GIZYCKI, Andrzej Roman Witold, AKA GIZYCKI de GOZDAWA, Andrew Roman Witold, Service number: 37505, served in Royal Corps of Australian Electrical and Mechanical Engineers, 7RAR, 1967Painting in Gold Metal Frame ( Oil ) streched canvas depicting Soldier in the reeds combat camoflage and rifle.Australian Army Badge Rank (SLR ) Raeme Badge & 2 YG on hat same artist of soldier in other painting of Ziggy. Same Frame.soldier, raeme, ziggy, gizycki

Framed colour photograph titled "Cardinia Reserve". The image features a pink sky (sunrise or sunset) reflected in the waters of Cardinia Reserve. Rocks in the foreground, low hills and trees on the horizon. Green card window mount set in black metal frame.

Designed to create an impression on paper, the slate allows users to create Braille by guiding the stylus into the correct alignment to produce Braille, through the applied use of pressure that creates a depression on one size of the paper and a raised dot on the alternative side. In this example, a postcard sized frame fits over a notebook of the same size, and allows the user to fill the page without re-positioning the slate.1 metal Braille frame and 1 vinyl covered metal ring binder with braille pagesbraille equipment, equipment

5cm metal frame with two prongs in centre. Small amounts of hair are held between prongs, then wound up tight and clipped in place with a hinged clip. Curler left on hair for two to three hours to curl hair. There were 52 curlers in the set.costume accessories, female, hair accessories

Framed B&W photograph titled "Singapore 12 September 1945" Glossy black metal frame with grey card window mount. Title and text below image. Image shows the official ceremony in Singapore during the signing of the surrender document by Japan.

Breakwater navigation lights are placed at the end of the breakwaters to warn incoming vessels of the end of the structure, as a marine safety measure. The subject item was such a light believed to have been placed at the end of Warrnambool's breakwater around 1915 when it was extended. The light had remained in place for many years until it was probably removed when the structure was undergoing rock armouring repairs to the end of the breakwater in 1975. The light had been placed in a council storage shed probably from the time when the structure was undergoing these repairs in 1975. In 2014 the light was removed from the storage shed and donated to Flagstaff Hill museum. History: Warrnambool breakwater plans were drawn up by 1874 and approval was given for preliminary construction work to start but when the money ran out, the works stopped. With a number of quick changes of government the “Warrnambool” breakwater project was kicked from one Victorian state government to another. Then finally in 1879, the eminent British harbour engineer Sir John Coode was asked to design a breakwater. His first design was for a 1800 feet long structure but that was scaled back to 900 feet and construction finally began in 1884. This structure was attributed in causing major siltation of Lady bay, as a consequence the breakwater was again extended in 1915. In 1975, the rock armouring at the end of the breakwater was added but by 1979 another impact study was calling for the breakwater to be removed altogether. The Heritage Council Victoria, regard the Warrnambool breakwater is of historical significance to the state as one of the most important maritime engineering projects that was undertaken in Victoria during the late nineteenth century. The light is also as part of this structure regarded as a significant item of historical interest.Marker light or navigation light. Round light stand with conical top piece (2 separate pieces). Metal base painted red, clear glass middle section enclosed by metal frame, metal cone shaped top section painted silver. Electrical wiring can be seen inside centre section. Pole that light would have been on to elevate it is missing.Has metal plate screwed onto side of base engraved "23". flagstaff hill, warrnambool, shipreck coast, flagstaff hill maritime museum, maritime museum, great ocean road, warrnambool breakwater, marker light, naviagtion light, breakwater navigation light

Picture shows the office of Frank Fisher & Co. Auctioneer who had an office and business in Blackburn from about the 1920s. The print was done by his son Bruce.Blackburn historypencil drawn picture of 'Frank Fishers & Co.' Auctioneers office in Blackburn. Black metal frame with pale grey surround. Picture has office building with a figure in doorway. An old car was out the front as well. Picture drawn by his son Bruce Fisherillustrations, pencil

Framed B&W photograph titled: "TOROKINA, BOUGAINVILLE, 8 SEPTMBER 1945" Grey card window mount. . Glossy black metal frame. Title and text below image. Image features the surrender of all Japanese forces on Bougainvile during a formal ceremony.

Framed colour print featuring a Chinese playground scene. Red and black double card window mount set in a silver metal frame. The brightly coloured scene shows children gathered in groups near buildings and trees. Some are playing a bat and ball game.

