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Ararat Gallery TAMAPrint, Nanette Bourke, Burnt Wattle's Tracery, 2008
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, Smooth Fruited Grevillea, 1996
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, Just a Gumtree, 2006
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, The Cult of the Car - Carefree Youth, 1990
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, The Cult of the Car - Obsolescence, 1989
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, Scarlet Banksia, 1988
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, She-Oak in Spring, 2002
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, Aftermath, 2005
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Federation University Historical CollectionBook, The Beagle Press, Kenneth Jack - Printmaker, 1998
... linocuts ...Large book with buildings and country side of Clunes 1971 on front and back cover.120 pagesnon-fictionkenneth jack, lou klepac, etching, printmaking, ben crosskell, harold freeman oam, jack courier, foreword, introduction by lou klepac, my early printmaking days - kenneth jack, exhibitions, bibliography, catalogue raisonne, lithographs, linocuts, serigraphs, stencils, engravings, david jack -
Federation University Historical CollectionMagazine - Book, Ballarat School of Mines Students' Magazine, 1938-1944, 1938-1945
Red hard covered book holding seven volumes of the Ballarat School of Mines Students' Magazine. The cover of the 1938 magazine was designed and executed by Robert McHutchison. Includes original linocuts, including work by Max Coward. 1940 magzine includes a list of full course students; W.H. Middleton Obituary, artwork by C. Sargeant, Joe Wilkenson, Sheila Moss, Bessie Sargeant, Fifi Malseed, Isobel Boustead, Adeline Hulm, Audrey Janetski, Maureen McRae, Bettin George, Ernest Gribble, William Rowe, Jessie Daniel, Pat Martin, Jean Fisher, Gladys Wakeling, Max Coward. Images include the SMB Magazine committee.ballarat school of mines, white flat, linouts, max coward, robert mchutchison, dorothy woolcock, maureen mcrae, bessie martin, patsy walsh, gladys bilney, elva brimacombe, gilda gude, norma tatlock, audrey janetski, jay martin, betty delima, jeff wilkinson, gordon yorke, g. day, w. edward, a. janetski, ernest gribble, iris leviston, n. roberts, j. pittard, sylvia wyres, e. fisher, a. helm, a. nye, bena lamb, ela brimacombe, thelma morton, verna lynch, yarowee creek, bridge, fruit vendors, h.r. murphy retirement -
Federation University Historical CollectionMagazine - Booklet, J.A. Hoskin & Son, Quadrangle: Magazine of the Girls and Boys of the Junior Technical School Ballarat, 1958, 1958
The 1958 edition of 'Quadrangle' was the first published as the new magazine of the Ballarat Junior Technical School. Formerly the Ballarat Junior Technical School occupied a few pages at the back of the Ballarat School of Mines Students' Magazine. In this year the Ballarat Junior Technical School's 'brother' school, Ballarat North Technical School, was publishing its own magazine called 'Green Acres'. Articles includeGrey/Blue soft covered magazine of 54 pages. Contents include: Past staff/students (Mr Whitla, Mr Hewitt, Mr Cowan, Mr Reeve, Mr Wilcock, Bullarto Camp Report, Bright Camp, Windmill Ruin (B. McLennan), Phelan Homes Competition, Baseball, Basketball, softball, Athletics, Cricket, Open Age Football, Cross Country, Your Badge, Mr Steane Recalls. An explanation of the Ballarat School of Mines Coat of Arms is given, and the first Ballara Junior Technical School Principal, Albert W. Steane recalls the early days of the school. Images include: Prefects, Dick Richards, Tank Stand Bullarto (linocut), cadets, Under 14 Football Team; Girls forms 1,2, and 4, Softball, Basketball, netball, hockey; Craig's Royal Hotel.2) cover "Mr A.W. Steane. Eyre St Ballarat"ballarat school of mines, ballarat junior technical school, ballarat north technical school, dick richards, steane, ron kirner, history, badge, crest, heraldry, garner, bullarto camp -
Federation University Historical CollectionMagazine, J.A. Hoskin & Son, Quadrangle: Magazine of the Ballarat Technical School, 1964, 1964
