Small ceramic platter with Aboriginal motif glaze.ceramics, guy boyd, aboriginal motif

Hand thrown glazed pot. ceramics, studio pottery, rabbit

Ray MOLONY Born Albury, New South Wales "Notes for Raymond Walter Molony: Raymond Walter Molony grew up in the Dandenongs, and Maffra where he went to school. He attenended Sale Technical School, before studying at R.M.I.T. from where he gained a diploma of pottery and technical teaching qualifications. He taught at Shepparton Technical College leaving there in 1977 to become a full time potter. Ray Molony established the Mud Factory Pottery in Shepparton in 1977 after purchasing, renovating and extending the old Kialla Methodist church, and building a two storey mud brick pottery. Two of Ray and Deirdre Molony's sons, Kevin and Russell, were employed during the 1980s and 1990s. Kevin Molony left due in the early 1990s due to the recession at that time, and Russell Molony followed soon after. Both competent throwers, with Russell making some creative slab work while Ray continuing to decorate the works. Ray Molony continued to produce studio ceramics at the kialla studion until selling the property in 2000, and semi retiring to Miepoll. In 2005 he moved to Pottsville New South Wales." studio potterySmall ceramic bottle with leaf designs in brown glaze made at the Mud Factory Pottery by Ray Molony.ceramics, studio pottery, ray molony, mud factory pottery

Robert GORDON Robert 'Andy' Gordon is a potter supplying ceramic wares to stores across Australia as well as exporting to Canada, the U.S.A. and New Zealand. to China. Robert and his wife Barbara started making pottery in 1979 in a tin shed at Gembrook in the Dandenongs, Victoria, which they called the Pack Track Pottery, selling their wares at the St Kilda markets. In 1987, they expanded to purpose-build premises in nearby Pakenham where they are still based today. Wares made at Pack Track Pottery are painted 'Robert Gordon' or 'Gordon' in oxide. Wares made at the Robert Gordon Pottery are stamped 'Robert Gordon Pottery Australia', 'Robert Gordon Pottery Australian Made' or 'Robert Gordon Australia'. Glazed potrobert gordon, australia studio pottery, ceramics, pack tack poyyert, pack tack pottery

Photograph of a hand thrown glazed stoneware canister with 'Gum Leaf' design. ceramics, gumleaf decoration, studio pottery, australian studio pottery

Photograph of a hand thrown cup with glaze decoration. ceramics, landscape, studio pottery, australian studio pottery

Graham WOOD Wartook Pottery was set up in the early 70s by Graham Wood, and was sucessful for nearly 25 years. It then moved to Halls Gap (The Grampians, Victoria), and the name was changed to Jimmy's Creek Pottery in 1998. The pottery conitnued under that name until 2003. when cheap imports hurt the business. Hand thrown ceramic canister with 'Gum Leaf' design. According to decorator Wendy McGuiness all decoration was made and applied by hand - an extremely time consuming activity. Texture to the body of each piece was created by using a piece of coral. Tenmoku glaze was applied to the top of the pieces, with iron oxide to the main body. This was the first of the Wartook range that sold commercially from around 1987 all over Australia. At the height of production Wartook Pottery had 5 employees, including a new wheel potter (who was adept at creating the pieces as Graham had done before). Additional ranges were still hand thrown, but with a floral wreath (slip cast) applied to the top of each pot, as well as a range that used decals for decoration. australian landscape pottery, les macleman, ceramics, landscape, graham wood

wheel thrown and hand built stoneware, wax resist, stencil and airbrushed glaze and stainsceramic, stairs, sky, stencil, stoneware, garry bish, cauldron

slipcast white stoneware, airbrushed glazes and oxide, multi-fired decals, wax resist, enamelstoneware, ceramic, decals, stairs, sky, garry bish, bottle, sphere, geometric

hand-built, slip decorated and glazed, mid-fired stonewarestoneware, ceramic, surf, wayne lynch, gerry wedd, flowers, waves, beach, urn, vase

