Showing 760 items
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Federation University Art Collection
Painting - Artwork, [Untitled]
This artwork is thought to be a group project associated with Koorie Education at the Gippslnd Centre for Art and Design. Large painting with Aboriginal flag and motifs. If you have information on this artwork or artist/s please use the email link below. artwork, artist, gippsland campus, aboriginal -
City of Greater Bendigo - Civic Collection
Functional object - Corporate Gift :: Magnifying Glass and Paper Knife, 1993
Based in the Wales county of Montgomery Shire, Edward and Maureen Ann Story Jones produced crafted silver plated on pewter giftware under the range name The Silver Scenes in 1984. Well made, high quality and durable they produced items from 1984 - 2005. These items were probably gifts from visiting council representatives. Desk set of magnifying glass (0447.1) and paper knife (0447.2) with ornate handle, both sides featuring grapes and vines motifs.Both pieces are signed by hand 'MASJ © 93' (?) at top of handle. Paper Knife has 'Silver Scenes' engraved on blade.city of greater bendigo corporate gift -
Bendigo Historical Society Inc.
Domestic Object - PATCHWORK, EMBROIDERY, NEEDLEWORK, CROCHET, LINEN & LACE, Date Unknown
1 White Square Linen & Lace Table Centerpiece with Multiple Green, Orange & Yellow Contrasting Thread in Geometric Circular Motifs.handcrafts, lace, table centrepiece -
Melbourne Tram Museum
Uniform - Cloth badge, Melbourne & Metropolitan Tramways Board (MMTB), up to the mid 1970's
Uniform patch or lapel emblem, motif, MMTB red cotton on navy blue backing for sewing onto the lapel of a uniform jacket.trams, tramways, uniforms, logos, mmtb -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: LACE COLLAR, Early 1900's
Clothing. Cream guipure lace collar with floral curvaceous design. A large petalled motif at the centre back (or front) with a peaked effect at the front (or back). Delicate threads and small ''balls'' of cotton thread fill between the larger motifs. This collar is of a quite small size and nay have been worn by a younger adult or teenager.costume accessories, female, cream guipure lace collar -
Ringwood and District Historical Society
Domestic object - Mug - Drinking, C.R. Hose Glassware Pty Ltd, Heathmont Primary School No. 4688 ceramic mug. Circa1990s, 1900s
Drinking mug, white with gold rim, ceramic. Heathmont Primary School with a 'badge'. Epacris floral motif. +Additional Keywords: Hose, C.R.Underneath: C.R. Hose Glassware Pty Ltd Est 1945.; Designed and Decorated in Australia -
Bendigo Military Museum
Badge - BADGE RSL, Stokes & Sons, c.1922 - 1941
RSL badge issued from 1922 - 1941, No V43998 & year 1958.Metal badge with white, red & blue enamel borders. Yellow metal round centre with 2 etched servicemen. Crown motif on top.Inside crown: “58” Bottom of badge: “RETURNED SAILORS & SOLDIERS IMPERIAL LEAGUE AUSTRALIA”badge, rsl, membership -
Bendigo Military Museum
Uniform - GAITERS, CLOTH WW2, C.WW2
Gaiters, khaki coloured woollen outer, inside lining is khaki cotton, has 3 copper buttons with Australian Military Forces motif.‘J A HOLMES’costume accessories - male, uniforms - army, gaiters, passchendaele barracks trust -
Tatura Irrigation & Wartime Camps Museum
Currency - Coin, Internment Camps One Penny Coin, 1940s
Coin found at Camp 13 when huts were being dismantled and relocated.Copper coin with hole in centre featuring motifs and lettering "Internment Camp" on one side and "One Penny", currency value, on the other side.coin, camp 13, internment camp, internment camps currency -
Tatura Irrigation & Wartime Camps Museum
Currency - Coin, Internment Camps Threepence Coin, 1940s
