A digital copy of a black and white photograph taken at the entrance to "The Hermitage" at Narbethong in Victoria.A digital copy of a black and white photograph taken at the entrance to "The Hermitage" at Narbethong in Victoria. "The Hermitage" was built by photographer John William Lindt as a home and guesthouse in 1894. John Lindt had previously photographed the mountain scenery of the Black Spur and purchased 71 acres and subseqently built his home and guesthouse from where he continued his career. "The Hermitage had a garden designed by John Lindt's friend, Ferdinand von Mueller, who was at one stage the Director of the Melbourne Botanic Gardens. The garden featured New Guinea tree houses from which John Lindt made frequent panoramas of his property and the surrounding forest of towering mountain ash. Aged 81 Lindt died of heart failure during disastrous bushfires on 19 February 1926 at the Hermitage. He was survived by his wife Catherine who continued to run ‘The Hermitage’ guest house before she retired to the city. In the early 1930s, Joan Anderson purchased the property, maintaining it as a guesthouse.Entrance to "The Hermitage",/ Black Spur, Narbethong, Victoria;/ Joan Anderson, proprietor (dau of/ J.T. Noble Anderson)./ Joan and "Jimmy", 1934the hermitage, john william lindt, narbethong, victoria, black spur, ferdinand von mueller, melbourne botanic gardens, new guinea, catherine lindt, joan anderson

Ill, p.159.non-fictionDescribes the life and times of Josip Brozworld war 1939-1945 - biography, josip broz

SoftcoverContains tear out of "On the Spot" newspaper column by John Sorell quoting 'Australia' poem by Prof Hopewalsh st library

Part of a series of prison broadcast productions delivered by 3CR. Includes interviews, songs, poems and messages from Indigenous inmates, and also features Kutcha Edwards. Meg Butler (technical producer)2 CD setwurundjeri, kulin, social justice, prison system, rehabilitation, dame phyllis frost centre, port phillip prison, fulham correctional centre, barwon prison, loddon prison, marngoneet correctional centre

b&w illustrations, letters, documentsaustralian history sources, royal geographical society of australasia, manuscripts

triptych

painting

Apparently the garage belonged to Peter Brock’s family for which it was locally known and referred to as “Brock’s Garage”."Main Road Hurstbridge" on front On reverse of image: Hurstbridge Main Road Aug 7 1971 Taken by Narian Mitchell (nee Robinson)"fc holden station sedan, hurstbridge, hurstbridge motors, main road, shell service station, peter brock, brock's garage

Geelong is famous for its bollards. Created by local artist Jan Mitchell, the colourful bollards spot the foreshore, representing a fascinating and fun chronicle of the city’s past. Few people know that Mitchell planned for a flock of sheep to be part of her public art project. The wool industry is an important part of Geelong’s history, so Mitchell thought what better than a flock of sheep to welcome people to the city. The flock (and a Shepard) were to be placed out on the Melbourne-Geelong highway, near Lara, to welcome travellers to the city. The sheep would then be scattered along the road as a wayfinding signal to bring people to Geelong. When traffic authorities heard the plan for bollard sheep along the road, they squashed the project as a potential distraction for drivers. Another flock was also suggested for the hills of the eastern gardens, overlooking the bay. This was also disapproved; so Mitchell only ever partially completed four sheep bollards. The bollards are remnants of Jan Mitchell’s flock of sheep. The sheep also show the evolution of one of Geelong’s most iconic art installations. From the first sheep showing the raw timber of the old Yarra Street pier, to the sheep without a face, through to the completed sheep, it is possible to trace Mitchell’s process in the preparation of the bollards. The lost bollards form part of the National Wool Museum’s unique collection. The first bollard is the least complete, still in its original timber colour. From the central cylindrical shape, an additional wedge protrudes. This unpainted wedge forms what would have been the face of the sheep, with an ear present on either side that would have been painted white. Presently they are a bare metal. No legs are present on this bollard. The second and third bollard are completed to a similar level. They have a central cylindrical shape with an additional wedge protruding from the front of the timber. This wedge forms what would have been the face of the sheep, with an ear present on either side. The face and ears have been painted white but the finer details such as the eyes have not been added. These bollards bodies have also been painted white and have their legs attached. The legs are thin metal cylinders, approximately 50mm in diameter and 500mm long. The fourth bollard Is complete. It has the same central cylindrical shape with an additional wedge protruding from the front of the timber. This wedge forms the completed face of the sheep, with an ear present on either side that has been painted white. The face also features completed painted eyes. This bollard has its legs attached. The legs are thin metal cylinders, approximately 50mm in diameter and 500mm long. geelong, bollards, geelong's bollards, jan mitchell

