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Kew Historical Society Inc
Postcard, St Patrick's Cathedral, Melbourne, c.1920
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.St Patrick's Cathedral, Melbourne. Coloured postcard. Weir collection."St Patrick's Cathedral, Melbourne"postcards, george and edith weir, st patrick's cathedral - melbourne, weir collection, postcards -- melbourne (vic.) -
Kew Historical Society Inc
Postcard, Princes Bridge, Melbourne, 1910-1930
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Princes Bridge, Melbourne. Coloured postcard. Weir collection."Princes Bridge, Melbourne"postcards, george and edith weir, princes bridge - melbourne, weir collection -
Kew Historical Society Inc
Postcard, Princes Bridge, Melbourne, 1910-1930
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Princes Bridge, Melbourne. Coloured postcard. Weir collection."Princes Bridge, Melbourne"postcards, george and edith weir, princes bridge - melbourne, weir collection -
Kew Historical Society Inc
Postcard, St Paul's Cathedral, Melbourne, c.1920
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.St Paul's Cathedral, Melbourne. Coloured postcard. Weir collection.postcards, george and edith weir, st paul's cathedral - melbourne, churches - melbourne, weir collection, postcards -- melbourne (vic.) -
Kew Historical Society Inc
Postcard, J Salmon, We Have Just Arrived Here : Isle of Wight, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Novelty View Card, part of a series, representing different locations in the United Kingdom. The front of the card opens to reveal ten postcards, joined concertina-like. The postcard was purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."22.5.1928"postcards, george and edith weir, isle of wight, weir collection, postcards - isle of wight -
Kew Historical Society Inc
Postcard, Portabello From Joppa, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Portabello From Joppa. Joppa is an eastern suburb of Edinburgh. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928. Portabello From Joppa / 8400 J.V.postcards, george and edith weir, portobello, joppa, edinburgh, postcards -- scotland (uk), weir collection -
Kew Historical Society Inc
Postcard, Shanklin: The Village, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Shanklin is a popular seaside resort and civil parish on the Isle of Wight, England , located on Sandown Bay. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."31640 / Shanklin: The Village"postcards, george and edith weir, shanklin - isle of wight, postcards -- uk, weir collection -
Kew Historical Society Inc
Postcard, Shanklin: The Village, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Shanklin is a popular seaside resort and civil parish on the Isle of Wight, England , located on Sandown Bay. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."31640 / Shanklin: The Village"postcards, george and edith weir, shanklin - isle of wight, postcards -- uk, weir collection -
Kew Historical Society Inc
Postcard, Shanklin: The Village, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Shanklin is a popular seaside resort and civil parish on the Isle of Wight, England , located on Sandown Bay. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."Shanklin: The Village"postcards, george and edith weir, shanklin - isle of wight, postcards -- isle of wight, weir collection -
Kew Historical Society Inc
Postcard, A Newhaven Fishwife, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Newhaven is in Edinburgh, Scotland. Portraits of fishwives were popular subjects for postcards due to the colourful, layered, striped outfits that they wore. The fishwife sits on rocks beside a basket of fish. The postcard would appear to be a studio portrait. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."A Newhaven Fishwife"postcards, george and edith weir, newhaven - east sussex, fishwife series, weir collection, postcards — england — uk -
Kew Historical Society Inc
Postcard, Newhaven Fishwife, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Newhaven is in Edinburgh, Scotland. Portraits of fishwives were popular subjects for postcards due to the colourful, layered, striped outfits that they wore. The elderly fishwife stands beside a cane basket of fish. The postcard would appear to be a studio portrait. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928.NEWHAVEN FISHWIFEpostcards, george and edith weir, newhaven - east sussex, fishwife series -
Ringwood and District Historical Society
Photograph, Ringwood State School - Grade 3B, 1960
