Domestic Glassware - Ornament Aqua Coloured. Design painted on one side. Spray of Flowers and Leavesstawell

Small square tin, used for tea leaves. Cream colour with gold & black printing. Paintings.Teedose. English Afternoon Tea. 250g net. Painting of an afternoon tea scene with mother & two children.

Linen bag with drawstring. 'Linen' in yellow embroidered on front and surrounded by white flowers and green leaves.handcrafts, needlework, domestic items, laundering

Owned by Patrice's Grandmother Elsie Doris Witten (nee Williams)Beaded motif. Gold, grey and pink beads fashioned into two daisies with two leaves beneath.beading, motif

Australian soldiers with a Vickers gun. Newspaper clipping from Cairo "Last Australian leaves Tobruk"

Melbourne : Robertson & Mullens, 1924 50 p., [11] leaves of plates : ill. ; 26 cm. non-fictionIn the Botanic Gardens their history and design with stories of the trees. Illustrated by Frank Clarke. botanic gardens -- melbourne (vic.), frank clarke, christian-washfold collection

Blue Glass Trumpet Shaped Flower and 2 Leaves. Long stems tape covered wire,stawell

Wreath of mustard and grey silk velvet leaves with bow at centre front, covered with grey tulle. Label, woven black on grey acetate, inside side back: PHONE 50 5347 / Mary H. Thomas, 103 WATTLETREE RD. EAST MALVERNhat, millinery, 1960s

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) A bird with outstretched wings is positioned vertically above leaves within the title which forms a circlebookplate, printmaking, australian bookplate design award, keith

Marie Colling maiden name Marie Sebire. Marie being the great granddaughter of Henry and Martha Sebire.A pair of brown and cream china vases with narrow necks, floral artwork and gold and green leaves."25K" painted on base of both vases.vases, decorative objects

Cheese dishes were very large and cheese was often included in the evening meal.White triangular China cheese dish with design of pink flowers and green leaves and a matching lid.cheese dishes

Wedding gift to Mr. & Mrs. W. J. Sebire, 1897.Pair of green milk glass vases. Have pink & white floral design with gold leaves.vases

Part of Kyneton Fire Brigade trophy collectionPart of Kyneton Fire Brigade trophy collectionCut crystal bowl, star pattern on base, leaves and flowers on sides, scalloped edge at top. Manufacturer's sticker on side of bowl: Bohemian / Hand / Cut / Crystal / Made in Czeckoslovakia. trophy, kyneton fire brigade, country fire authority, fire brigade demonstrations

Possibly made in Italy, the Maltese lace is bobbin lace in the style of quipure.Square handkerchief with silk centre and Maltese lace border. The Maltese lace incudes leaves and tallies.lace, handkechief, maltese lace, bobbin lace, silk

The Swallow and Ariell's, Port Melbourne factory was set up by Thomas SWALLOW in 1854 and produced cakes, biscuits and puddings until it closed in the late 1980's.Large yellow painted Swallow & Ariell biscuit tin with flowers & leaves in a semi circle on the front.This tin is not sold with the contents thereof but remains the property of Swallow & Ariell Port Melbourne.built environment - industrial, industry - manufacturing, thomas swallow, swallow & ariell ltd

152 p. : ill. Blue, red and gold cover, embossed in black - geometric design and leaves. fictionmary emma martin (mrs a. h. martin), children's fiction

Necklace bought at the Nunawading Craft Market.Wooden beads, gum nuts and leather leaves, threaded onto a leather string, forming a necklace.costume accessories, jewellery, handcrafts, country crafts

The Desert Column: Leaves from the diary of an Australian Trooper in Gallipoli, Sinai and Palestine.Hard, cardboard cover, grey buckram with black print on front & spine. Small decoration in black on front. 388 pages, cut, plain, white. Illustrated in black / white, sketch maps on front flyleaf & end paper, back flyleaf. Page removed. Inscription page facing title page. Diary.Handwritten in black ink on page facing title page: “Donated by Joy Wellings Re Stephen Langdon” “RSL stamp” Black felt tipped pen mark: “Lower edge of pages”book, desert column, idries

Hat belonged to leslie Ricketson's Mother.Shallow cloche hat in deep salmon pink velvet decorated with overlapping leaves in the same fabric interspersed with toning shantung shot silk leaves in a similar colour. Leaf points designed to cluster around rim. lined with beige rayon. Hand stitchedcostume, female headwear, trades, millinery

Document. Greeting Cards. Off-white card with dark blue at the top fading to white at the bottom. Embossed ladder pattern and 5 petal flowers around the edges with pattern cut edges. Yellow flowers at the top with some large green leaves. Yellow then white under the leaves. 'best Wishes' printed in gold. Gold scrollwork and some more leaves at the bottom. Flower cut out extend past the fold of the card.person, greeting cards, malone collection, malone collection, greeting cards

Part of "Woolcock Gallery Collection". Exhibition CEMA 1989.Studies of leaves and flowers. Three studies of leaves, one cluster on a stem and two in detail. Three studies of flowers a different stages of development: two showing the pink and green petals emerging from the green calyx and and one showing six stamen surrounding the stigma and style of a pistil. At the top right of the image is a study of a seed, green with pink surrounding petals. On the far left centre is a view of a stem with green leaves and flowers.Front: Styphelia adscendus Golden Heath 6/9/71 (lower left) (pencil) CEW/71 (green pencil) (lower centre of image) 40 (pencil, erased) (lower right) Back: 2 (upper left) (pen)cema, botanical, collin woolcock, woolcock collection, botanical drawings

Trudi Hogeman made this fan from old greeting cards. This is an old way of making fans with blanket stitch around the edges. She was a member of a craft group when she made this object. Trudi Hogeman died in January 2017 and is buried at Marlo. Her daughter is heather Terrell, president of the Orbost Historical Society.This item is an example of a handcrafted item and reflects the needlework skills and hobbies of women at the time.Six teardrop shaped leaves held together by a paper clip to form a fan. It has been blanket stitched around the edges of each leaf. Leaves are made of cardboard photographs possibly cut from greeting cards. All cards have floral images.handcraft hogeman-trudi fan

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne.Black hostess apron embroidered with sprays of leaves using orange and yellow silk thread. The apron is bordered by commercial guipure lace. The apron is backed by the same black fabric. While the leaves are embroidered on the upper layer only, the pocket is embroidered on/through both layers.clothing - women's, aprons, protective wear, fashion design, fashion -- 1950s

Squat china vase yellow/ brown in colour with raised roses and leaves on front. Rough textured finish.vase ceramics china

Wallpaper fragment from an early workman's cottage in Weller St, Geelong West built in 1854. This property was refurbished following its sale in the early 1990s. Over time many layers of wallpaper had been pasted to the original paper. The wallpaper was damp and hanging off the walls. It was removed to reveal packing case 'slats' on the stud wall. When the skirting board was removed the original wallpaper was revealed. Although not a Warrnambool artefact, the Weller St property was owned by a local resident. It shows the wallpaper design of the period and the manner in which wallpaper was attached in the mid 19th century.Wallpaper fragment with maroon flowers and olive green leaves on a bone-coloured background mounted on hessian backinggeelong west, weller st, workman's cottage, interior decoration, wallpapers

Plastic frame, gold coloured surrounding embroidered flags, flowers, leaves & crown on pink material background.Embroidered in silver thread top centre: “ADVANCE AUSTRALIA”passchendaele barracks trust, embroidery, advance

Black leather-covered bible with soft boards. Black fly leaves. Red colouring on ends of pages.