Two photographs taken from Mount Cooper, the highest point in Melbourne, on 30/03/2016, by Roy J. Mitchell2 colour photographs and lettermount cooper, bundoora

Set of three adhesive label or car sticker with images of 1 -- Shoulder patch of the United States Marine Corps - made by Mitchell 2 - ditto - 1st Marine Division - with the word "Guadalcanal" vertically - made by Mitchell 3 - ditto - 11th Marines - The Cannon cockers - made by Vanguard of California. Donated to the Museum by the son of US Marine whose father was at Victoria Park, July 2018, - noting that they were badges or insignia of the units that were in Victoria Park during 1943. Refer to https://www.ozatwar.com/usmc/1stmarinedivision.htm - accessed 18/1/2019 which confirms the items being at Victoria Park. tramways, trams, world war i, victoria park, ballarat

John MITCHELL (1837 - 14 July 1926) Born Woodside, Donside, Scotland John Mitchell attended evening classes under James Giles in Aberdeen, and was also taught by his uncle the Peterhead artist John Mitchell. After an apprenticeship at a local lithographic company (Keith and Gibb) John Mitchell went to London to study at the Slade under Legros. Returning to Aberdeen he painted many scenes around the city and Aberdeenshire, including Balmoral, under the patronage of Queen Victoria. John Mitchell gave lessons in painting to the Royal Family. His landscapes are highly coloured with dominant blues and purples in the hills and with vivid greens and yellows in the foreground, subtly fused and never garish. He lithographed sketches for John Stewart's 'The Sculptured Stones of Scotland', 2 vols 1856-57, illustrated 'Under Lochnagar' 1894. His landscapes of Aberdeenshire are highly prized especially in the area in which he lived. His painting in the Mearns is regarded by some as his best work. In 1875 he painted an interior of Culter Castle and its Chapel which was subsequently purchased by the owner and in 1883 showed a portrait of his mother. Lived latterly at 10 Gladstone Place, Queen's Cross, Aberdeen. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed watercolour of a creek in Scotland.art, artwork, art, artwork, john mitchell, mitchell, scotland, scottish

View from Grace Mitchell's shop at the corner of Mount Pleasant Road and Main Road. Grace Mitchell was probably best known for her Eltham shop at the corner of Mt Pleasant Road and Main Road. Grace's memories covered many local identities who were patrons of her shop between 1954 and 1971. From the elevated position of her shop and home Grace was able to view a varied passing parade of Eltham events from ERSILAC, Easter and Eltham Festival parades passing on their way to Eltham Lower Park, circuses in Wingrove Park (then Bremner’s Reserve), roadworks and other happenings. Bremner's Reserve was renamed Wingrove Park c.1970 This photo was from a series of images presented by Grace Mitchell at a Society talk 10 March 1993 on the theme of “My Eltham”.35mm Kodak 5052 TMX Black and White transparency, 1 strip, 6 frames Black and white print 17 x 25.4 cmashtons circus, bremner's flat, circus, grace mitchell, main road, mount pleasant road, wingrove park

View from Grace Mitchell's shop at the corner of Mount Pleasant Road and Main Road. Grace Mitchell was probably best known for her Eltham shop at the corner of Mt Pleasant Road and Main Road. Grace's memories covered many local identities who were patrons of her shop between 1954 and 1971. From the elevated position of her shop and home Grace was able to view a varied passing parade of Eltham events from ERSILAC, Easter and Eltham Festival parades passing on their way to Eltham Lower Park, circuses in Wingrove Park (then Bremner’s Reserve), roadworks and other happenings. Bremner's Reserve was renamed Wingrove Park c.1970 This photo was from a series of images presented by Grace Mitchell at a Society talk 10 March 1993 on the theme of “My Eltham”.35mm Kodak 5052 TMX Black and White transparency, 1 strip, 6 frames Black and white print 17 x 25.4 cmashtons circus, bremner's flat, circus, grace mitchell, main road, mount pleasant road, wingrove park

