Light blue Monthly Diary for January 1880. Handwritten entry for Thursday 1st Jan. "grandson born 25". March 1 Rent Paid." Inside front cover advertising "stamps". Californian Mail Tables. Inside backcover: 1880 calendar and advertising.Front: FERGUSSON / AND / MITCHELL'S / MONTHLY DIARY / January, 1880 / 27 / COLLINS ST. WEST. Back: Fergusson & Mitchell / Engravers & Lithographers / BOOK BINDER'S, PAPER, RULERS / GENERAL COMMERCIAL STATIONERS / 27 / COLLINS STREET WEST / MELBOURNEdiary, 1880, collins street west

This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9.Black and white photo mounted on cream card with hand written text in lower half on front, and printed and hand written text on back. Image depicts two sheep in the foreground with a road, fence, stone wall, trees and building in the background.Front: [handwritten] Mark E Mitchell / Harrogate / Pure bred Wensleydale / Ram Shearling / Pure bred Wensleydale / Ram Lamb. Back: [printed] MARK E. MITCHELL HARROGATE / [handwritten] 334 - C / 27/12/28new south wales graziers association, world tour, england, wensleydale, sheep, farm, rural, agriculture

John Mitchell was born c. 1830 in Cornwall and travelled to Victoria with his father in 1853. Arriving in Bendigo they both worked as blacksmiths before his father returned to Cornwall. John plied his trade in Mundy Street, Bendigo before selling the business in 1865 after 11 years. Upon the discovery of gold in Western Australia, John travelled there and back three times before dying in Bendigo in 1902. He lived in Violet st., and left a wife, Elizabeth Hannah, and daughter, Mrs E Morris. Early business in Sandhurst in 1850s.An account book used by the John Mitchell to record the purchases and services made with his business. Records date from 1859 - 1868. The book has lost its front cover, but the back cover is still attached. The book is made up of several sections stitched together and bound with three pieces of cotton cloth. The pages are light blue with ruled columns. There are alphabetical tabs at the front of the book with lists of names. Individual customers are allocated a double page entry. Pages numbers are written at the top of pages. The book is in very poor condition having obvious signs of water and insect damage with visible patches of mold. The writing in the first quarter of the book is barely legible, remaining pages can be read.bendigo businesses, blacksmith, horse shoer, wheelwright

Details the coming of the white man, including explorers and squatters to the Wangaratta area, from a white perspective, written by Wendy Mitchell, and an Aboriginal perspective, written by Freddie Dowling.maps, b&w illustrations, b&w photographs, word listswangaratta, pangarang, genocide

1 small sepia toned photograph of a male by Photographer Charles Mitchell Glasgow.Charles Mitchellphotograph, portrait, male

Set of four green Fuji Film green plastic slides during late 1960's of: 1 - tram No. 11 southbound in Lydiard St North, at the level crossing with destination of Sebastopol. Has Osborne House in the background. .2 - ditto with tram 39 showing special .3 - Bogie tram crossing No. 11 (showing City) at Gregory St. No. 11 has a Twin Lakes sign .4 - Part of one of the timetable board as the City terminus, Sturt and Lydiard Sts. .5 - No. 17 with driver/conductor reversing the pole. Has the city in the far distance, looking back towards the city.On each slide in ink "Roy Mitchell" , "Tram" "1958-1971". .1 - "20" .2 - "28" .4 - "15"tramways, trams, lydiard st north, level crossings, gregory st, timetable boards, tram 11, tram 39, tram 17

Partnered with young man in Pinstripe Suit, paisley tie, wearing Glasses B/W Studio bust from same StudioSepia Bust of a young woman - dark short wavy hair, wearing glasses in a white blouse and Dark JacketEmbossed Print reading Hilda Mitchell Paisley St Footsgray on front. To Mrs Hamilton with love from Elanor. on rear

Perspex display featuring sequential firing device for Claymores. The Box Mk2 with green plastic claymore case and photos of Lt. Moose Dunlop and Pte. Lyal Mitchell. An explanation of features and use are also included.claymore mine, lt. moose dunlop, private lyal mitchell

Set of two colour prints of SEC Trams at the depot on Sunday 11/7/1971 taken by Roy J Mitchell. .1 - tram 18 on No. 4 road .2 - tram 39 on 0 road.Detail on the rear of each photo are the details of the image and the photographer. trams, tramways, sebastopol, albert st, tours, grey st, tram 18, tram 39