Coin found at Camp 13 when huts were being dismantled and relocated.Copper Coin with hole in centre featuring motifs and the words "Internment Camps" on one side and "Three Pence", the currency value, on the other side.as abovecoin, camp 13, internment camp currency, three pence coin, ww2 internment camp currency -
Tatura Irrigation & Wartime Camps Museum
Coin, Internment Camps Threepence Coin, 1940s
Coin found at Camp 13 when huts were being dismantled and relocated.Copper Coin with hole in centre featuring motifs and the words "Internment Camps" on one side and "Three Pence", the currency value, on the other side.coin, camp 13, murchison camp, internment camps coin, internment camps currency -
Tatura Irrigation & Wartime Camps Museum
Currency - Coin, Internment Camps Threepence Coin, 1940s
Coin found at Camp 13 when huts were being dismantled and relocated.Copper Coin with hole in centre featuring motifs and the words "Internment Camps" on one side and "Three Pence", the currency value, on the other side.coin, camp 13, murchison camp, internment camps coin, internment camp currency -
Stawell Historical Society Inc
Textile - Costume and Accessories, c1920
Crochet Tablecloth Edging, Australian Motifs. Worked in Kookaburra, Lyrebird, emu, kangaroo, lizards. Three part finish. Association M Brame.stawell clothing material -
Whitehorse Historical Society Inc.
Clothing - Evening cape, C 1890's
UnknownRare survivor of 1890's fashion Female black lace cape. Guipure - small collar fastened with black grosgrain silk ribbon with bow - 2 beaded flower motif.female evening and/of morning wear -
Australian Lace Guild - Victorian Branch
Textile - Machine made lace
Machine made lace "Chemical" oval lace motif. Cotton thread embroidered onto a base fabric which is later dissolved away. -
Tennis Australia
Inkwell, Late 1860s
Silver plated inkwell with racquet and net motif. Spherical ink holder. Flat base with spherical feet. Materials: Silver Plate/Metaltennis -
Tennis Australia
Letter stand, Unknown
Brass and silver letter stand with racquet motif. Sticker on base states: MADE IN TAIWAN. Materials: Brass/Metal composite, Silver/Metaltennis -
Tennis Australia
Spoon, Circa 1930
Silver spoon with racquet motif on end of handle. Bird hallmark stamped on reverse, and 'JL&S' makers mark. Materials: Silver/Metaltennis -
National Wool Museum
Quilt, Light on Dark
This quilt was exhibited as part of the 'solo exhibition' component of the Expressions 2002: the Wool Quilt Prize exhibition. Paull exhibited 9 quilts in this series along with samples for the 'touch table'Woollen quilt made from grey army blankets and backed with hessian. Golden sheep motif attached with red wool on verso of quiltquilting, blankets -
Brighton Historical Society
Jacket, Kimono, c.1960s
This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. In 2006, as Di prepared for a trip to New York City, fellow BHS volunteer Liz Gay gifted her a copy of the book “Alligators, Old Mink and New Money” by vintage clothing dealer and former fashion model Alison Houtte. Between 1995 and 2015, ran the vintage and second hand clothing store Hooti Couture at 321 Flatbush Avenue, Brooklyn, and after reading the book Di was inspired to seek out the shop. During her visit she met Alison, who autographed her book, and purchased this kimono jacket from the store.Pure silk black kimono with red silk lining. The kimono features floral and leaf motif machine embroidery in pale pink and green."Made in Japan"hooti couture, alligators, old mink and new money, kimono, alison houtte, vintage clothing, di reidie, 1960s -
Mont De Lancey
Glass bottle, W. Munro
One glass bottle with label which reads - My-T-Fine Benzol for cleaning. Butterfly motif. Inflammable. Has cork stopper.bottles -
Whitehorse Historical Society Inc.