Believed to have been built early 1900'sColour photograph of a timber dwelling at 212 Marine Parade. Hipped roof and bull nose veranda of iron. Slim timber veranda posts with decorative brackets. Metal framed windows each side of central doorway with fan light above. Lakes Entrance Victoriafences, houses, heritage study

Victorian cast iron and brass scale and weights - large metal frame with two holding frames at either end balanced against each other - one to hold the weights and the other to hold the object being weighed. Two pans and four weights Pendulum in centre.3 Kilodomestic items, weighing

These fuel price signs were used throughout Australia. Circular sign showing large black numbers 2/3. The words "Including 7 1/4d duty" in black around the lower rim. Metal frame, price card can be rotated to suit mounting position (double sided) and behind glass and rubber gasket.petrol, service stations, sign, fuel, price

From the estate of Jenny Lang, 11 Pearcedale Grove, NunawadingCream satin beaded evening purse. Metal frame along top with metal clasp. Purse lined with pale gold coloured silk with a small pocket on one side. Metal chain handle on top. Bag is beaded both front and back with gold seed beads.costume accessories, female

From the estate of Jenny Lang, 11 Pearcedale Grove, NunawadingHandmade from manufactured, embroidered braid. Braid is Jacobean style in browns, cream, orange shades. Braid manufactured in India. Cotton stitching design on beige cotton base. Glass and pearl beads on flower centres. Metal frame and chain handle, lined in cream satin.costume accessories, female

Square metal (golden) plaque, framed in a wooden frame

56 of these Corvettes, popularly known as Maids of all Work were built in Australia & commissioned into the Royal Australian Navy. Photo RAN.Black / white print of photo of the Bathurst Class Australian Minesweeper (AMS) HMAS Deloraine J232. Visible on the minesweeper side are several crew on deck. Print is No 9 in a series of 25. Print is mounted with white border, gold metal frame with masonite backing & wire hanging strap.Printed on white border at bottom RHS beneath print: “ROYAL AUSTRALIAN NAVY 75TH ANNIVERSARY”photograph, ran, anniversary, 75th

Photo RAN.Colour print of a photo of the Royal Australian Navy's 3 Guided Missile Destroyers (DDG's), HMA ships Brisbane, Hobart & Perth in the Tasman Sea in 1985. Print is No 19 in a series of 25. Mounted with white border with gold metal frame on masonite backing with wire hanging strap.Printed on white border RHS under print: “ROYAL AUSTRALIAN NAVY 75TH ANNIVERSARY”photograph, 75th, anniversary, ran

Coloured print of a photo of HMAS Adelaide at sea with 2 ships in the background. Crew members can be seen at stations on ship with helicopter on aft deck. Photo is No 23 in a series of 25. Print is mounted on a white border with gold metal frame on a masonite backing with a wire hanging strap.RHS under print: ROYAL AUSTRALIAN NAVY '75' ANNIVERSARYphotograph, ran, 75, anniversary

There are no distinguishing features on the item to be able to link it to any one event.Metal bayonet with wooden and medal handle, four screws holding the wood to the metal frame. The bayonet has a release button to free the the blade to a position as required. There is a metal scabbard to house the bayonet blade, there is a metal loop on the scabbard to hang onto a belt. There is a round sight on top of the bayonet.T4 37248military, bayonet, australian army.

Textiles. Brown velvet handbag with ornate decorative silver metal frame with slide clasp. Silver metalchain carrying handle with three metal rings attaching tow pieces of chain. Lined with brown leather. Name written in pen inside handbag , possibly C.Martin, difficult to read.textiles, domestic, ladies brown velvet handbag

One of a series of photographs donated by the City Engineer of the former City of Kew, relating to road works. The photos variably include council workers, signage and equipment.One of a series of photographs of core local government services as practised by the City of Kew. The photographs are an accurate record of street works of the period.Original black and white photographic positive of a portable workmen's hut and toilet in Stevenson Street, Kew in September 1972. The hut is made of wooden boards with a corrugate iron roof. The four-sided portable toilet has a metal frame. Th exact location has not been identified. "WORKMEN'S HUT & TOILET / STEVENSON ST 8/9/72 / (THESE ARE THE UNITS WHICH WERE IN SWINTON AV. 30/8/72)"city of kew, local government -- city of kew, road works, street works, stevenson street -- kew (vic.)

