When the ship Schomberg was launched in 1855, she was considered the most perfect clipper ship ever to be built. James Blaine’s Black Ball Line had commissioned her to be built for their fleet of passenger liners. At a cost of £43,103, the Aberdeen builders designed her to sail faster than the quick clippers designed by North American Donald McKay. She was a three masted wooden clipper ship, built with diagonal planking of British oat with layers of Scottish larch. This luxury vessel was designed to transport emigrants to Melbourne in superior comfort. She had ventilation ducts to provide air to the lower decks and a dining saloon, smoking room, library and bathrooms for the first class passengers. At the launch of Schomberg’s maiden voyage, her master Captain ‘Bully’ Forbes, drunkenly predicted that he would make the journey between Liverpool and Melbourne in 60 days. Schomberg departed Liverpool on 6 October 1855 with 430 passengers and 3000 tons cargo including iron rails and equipment intended the build the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. The winds were poor as Schomberg sailed across the equator, slowing her journey considerably. She was 78 days out of Liverpool when she ran aground on a sand-spit near Peterborough, Victoria, on 27 December; the sand spit and the currents were not marked on Forbes’s map. Overnight, the crew launched a lifeboat to find a safe place to land the ship’s passengers. The scouting party returned to Schomberg and advised Forbes that it was best to wait until morning because the rough seas could easily overturn the small lifeboats. The ship’s Chief Officer spotted SS Queen at dawn and signalled the steamer. The master of the SS Queen approached the stranded vessel and all of Schomberg’s passengers were able to disembark safely. The Black Ball Line’s Melbourne agent sent a steamer to retrieve the passengers’ baggage from the Schomberg. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Local merchants Manifold & Bostock bought the wreck and cargo, but did not attempt to salvage the cargo still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. After two of the men drowned when they tried to reach Schomberg, salvage efforts were abandoned. In 1975, divers from Flagstaff Hill, including Peter Ronald, found an ornate communion set at the wreck. The set comprised a jug, two chalices, a plate and a lid. The lid did not fit any of the other objects and in 1978 a piece of the lid broke off, revealing a glint of gold. As museum staff carefully examined the lid and removed marine growth, they found a diamond ring, which is currently on display in the Great Circle Gallery. Flagstaff Hill also holds ship fittings and equipment, personal effects, a lithograph, tickets and photograph from the Schomberg. Most of the artefacts were salvaged from the wreck by Peter Ronald, former director of Flagstaff Hill. The Schomberg, which is on the Victorian Heritage Register (VHR S612), has great historical significance as a rare example of a large, fast clipper ship on the England to Australia run, carrying emigrants at the time of the Victorian gold rush. She represents the technical advances made to break sailing records between Europe and Australia. Flagstaff Hill’s collection of artefacts from the Schomberg is significant for its association with the shipwreck, The collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Schomberg. It is archaeologically significant as the remains of an international passenger Ship. It is historically significant for representing aspects of Victoria’s shipping history and for its association with the shipwreck and the ship, which was designed to be fastest and most luxurious of its day Horse Brass, has verdigris, bottom section of a heart, the rest broken off. Recovered from the wreck of the Schomberg.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, horse brass, schomberg, shipwrecked-artefact, clipper ship, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen

Slide. Bendigo Train in Town. 'R' Class 766 Engine, at rest in park near Bendigo Railway Station.slide, bendigo, bendigo train in town., bendigo train in town.

Born: East Melbourne, Victoria, Australia 1912; Lived and worked: England 1935-1949; Died: Melbourne, Victoria, Australia 1949SurrealismBennett Bequest, 1999 Explorers Burke and Wills rest against a large rock with a bottle at their feet. Gold and grey brushed timber frameRecto: Not signed, not dated, not titled painting, figures, abstract, rock, water, bottle

Made in Camp 1 by AW - initials on back for Mr. FJ Haslinger in 1940. Mr Haslinger's initials and what is assumed to be his Prisoner No. (POW 2036) on the bottom. Given to Helmut Ruff as a momento when released from Camp in 1947Beaten copper ashtray with 4 indentations to rest cigarettes, hammered pattern either side of indentations and on bottom of ashtrayTatura POW - 2036 FJH 1940ashtray, haslinger fj, ruff h, camp 1, tatura, ww2 camp 1, smoking, accessory, copper

The Kirsch and Rohl families were work in the missions in New Guinea. They were interned in Camp 3 during WW2. Photograph taken 7 March 1945. Back row (left to right standing): Friedrich Rohl, Karl Heinz Kirsch and Karl Kirsch; Front row (sitting) Marie Rohr, Adelhaid Kirsch (standing in front of Marie), Hedwig Kirsch, Marianne Kirsch, Babette Kirsch and Gerhard Kirsch (standing in front of Babette. Black and white photograph of a 4 adults and 5 children (3 standing and rest sitting) in front of a hut. Copy.kirsch family, rohl family, new guinea missions, internment camp 3

