Showing 396 items
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Linton Mechanics Institute and Free Library Collection
Book - Novel, Mansergh, Jessie et al, Tom and Some Other Girls by Jessie Mansergh (aka Jessie Bell, Mrs George de Horne Vaizey), 1907
A Public School story.Hardcover book with a green fabric cover. Black and gold image of two school girls on cover. 279 pages. 8 full-page original illustrations by Percy Tarrant.fictionA Public School story.jessie mansbergh, sydneham ladies school, violet knight, mrs. george de horne vaizey, fiction -
Hymettus Cottage & Garden
Booklet - Royal Visit booklet, Australia: The Royal Visit 1952
front cover green with stylised Kangaroo and Emu on ribbon featuring the words 'The Royal Visit' with southern cross on rear cover.non-fictionqueen elizabeth ii, duke of edinburgh, australia, royal visit -
Bendigo Military Museum
Certificate - SHIRE CERTIFICATE WW2, FRAMED, C.1946
Refer Cat No 3911 re Millington.The Call To Arms 1939 certificate presented to L G MILLINGTON by citizens of Axedale & Districts. Photo of King George between Union Jack & Australian flags at top. Cream background with various badges, green leaf border, mounted on dark green border. Tan wooden frame, glass front, white cardboard backing & wire hanging strap. Bottom RHS signatures by: Chairman, Hon Secretary on 28.6.1946 In black texta on backing: B HOPGOODcertificate, shire, axedale -
Kew Historical Society Inc
Souvenir - Miniature terracotta bricks, 2007
A civic campaign for new public offices developed in Kew in the 1880s. After much deliberation, the location chosen was the junction of Bulleen and Cotham Roads. The buildings were designed by George Watson and John Henry Harvey, architects within the Department of Public Works (Victoria). Building was commenced in 1887, and after one year, the buildings were opened. The Post Office was transferred to the new Commonwealth Government in 1901. The Police Station and Court House, sold by the Victorian Government to the City of Boroondara in 2007, are now a community cultural centre and performing arts venue.The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings.Small collection of miniature terracotta bricks created to sell in order to raise funds for the 'Save the Kew Court House' campaign. Dione McIntyre who led the campaign conceived and made the bricks. The oblong bricks were pierced and pieces of green ribbon were threaded through each hole. Each brick had a printed label."Kew Court House Appeal 2007"save the kew court house, dioen mcintyre, heritage campaigns, kew court house -- 188 high street -- kew (vic.) -
National Wool Museum
Currency - One Pound Note, John Ash, 1938 - 1948
John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash -
National Wool Museum
Currency - One Pound Note, John Ash, 1938 - 1948
John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash -
Glenelg Shire Council Cultural Collection
Book, Reid, Sir George Houstoun, My Reminiscences Sir George Reid, 1917
... Reminiscences Sir George Reid Dark green cloth-covered board covers ...Ex - Portland Free Library Museum and Literary Institute, purchased 1/6/1917.Dark green cloth-covered board covers and spine. Black text and graphics on front cover. 16 photogravure plates.Front: Portland Free Library Museum and Literary Institute....purchased 1.6.17 (inside front cover, label) Back: (no inscriptions) -
Whitehorse Historical Society Inc.