Nippon dolls were made by Noritake in Japan. This example is referred to as a China glazed doll. They were made about 1915. The shoulder plate bisque dolls were usually under 10inches tall.Stuffed doll with ceramic face, decolletage, hands and feet. Dress machine sewn from cream and brown printed material. Arms and legs made from browncolored linen type material. Eyes (blue), eyebrows (brown), hair (black) rouge (pink) and lips (red) painted on. Dress tied at back with pink embroidery cottontoys, dolls, sewing

Ceramic hot water bottles were common in the 19th and early 20th centuries. As well as filling hot water containers to warm your bed, you could buy earthenware bottles to use as foot warmers or hand warmers too. Earlier foot warmers used to hold hot coals, or glowing wood, not warm water. In the same way, traditional bed warmers filled with embers were once more usual than hot water bottles.Ceramic foot warmer glazed in cream with a decoration of lattice and pink roses.Maker stamp on base: "The Mecca Foot Warmer / Made in finest English Ivory Ware / Reg. No. 571373 / No sharp corners / Warming Pan / Stone-Trent Englandfoot warmer, household item, bedroom item

Rainbow Workshop TutorRainbow Workshop TutorLarge Ceramic Wall mounted plate - AR 0010

Rainbow Workshop TutorRainbow Workshop TutorLarge Ceramic wall mounted plate - AR0011

Rainbow Workshop TutorLarge wall mounted ceramic plategreg, daly ceramic

Robin WELCH ( 23 July 1936-5 December 2019) Born Nuneaton, Warwickshire, England Robin Welch is one of the most highly respected contemporary British potters. The full range of his work includes large vessels with related paintings, fine drawings, and distinctive bowls and vases which explore colour, surface texture, form, detail of edge, and line. He is one of small group of significant British potters who expanded the language of throwing pots on the wheel through post-wheel additions and alteration. This gave his generally cylindrical forms a more organic and sculptural aspect, but their heavily coloured and textured surfaces were as much about painting, too, as Robin sought an integration of the visual disciplines he enjoyed. As he once wrote: “There’s no divide between art or craft. You decide to be an artist and you’ll use anything. If marooned on a desert island you’d use driftwood.” (https://www.theguardian.com/artanddesign/2019/dec/27/robin-welch-obituary, accessed 23 March 2021) Initially studying at Penzance School of Art under Michael Leach (son of Bernard Leach) and the Central School of Art, London Robin Welch then worked part-time at the Leach Pottery between 1953 and 1959 before opening his own pottery in London's west end (1960 to 1962). After a couple of years of world travel, including working in Australia from 1962 to1965 helping Ian Sprague set up his Mungeribar Pottery and exhibiting in Melbourne, Robin Welch returned to England setting up Stadbroke Pottery in Eye, Suffolk in 1965. Apart from his studion work Robnin Welch was a skilled designer for industry including Wedgwood. When not in his Suffolk studio Robin Welch spent much time in Australia where he appreciated the outback’s arid earth, brilliant light, grittier textures and luminous colour. When not in his Suffolk studio Robin Welch spent much time in Australia where he appreciated the outback’s arid earth and brilliant light, its grittier textures and luminous colour, qualities he sought to convey in-the-round and on canvas. Apart from his studion work Robnin Welch was a skilled designer for industry including Wedgwood, Midwinter and Denby.Stoneware bowl with flange. Glazed in white matt crackle with a faint copper red tint. Dry black glazed rim. Gift of the artist.Robin Welch stamped on baseceramics, robin welch, gippsland, gppsland campus, jan feder memorial ceramics collection