Black and white photograph - Grade 3B,1960"Attached to photograph" Back Row- L to R: John Hardstaff, ?, ?, Dennis Rattan, ?, ?, Wayne Sutton, ?, ?, ?, ?, ?. 2nd Row- L to R: ?, Meg Tozer, Sharon McArdle, ?, Lorraine Bowring, ?, ?, ?, ?, Gabriel Spencer, ?, ?, ?. 3rd Row- L to R: ?, ?, ?, Elaine Isherwood, Bev Williams, ?, Jill Tortice, ?, ?, ?, ?, ?, ?, ?. Front Row- L to R: No names Teacher: -
Eltham District Historical Society Inc
Document - Folder, Marshall, Anthony
Anthony Marshall had a shop, County Bookshop, selling antiquarian and second hand books in Rutland, England. For twelve months, he and wife Cecile had swapped homes and businesses with Lloyd Holyoak and wife Jill, of Roycroft Booksellers in Eltham. During the stay in Melbourne, he had followed his interests of cricket and choral singing; his children attended the Wattle Glen Primary School. Contents Newspaper article: "Shop swapping's the thing to do", Diamond Valley News, 7 July 1987, outlines Anthony Marshall's life and his swap with Lloyd Holyoak of Roycroft Booksellers in Eltham.Newspaper clippings, A4 photocopies, etcanthony marshall, lloyd holyoak, roycroft antiquarian booksellers, roycroft booksellers, jill holyoak, wattle glen primary school -
Eltham District Historical Society Inc
Journal, Peter Doughtery, ArtStreams: Vol. 10, No. 3, 2005
Vol. 10, No. 3, Jul-Aug 2005 CONTENTS Alan Marshall Short Story Award Winner 2 Ephemeral Sculpture 7 Food and a Question of Time - John Jenkins 10 Rhythm of the Land & Sea - Julie Tippene O'Toole 11 Silver Stars: A Mongolian Story - Lisa Edwards and Jenny Grinlington 12 Darebin La Trobe Art Prize 15 Jill Kahans mixes her media 17 Poetry 18 CD Reviews 19 Jack Henseleit - The Legend of Neil Douglas 20 Artin' About 21 Wining & Dining 26 Listings 28"Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 28 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/06) art streams, art streams magazine, ephemeral sculptures, alan marshall short story award, click here to add keywords, darebin la trobe art prize, ephemeral sculpture, jack henseleit, jenny grinlington, jill kahans, john jenkins, julie tippene o'toole, lisa edwards, neil douglas, rhythm of the land & sea -
Melbourne Legacy
Leisure object - Toy Bear, Legacy Bear $20 - Female Land Army Bear, 2022
In the 2000s Legacy released a range of Legacy Bears to expand the merchandise available for sale during Legacy Week and at other fundraising opportunities during the year. This special edition WW2 land army bear was released in 2019. The Women's Land Army (WLA) was a British civilian group created during World War II to replace the men called up for the military. Over 80,000 women served working on farms, in sawmills, and in forestry. They became know as Land Girls and Lumber Jills. Please note the archive does not have a copy of this bear but is recorded here to complete the series.An example of the type of products sold along with Legacy Badges for fundraising in the 2010-2020s.Legacy bear dressed in a female WW2 Land Army uniform with a printed cardboard tag.Printed tag gives the price as $20.legacy appeal, fundraising, legacy bear -
Kew Historical Society Inc
Archive (Sub-series) - Subject File, Boroondara, City of - Memorabilia Working Group, 1996
Various partiesReference, Research, InformationKHS OrderWorking Brief (Jan 1996) and Interim Report of and to the City of Boroondara Memorabilia Working Group on which the representatives of Kew were Jill O’Brien and Dorothy Benyei. The Brief described the items under consideration to include: “historic artefacts, photographic material, books, works on paper, textiles and a number of outdoor items”. The response in the Interim Report September 11, 1996 noted that in contrast to the submission by the Kew representatives for Kew-related material to be relocated to the Kew Library, the Society had been given a scarf, a ceremonial cover, and a cup and saucer. The items that the Kew representatives wanted returned to Kew included five paintings and a photograph. These are itemised in the report.city of boroondara - collections, kew historical society - collections, city of kew - collectionscity of boroondara - collections, kew historical society - collections, city of kew - collections -
University of Melbourne, Burnley Campus Archives
Plan, Royal Children's Hospital, 1989-1991