Medal - War Medals
War Medals WWI|Cpl S.M.S. Chambers 548|Veterinary Corps A.I.F. Aust. Light Horse|Donated to Mitcham R.S.L.Rectangular box with glass lid, lined with green felt on base (Memory Box).|Two medals - British War Medal and Victory Medal.|Australian Light Horse - Veterinary Corps A.I.F (Regimental No. 548) belonging to Cpl S.M.S. ChambersBoth metals inscribed: 548 Cpl S.M.S. Chambers Vet C.P.S. A.I.F.|Medal 1: Gold coloured - 'The Great War for Civilisation 1914 - 1919'.|Medal 2: Silver coloured - Front 1914 - 1918; Back George IVs V Britain Rex EI IND IMP 002773 in Australia|Box metal coloured. Medals Minted.military history, army, numismatics, medals - military -
Glenelg Shire Council Cultural Collection
Book, Victorian Government Gazette 1, 1854. 1 January - 30 June, 1854
Used by Local Council.Green fabric over hard cardboard. Red leather spine and corners. Gold lettering on black band on spine. Gold crown and lettering on spine.Front: Presented to the Committee of the Portland Free Library by the Hon. George Turner, Commissioner of Customs. 6 June 1892.local courts, victorian government, government administration, gazette -
Glenelg Shire Council Cultural Collection
Book - Book - Victorian Government Gazette 2, 1854, John Ferres, Government Printer, Melbourne, Victorian Government Gazette 2, 1854. 1 July - 31 December, 1855
Used by Local Council.Green fabric over hard cardboard. Red leather spine and corners. Gold lettering on black band on spine. Gold crown and lettering on spine.Front: Presented to the Committee of the Portland Free Library by the Hon. George Turner, Commissioner of Customs, Melbourne. 6 June 1892. -
Glenelg Shire Council Cultural Collection
Book, W.F. Rae, Wilkes, Sheridan, Fox: The Opposition Under George the Third, 1874
Red leather-bound spine and cover corners, marbled design paper on covers, red, blue, green and fawn. -
Glenelg Shire Council Cultural Collection
Book - Book -Victorian Government Gazette 2, 1869. 1 July - 31 December, n.d
Dark green marbled fabric over hard cardboard. Red leather spine and corners. Gold lettering on black band on spine. Gold crown and lettering on spine. -
Glenelg Shire Council Cultural Collection
Book, Victorian Government Gazette 1, 1872. 1 January - 30 June, 1872
Dark green marbled fabric over hard cardboard. Red leather spine and corners. Gold lettering on black band on spine. Gold crown and lettering on spine.local government, local courts, victorian government, administration, gazette -
Glenelg Shire Council Cultural Collection
Book, Victorian Government Gazette 1851. 1 July - 31 December, 1851
Mottled green/blue paper over hard cardboard. Brown leather corners and spine. Gold lettering on black band on spine. Gold crown and lettering on spine.local courts, local government, government administration, gazette, victorian government -
Glenelg Shire Council Cultural Collection
Book, Victorian Government Gazette 1, 1855. 1 January - 30 April, 1855
Dark green marbled cloth over hard cardboard. Brown leather spine and corners. Gold lettering on black band on spine. Gold crown and lettering on spine.local courts, local government, government administration, gazette, victorian government -
Glenelg Shire Council Cultural Collection
Book, Victorian Government Gazette 1, 1855. 1 January - 30 April, 1855
Faded green marbled cloth over hard cardboard. Red leather spine and corners. Gold lettering on black band on spine. Gold crown and lettering on spine.local courts, local government, government administration, gazette, victorian government -
Glenelg Shire Council Cultural Collection
Book, Victorian Government Gazette 1, 1867. 1 January - 30 June, 1867
Dark green marbled cloth over hard cardboard. Red leather spine and corners. Gold lettering on black band on spine. Gold crown and lettering on spine.local courts, local government, government administration, gazette, victorian government -
Glenelg Shire Council Cultural Collection
Book - Book - Victorian Government Gazette 2, 1864, John Ferres, Government Printer, Melbourne, Victorian Government Gazette 2, 1864. 1 July - 31 December, n.d
Dark green marbled fabric over hard cardboard. Red leather spine and corners. Gold lettering on black band on spine. Gold crown and lettering on spine. -
Glenelg Shire Council Cultural Collection
Book - Book - Victorian Government Gazette 2, 1862, John Ferres, Government Printer, Melbourne, Victorian Government Gazette 2, 1862. 1 July - 31 December, 1863
Dark green marbled fabric over hard cardboard. Red leather corners and spine. Gold lettering on black band on spine. Gold crown and lettering on spine. -
Glenelg Shire Council Cultural Collection
Book - Book - Victorian Government Gazette 2, 1860, John Ferres, Government Printer, Melbourne, Victorian Government Gazette 2, 1860. 1 July - 31 December, 1861
Dark green marbled fabric over hard cardboard. Red leather corners and spine. Gold lettering on black band on spine. Gold crown and lettering on spine. -
Glenelg Shire Council Cultural Collection
Book - Book - Victorian Government Gazette 2, 1856, John Ferres, Government Printer, Melbourne, Victorian Government Gazette 2, 1856. 1 July - 31 December, 1857
