In 1902, the Shire of Boroondara was renamed the Shire of Boroondara and Camberwell. Gold coronation small medal. One side depicts the shield of Camberwell and the other side has the profiles of Edward VII and Princess Alexandra.One side is inscribed with 'W.G. McBeath President' and 'Shire of Camberwell and Boroondara 1902' and the other 'Edward VII and Alexandra - Crowned 26 June 1902.'boroondara, edward vii, princess alexandra, medalet, camberwell, coronation

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is significant as it is part of 25-piece collection of women’s clothing owned by Edith Mary Weir (nee Betteridge), who was born in Clare, South Australia in 1867 and who died in Kew at the age of 81 in 1948. The items of clothing in the collection date from the 1880s to the 1940s and constitute outstanding examples of dressmaker’s skills from each of these decades. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife of a mining engineer, and later mine manager, Edith Weir’s clothing has historic significance as examples of clothing worn by upper middle class Australian women in domestic circumstances and at social and civic events. The costumes in the collection represent the periods when Edith Weir lived in Broken Hill, New South Wales, and in Kew, Melbourne. A number of the costumes from the 1920s to the 1940s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by the granddaughter of Edith Weir. An Edwardian slik, net and broderie anglaise bed jacket, bought by and worn by Edith Mary (Betteridge) Weir. Given the date of the item, the jacket was initially worn in Broken Hill where the Weir's lived, when her husband was Manager of the North Broken Hill Mine and later brought to Kew, ca. 1917 when the Weirs moved to Princess Street, Kew. The jacket was gifted by Edith Weir's grandaughter. It forms part of the Society's Weir Collection.edith mary weir (nee betteridge), 84 princes street (kew), costumes, fashion & design collection - kew historical society, women's clothing, weir collection

WW1 Brass tin type container, containing a pack of cigarettes and tobaccoLid has etchings : Imperium Britannicum Christmas 1914, left side France, right side Russia. Cameo with a laurel wreath depicting Princess Mary. Cigarettes and tobacco packets printed with "Her Royal Highness The Princess Mary's Christmas Fund 1914.chiltern, ww1

Until late 1925, all record players reproduced sound by purely mechanical means and relied on a so-called "amplifying" horn to efficiently couple the vibrations of the stylus and diaphragm to the space occupied by the listeners. In 1906, the Victor Talking Machine Company, Columbia's arch competitor, introduced a line of models in which the horn and other hardware were concealed within a cabinet, made to look like fine furniture rather than a mechanical device. They named the new style a "Victrola". It quickly proved to be very popular and successful. Other makers, adopting the distinctive suffix, introduced their own "-ola" internal horn machines, such as Edison's Amberolas and Columbia's Grafonolas. They were soon outselling the external horn models. At first, like nearly all other early record players, all Grafonolas were driven by a spring motor that the user had to wind up with a crank before playing a record. In 1915, Columbia began to introduce electric-motor-driven models, as a majority of urban areas had been wired to electrical grids. The electrified Grafonolas supported both alternating and direct currents from 110 to 220 volts. Electrified Grafonolas never gained the popularity enjoyed by the spring motor-driven versions due to substantially higher prices and a lack of electrical service in rural areas. Grafonolas were manufactured under the 1886 United States Letters Patent No. 341,214 which Columbia Graphophone company acquired through its predecessor American Graphophone Company. Two models were available; a portable table model and bigger stationary floor model, offering limited mobility through the application of casters. The most notable table models included Grafonola Favorite introduced in 1911 and Grafonola Savoy introduced in 1915. The most notable floor models included Grafonola Symphony Grand introduced in 1907, Grafonola Regent introduced in 1909, Columbia Mignon introduced in 1910, Grafonola Princess introduced in 1911, Columbia Colonial introduced in 1913. Various period Grafonolas were introduced in 1917 to cater to an increasingly prosperous clientele. Columbia Phonograph Company began to manufacture a series of ornate, limited edition period machines. These were highly priced (some as high as US$2,100 ) special orders that provided consumers with options to choose styles which matched their interior décor. Although the Gramophone does not have a large monetary value, it is of social significance as it demonstrates the progress made in audio reproduction from the first Edison cylinder machines to improvements that allowed ordinary people to be able to buy music discs and enjoy music in their own homes. Gramophone with internal horn, floor model, mechanically operated by a crank handle. Colombian Grafonola Princess (Type F2) brand. Gramophone is in a wooden display cabinet with room for record storage underneath and is complete with handle. Manufactured in 1911 by Columbia, USA."Columbia Grafonola Type 2 Made in USA"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, record player, gramophone, mechanical gramophone, floor model gramophone, gramophone record, columbia graphophone company, american graphophone company, columbia, grafonola, grafonola princess, music, playing music, audio reproduction, sound equipment, domestic entertainment, 1911 gramophone