The Ballarat Technical School a division of the Ballarat School of Mines, and a predecessor institution of Federation University Australia.green soft covered magazine of 20 pages. Contents include: Past staff/students (Mr Whitla, Mr Hewitt, Mr Cowan, Mr Reeve, Mr Wilcock, Bullarto Camp Report, Bright Camp, Windmill Ruin (B. McLennan), Phelan Homes Competition, Baseball, Basketball, softball, Athletics, Cricket, Open Age Football, Cross Country, Your Badge, Mr Steane Recalls. An explanation of the Ballarat School of Mines Coat of Arms is given, and the first Ballarat Junior Technical School Principal, Albert W. Steane recalls the early days of the school. .2) Jeff Stewart has collected autographs of R. Irwin, J. Skewes, D. Dimsey and 1 illegible. Images include: Prefects, Dick Richards, Tank Stand Bullarto (linocut), cadets, Under 14 Football Team; Girls forms 1,2, and 4, Softball, Basketball, netball, hockey; Craig's Royal Hotelballarat school of mines, ballarat junior technical school, ballarat technical school, r.r. watson, r.l. whitla, b. bogicevic, j.v. robertson, a.e. stohr, e.j. barker, walter bampton, wayne butler, jeff stewart, library monitors, r. kennedy, n. o'donnell, joyce lewis, j. andrejczuk, a. steinhuis, g. turnbull, neville cartledge, bruce mcivor, barry mccullum, sculpture, australian air training corps, bruce cook, jim brown, peter carrigg, jim breen, trevor kay, keith jeffs, peter pittard -
Federation University Art CollectionPrint - Artwork - printmaking, 'Messenger' and 'Woe' by David Frazer, 2002
David FRAZER (1966- ) Born Foster, Victoria, Australia David Frazer works in painting, wood engraving, etching, lithography and bronze. He studied a B.A. Fine Arts (Painting) at Phillip Institute of Technology, followed by a Diploma of Education (Secondary- Art/Craft) at Latrobe University in 1991. He completed an Honours Degree in Fine Art (Printmaking (at Monash University in 1996, and between 1998 and 2000 Frazer undertook a Master of Arts (Visual Arts) by research: “Pastoral Melancholia”, at Monash University. One of Austalia's foremost printmakers David Frazer's highly detailed woodblock and linocut prints often explore the emotional and fragile state of the human condition. His work offers a nostalgic image of Australia through its examinations of landscape, Australian buildings, sheds, and itinerant travellers. He has held seven solo exhibitions between 1996-2006 in Melbourne, Sydney and a survey show curated by the Horsham Gallery, which toured Victorian regional galleries from 2004-2005. David Frazer’s work was seen in 37 group exhibitions between 1996-2006 including the 5th British International Miniature Print Exhibition in the UK, in the 2003. He more recently held a solo exhibition with Rebecca Hossack in London 2011. (http://www.thestockrooms.com/, accessed 06/03/2015) David was awarded the Keith Wingrove Bookplate Design and in 2002. These two wood engravings are the subject of the forthcoming Private Press book: ‘The Bookplates of David Frazer’ written by Robert C. Littlewood, The Lytlewode Press, Chateau Bosgouet, Normandie, France, 2014/2015. Two limited edition prints by David Frazer using the wood engraving technique. They have been framed together. .1) Messenger Wood Engraving Plate 10.0cm x 7.5cm Paper 29.0cm x 19.3cm Edition: 32/40 .2) Woe Wood Engraving Plate 10.0cm x 7.5cm Paper 29.0cm x 19.3cm Edition: 32/40 Donated through the Australian Government Cultural Gifts Programme by Katherine N. Littlewood, 2014artist, artwork, frazer, david frazer, wood engraving, framed bookplate, printmaking, bookplates, churchill, gippsland campus -
Federation University Historical Collection
Magazine - Booklet, Ballarat School of Mines Students' Magazine, 1940, 1940
... linocuts ...List of Full Course Students' 1940, Editorial, News, Obituary, Farewell, Old Boys. Old Boys' Association, The Literary Society, Rationing, Fumes from the Lab, Arts & Crafts Gossip, Sport, Commercial Notes, The Junior Techs. Blue, green and gold soft covered magazine of 70 pages including advertisements.ballarat school of mines, magazine, s. moss, b. martin, a. gordon, g. sutherland, g. myers, a. kersey, j. hassell, e. boustead, a. janetski, g. mounter, e. scott, g. downing, m. dark, a. ward, a. helm, l. griffin, a. henderson, j. wilkinson, j. martin, dr pound, m. coward, m. mein, g. g. procter, g. yorke, j. evans, b. sargeant, w. h. middleton, jack burt, arch. collins, v. leigh, ken mathes, g. berriman, j. elsworth, h. maddern, a. mcphee, m. wilson, eric rumpff, t. jones, j. sutherland, a. day, f. whitworth, r. young, a. c. hannah, a. leviston, m. mccallum, w. m. lonie, r. costello, james h. pound, j. r. woolcock, w. g. coates, i. boustead, p. martin, lorna mccartney, j. fisher, mr hillman, a. scott, k. gingell, m. lawrence, l. diamond, mr cornell, d. menhennett, j. coad, c. plumb, g. angwin, e. eltringham, j. mcclure, g. crouch, p. richards, f. jelbart, r. monteith, a. gilpin, d. gilmore, d. jelbart, i. mclachlan, mr