British issue tin helmet webb chin strap (Brodie pattern helmet)

Hardcover w/ Dust JacketRecipe for Brandy Sauce. Thankyou card to Patricia & John from Glenda and Hectorwalsh st library

Donated by Glenda (Sebire) McLeod, daughter of Mervyn Sebire.Cream hardback book "The Progress Book an Illustrated Register of the Development of a Child". Author J.J. Pilley Ph.D. The title is written in gold lettering at the top.books, children

Souvenir of Centenary of Melbourne 1934 Glenda Message "Shelly"Small conical vase with wattle flowers and City of Melbourne Coat of Arms on it.City of Melbourne Centenary 1934 Shelley England 306.centenary of melbourne

Metal serving spoon. Tablespoon sizeWebb D↑D "a crown" LPHf Sserving spoons, food preparation

This model was part of a panorama 11 piece designs from an almanac in 1892 Port Fairy Gazette. The Panorama was used in a Historical Display in the historical society rooms in Bank Street This Panorama was part of an eleven piece Panorama of the Streetscape of Port Fairy in 1982. Made by a local resident.Large handmade model of a Factory front from the 1892 almanac.Webb Bros Cordial Makers Port Fairy Aerorated Water and Cordial Factory Webb Bros. William Street Port Fairypanorama, webb bros, model, almanac, a mewkill

Small notebook. Blue with golden decorations and the words in blue: shopping with compliments from Webb's, as you open it on the left a 1940 calender and on the right blank paper for writing at the top of the pages: W. G. Webb always reliable for quality ham, bacon and dairy produce.business, retail, w.g. webb

Hardcover w/ Dust JacketGift tag used as a bookmark "To Patricia dear a happy birthday from Hector & Glenda with loverichard hughes - biography, journalist - australian - biography, walsh st library

A photo of an Anzac ceremony near the Cenotaph in Whitehall, London in 1957 from a Comradeship photo album. The label identifies Sir Eric Harrison who was Australian high commissioner in London at the time and the NZ dignitary Sir (Thomas) Clifton Webb the New Zealand High Commissioner. This photo and several others (see 01029 - 01032) of Anzac services in London are part of a photo album of Comradeship activities (from 1930 to 1977) see items 01027 to 01036. The Comradeship committee gathered photos of events and compiled them in a Comradeship photo album for Legatees to look through.The Comradeship photo album was put together by the Comradeship committee and records events that Legatees did and places they lived or visited. Some appear to be trips to visit other Legatees living overseas and social occasions held in different places. It shows the bond that Legatees have with each other.Black and white photo of Anzac Day in London in 1957.Handwritten in the border: Anzac Day London 1957 / Sir Eric Harrison. On the back: "Anzac Day 1957 Cenotaph London / Sir Eric Harrison / Sir Griffin Webb NZ (with his AIDE) / __ Fregher VC" in pencilanzac day, comradeship, london

Heather NICHOLSON & Glenda Smith looking through library window at Nott Street Primary School, 1978. Colour photograph with 2 children looking through the Nott Street Primary School window.Names on reverseeducation - primary schools, nott street primary school, heather nicholson, glenda smith

The quilt was purchased from the Wool Quilt exhibition held at the National Wool Museum in 1995. It was subsequently exhibited in the Expressions 2000: The Wool Quilt Prize exhibition in the 'Invited exhibitors' section of the show. (Jan Irvine wrote the catalogue essay for this exhibition.) The quilt is part of the "Running Stitch" Collection. This quilt is titled "Sure as Night follows Day" and was made by Jan Irvine from worn and recycled woollen blankets with wool batting. The quilt has been crazy pieced, air brush dyed and hand quilted. The quilt was exhibited in the Running Stitch Contemporary Wool Quilt Exhibition held at the National Wool Museum in 1995 and was purchased for $1800 from this exhibition. The quilt was catalogue entry no. 18. It was later exhibited in "Expressions 2000: the wool quilt prize" from 16 Sept. to 3 Dec. 2000 (extended until 2/2/2001, catalogue entry no. 26).Catalogue entry from "Expressions 2000" Catalogue, held 16th September to 3 December 2000. Introduction to exhibition "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery. Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 1 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 2 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 3 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 4 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 5 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 6 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 7 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 8 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 9 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 10 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 1 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 2 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 3 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 4 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 5SURE AS NIGHT FOLLOWS DAY DESIGNER + MAKER: JAN IRVINE NSW AUSTRALIA MADE:1995...quilting, handicrafts, textile art, running stitch group, blankets, running stitch collection, irvine-nealie, ms jan

This knife and fork had been donor's mother's which she used quite frequently when she had friends over. They were treasured by her and very gently washed without putting the handles in water.Sliver plated mother of pearl handled knife and fork. The knife is engraved with vine leaves and grapes and a fairly plain base to the knife. The fork has a very decorative bas to the pearl handle.Knife 'Mappen and Webb Sheffield - London' Fork has no inscriptiondomestic items, cutlery

Sepia image of a group of miners sitting and standing in front of a wooden structure. Some of the men are holding candles, one man is holding a long rod. Image has been mounted on cream backing card with a blue border around the image.Text, mounting card: " Millist & Webb PHOTO., PITFIELD PLAINS. "pitfield, pitfield plains, mining, miners

7081, WMC Manager Keith Parry addressing audience, Seated from L. Mine manager Brian Micke, unknown, unknown, Don Webb Seated far right Jean Earle Standing Pat Krause (bearded), John Van Leeuwen (hat and glasses) 7081a: Crowd Scene at the opening of the Magdala decline Front: L to R Eric and Hazel Lewis, Keith and Elwyn Haymes, Joan and Keith Hallam second row: unknown , unknown, Cynthia and Glynn Cashin, unknown , unknown third row: none known fourth row: Peter Ruthven, unknown, Jack Jones, Ken Dadswell at end, behind him Ian McCann Standing behind Mr and Mrs Kinsella on L. 5th from R. Terry Monaghan 7081b: Male Breaking ground with a Gold Pick (Mr David White, Minister for Minerals and Energy) 7081c: Catapillar Dozer digging the decline. 7081d: Conveyor belt moving soil with two workers 7081e: Underground Photo, a worker looking at drill placement. 7081f: The entrance to Magdala Delcine 1981. 7081g: A large dumper in the decline underground. 7081h: A Vehicle at the entrance to the Magdala Decline. 7081i: A Large group of miners around a vehicle at the entrance to the Magdala decline. 7081j: B/W showing a large rock with the dedication Plaque 7081K: Outside machinery for the drive. 7081l: Tanks containing liquid, one with the shell logo, and a red container. 7081m: Yellow tray truck emerging from the Magdala Decline. 14 Photographs showing crowd scenes at the Magdala Deline Opening in 1981 First shows CEO of WMC Keith Parry addressing the crowd Manager Brian Micke seated on far left Mayor Don Webb seated second from right7081k: On Reverse Stawell Gold MInes: Neg 26: 257 7081l: On Reverse Stawell Gold MInes: Neg 24: 257 7081m: On Reverse Stawell Gold Mines: Neg 25: 257 mining