Alan PEASCOD (1943-2007). Born England. Arrived Australia 1952. Alan Peascod was one of Australia’s most highly acclaimed ceramic artists. For over 35 years his work has been at the forefront of the Australian ceramics movement, developing radical techniques previously unexplored with his developments in unusual glazes and firing methods. His creative repertoire includes dry glazed vessels, alkaline glazes, majolica, saturated metals, and many post firing finishes. Alan's work with the very difficult reduced lustre technique is highly regarded. He was taught the method by Professor Said El Sadr in Cairo, Egypt in 1972 and this led to lifelong research of the technique throughout the Middle East and Europe. His work in the field led to the completion of his doctoral studies at the University of Wollongong in 1994. This study also led to satirical figurative sculpture themes dealing with the human condition. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.Blue and green dry glaze bottle. alan peascod, ceramics, gippsland, jan feder memorial ceramics collection, gippsland campus, visiting artist

Bryan TRUEMAN (13 November 1941- ) Born Derbyshire, England worked in Australia 1975–1992 Bryan Trueman studied at Blackpool School of Art in 1962, undertaking Postgraduate studies at Manchester College of Art in 1963. He toured the east coast of America in 1967-8, then returned to England where he started to train himself in Ceramics. Migrating to Australia in 1975 Bryan Trueman lectured at Caulfield Institute of Technology, Melbourne. In 1982 he opened a studio in Warrandyte, Victoria. Bryan Trueman was a visiting lecturer to the Gippsland Institute of Advanced Education c1982. He is particularly well-known for his painterly use of glazes to depict the Australian landscape, using the platter as the base form. Bryan Trueman was a visiting lecturer to the Gippsland Centre for Art and Design in 1982. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there. Wheel thrown stoneware platter, with colourful landscape glaze.Bryan Trueman Aug '82ceramics, bryan trueman, gippsland campus, artists, artwork, jan feder memorial ceramics collection, landscape

Reg PRESTON (1917-2000) Born Bellevue Hill, Sydney, New South Wales Reg Preston studied sculpture at Westminster School of Art, London but was a self-taught ceramicist. His first solo exhibition was in Melbourne in 1958. He founded the Potters' Cottage, Warrandyte, Victoria in 1958, where he has taught part-time. During the 1960s Preston and his wife produced a line of pottery under the name “Ceres". He switched to stoneware in the mid 1960s and continued working well into the 1980s. Multiple glazed stoneware over tenmoku glaze. Maker's stamp covered by glaze. Preston painted in glaze.ceramics, reg preston, jan feder memorial ceramics collection, gippsland campus, functional ware

Greg WAIN (24 February 1943- ) Born Brunswick, Melbourne, Victoria Gregory Thomas Wain graduated from the Caulfield (now Chisholm) Institute of Technology with a Diploma of Art in 1963, and in 1975 graduated from the Royal Melbourne Institute of Technology with a Fellowship Diploma of Art in ceramics. Hand pierced and decorated ceramic platter with on glaze colouring.Wain incised signatureceramics, greg wain, jan feder memorial ceramics collection, gippsland campus

John EDYE (1944- ) John Edye trained in London at Harrow School of Art in the 1970s, and worked with Peter Dick in Yorkshire and Colin Pearson in Aylesford, Kent before returning to Australia to head the Sturt Pottery at Mittagong from 1974 to early 1978. At Sturt, his trainees included Piers Laverty, Wim Boot, Will Castle, Ruth Elder, Colin McNeill, Penelope Carr, Patrick Forman and Malcolm Campbell. Edye introduced them to salt-glazing, a technique at that time not widely used by studio potters. After leaving Sturt, he established the Little Forest Pottery at Yerrinbool in the Southern Highlands of NSW with Penelope Carr, who moved to Hazelbrook to set up her own pottery in 1983. Edye ran his pottery on a production scale for many years, making reduced and salt glazed stoneware and tutoring part time at East Sydney Technical College. Recently he has been working in Egypt as a technical advisor to an aid project, and he was a speaker at the Australian Ceramics Triennale 09. His works are marked with an impressed 'JE' and/or with the three-lobed tree emblem of Little Forest Pottery. John Edye was a visiting lecturer to the Gippsland Centre of Arts and Design (GCAD).Salt Glazed BowlTwo Stamps on basejohn edye, ceramics, jan feder memorial ceramics collection, gippsland