Textile - Lace Insert, Venetian Lace Insert, Unknown
This lace was possibly made in Italy and collected by Nan Warner while on a European trip and later given to Elizabeth Ligeti, a fellow member of a local Lace Group.Cream Venetian needle lace insert made of cotton with a motif of a boy or king in a church window. The lace is inserted cream cotton fabric. venetian needle lace, church window motif -
Nillumbik Shire Council
Prints (solar etchings): Christine JOHNSON (b. 1959 AUS), Voyages Botanical, 2014
Johnson undertook this project with a State Library of Victoria 'Creative Fellowship' in 2012, drawing on early botanical illustrations by Sydney Parkinson, Pierre-Joseph Redoute, Ferdinand Bauer and others from the Library's 'Rare Books' Collection. Johnson printed this series in 2013 while working as artist in residence at Baldessin Press, St. Andrews. 'Voyages Botanical' celebrates the untamed treasures of Australia’s (Nillumbik) vast native flower garden. The work speaks to Nillumbik's natural environment and colonial heritage in the context of our national story. Charcoal solander box with artwork title, artist name and flower motif in silver lettering bottom centre (edition 4/5). Catalogue: 52 colour pages. Solar plate engravings x 30; ink on paper. Series A: Ten multi-layered solar plate engravings (edition of 12); Series B: Ten flower images drawn from living specimens (edition of 12); Series C: Ten details from early botanical art engravings (open edition) Charcoal solander box with artwork title, artist name and flower motif in silver lettering bottom centre. Solar plate engravings x 30: Series A, B: all prints have edition number '4/12' to bottom left of image, artwork title () centre and artist signature 'Christine Johnson 2014' to bottom right of image. Series C: all prints have artist initials signed 'CJ' bottom right of images. All inscriptions in pencil. johnson, solar plate, engravings, creative fellowship, baldessin press, state library of victoria, botanical, flora, native, european explorers, cartography, wildflowers -
Parks Victoria - Days Mill and Farm
Container - Box
Used to pack congnac in when transported from France to Melbourne Wharf and probably used as a seat or a step at Days Mill.Squat wooden box, closed top and with inscription on each end. Residue of paper label on top.On one end, star motif and illustration of an arm, in armour, holding a fighting axe. Under this, "Jas. HENNESSY / CONGNAC" On other end engraved into wood, "PRODUCE OF FRANCE" On one side, engraved, ""H T / MELBOURNE WHARF / 47" This side has additions in pencil and star motif in RH top corner. -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: LINEN HANDKERCHIEF WITH CROCHET EDGE, 1800's
Clothing. A square of very fine linen, 12 cms diameter, surrounded by a one cm edging of drawn threadwork, and 9.5 cm of fine crochet. Crochet has circular shaped motifs, some very lacy and open, with a band of more closely worked pattern on either side of the open motifs. A looped pattern with picot finish edges the handkerchief.costume accessories, female, linen handkerchief with crochet edge. -
Flagstaff Hill Maritime Museum and Village
Functional object - Cow Bell, James Barwell, 1860s-1878
This brass cow bell was recovered from the wreck of the sailing ship ‘Loch Ard’ at Mutton Bird Island, near Port Campbell, Victoria, from late 1960s to early 1970s. Cow bells were listed as part of the cargo on board the Loch Ard. This bell is now part of the John Chance collection. Flagstaff Hill Maritime Village’s divers also recovered similar bells from the Loch Ard wreck in 1973. One of them was found in a sandy hole in the centre of the wreck site. All of the recovered cow bells are without their hangers. A bell of this size could have been used by horse or cattle teams. Cow bells were a common Colonial item. They were hung around the necks of grazing domestic cows and goats, bullock and horse teams, even camel teams so that they could be found again. Sheep and cattle drovers used them as a warning for night time disturbances such as wild animals. The maker of the cow bell, James Barwell, was a bell founder established in Birmingham, England, from 1784. In 1842 he acquired Fiddian’s firm of ‘Steam and Water’, keeping its name and stamping it on some of his products. According to his advertisement in the Exhibitors guide for the Church Congress of 1887, he made bells and fittings for churches and schools. He also made bells for cloches and chimes, and made tuned musical handbells. He repaired and reproduced bells, and he had a team of experienced ringers to “inspect towers and report upon the tone and condition of bells and fittings.” In 1903 he became incorporated as a Limited Company, ‘engineers’ and plumbers’ brasswork, and bell founders.’ In 1914 he advertised as ‘Cock and Bell Founders’, specialising in plumbing and engineering fittings, church bells, and “every description of hanging and hand bells.” Some of Barwell’s products were stamped with his maker’s mark (his initials J. B. either side of a cross entwined with a ‘B’ in an oval of oak leaves (for Birmingham)). James Barwell bells were no longer made after 1920. James Barwell was among makers who exported bells to the Australian colony from the 1860s. Early Australian iron animal bells were also made from the 1860s by blacksmiths such as Anthony Morgan from 1861, August Menneke from 1867, and Samuel Jones from 1868. Few brass bells were produced here in those times. This bell is historically significant as typical of a cow bell used by farmers and herdsmen in Colonial Victoria. Its significance is increased by being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late 1960s to early 1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The cow bell is also significant for being part of Flagstaff Hill’s collection of artefacts from LOCH ARD, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Cow bell; heavy brass, flat top, pyramid shape, rectangular head, shoulders flare out to rectangular mouth. The head has two same-sized tooled holes for adding the hanging yoke. Inscription on top and one side. Encrustations are on the metal in places. The hanger and clapper are missing. Made by James Barwell of Birmingham.Stamped on the head "BARWELL / - - - / - - -- ING" [Perhaps BARWELL - - - BIRMING. Could size be in centre? 3 3/4 IN?] Stamped on side [motif] (undecipherable) flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, loch ard, mutton bird island, glenample, eva carmichael, tom pearce, james barwell, cow bell, horse bell, bell founder, bell smith, vintage bell, birmingham bell foundry, farmer, shepherd, drover, stock bell -
Bendigo Military Museum
Headwear - BERET, Commonwealth Govt Clothing Factory
Dark green woollen beret. It is lined with a grey cotton material. On the front is a brass Rising Sun Badge. The motif states:- "Australian Military Forces".Written in ink on the makers label is name "DOBIN".uniform, australian army, beret -
Bendigo Military Museum
Accessory - BUTTONS, BLACK PLASTIC
This is a large quantity of black plastic buttons. The motif on the front is a crown and anchor. Under the Anchor is the word "Australia". On the back is a plastic loop for mounting purposes.uniform, navy, buttons -
Bendigo Military Museum
Uniform - BUTTONS, Australian Army, c1939-1945
Refer to Cat 4967.2. Service of John Robert Attwood.These buttons are of three different sizes. The motif is Australian Military Forces with a map of Australia. They are of copper metal, darkened with a black paint. They have brass "Keepers",ww2, uniforms, buttons, uniorms -
Bendigo Military Museum
Book - HOLY BIBLE, Oxford University Press, C.1930’s
Card within Bible from E. PARKINSON, 10 Brooke Crt. Bendigo (M: 041429946620) stating: "Bert WATSON was I believe despatch rider (motorbike) for Sir Thomas BLAMEY carried this bible through WWII. (Was a certificate from View St. Church of Christ)" The Nominal roll shows an Albert Searle Watson No VX1315 enlisted in the 2nd AIF on 26.10.1939 aged 27 years. At discharge from the Army on 4.3.1946 he was serving in 2/8th Field Coy with the rank of Sapper. Brown leather covered bible. Paper, printed and illustrated with colour plates. Page edges gilded; 1152 pages, gilded cross motif on cover.“92 GINGELL ST CASTLEMAINE ALBERT SERLE WATSON A.I.F. ARMY Number VX1315 2/2n FLD COY. R.A.E. & 80 L.A.D. Workshops All Coth Div. A.I.F.”books - religion, religion - christian, bible