View from Grace Mitchell's shop at the corner of Mount Pleasant Road and Main Road. Grace Mitchell was probably best known for her Eltham shop at the corner of Mt Pleasant Road and Main Road. Grace's memories covered many local identities who were patrons of her shop between 1954 and 1971. From the elevated position of her shop and home Grace was able to view a varied passing parade of Eltham events from ERSILAC, Easter and Eltham Festival parades passing on their way to Eltham Lower Park, circuses in Wingrove Park (then Bremner’s Reserve), roadworks and other happenings. Bremner's Reserve was renamed Wingrove Park c.1970 This photo was from a series of images presented by Grace Mitchell at a Society talk 10 March 1993 on the theme of “My Eltham”.Black and white print 17 x 25.4 cmbremner's flat, main road, mount pleasant road, wingrove park

View from Grace Mitchell's shop at the corner of Mount Pleasant Road and Main Road. Grace Mitchell was probably best known for her Eltham shop at the corner of Mt Pleasant Road and Main Road. Grace's memories covered many local identities who were patrons of her shop between 1954 and 1971. From the elevated position of her shop and home Grace was able to view a varied passing parade of Eltham events from ERSILAC, Easter and Eltham Festival parades passing on their way to Eltham Lower Park, circuses in Wingrove Park (then Bremner’s Reserve), roadworks and other happenings. Bremner's Reserve was renamed Wingrove Park c.1970 This photo was from a series of images presented by Grace Mitchell at a Society talk 10 March 1993 on the theme of “My Eltham”.Black and white print 17 x 25.4 cmbremner's flat, diamond creek, floods, main road, mount pleasant road, wingrove park

View from Grace Mitchell's shop at the corner of Mount Pleasant Road and Main Road. Grace Mitchell was probably best known for her Eltham shop at the corner of Mt Pleasant Road and Main Road. Grace's memories covered many local identities who were patrons of her shop between 1954 and 1971. From the elevated position of her shop and home Grace was able to view a varied passing parade of Eltham events from ERSILAC, Easter and Eltham Festival parades passing on their way to Eltham Lower Park, circuses in Wingrove Park (then Bremner’s Reserve), roadworks and other happenings. Bremner's Reserve was renamed Wingrove Park c.1970 This photo was from a series of images presented by Grace Mitchell at a Society talk 10 March 1993 on the theme of “My Eltham”.35mm Kodak 5052 TMX Black and White transparency, 1 strip, 6 frames Black and white print 17 x 25.4 cmgolden fleece service station, main road, mount pleasant road

View from Grace Mitchell's shop at the corner of Mount Pleasant Road and Main Road. Grace Mitchell was probably best known for her Eltham shop at the corner of Mt Pleasant Road and Main Road. Grace's memories covered many local identities who were patrons of her shop between 1954 and 1971. From the elevated position of her shop and home Grace was able to view a varied passing parade of Eltham events from ERSILAC, Easter and Eltham Festival parades passing on their way to Eltham Lower Park, circuses in Wingrove Park (then Bremner’s Reserve), roadworks and other happenings. Bremner's Reserve was renamed Wingrove Park c.1970 This photo was from a series of images presented by Grace Mitchell at a Society talk 10 March 1993 on the theme of “My Eltham”.Black and white print 17 x 25.4 cmcars, bremner's flat, eltham, ersilac parade, main road, mount pleasant road, wingrove park, festival, horse drawn carriage

View from Grace Mitchell's shop at the corner of Mount Pleasant Road and Main Road. Grace Mitchell was probably best known for her Eltham shop at the corner of Mt Pleasant Road and Main Road. Grace's memories covered many local identities who were patrons of her shop between 1954 and 1971. From the elevated position of her shop and home Grace was able to view a varied passing parade of Eltham events from ERSILAC, Easter and Eltham Festival parades passing on their way to Eltham Lower Park, circuses in Wingrove Park (then Bremner’s Reserve), roadworks and other happenings. Bremner's Reserve was renamed Wingrove Park c.1970 This photo was from a series of images presented by Grace Mitchell at a Society talk 10 March 1993 on the theme of “My Eltham”.Black and white print 17 x 25.4 cmcars, bremner's flat, eltham, ersilac parade, main road, mount pleasant road, wingrove park, festival, horse drawn carriage

View from Grace Mitchell's shop at the corner of Mount Pleasant Road and Main Road. Grace Mitchell was probably best known for her Eltham shop at the corner of Mt Pleasant Road and Main Road. Grace's memories covered many local identities who were patrons of her shop between 1954 and 1971. From the elevated position of her shop and home Grace was able to view a varied passing parade of Eltham events from ERSILAC, Easter and Eltham Festival parades passing on their way to Eltham Lower Park, circuses in Wingrove Park (then Bremner’s Reserve), roadworks and other happenings. Bremner's Reserve was renamed Wingrove Park c.1970 This photo was from a series of images presented by Grace Mitchell at a Society talk 10 March 1993 on the theme of “My Eltham”.Black and white print 17 x 25.4 cmcars, bremner's flat, eltham, ersilac parade, main road, mount pleasant road, wingrove park, festival, horse drawn carriage