Bruce ANDERSON (20 August 1950- Born Surry Hills, Melbourne, Victoria In 1971 Bruce Anderson obtained a Diploma of Art (Sculpture) from the Prahran Institute of Technology. For the next two years, he worked at Raynham Ceramics in East Bentleigh, making slipcast ware. After a year of National Service, he completed a teacher education course at the State College of Victoria, Auburn and taught for a time in the secondary school system. In 1977, he moved to Queensland to take up a position as Head of the Ceramics Department at Townsville TAFE. In 1984, he relocated to the Darling Downs Institute in Toowoomba and was still teaching there in his entry in the 1986-7 directory, working in raku and blackware fired with gas in a ceramic fibre kiln. During 1986, he moved to Adelaide to take up a position as senior lecturer in ceramics at the South Australian School of Design. During the late 1980s and 1990s, he began to make sculptural works of architactural form cast from a mixture of terracotta clay and refractory concrete. Part-glazed, the works allude to primitive industry and utilitarianism. In 1984 Bruce Anderson was a guest at Spotkanie held at the Gippsland Institute of Advanced Education.Raku teapot with tall handle. bruce anderson, ceramics, jan feder memorial ceramics collection, gippsland campus, teapot, raynham ceramics

Janet MANSFIELD (1934-2013 ) Born Sydney, New South Wales Janet Mansfield studied Ceramics at the National School of Art, East Sydney Technical College in 1964 to 1965. She received a Crafts Board Grants in 1974 to study in the United States of America; to research salt glaze technique in 1975; to exhibit in Japan in 1985; to travel to Hungary fir a symposium, and an Australia-Japan Foundation Grant in 1977 to study in Japan. She was a visiting lecturer to the Gippsland Centre for Art and Design in 1980 and a Spotkanie guest in 1984. Her work was fired to wood kilns and taken to stoneware temperatures. She used salt for shorter firings, or in the anagama kiln depended on the ash and flame for glaze effects. Janet Mansfield has been editor of 'Pottery in Australia' and 'Ceramics: Art and Perception'. In 1987 she was awarded an Order Of Australia Medal for services to art and ceramics. In 1980 Janet Mansfield was a visiting lecturer at the Gippsland Institute of Advanced Education. She was a guest at Spotkanie in 1984.Wheel thrown wood fired and salt-glazed stoneware.jan feder memorial ceramics collection, ceramics, janet mansfield, gippsland campus, visiting lecturer, spotkanie

Sandra JOHNSTONE (1936-Jan 1991) Born Southern California, USA Worked California, USA Sandra Johnstone was awarded a MA in Ceramics and an MFA in Plastic Arts at San Jose State University, where she later also lectured. Specialiing in functional and sculptural forms, with emphasis on wheel-thrown shapes and salt-glazed stoneware and porcelain, her work is best known for salt glazing, using surface texture and colour to enhance the character of the clay. Sandra Johnstone was a visiting artist to the Gippsland Centre for Art and Design (GCAD). Salt glazed platter. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there."Johnstone" on basesandra johnstone, ceramics, artist, artwork, gippsland campus, jan feder memorial ceramics collection

Sandra JOHNSTONE (1936-1991) Worked California, USA This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there."Johnstone" on basesandra johnstone, ceramics, artworks, artist, jan feder memorial ceramics collection

Sandra JOHNSTONE (1936-1991) Worked California, USA Sandra Johnstone is a graduate from the University of California, Berkeley, California. She is known for her large wheel thrown stoneware pots with deep incision on interior and exterior surfaces. Iin 1985 Sandra Johnstone was a visiting artist to Gippsland Centre for Art and Design. (now Federation University Australia) Salt glazed jugJohnstone incised on basesandra johnstone, ceramics, jan feder memorial ceramics collection, gippsland campus, visiting artist

Sandra JOHNSTONE (1936-1991) Worked California, USARaku-fired wheelthrown salt-glazed stoneware.ceramics, jan feder memorial ceramics collection, sandra johnstone, gippsland campus, churchill