(1) Landscape Concept Royal Children's Hospital by Bates Smart and McCutcheon. (2) Tracing paper Sketch Plan. Scale 1:250 dated 29.3.90 by Jill Kellow. (3) Garden Project, The Foundation Royal Children's Hospital by Denise L. Stephens, DLS Design. Sheet 6 of 7, May 1990. Scale 1:100. (4) Photocopy of Surfaces and Playground Equipment, Royal Children's Hospital, August 1991. No 9046/01. Scale 1:100. (5) Photocopy of Surfaces and Playground Equipment, Royal Children's Hospital, August 1991. No 9046/02. Drawn By R.K. Scale 1:100.royal children's hospital, bates smart, jill kellow -
Ringwood and District Historical Society
Photograph, Ringwood State School - Grade 2, 1949
Black and white photograph - Grade 2, 1949."Attached to photograph" Back Row - L to R: ?, ?, ?, Ken Parnell, Bruce Fletcher, ?, ?, ?, Bill Mann, Peter Fry, ?, Alan Telfer. 2nd Row - L to R: ?, ?, ?, ?, ?, ?, ?, Jill Pump, Julie Sanders, ?, ?, ?, ?. 3rd Row - L to R: ?, ?, ?, ?, ?, ?, ?, Wendy Anderson, ?, ?, Sandra Tindal, ?, ?, ?. Front Row - L to R: Dougie McKay, ?, John Willis, ?, ?, ?, ?, ?, Len Parnall, ?. Teacher: -
Ringwood and District Historical Society
Photograph, Ringwood State School - Grade 6, 1946
Black and white photograph - Grade 6, 1946"Attached to photograph" Back Row - L to R: Ian Lynton, Glen Hubbard, ?, ?, ?, ?. 2nd Row - L to R: Neil Dark, Robert Mathieson, Jeanette Burnside, Merinda Turner, ?, ?, Judith Pellow. 3rd Row - L to R: ?, ?, ?, ?, ?, Jill McLean, ?, ?. 4th Row- L to R: ?, ?, ?, ?, ?, ?, ?, Barry Young. Front Row - L to R: ?, ?, ?, ?, ?, Ralph Vincent. Teacher: -
Stawell Historical Society Inc
Photograph, Stawell High School Students 1969 from 4A
6975-12 Stawell High School Form 4A 1969 Teacher Mr Bullock Top Row, Brian Pawsey, Denis Bell, James Ritchie Second Row, Lance Ferguson, Hartley Budd, Ian Davies, Dallas Bibby, Maurice Stewart, Andrew Jackson, Rodney Guy Third Row, Elwyn Erwin, Sherayl Bennett, Kerry Cordor, Pam Joy, Rhonda Christian, Janis Graham, Bev Cameron, Rosalie Clarke Front Row, Janet Allen, Kathy Jenkins, Ann Holloway, Michelle Cox, Mr Bullock, Julie Cox, Jill Ball, Pam Gercovich, Jenny Jolly Students in uniform with Teacher in front of Main BuildingStawell High School Form 4A 1969education -
Stawell Historical Society Inc
Photograph, Biarri 10 Year Certificate Presentation
7126-2: Ian Howell, Darol Walstaff. 7126-2A: Ellenor Musumeci, Don Gardiner, June Radford. 7126-2B: Janine Skurrie, Darol Walstaff, Ian Howell, Jill Riddler, Terry Howell. 7126-2C: Beryl Cox, Sandra Horne, Jeanie Skurrie, June Radford (Back). 7126-2D: Don Gardiner, Doug Hately. 7126-2E: Doug Hately, Sandra Horne & Daughter. June Radford (Back). 7126-2F: Don Gariner, Coral Eagles, June Radford, doug Hately. 7126-2G: Beryl Cox with her boo "Slorach's From Scotland.43 Colour Photographs Showing various people at the 10 year celebrations. -
University of Melbourne, Burnley Campus Archives
Photograph - Colour slides, Miscellaneous Burnley, 1949-1990
1. Construction Administration Building C. 1949. 2. Planting around Administration Building C. 1950. 3. Administration Building Feb. 4. Citriodora Court May. 5-8 Aug 90: 5.Unidentified building "JP". 6, 7. Elevated view of VCAH plaque on Administration Building. 8. Media Bins. 13-20: Greg Moore, T.H. Kneen, Paula Cave, Jill Kellow, Geoff Olive wearing 1991 Centenery tops in the Sunken Garden. 21. View from Rock Point towards entrance to Administration Building. 22, 23. Entrance to Administration Building. 24,25 Construction of Arboriculture Building.construction, administration building, planting, vcah, plaque, media bins, greg moore, t.h. kneen, paula cave, jill kellow, geoff olive, 1991, centenery, sunken garden, rock point, arboriculture building -
Federation University Historical Collection
Book - Catalogue, ADGD, Advanced Diploma of Graphic Design, Graduate Book, 2011
Page 4 features list of 13 graduates of the University of Ballarat Advanced Diploma of Graphic Design (2 years). Introduction by Paul Mah (co-ordinator / teacher). Teaching staff listed: Sam Harmer, James Baker, Selena Shillito, Travis Price, Jill Hyatt, Ben Sanders, Anthony Woodward, Alister Heighway, Peter Lambert, Paul Mah. Cover design by Kylie Findlay (student). Student work featured throughout along with student names, photos and contact details. 32pp + 4pp cover saddle-stitched booklet. Full colour cover, gloss varnish pattern, gold foil. Full colour offset pages. Promotional catalogue for graduating students of the University of Ballarat (TAFE), Advanced Diploma of Graphic Design, 2011. 32-page + 4-page cover saddle-stitched booklet. Full colour cover, gloss varnish pattern, gold foil. Full colour offset pages.university of ballarat, federation university, graphic design, tafe, advanced diploma, arts academy, camp street campus -
Federation University Historical Collection