Set of 24 colour prints of photos taken by Roy Mitchell between 1974 and 1998. For a listing of the prints see htd5640list.pdf. Word file and scanning by Mal Rowe. Roy Mitchell photos.docx Roy Mitchell photos.pdf RoyM1_Arts Centre_6Jun1998_RoyMitchell.jpg RoyM2_Arts Centre_6Jun1998-2_RoyMitchell.jpg RoyM3_Horse Car 256-AlbertPark_1974_RoyMitchell.jpg RoyM4_2055_Bundoora Opening_McLeansRd_12Oct1995_RoyMitchell.jpg RoyM5_70_Swanston St_25Sep1994_Roy Mitchell.jpg RoyM6_954_Princes Bridge_26Jan1994_Roy Mitchell.jpg RoyM7_954_Princes Bridge_26Jan1994_Roy Mitchell.jpg RoyM8_866_Flinders St_25Sep1994_Roy Mitchell.jpg RoyM9_Horse Car 256-Albert Park_1974_Roy Mitchell.jpg RoyM10_1020_Bourke St_1Nov1995_Roy Mitchell.jpg RoyM11_TrackRenewal_St GeorgesRd_4Nov1995_Roy Mitchell.jpg RoyM12_11W_University Terminus_16Jan1966_Roy Mitchell.jpg RoyM13_11W_ElginSt_16Jan1966_Roy Mitchell.jpg RoyM14_2112_First Car-No 3-shunt_16Jan1966_Roy Mitchell.jpg RoyM15_104_Spencer St_5Oct1997_Roy Mitchell.jpg RoyM16_Crossing-Renewal_Swanston-CollinsSt_7Jun1997_Roy Mitchell.jpg RoyM17_Trackwork_Brunswick St-shunt_10Nov1998_Ro yMitchell.jpg RoyM18_Riversdale Rd-pantograph_7Feb1998_Roy Mitchell.jpg RoyM19_Curve-renewal-Gisborne St_21Feb1998_Roy Mitchell.jpg RoyM20_2081_Victoria St-shunt_8Mar1998_Roy Mitchell.jpg RoyM21_2007etal_Park St_St Kilda_8Mar1998_Roy Mitchell.jpg RoyM22_New-tramway_Exhibition St Extension_Dec1998_Roy Mitchell.jpg RoyM23_Batman Ave-terminus-removal_16Jun1999_Roy Mitchell.jpg RoyM24_Batman Ave-cabin-removal_16Jun1999_Roy Mitchell.jpgAll have information written on the rear of the photo by the photographer and the donor.trams, tramways, trackwork, horse tram, bundoora, opening, swanston st, princes bridge, shelters, bourke st, melbourne university, work trams, collins st, elgin st, spencer st, riversdale rd, gisborne st, victoria st, shunting, park st, exhibition st, batman ave, tram 256, tram 2055, tram 1020, tram 11w, tram 2112, tram 104, tram 2046, tram 2081

Set of four colour prints of BTM operations taken by Roy J Mitchell. .1 - 40 and 27 at Gardens loop - 1975 .2 - 40 ditto .3 - No. 26 running out - note all the boards or signs in the tram. .4 - No. 14 at St Aidans Drive.Detail on the rear of each photo are the details of the image and the photographer. Date of 1973 is incorrect, should be 1975 at the earliest. trams, tramways, sebastopol, albert st, tours, grey st, tram 14, tram 26, tram 27, tram 40

This Can opener was used at the Bandiana Golf Club near Wodonga. Bonzer was a trademark of Mitchell & Cooper of England. Alfred Mitchell & Arthur Cooper started as silversmiths and engravers in 1879 in East London. The family owned business is still operated by Guy Cooper, great grandson of Arthur Cooper. Bandiana Army Golf Club 18 hole course opened in 1949. The Club reached its highest membership with 400 members in the late 1980s. Members played their last competition at this course on 30th October 2103.This utensil was used at the Bandiana Army Golf Course near Wodonga.Cast iron commercial can opener with rotating handle including a red knob.Underneath base plate "THE BONZER /TRADEMARK/ CATERER'S/ CAN OPENER/ MADE IN ENGLAND"caterers' utensils, kitchen utensils