evans, f. badenhope, j. gibbs, j. menhennett, w. kearney, a. daff, l. george, h. patterson, u. chisholm, b. robertson, a. howard, l. mcpherson, j. mccarthy, m. kerr, l. stephens, l. halliday, j. daniel, j. horsey, l. morish, c. clogan, m. cartledge, e. bell, w. hender, max coward, c. w. rowe, l. smythe, t. davies, b. saunders, j. cox, j. medwell, i. grigg, g. lehman, j. fletcher, r. stoneman, k. bridges, k. sperber, m. hetherington, v. browning, b. neale, g. harrison, n. pitts, k. silvey, mr hosie, l. sutherland, w. rowe, i. mclaughlan, linocuts, isibel boustead, betty delima, audrey janetski, joan zilles, wattle tea rooms, glad proctor, joe wilkinson, sheila moss, fifi malseed, bessie sargeant, adeline helm, maureen mcrae, bettina george, ernest gribble, william rowe, jessie daniel, pat martin, jean fisher, gladys wakeling, hester darby, world war two, d.i. johnstone, w.h. middleton obituary, port pirrie, modern art, goodfellows cordial -
Federation University Historical Collection
Book - Booklet, Printopics, 1968
Yellow soft covered booklet with work by Ballarat School of Mines Print studentsprint, ballarat school of mines, d. powell, linocut -
Women's Art RegisterBook - Monograph, Alison Carroll, Barbara Hanrahan. Printmaker, 1986
Traces three periods of Hanrahan's practice: early development; first major period of printmaking 1963 to 1967 and her second since 1967. Focuses on major themes and motifs and contains a small proportion of images made since 1960, many exploring her family and womens' lives. These themes and the tactile quality of her practice are woven into her 9 published novels, and text often appears in the prints. Includes list of solo exhibitions, a bibliography and biographical details.non-fictionTraces three periods of Hanrahan's practice: early development; first major period of printmaking 1963 to 1967 and her second since 1967. Focuses on major themes and motifs and contains a small proportion of images made since 1960, many exploring her family and womens' lives. These themes and the tactile quality of her practice are woven into her 9 published novels, and text often appears in the prints. Includes list of solo exhibitions, a bibliography and biographical details.printmaking, lithography, etching, linocut, screenprinting, wood engraving, writing, sexuality, family, identity, drypoint, popular culture, body, motherhood, ageing, gender -
Benalla Art GalleryPrint, Ethel SPOWERS, Swings, 1932
Born: Melbourne, Victoria, Australia 1890; Died: 1947ModernismBennett Bequest, 2000 Figures depicting children on swings. Gold painted wooden frame.Recto: Signed and dated "E.L.Spowers - 1932" in grey ink l.r.c of composition; Titled "Swings - 21/50" in grey ink l.l.c.print, japanese tissue paper, children, playing, swings, linocut, australian art -
Bendigo Art GalleryPrint - Work on paper, Ethel SPOWERS, The Green Bridge, 1926-1927
l.r; ELS seal, l.r; The Green Bridge 27, l.r; E.L Spowers 1926print, printmaker, printmaking, woodblock, female artist, linocut, bridge, ducks, farming, farm, countryside -
Anglesea and District Historical SocietyLinocut Rollers (Brayers), Gilkon
1. Blue metallic Brayer - 100mm x 150mm x 20mm. 2. Wooden handle Brayer - 160mm x 130mm x 20mm. 3. Wooden handle Brayer - 120mm x 140mm x 30mm. 1. "Gilkon / SYDNEY" across top. linocut rollers, brayers -
Nillumbik Shire CouncilPrint (lino): Kate HUDSON (b.UK - a.1990 AUS), Kate Hudson, Wattle and Circle Vase, 2012
Kate Hudson's highly patterned and decorative prints reflect her love of Australian birds and flowers from her immediate environment, as well as oriental art and her training in textile design. Her work is influenced by the Australian artist (printmaker) Margaret Preston and the vases depicted in her prints are based on the ceramic works of her husband Stephen Hudson. The wattle depicted is the Acacia Terminalis (Sunshine Wattle), a shrub or small tree that grows to six meters in height. It’s an Australian native commonly found in New South Wales, Victoria and Tasmania.A reduction coloured lino print. A ceramic vase with a black and white target print at its' centre holds a bunch of Acacia Terminalis (Sunshine Wattle). The vase rests on an orange table cloth decorated in white stylised flowers. The background is light pink. Hand written in pencil: low left '8/26'; bottom centre ' Wattle and Circle Vase'; low right 'Kate Hudson' hudson, linocut print, sunshine wattle, acacia terminalis, still life, margaret preston, ceramics, textiles, orient -
Federation University Art CollectionWork on paper - Artwork, Jodi Heffernan, 'Lost' by Jodi Heffernan, 2015
