Timber framed, black matt board. Coloured photograph of a Huey flying above the jungle. The photograph is taken from onboard another Huey flying just ahead. Door & Gunner's knee is in the photo on the side.My Vietnam Collection - "The Huey", Vietnam icon, 1971, c. copyright, Leon Pavich.photograph, huey helicopter, my vietnam collection

Timber Photograph on a black matt board. Coloured photograph of a Huey helicopter hovering over trees depicting a soldier being winched up. The photo is taken from below.My Vietnam Collection, "Dust-off" Vietnam, 1970 @ copyright Mick King.huey helicopter, photograph

non-fictionCatalogue for exhibition at National Gallery of Australia 2001 comprising essays, images and list of exhibited works by Mexican modernist artists working in 1930's to 1950s, born in, or influenced by, Mexicomodernism, painting, collage, selfportraiture, portraiture, 1910 mexican revolution, photography

Booknon-fictionCatalogue accompanying exhibition at National Gallery of Australia in 2001 with two essays interweaving Hester's life and art, 1920-1960.contemporary art society, angry penguins, painting, watercolour, gouache

Booknon-fictionA visual record of posters made at Megalomania Print Studio, a print collective in Canberra 1980-2013community, political art, artist unknown, gender, health, environment

non-fiction An illustrated exploration of what postmodernism has come to mean in the context of contemporary art movements in the late nineteenth and twentieth-century.neo-expressionism, postmodern feminism, postmodern multiculturalism, jenny holzer, sherrie levine, barbara kruger, sarah charlesworth, laurie simmons, cindy sherman, mary kelly, guerrilla girls, lorna simpson

Single page article on a painting (not included) called The Vung Tau Ferry and About the artist pictured. Article refers to HMAS Sydney and the 22 trips it made to South Vietnam in 1968 carrying troops and cargo.the vung tau ferry

Framed b&w photograph of 4 members of tank crew after an attack on 28th May, 1968. Includes information of AAR in captionphotograph, tank crew

Colour photo in a tan, wooden frame & brown matt board depicting a soldier digging a defensive pit.My Vietnam collection, Fire Support Base, Coral - Vietnam 1968 @Larry Davenportfire support base - coral

Colour photo in brown, wooden frame 7 cream coloured matt board. Depicting a Centurion tank, bulldozer and 6 soldiers inside Fire Support Base Coral.My Vietnam collection. Fire Support Base Coral, Vietnam 1968 @ Fred Bowden.fire support base - coral

Russell Mockridge b1928 d1958 was described 'as the greatest cyclist of all time'. He died during a race in collision with a bus that also claimed the lives of two fellow riders and a spectator. Mockridge started in 1946 by winning his first race of 40km with the Geelong Amateur Cycling Club. His wins soon earned him the nickname of the Geelong Flyer. He represented Australia at the London Olympic Games in 1948 and the Helsinki Games in 1952. He also represented Australia in the 1950 British Empire Games in Auckland where he took gold in the 1000 sprint and the 1000m time trial and silver in the 4000m pursuit. In Paris 1952 he won the Amateur Grand Prix and the following day the Open Grand Prix, beating world professional champion Reg Harris. Later that year he won Manchester Wheelers Club Muratti Cup again beating Reg Harris. He turned professional a year later and teamed with Sid Patterson and Roger Arnold to win the Paris 6 day race in 1955. Mockridge was one of 60 of 150 entrants to finish the 1955 Tour de France. He won 12 consecutive Australian championships. Mockridge was married and had a daughter, Melinda (1955)Russell Mockridge was described 'as the greatest cyclist of all time'. He achieved international notoriety as a cyclist from the mid 1940s until his death in 1958, representing Australia in the Olympic games, the Commonwealth Games, The Tour de France and other international high profile cycling events.Framed print of Russell Mockridge in cycling attire. Head and shoulders depiction. Mockeridge is wearing a leather cycling helmut and white cycling shirt typical of cycling gear of that era. The frame is wooden with gold mount and has a wire hanger on the reverse side.geelong cycling club; geelong amateur cycling club; geelong west cycling club; geelong flyer; russell mockridge; olympic games; tour de france;

The untold story of refugee families interned in Australia during the second world warrectangular, white cover, with a black pen and ink sketch of two horses. behind barbed wire with a tree in the forground. B/W photos, colourful picturesart

Soft CoverChinese Characters and signature of Isola, Dated 10/2/1983chinese archaeology, walsh st library

Hardcover w/ Dust Jacketwalsh st library

SoftcoverSigned by Arthur Boyd and Barry Pearce. Inscription from Arthur Boyd: "To Dear Dear Cousin Trish, you have been a wonderful cousin you have taught me about life and art. I love you. Arthur" Several Newspaper and magazine clippings about Arthur Boyd from 1993 and 1994 inserted inside.walsh st library

Paintings Arthur Boydarthur boyd, nolan, ngv, cook bi-centenary , walsh st library

SoftcoverFlyer of 'Rodney Pople: First One Man Show in Melbourne"national gallery of victoria, painting, sidney nolan, richard haese, jan minchin , walsh st library

Softcoverwalsh st library

Softcoverwalsh st library

Softcoverwalsh st library

Softcoverwalsh st library

Softcoverwalsh st library

Hardcover w/ Dust Jacket(Robin Boyd noted as member of council of trustees)walsh st library

Hardcover w/ Dust JacketNote from Johnwalsh st library

SoftcoverThe Age Newspaper clipping (1977) - a review on the art exhibitionbritish art, walsh st library

Hardcover w/ Dust JacketLimited edition stamp signed by Rachel Bivenwomen artists, australian art, walsh st library

Magazinewalsh st library

SoftcoverIssue has an article on the 1998 Royal Australian Institute of Architects Awards. 2 photocopies of article on the monarchy from The economist Oct 22 1994phillips collections, art, walsh st library

SoftcoverInserted in front cover: introduction to the exhibition, written by Peter Lawson-Johnston, President of The Solomon R. Guggenheim Foundationart, australia, walsh st library