Booklet - Catalogue, Once upon a time… The Land of Design, Advanced Diploma of Arts (Graphic Design), 2008
Storybook/fairytale themed promotion of student work on completion of the two-year Advanced Diploma of Arts (Graphic Design) course at University of Ballarat, 2008. Page one features student names and photographs, plus "character" names. Pages 2-3 fairytale map. Subsequent pages include folio examples, one student per double page spread. Inside back cover notes sponsors, Sovereign Press and The Image Company. Teaching staff for duration of the two-year course listed as: James Baker, Peter Lambert, Jill Hyatt, Ben Sanders, Travis Price, Sam Harmer, Trevor Tagliabue, Alister Heighway, Sarah Lloyd. Promotional catalogue for graduating students of the University of Ballarat (TAFE), Advanced Diploma of Arts (Graphic Design). 32-page + 4-page cover saddle-stitched booklet. Full colour offset throughout.university of ballarat, federation university, graphic design, tafe, advanced diploma, arts academy, camp street campus -
Southern Sherbrooke Historical Society Inc.
Photograph, Menzies Creek State School, 1951
A photograph of students from Menzies Creek State School, 1951, with their teacher, Mr Leslie Cornthwait and his wife. Includes: -Ray Kidd, Sam Frazetto, Albert Croese, Edward Croese, Geoff Johns, Michael King, - Mr Leslie Cornthwarte (Head Teacher), Moina Worrell, Pauline Edwards, Dot Madigan, Jill King, Betty Anderson, Carol King, Pat Billing, Jean Gibbs, Mrs Cornthwaite, - Malcolm Johns, John Wallace, Rodney Haig, Lennie Beauchamp, Barry Johns, George Frazetto, Graeme Martin, Brian Madigan, -?, Susan Robertson, Elaine Martin, Betty Glossop, Dorothy Johns, Jacky Glossop, John Haig, and John Hermon -
Northern District School of Nursing. Managed by Bendigo Historical Society Inc.
Photograph - Training Schools 54, 1962
The Northern District School of Nursing opened in 1950 to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.P.T.S. Training school 54 25/4/1962 Black and white photograph; of a group of 26 female nurses in three rows, the first row sitting and the second and third standing. Back Row: Bev Hay, Doreen Brie, Jill Holland, Peggy Lyons, Pauline Schultz, Lenny Watts, Eileen Coleman, June Phemister, Denise Reade. Middle Row: Maureen Deveraux, Jenny Thompson, Eileen McGauchie, Diane Cutts, Liz Hefford, Elaine Erhardt, Rona Toohey, Kath Thorbridge. Front Row: Elaine Cameron, Dot Foyster, Jan Aitken, Lois Letcher, Dorothy Atkinson, Faye Horneman, Heather McBeth, Elva Fenton, Noeleen Christopher. nurse training, ndsn, lister house, school 54 -
Eltham District Historical Society Inc
Photograph, Peter Pidgeon, Official opening of the new Eltham Ambulance Branch, Apex Way, Montmorency, 29 August 2018, 29 Aug 2018
Dignitaries included Ambulance Victoria CEO Tony Walker, Vicki Ward MP for Eltham and Jill Hennessey State Ambulance Services Minister The Eltham Apex Club conducted a Community Service Project (1965-1968) to raise funds for a new Ambulance Station to service the community. A site bounded by the intersection of Main Road, Grand Boulevard and Looker Road at Montmorency was purchased in 1969. In 1970, Eltham Shire Council undertook roadworks to construct Apex Way in preparation for the new station as well as duplicate Main Road, Lower Plenty, east of Grand Boulevard including the new Lower Plenty Bridge, which had been opened in November 1966, bordering with the City of Heidelberg. Diamond Valley Leader, September 5, 2018, p4. MONTMORENCY $1.6mil station unveiled A REVAMPED Montmorency ambulance station has been unveiled. State Ambulance Services Minister Jill Hennessy and Eltham State Labor MP Vicki Ward revealed the $1.6 million complex at the corner of Grand Boulevard and Apex Way in Montmorency. It replaces the 50-year-old station and now includes four ambulance bays, four rest and recline rooms, a large training room and offstreet parking for staff. “The community campaigned long and hard for this new ambulance station and I’m delighted to have stood with them all the way,” Ms Ward said. The latest quarterly performance data showed 90.4 per cent of ambulances in Banyule arrived within 15 minutes of Code 1 emergencies — up from 89.2 per cent three months earlier. Ms Hennessy said paramedics had worked in “cramped” facilities. “We’ve fixed that,” she said.55 born digital imagesambulance victoria ceo, apex way, apex-diamond valley ambulance station, eltham ambulance station, eltham apex club, jill hennessey, montmorency, mp for eltham, state ambulance services minister, tony walker, vicki ward -
Bendigo Historical Society Inc.