Geelong is famous for its bollards. Created by local artist Jan Mitchell, the colourful bollards spot the foreshore, representing a fascinating and fun chronicle of the city’s past. Few people know that Mitchell planned for a flock of sheep to be part of her public art project. The wool industry is an important part of Geelong’s history, so Mitchell thought what better than a flock of sheep to welcome people to the city. The flock (and a Shepard) were to be placed out on the Melbourne-Geelong highway, near Lara, to welcome travellers to the city. The sheep would then be scattered along the road as a wayfinding signal to bring people to Geelong. When traffic authorities heard the plan for bollard sheep along the road, they squashed the project as a potential distraction for drivers. Another flock was also suggested for the hills of the eastern gardens, overlooking the bay. This was also disapproved; so Mitchell only ever partially completed four sheep bollards. The bollards are remnants of Jan Mitchell’s flock of sheep. The sheep also show the evolution of one of Geelong’s most iconic art installations. From the first sheep showing the raw timber of the old Yarra Street pier, to the sheep without a face, through to the completed sheep, it is possible to trace Mitchell’s process in the preparation of the bollards. The lost bollards form part of the National Wool Museum’s unique collection. The first bollard is the least complete, still in its original timber colour. From the central cylindrical shape, an additional wedge protrudes. This unpainted wedge forms what would have been the face of the sheep, with an ear present on either side that would have been painted white. Presently they are a bare metal. No legs are present on this bollard. The second and third bollard are completed to a similar level. They have a central cylindrical shape with an additional wedge protruding from the front of the timber. This wedge forms what would have been the face of the sheep, with an ear present on either side. The face and ears have been painted white but the finer details such as the eyes have not been added. These bollards bodies have also been painted white and have their legs attached. The legs are thin metal cylinders, approximately 50mm in diameter and 500mm long. The fourth bollard Is complete. It has the same central cylindrical shape with an additional wedge protruding from the front of the timber. This wedge forms the completed face of the sheep, with an ear present on either side that has been painted white. The face also features completed painted eyes. This bollard has its legs attached. The legs are thin metal cylinders, approximately 50mm in diameter and 500mm long. geelong, bollards, geelong's bollards, jan mitchell

Apparently the garage belonged to Peter Brock’s family for which it was locally known and referred to as “Brock’s Garage”."Main Road Hurstbridge" on front On reverse of image: Hurstbridge Main Road Aug 7 1971 Taken by Narian Mitchell (nee Robinson)"fc holden station sedan, hurstbridge, hurstbridge motors, main road, shell service station, peter brock, brock's garage

Two photographs taken from Mount Cooper, the highest point in Melbourne, on 30/03/2016, by Roy J. Mitchell2 colour photographs and lettermount cooper, bundoora

A digital copy of a black and white photograph taken at the entrance to "The Hermitage" at Narbethong in Victoria.A digital copy of a black and white photograph taken at the entrance to "The Hermitage" at Narbethong in Victoria. "The Hermitage" was built by photographer John William Lindt as a home and guesthouse in 1894. John Lindt had previously photographed the mountain scenery of the Black Spur and purchased 71 acres and subseqently built his home and guesthouse from where he continued his career. "The Hermitage had a garden designed by John Lindt's friend, Ferdinand von Mueller, who was at one stage the Director of the Melbourne Botanic Gardens. The garden featured New Guinea tree houses from which John Lindt made frequent panoramas of his property and the surrounding forest of towering mountain ash. Aged 81 Lindt died of heart failure during disastrous bushfires on 19 February 1926 at the Hermitage. He was survived by his wife Catherine who continued to run ‘The Hermitage’ guest house before she retired to the city. In the early 1930s, Joan Anderson purchased the property, maintaining it as a guesthouse.Entrance to "The Hermitage",/ Black Spur, Narbethong, Victoria;/ Joan Anderson, proprietor (dau of/ J.T. Noble Anderson)./ Joan and "Jimmy", 1934the hermitage, john william lindt, narbethong, victoria, black spur, ferdinand von mueller, melbourne botanic gardens, new guinea, catherine lindt, joan anderson

Ill, p.159.non-fictionDescribes the life and times of Josip Brozworld war 1939-1945 - biography, josip broz

SoftcoverContains tear out of "On the Spot" newspaper column by John Sorell quoting 'Australia' poem by Prof Hopewalsh st library

Part of a series of prison broadcast productions delivered by 3CR. Includes interviews, songs, poems and messages from Indigenous inmates, and also features Kutcha Edwards. Meg Butler (technical producer)2 CD setwurundjeri, kulin, social justice, prison system, rehabilitation, dame phyllis frost centre, port phillip prison, fulham correctional centre, barwon prison, loddon prison, marngoneet correctional centre

b&w illustrations, letters, documentsaustralian history sources, royal geographical society of australasia, manuscripts