Jodi HEFFERNAN (1967 - ) Born Melbourne This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed Limited Edition print exhibited as part of 'Parallel Prints'.artist, artwork, jodi heffernan, printmaking, linocut, parallel prints, silkscreen -
Federation University Art CollectionWork on paper - Printmaking - Linocut, 'The Boarder' by Warwick Reeder, 1970
Warwick REEDER (12.8.1950 - 9.6.2016 ) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition print. art, artwork, warwick reeder, reeder, printmaking, linocut, edition -
Federation University Art CollectionPrint - Artwork, Griffin, Tony, 'Interloper' (unique state) by Tony Griffin, 2009
Tony GRIFFIN Born Melbourne Ballarat-based painter and printmaker Tony Griffin has over forty-years’ experience in the visual arts. He completed a Diploma of Fine Art in 1980 and has recently completed a PhD (Visual Arts) at Federation University. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, woodcut, linocut, printmaking, tony griffin -
Federation University Art CollectionWork on paper - linocut block print, Pelchen, Joe-Anne, 'Untitled' by Jo-Anne Pelchen, 1992
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed monoprintart, artwork, jo-anne pelchen, monoprint, printmaking, horsham campus, wimmera campus, available horsham -
Federation University Art CollectionPrintmaking - linocut with watercolour handcoloure, Ropponen, Jonas, 'Two Toads Together and Toadstools' by Jonas Ropponen, 2007
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Australian Print Coucnil Commissioned PRint.art, artwork, frogs, toadstools, mushroom, australalian print council commissioned print, jonas ropponen -
Federation University Art CollectionLinocut, 'Nebula' by David Nixon, 2007
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, david nixon, nixon, linocut, printmaking, edition -
Federation University Art CollectionPrint - Printmaking - linoprint, Loris Button, 'Fragments of Time' by Loris Button, 2002
Loris BUTTON (27/02/1951- ) Born Melbourne Dr Loris Button grew up in Melbourne, completing undergraduate studies in painting and drawing at the Phillip Institute of Technology, followed by a Master of Fine Arts degree at the University of Tasmania. Her PhD thesis employed self portraiture as a means for reflecting on the self, time and ageing in contemporary culture. From 1981 – 1986 Loris lived and studied in Hobart before returning to Melbourne. She lectured at the University of Ballarat Arts Academy from 1987. Since 1990 she has lived and worked in Ballarat and the nearby town of Creswick. Loris retired from an academic career at the Arts Academy, University of Ballarat (now Federation University) at the end of 2010. Loris has continued a post-retirement association with the Arts Academy through her role as an Honorary Research Fellow. Working with prints, paintings and drawings on handmade paper, her work is regularly shown in both solo and group exhibitions throughout Australia and overseas. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Twenty Five unique state linoprints on handmade abaca and cotton rag papers mounted together with insect pins. This work formed part of the Artist's PhD research.art, artwork, loris button, printmaking, linoprint, doctorate, alumni, handmade paper, linocut -
![Work on paper - Print - linocut, [Untitled] by Jenny Taylor, 1978](/media/collectors/530576742162ef0fa09a2288/items/534748179821f420f8c0394d/item-media/57c67a53d0cdd817485c0aeb/item-fit-380x285.jpg)
Federation University Art CollectionWork on paper - Print - linocut, [Untitled] by Jenny Taylor, 1978
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Multi-layered lino cut. We are currently looking for information on the artist Jenny Taylor. If you are able to assist with information please leave let us know via the comment box below.Signed lower right hand side 'Jenny Taylor '78'art, artwork, jenny taylor, taylor, available, printmaking -
Federation University Art CollectionPrint - linocut, Spectrum Girl, 2002
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, spectrum girl, gippsland campus, churchill, apple, fruit, costume, printmaking, linocut -
Federation University Art Collection
Work on paper - Printmaking, Various, Artists Book 1992, 1992
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Maroon hard covered artists bookEdition NO 7/28art, artwork, printmaking, christine stewart, janine fusea, anthony ross, eloise dejong, heodi mcdonald, madonna rogerson, joanne healy, zoe england, jane robbins, sue armstrong, philip honey, anita iacovella, elaine d'esterre, luisa la fornara, etching, linocut, collagraph, chine colle, kithograph, drypoint