Document - VIKKI SPICER COLLECTION: BENDIGO OPERATIC SOCIETY PROGRAMME BOOKLET, December, 1958
White Booklet With Black Text Bendigo Operatic Society Theatre Programme 'Jack & the Beanstalk. Capital Theatre Bendigo December 10th, 11th, 12th Evening & Matinee 13th at 2:15pm, 1958. Price 1 Shilling. Arranged by J.C. Williamson Ltd. Producer Norman Lee, Musical Director Max O'Loghlen. Main Cast: Jill Angwin, Joan Hokin, Sandra Cannon, Joe Quigg, Royce Reed, Barbara McGregor,Alfred Annison, Ian O'Neill, Betty Cullen, Brian Brewster, George Steele, Bert Donovan, Adrian Van Dyk, Norman Lee. Songs Include: 'Out in the Morning Early,' 'That Happy Feeling,' 'Alexander's Ragtime Band,' 'La La La.' Non Traditional Performance.Cambridge Press Bendigo.clubs and associations, theatre, bendigo operatic society -
Eltham District Historical Society Inc
Journal, Peter Doughtery, ArtStreams: Banyule, Darebin, Manningham, Nillumbik, Whittlesea & Yarra; Vol. 7, No. 4, Sep-Oct 2002, 2002
Vol. 7, No. 4, Sep-Oct 2002 CONTENTS Comment 2 War Heroes: the blood and the glory 3 Geoff Todd tells it all in paint John Patrick on trees and environmental survival 8 Pam Dougherty Short Story: Treading water 10 David Fettling Rivers of Life: Paintings by Kerry Kaskamanidis 13 Jill Orr: performance artist 14 John Jenkins Making Art with Liz Nettleton 16 Book review: Contemporary Aboriginal Art 18 Susan McCulloch Poetry News and Reviews 20 John Jenkins CD Reviews 22 Geoff Achison, Mirth, King Kadu On Various Bards 24 John di Mase Artin'about 27 Wining and Dining 30 Poetry by Ian McBryde 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/06) art streams, aboriginal reconciliation, bundoora homestead, jacqueline healy, willy wonka's ice cream gourmet food, melbourne rudolf steiner school, eltham fullife pharmacy, montsalvat, trees, landscape degeneration, urban development, david fettling, dynamic vegies, nillumbik artists' open studios, kerry kaskamanidis, jill orr, john jenkins, thompson's pharmacy, liz nettleton, st andrews hotel, hurstbridge nursery, chris pittard, mary-lou pittard, eltham wiregrass gallery, john di mase, eltham warrandyte pottery open studio, ian mcbryde, bulleen art & garden centre -
Eltham District Historical Society Inc
Photograph, Montmorency State School Girls Marching Squad, ca 1955
Montomorency State School Girls Marching team were the marching champions of the Victorian State Schools for four years in a row 1955-1959. This photo is 1955 or 1956. There was also a separate boys marching team. Top row from left: Pat Turnbull, Nina Sislov, Una Robb, Kineare Buckton, Christine Anthony, Jill Stone, Helen Hedly, Verna Wright. Middle row from left: Ina Eiklemboom, Maureen Smith, Bonny Pimlott, Christine Brasnor, Jacqueline White, Beverly Fry, Pam Hudosn, Dianne Hickenbotham, Jeana Woods. Front Row from eft: Anne Wigley, Valerie Williams, Unknown, Wendy Dales, Claudetee Childs (Captain), Heather Murphy, LOrraine Abbot, Margot Storey and Marie WalshCopy of original black and white photographmontmorency state school, girls marching team, trophy