The Australian Tramway Employees Association commissioned in 1915, a banner for use in marches or events. It was painted in 1916 by George Grant with its first public appearance at the Eight-Hour Day Diamond Jubilee on 10 April 1916, celebrating the 60th anniversary of the introduction of an eight-hour working day in Victoria. The reference gives a detailed history of the banner, it significance and the background to its painting. It is now held in the collection of Museums Victoria. The ATEA was the forerunner to the Australian Tramway and Motor Omnibus Employees' Association, now part of the Rail Tram and Bus Union. Image provided by Museum's Victoria to the donor - Peter Jewell. The image demonstrates the artists work and the use of symbols in the roles of a union.Framed Image - old gold coloured metal frame, Artglass, with red colour card surround with bevelled gold card inlay containing a high resolution image of the Australian Tramway Employees Association banner. Fitted with a metal hanging wire and a white surround, tape and the framers lable.tramways, unions, atea, atmoea, rtbu, banners, george grant, eight hour day

Metal angle frame with perforated metal cover. Door with simple clip to close and lock. Painted off- white.domestic items, food storage & preservation

Photo RAN.Colour print of photo of Royal Australian Navy Task Group. From left: HMA ships Adelaide, Stalwart, Torrens, Supply, Vampire, Canberra & Swan. Print is No 81 in a series of 25. Print is mounted with white border, gold metal frame with masonite backing & wire hanging strap.Printed on bottom at RHS under print: “ROYAL AUSTRALIAN NAVY 75TH ANNIVERSARY”photograph, 75th, anniversary, ran

The invention of the Coolgardie Safe is credited to Arthur Patrick McCormick, a contractor in Coolgardie, and later the Mayor of Narrogin. Coolgardie is in the Eastern Goldfields region of Western Australia. Gold was first discovered there in 1892; the townsite became a municipality in 1894, and by 1898 its population of 15,000 made it the third largest town in Western Australia after Perth and Fremantle. In the last decade of the 19th century, Coolgardie was the capital of the West Australian goldfields. Being 180 kilometres from the nearest civilisation, food supplies were initially scarce and expensive. As fresh food was a valuable commodity there was incentive to preserve it, and keep it out of reach of scavengers such as birds, dingos, dogs, ants, and flies. It was in an effort to do this, in the extreme heat of the Australian Interior, that McCormick came up with his design for the Coolgardie Safe. McCormick noticed that a wet bag placed over a bottle cooled its contents. He further noted that if this bottle was placed in a breeze, the bag would dry out more quickly, but the bottle would get colder. What McCormick had discovered was the principle of evaporation: ‘to change any liquid into a gaseous state requires energy. This energy is taken in the form of heat from its surroundings.’ Employing this principle, McCormick made a box for his provisions which he covered with a wet hessian bag. He then placed a tray on top, into which he poured water twice daily. He hung strips of flannel from the tray so that water would drip down onto the hessian bag, keeping it damp. As the water evaporated, the heat dissipated, keeping the food stored inside cool and fresh. The success of McCormick’s invention would not have worked without a steady supply of water. Fresh water was scarce in the eastern goldfields at this time but the demand for water from a steadily growing population encouraged innovation. The solution was to condense salt water. Heating salt water in tanks produced steam that was condensed in tall cylinders, cooled and then collected in catchment trays. By 1898 there were six companies supplying condensed water to the goldfields, the largest company producing 100,000 gallons of water a day. In the early 20th century, Coolgardie Safes were also manufactured commercially. These safes incorporated shelving and a door, had metal or wooden frames and hessian bodies. The feet of the safe were usually placed in a tray of water to keep ants away. (MAV website) The early settlers of Moorabbin Shire depended on this type of Food Safe to protect their food from flies and vermin as they established market gardens in the fertile area around the notorious Elster Creek A metal framed, 4 sided structure standing on 4 legs with 2 hinged doors on one side, a metal tray at base of food safe and a metal cover over top. Ridges on which to rest trays carrying food are inside safe. The Safe is enclosed by fly-wire mesh.'...IN.....GEELONG' A manufacturer's oval metal plate is embossed on one side of Safe but it is illegible.elster creek, moorabbin, brighton, dendy's special survey 1841, market gardens, infant mortality, disease, cemeteries, fruit, vegetables, pioneers, coolgardie safe, mccormick arthur patrick, dendy henry, vaccination, jones martha, jones ethel may

This colour photograph of a gum leaf painting shows one of the many landscapes done by the well-known self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist and taxidermist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Colour photograph of an oil painting on gum leaf by Alfred Eustace. Landscape featuring a deep creek surrounded by thick bushland displayed against dark brown backing paper which has a gilt oval surround to highlight the painting. Under glass, in a gold and dark brown metal frame.Sticker on back: 189. (the original registration number)alfred eustace, gum leaf painting, landscape

Painting courtesy of John Bastock.Colour print of the arrival of the first RAN fleet in Farm Cove, Sydney Harbour on 4.10.1913. In the foreground is the flagship HMAS Australia with the light cruisers HMAS ships Melbourne & Sydney. Photo is No 2 in a series of 25. Mounted with white border, gold metal frame with masonite backing & wire hanging strap. In print at bottom RHS: “ROYAL AUSTRALIAN NAVY 75TH ANNIVERSARY”print, 75th, anniversary, ran