Dark green marbled cloth over hard cardboard. Red leather spine and corners. Gold lettering on black band on spine. Gold crown and lettering on spine. -
Glenelg Shire Council Cultural Collection
Book - Book - Victorian Government Gazette 1, 1857, John Ferres, Government Printer, Melbourne, Victorian Government Gazette 1, 1857. 1 January - 30 June, 1857
Dark green marbled cloth over hard cardboard. Red leather spine and corners. Gold lettering on black band on spine. Gold crown and lettering on spine. -
Glenelg Shire Council Cultural Collection
Book, George Alfred Henty, Dorothy's Double, 1894
Dorothy Hawtrey's life is turned topsy turvy by a rogue enemy who cultivates a poor girl who resembles Dorothy and uses her to impersonate Dorothy. The tale expands to the California gold fields where the double and her captor are eventually discovered. The double turns out to be a long lost sister, the rogue is killed, and all ends well.Dark brown leather bound spine and cover corners. Green cloth-covered board covers. Gold text on spine.fictionDorothy Hawtrey's life is turned topsy turvy by a rogue enemy who cultivates a poor girl who resembles Dorothy and uses her to impersonate Dorothy. The tale expands to the California gold fields where the double and her captor are eventually discovered. The double turns out to be a long lost sister, the rogue is killed, and all ends well.fiction, historical fiction, thriller -
Glenelg Shire Council Cultural Collection
Postcard, H.A. George, CHRIST CHURCH CASTERTON, Christ Church Parish Hall, n.d
Sourced from Casterton Town Hall (former Shire of Glenelg)Postcard, black and white. Two images. Upper ' Christ Church Casterton'; lower 'Christ Church Parish Hall'Front: 'Christ Church Casterton H.A. George, photo' in border unDer top image 'Christ Church Parish Hall' bottom left corner of lower image Back: Green stamp 'F. Henty Silvester 'Girrahween', Merino, Vic.' -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Julia Street Portland, c. 1970
Photographic print of a rephotographed photograph. Image shows buildings on south side of Julia Street, between Percy and Bentinck Streets Portland. Double storey building next to laneway. Britannia Hotel.Front: 'Julia Street' - green ink Back: 'Julia Street from George Taylors to paper shop' - blue biro -
Federation University Historical Collection
Book, Edward Edgar Pescott, The Native Flowers of Victoria, 1914
Green hardcover book Edith B. Flockart from her father Christmas 1930edward edgar pescott, a j ewart, botany, the native flowers of victoria, wildflowers, flora, plants, herbert dickins -
Marysville & District Historical Society
Book, Marion Miller Knowles, Barbara Halliday-A story of the hill country of Victoria, 1896
A story of the hill country of Victoria set in colonial times.Cover is olive green with the title and author's name in gold lettering on the front cover and spine.fictionA story of the hill country of Victoria set in colonial times.short stories, australian, victoria -
National Vietnam Veterans Museum (NVVM)
Document, Anti-Conscription Leaflet
Green anti-conscription leaflet authorised by Mrs. P Ashcroft, 31 George St, Pennant Hills on behalf of "Save our Sons" movement.leaflet, conscription -
Hume City Civic Collection
Container - Bottle - Wine
R. A. Nelson ran a General store in O'Shannassy Street, Sunbury from 1908 until 1918 when the store was burnt down on 14 February 1918. A Robert Nelson with partner Richard Annear also ran a General Store in the same street from 1907 to 1910. Their store sold groceries, drapery, ironmongery, crockery, books, medicines, ammunition and produce. The bottle could have contained any number of fluids either produced or patented by R. A. Nelson.A green half size possibly champagne bottle with a torn blue and white printed label. Label is edged with a blue leaf design border. The base is slightly indented with F & S LTD embossed on base.on label: R.A. ../.. ANASSY ST bottles, o'shanassy street, food technology, 1910s, r. a. nelson, general stores, george evans collection -
Hume City Civic Collection
Container - Bottle, wine, 1985
The bottle was donated to the Council by Hedley Elliott for an exhibition in the Art Gallery (George Evans Museum). Note that Goonawarra is misspelt on the label.Green glass bottle used for 1975 claret and bottled for the first Sunbury Fair. The label is printed in brown and cream and features a sketch of the Goonawarra Winery and surrounding area. There is a brief statement on the back about the winery and the background to production of the wine. On the back is a hand-written label, stuck on with clear tape giving an account of the origin of the bottle of wine, its donor and storage instructions. It has a black metal cap and miscellaneous markings on the flat bottom."Sunbury Fair / Goonawarra Vineyard (above) was established / in Sunbury in 1858 by the / Hon. J. G. Francis, former Premier of Victoria. / This 1975 Claret from the Stanley Wine Co. / was bottled by Emerald Wines especially / for the Sunbury Fair / WINE PRODUCED IN AUSTRALIA F100 750ml". The hand-written label is signed by John McKerrow in 1985.sunbury fair, wines, goonawarra vineyard, stanley wine company, emerald wines, elliott, hedley, mckerrow, john, festivals and celebrations, francis, j.g. (hon.), george evans collection, 1970s