WHEN VIEWED THROUGH THE STEREOSCOPE THE TWIN PICTURED SLIDES APPEARED AS A SINGLE PICTURE IN THIRD DIMENSION. PATENTED 11TH JUNE 1901. STEREOSCOPE & SLIDES OWNED BY AN EARLY CLUNES RESIDENT, GEORGE TAYLOR, GIVEN TO HIS GRANDSON, CHARLES FENTON IN 1987HAND-HELD STEREOSCOPE WITH ADJUSTABLE FRAME TO HOLD SLIDES AND 33 ACCOMPANYING SLIDESlocal history, photography, photographs, slides, fenton

SMOKER'S PIPE, BROWN BOWL & BLACK STEM, WITH A WIND SHIELD ATTACHED.ALBEC ON METAL WIND SHIELD:- PAT.NO 16395/11 ST. CLEAR LONDON MADE PAT.NO 18198/10 MOTOR 26 LONDON MADElocal history, personal effects, smoking accessories

The board game, titled The Storyteller, was created by Geelong Wathaurong/Ngarrindjeri man Glenn Shea, who was a youth justice worker at the Wathaurong Aboriginal Co-operative when the game was created. The idea for The Storyteller evolved through Glenn's personal experience of working with Aboriginal adolescents and young people. Board game based on Indigenous education. White box with an oval shaped design on the front depicting the face of a man in red.The Storytellergames, board games, first nations, aboriginal, identity, place, belonging

Associated letter from Mr R Lloyd provides informationsheep stations - management wool growing squatters, lloyd, mr robert, australia, sheep stations - management, wool growing, squatters, squatter board game

Associated letter from Mr R Lloyd provides information about the cover photograph of the owner of San Michele stationSOUVENIR EDITION /Of Australia's famous game/ with a letter from the inventor NWM 99/119sheep stations - management wool growing squatters, lloyd, mr robert, australia, sheep stations - management, wool growing, squatters

At top of first page an inscription "St Luke's Sunday School" Alberton. Hector Irvine 3rd prize, Sister Winifred SuptA child's rhyme book with pictures to colour in. Ten pages printed on both sides with a card cover. Very poor condition, edges of pages dog eared and mended with sticky tape. The back cover has been replaced by card from a 1959 Bennett's store Wandiligong calendar. The spine has been reinforced with brown paper. Most pictures have been coloured in. Contains about 50 rhymes.Bottom of first page "With pictures to colour" No 10 An Australian Production, Copyright by Gunn and Taylor pty Ltd

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Playing card set - double pack of cards in original boxWith Complements "Onkaparinga"/Onkaparinga Blankets/Onkaparinga Robes of Distinctionblanket fever, onkaparinga, marketing

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Playing cards featuring Onkaparinga sales mottos and picturesOnkaparinga Pure Wool Blankets/Australia’s Best/Rugs, Blankets, Piece Goods, Men’s and Boy’s Clothing/Made from Pure Wool In White Pink Blue Green And Primrose/The Home Of The Famous Onkaparinga Pure Wool Products/White And Coloured Blankets Give Individuality And Charm/Made In Australiablanket fever, wool, playing cards, advertisements, onkaparinga

This type of toy was often brought back from overseas as a novelty for grandchildren, nieces and so on.Red plastic doll dressed in Indian dress made from cream flannel tunic with five red, blue and black motifs and tied at the waist with red cord. The neck, sleeves and hem are fringed. Her hair is black and a plastic band with red and blue figures is tied around her head.toys, dolls

1940s celluloid doll which belonged to donor.Celluloid doll dressed in yellow celluloid dress. Articulated arms and legs. Sleeping doll. Eyes were repaired 2011 Produced in the 1940s.toys, dolls

Knitted dress and panties were made by a member of our society who designed the dress and panties to fit the doll.Twenty cm standing celluloid doll. Yellow hair. Painted shoes. Hand knitted dress and panties.toys, dolls

Baby Doll, 4-9cm, plaster, sleeping eyes.1. Doll. 2. Hand knitted dress. 3. Bonnet. 4. Booties. 5. Singlet. 6. Panties knitted by Society Member.toys, dolls

Purchased by Valda Arrowsmith for Toy CollectionYellow and green painted truck with eight rubber tyred wheelsDinky Supertoys, Leyland Octopustoys, mobile

UnknownUnknownMatchbox type set of 6 child's blocks with 5 pictures matching the blocks. Picture of man eating at outside table on front. A total of 13 items to the set..toys, games

Stereograph has been restoredStereograph made of wood. Two windows with magnifying glass in each. Wood and metal stand to hold picture card to be viewed. Three picture cards of siege guns, Duke of York Celebrations, Hobart; Pay day DelhiOn siege guns card, The Rose Stereographs Melbourne, Sydney, Wellington & London.audio-visual technology, audio - visual accessories, audio - visual appliances

From the estate of Jenny Lang, 11 Pearcedale Grove, NunawadingCream satin beaded evening purse. Metal frame along top with metal clasp. Purse lined with pale gold coloured silk with a small pocket on one side. Metal chain handle on top. Bag is beaded both front and back with gold seed beads.costume accessories, female

Belonged to donorTransfers were a normal part of a woman's sewing equipment from approx 1920's to 1960's for embroidering household and glory box requirements.Booklet containing ten designs of a set theme. Booklets are numbered as per each theme. Book 15 - Nursery Designs Book 11 - Initials, Book 13 - Baby Book, Book 10 - Sprays, Book 7 - Dolly Varden, Book 8 - Scotty DogsTip Top Transfershandcrafts, embroidery

Interest through father who had a Kodak camera and a home development kit and could adjust size. In school Howard formed a camera club 'aged 16'. Had a Baby Brownie. When he retired he built his own workroom . Was one of the first get a digital camera. Hobby ceased due to poor eyesightCase, yellow top with Kodak logo. Opaque container. Slides box has a clear plastic cover with magnifying viewer. 40 slides in totalKodakphotography, photographs / slides / film

The Singer sewing machine was purchased [in New Plymouth, NZ] by the donor, Yvonne's, parents as a birthday/Christmas present when she was about six or maybe a little older – therefore about 1935. Much, much later, in the 1960s, it was given to her daughter, Susan, who like Yvonne seldom used it because if the seam was not correctly tied off the whole seam unravelled.Singer sewing machine and original box. Intended as girls sewing machine to teach them to make dolls clothes. Metal with Singer logo and clamp to secure to table top, with appropriate needles.Singerdomestic items, sewing

Given to Pat Richardson by her mother. Used and made by Martha Edwards circa 191022cm diameter linen doyley. Lace trim embroidered around with fruit and leaf designhandcrafts, embroidery

This style of doll was called a Golliwog at the time, the 1960s, when it was made by donor for her daughter's school (Melbourne Ladies College) projectBlack felt doll with black velvet hair, white cut out felt for eyes, white felt hands and white feet with black soles, white felt waistcoat, pearl buttons, red and white spotted bow-tie, red felt jacket with two brass buttons, black and white striped trousers, yellow boater hat decorated with black and white bandtoys, soft toys