Coloured photograph showing HRH Prince Charles and gent in brown suit shaking hands. HRH Princess Diana looks on. Adult female in near background. Adult males in background. History: Visit to Bendigo 1983 by the Prince and Princess of Wales, Charles and Diana. James Lerk 18.2.2000 'Prince Charles and Lady Diana visit to the Shamrock Hotel Bendigo 1983'person, family, husband and wife, see also 2001 060.01, 2001.062.01

A box decorated with pictures of animals. Contains magazine articles on animals throughout the world. Sources include, ' Woman's Day,' 'Princess,' and 'Animals.' Dated 1960s.'ANIMALS (2)sciences, general, animals, lydia chancellor, collection, animals, wild animals, insects, birds, ephemera, sciences

Document. Six page Theatre Program Booklet advertising ''Carmen'' Opera, Princess's Theatre, Melbourne. No date. Newspaper clipping glued to front page.performing arts, elocution, opera

Document. Four page flyer with pink cover advertising Miss Tittell Brune in ''Leah Kleschno'' and ''Merely Mary Ann'', Royal Princess Theatre.performing arts, elocution, theatre

Diana, Princess of Wales is being welcomed by the Governor General of Victoria, Sir Brian Murray on her arrival at Tullamarine Airport on 14 April 1983.dignitaries, tullamarine airport, armed forces, politicians, charles, prince of wales, diana, princess of wales, murray, brian sir, shire of bulla, george evans collection

Photograph of an Engraving depicting the interior of the Royal Princess Theatre, built in 1874. The engraving copy is from the Australian Sketcher, supplied by the Latrobe State Library Victoria.buildings, commercial, royal princess theatre, royal princess theatre, bendigo theatres

Postcard: HRH Princess Margaret Rose, daughter of the Duke and Duchess of York. Image shows baby resting on lace pillows. Beagles' postcard.1930's ?royalty, british, princess margaret, princess margaret, royalty

Document. Brown paper theatre program advertising Mr J.C.Williamson's Musical Company in ''The Runaway Girl'' and ''San Boy'' 1903. Royal princess Theatre, Bendigo.performing arts, elocution, theatre

Bendigo 1950s. Bendigo Easter Fair 22/4/1957. Princess ____ School of Dance float, Myers Street in front of Potter Bros, Neptune Oil.event, easter fair, bendigo easter fair, bendigo 1950s. easter fair 22/4/1957. princess ____ school of dance float, myers street potter bros, neptune oil.

Negative of a photograph of a cable tram set in Nicholson St turning into Spring St with the Parliament House in the background. Has the Windsor Hotel, and the Princess Theatre in the background.trams, tramways, cable trams, nicholson st, spring st, parliament

Ron Setford and his wife Grace Setford lived in Tanner Avenue, East Kew, from c.1946 to c.1995. A keen photographer, he recorded the changing face of Kew over a 20 year period. Apart from 30 photographs of built structures and places in Kew dating from 1960 and 1961, 145 of his 35mm colour slides chronicle the development of the F19 (later renamed Eastern) Freeway through the Yarra Valley in Kew over a five year period from c.1972 to c.1977. This important collection was donated to the Society by his granddaughter in 2025.This collection of 175 35mm slides is of local and statewide significance, owing to its subject matter, particularly the major development of road transport infrastructure during the 1970s with the construction of the Eastern Freeway. The photographer also took care to annotate and date most of his slides which enable the researcher to pinpoint temporal and spatial locations.Workers and equipment at the beginning of construction of the Eastern (F19) Freeway in 1972. The site was identified by the photographer as being at the corner of the Chandler Highway, Earl Street and Princess Street."Eastern Freeway / Princes St Chandler H/way Earl St / Feb 72"ron setford, eastern freeway, f19 freeway

Princess Theatre, Eighty first Birthday Souvenir Programme 1874 1955. Eight page booklet. Subjects include, History of theatre, Don Vincent Manager. Advertisements, Radio Taxis, Kings Dry Cleaners, John V Schenk Florist, Morley Johnsons, Ron Meurer, Melody Bar. Cinema photograph, Seven Brides Seven Brothers. Photograph Princess Theatre Staff 1955.theatre

Visit of Princess Elizabeth and Phillip to Portland, 1952.Red cloth (satin) pennant attached to dowel stick. White and blue words. Coat of Arms on left.Front: See title

Visit of Princess Elizabeth and Phillip to Portland, 1952.Front: See title

BoQ Inspectors outside shed in Princess ParkHistorical photos of early days of QMM build, c1981Colour photos of early QMM construction, c1981Reverse " inspection holes for foundations / Mr Col Cairns & Mr Henry Hudson / Outside Queenscliffe 22 Dec 1981 / Gil Allbutt photographer ".historical references

