.50. It contains an article , "Tent Life on the Orbost Line" with photographs and history of the Bairnsdale - Orbost railway line.2426.1 has a call no. on front cover 994.56 and a bar code on the back cover GIP journal-gippsland-heritage-journal history-railway

This issue was edited by Meredith Fletcher. This magazine is a useful reference on the history of East Gippsland. A plastic-covered ,64 pp magazine, titled, Gippsland Heritage Journal. It has a dark blue cover with a b/w photograph of a shop at Lakes Entrance, East Gippsland. The shop is Bulmers Gift Salon. The cost of the journal is $7.50. It contains photographs and article on the history of East Gippsland.gippsland-heritage-journal history-east-gippsland history-lakes-entrance

This magazine was edited by Meredith Fletcher.This item is a useful reference for the history of Gippsland.A 64 pp magazine, titled Gippsland Heritage Journal. The front cover is yellow with a b/w photograph of a lookout made of ti-tree at Ocean Grange. The magazine is covered in plastic and is dated March 1997. It cost $8.00.On the outside back cover is a library barcode. On the front is a call no. 994.56 GIPgippsland-heritage-journal history-gippsland

This issue was edited by Meredith Fletcher.This item is a useful reference on the history of Gippsland.A 64 pp magazine, titled Gippsland Heritage Journal. The cover is olive green with a b/w photograph of the Snowy Creek bridge at Mitta Mitta in 1914. The magazine is dated September 1997 and is covered in plastic. It contains photographs and articles on the history of Gippsland.On the outside back cover is a library barcode. On the front is a call no. 994.56 GIPgippsland-heritage-journal history-gippsland

This issue was edited by Meredith Fletcher.This item is a useful reference for the history of Gippsland.A 64 pp magazine, titled Gippsland Heritage Journal - No. 64. The cover is green with a b/w photograph of Thomas Prankerd of Buchan in his apiary. The journal contains photographs and articles on the history of Gippsland.There is a library barcode on the outside back cover.gippsland-heritage -journal history-gippsland tankerd-thomas

This issue was edited by Meredith Fletcher.This item is a useful reference for the history of Gippsland.A 64 pp magazine, titled Gippsland Heritage Journal -No 25. It has a dark green cover with a b/w photograph of a lighthouse at Point Hicks -1937 - Cape Everard. It contains photographs and articles on the history of Gippsland including Mallacoota, point Hicks and Buchan caves. The journal is dated 2001On back is a price sticker Gippsland Heritage Journal $9.00gippsland-heritage-journal history-gippsland point-hicks cape-everard mallacoota buchan-caves

This issue edited by Meredith Fletcher.This item is a useful reference for the history of Gippsland.A 60 pp magazine, covered in plastic, titled Gippsland Heritage Journal -No 26. The cover is blue with a b/w photograph of Walhalla timber cutters c 1910. The magazine contains articles, photographs on the history of Gippsland. It includes a story on John Flynn at Buchan.On the back is a library barcode and a price sticker -$9.90. On the front is a call no. 994.65 GIPmagazine-gippsland-heritage-journal history-gippsland flynn-john

This issue edited by Meredith Fletcher.This item is a useful reference for the history of Gippsland.A 64 pp magazine, plastic covered, titled Gippsland Heritage Journal. The front cover is purple with a b/w photograph of the Hamilton Brothers on the verandah of Ensay Station. The magazine contains photographs, articles on the history of Gippsland. It includes a story on "The Snowy River Bandit".On back is a library barcode and a price sticker-$13.20. On the front cover is a call no. 996.65 GIPmagazine-gippsland-heritage-journal history-gippsland snowy-river-bandit

Advertisement for auction of 'Greenwood Estate', 31 sites, Vicki Street, Vicki Street 'Blackburn' (now Forest Hill), 25 September 1994. Agent: Fletcher & Parker. In Nunawading Gazettesubdivision of former Wunderlich site ibindy street, forest hill, vicki street, sandra street, greenwood estate, auctions

Fletcher & Parker real estate pamphlet, p. 13: 4 Bedroom house on 1.67 acres, 739-743 Highbury Road, Vermont South, for auction 21 November 1998.highbury road, vermont south, nos 739-743., fletcher and parker, auctions

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 5 Riverside Drive, Kew East by Margaret Picken.5 RIVERSIDE DVE., KEW EAST FLETCHERS PICKEN (c) 2002artist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 5 riverside drive -- kew east (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 4 Walbundry Drive, Kew East by Margaret Picken.4 WALBUNDRY DVE., KEW E / PICKEN (c) 2003 / FLETCHERSartist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 4 walbundry drive -- kew east (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 2/27 Asquith Street, Kew by Margaret Picken.2/27 ASQUITH ST., KEW / PICKEN (c) 2003 / 'FLETCHERS'artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 2/27 asquith street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 32 Wiltshire Drive, Kew by Margaret Picken.32 WILTSHIRE DVE., KEW / PICKEN ©2003 / REALTOR (FLETCHERS)artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 32 wiltshire drive - kew (vic)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of14 McCubbin Street, Kew by Margaret Picken.14 McCUBBIN ST., E. KEW / PICKEN © 2003 / FLETCHERSartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 14 mccubbin street - kew east (vic).

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 34 Mary Street, Kew by Margaret Picken.34 MARY ST., KEW / PICKEN © 2003 / REALTOR (FLETCHERS)artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 34 mary street - kew (vic).

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This ] drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 360 Cotham Road, Kew by Margaret Picken.360 COTHAM RD., KEW / M. PICKEN (c) 2004 / FLETCHERSartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 360 cotham road - kew (vic.)