Hazel, aged 5, was one of 3 little girls who presented a beautiful workbox for Princess Elizabeth to the Duchess of York in 1927. Perhaps this stimulated her interest in the young princesses, although this was typical of young girls of the period. Scrapbook compiled by Hazel Trembath Wilson during the 1930s; illustrates a young girl's interests i.e. many pictures cut out of newspapers and magazines and pasted into bookdomestic life, celebrations fetes and exhibitions, children, costume, hazel trembath wilson, royal visit

Document. Royal Princess Theatre Program featuring Mr Alf C. Bottoms, Mr Geo. Jennings, Little Baby Wright. August 1905. Two copies.performing arts, elocution, theatre program

Veil worn by Margary (Madge) Isabelle Brydon. Was later worn by many (about 15) local ladies who lived in the area of Rushworth. Madge's daughters, Molly and Isobel both wore the veil at their weddings in 1938 and 1945. Donor is granddaughter of bride. Veil made by bride and described in the Waranga Basin newspaper at the time. Margary (Madge) Brydon married Edward (Ward) Sprunt at the bride's family home in Carag Carag, Victoria on 10th April 1912. Veil also worn by Mary (Molly) Leith at her wedding to William (Bill) Paynter on 18 January 1932 at Stanhope Presbyterian ChurchCream 1912 cotton net Princess veil. Lace is handmade tape and cotton embroidery. See Also NA3494 -wedding dress, NA3496 - shawl and photograph NA3498costume, female ceremonial

1977 Melbourne season of The Australian Opera. Princess Theatrewalsh st library

A white booklet with red, blue, brown and black print. On the front cover are the words 'The Desert Song A Warner Bros. Vitaphone Production The Princess Review.' On the inside are the words, 'The Princess Review Vol. 1 No. 3 December 14, 1929 Gratis.' This review features coming theatre attractions and in this particular issue features especially ' The Desert Song.' A Warner Bros. Vitaphone Production. It also includes many advertisements.event, entertainment, music, lydia chancellor, collection, event, entertainment, theatre, music, opera, singing, programme, program

Photograph was taken at the Mission to Seafarers Melbourne. It is historically significant as it marks a royal visit made by the Duke and Duchess of Gloucester during the Duke of Gloucester's term as 11th Governor General of Australia (1945 - 1947). Princess Alice, Duchess of Gloucester, GCB, CI, GCVO, GCStJ, GBE (born Lady Alice Christabel Montagu Douglas Scott; 25 December 1901 – 29 October 2004) was the wife of Prince Henry, Duke of Gloucester, the third son of King George V and Queen Mary. Frank Oliver was MTS chaplain during this period. The Gloucesters did not return to Australia on any official visit until 1965. (see ADB entry for Duke of Gloucester) According to the list of engagements from the Argus, on Saturday the Duke and Duchess left Governor House to visit the Central Institute at 11am where they were received by the Governor and Lady Dugan, the chaplain (Padre Oliver) and members of the committee. They left at 11.15am : the legend of the picture "AS THE DUCHESS LEFT THE MISSION TO SEAMEN Central Institute on Saturday morning, Padre Frank Oliver, chaplain, called for three cheers, which were given heartily."This photograph reveals the contemporaneous relationship between Australians and the British Royal family and connection through the International organisation that is the Mission to Seafarers. Current President is HRH the Princess Royal.Black and white photograph of Princess Alice the Duchess of Gloucester. The Duchess at middle left with Chaplain Frank Oliver at middle right. The Chaplain is waving and possibly leading a cheer. He is wearing a naval uniform. The Duchess is wearing a black hat and white short-sleeved dress holding a bunch of flowers. In the left of the photograph is a man holding his right arm up hiding his face from view. In the background there is a crowd of onlookers behind a railing.Front: "Duchess of Gloucester 1969" in blue pen in the bottom right corner. (see also notes re this date) There is also what appears to be a watermark on the middle left side. Back: "H.R.H. Duchess of Gloucester visiting Missions to Seamen, Melbourne." in the top left corner on an angle. "Copyright The Argus, Melbourne. Photograph Neg. No. U-646 Ref. No." in purple ink in the middle. The Neg. No. is in pencil.uniform, flowers, chaplain, princess alice, mission to seafarers, mission to seamen, duke of gloucester, duchess of gloucester, governor general, frank leslie oliver, padre oliver, royal visit, flinders street, melbourne

Hoyts Cinema. Advertising Ever Since Venus. Milk Bar next door advertising Peters Ice Cream. Handwritten on back: Glenhuntly Hoyts c 1938 LR Tod Collectionblack and white photograph good condition unmountedHoyts. Peters Ice cream. Tonight Princess and the Pira�, Ever Since Venus. Glenhuntly Hoyts, c1938, LR Tod collection.