Portrait of Bow Hutchings posing beside chair and pot plant in front of weatherboard buildingB/W Photgraph of a Young man Standing outside wearing a suit and bowtie. Left arm resting on a chair.stawell, bowen hutchings

Back Row: Richard Mitchell, Dawn Shuttleworth, Ken Perry, Jean Cray. Centre Row: Tom Cray, Amy Cray, Pearl Mitchell, Evelyn Cray, David Perry Front Row: Bruce Richards, Dorothy Cray, Robert Cray, Bill Shuttleworth, Barry Conwell, Edwin PerryB/W Photo 16 Students in 3 rows, 4 Standing, The rest seated. Photo Taken outsidedeep lead school, education

Danish brothers, Moritz, Julius and Jacob Cohn arrived in Bendigo in 1853 and by 1856 started making cider and soft drinks, building a brewery 1880 to further extend their commercial enterprises and stock their hotels with their own brand of beer. Having sent Moritz's son, (also Julius) to Germany to learn to brew, the Cohn Brothers began to produce Excelsior Lager in 1882, which was traditionally served cold, the first time this had been done in Australia. Overtime the Cohn brothers expanded their operations adding cordials and in 1916 produced a non-alcoholic beer to satisfy the temperance activists. Originally named Tonic Ale but re-named 6 o’clock Lager after the temperance advocates succeeded in having pubs close at six o’clock. This ashtray is just one example of branded bar items which would have been supplied to hotels who served Cohns beverage to further promote the company. Cohn Brothers built an empire of breweries, cordial factories, hotels and liquor stores and ice works. In 1925 they sold the hotels and breweries to Carlton & United but continued to make their other products until the 1970s when the company became part of the Coca Cola Amatil Group. Jacob Isaac Cohn was born in 1830 (died 1911) in Horsens Denmark and entered the Sandhurst Borough Council in 1863 where he served as a member for three years, returning again in 1887 to serve as Mayor of the City of Bendigo from 1888-1889. Jacob Cohn was a great supporter of the Mechanics Institute, the Hospital and the Benevolent Asylum. It is believed that through his connection with the Mechanics Institute he exhibited some loaned engravings from the Dresden Art Gallery which were then donated to the City of Bendigo, forming the nuclei of the Art Gallery's collection. Jacob Cohn held the position of President of the Art Gallery for 18 years.Glass rectangle ashtray with shaped corners for resting cigarettes. Text printed in reverse in red ink on bottom of ashtray.Cohn Bros / C.B. / Soda Watermayor jacob cohn, bendigo art gallery, bendigo masonic lodge, making a nation, city of bendigo commerce, cohn brothers, cohns

BHS CollectionBendigo Advertiser ''The way we were'' from Monday, January 6, 2003. Rest time: more from the Darwin series of photos taken during World War 2 in 1942. in this shot soldiers rest against a truck on the side of a highway list outside Darwin. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Trench life WW1 a Propaganda image purports to show a bunch of 'jolly good chaps'Black and White PostcardOn Reverse: With a swinging Back-to-Billets step, these Anzacs are leaving trench duty for their well-earned rest.anzacs

It has been restored by lightstation staff in 2002. The phone has a fixed mouth piece and is attached to the lantern room wall on a timber box mount. Dating from the early twentieth century, it is the earliest of four telephones at the lightstation and the sole box-mounted model, and is also the only telephone in the lighthouse. It has a crank handle, a separate black hand piece and an inclined horizontal shelf for jotting down notes. The four telephones provided an intercom system that facilitated communication between the lightstation buildings. Four other wall-mounted phones remain at the Cape Nelson Lightstation but unlike the Gabo Island example they do not provide a rest for jotting down notes. As a fixture, the telephone is part of the building fabric and is included in the existing Victorian Heritage Register extent of registration for the Gabo Island Lightstation (H1773). As a fixture, the telephone is part of the building fabric and is included in the existing Victorian Heritage Register extent of registration for the Gabo Island Lightstation (H1773). It is significant for its historic value and provenance, and relative uniqueness in a Victorian lighthouse.Telephone, wall-mounted in a wooden surround. Black crank handle on right-hand side. Separate black hand piece on left-hand side attached to main body by a fabric covered cord. The mouthpiece is fixed to the front of the telephone. There is a wooden rest attached to the lower front of phone on an angle. There are two half circular bells attached to the phone above the mouthpiece.

The C.W.A. rooms were in Munro Street, Orbost and were used for many activities, including Sunday School classes and dance lessons. This event was opened by Mrs J.N. Spittle, the state president of the C.W.A. The program lists an address by Sir Albert Lind M.L.A. In Australia, the Country Women’s Association was first formed in New South Wales and Queensland in 1922. Subsequently each State and the Northern Territory formed an Association, a process which took a period of 14 years. Mrs Spittle was the national president from 1951-1953. This item is of social significance as a representation of the role that the C.W.A. has played in the local and extended community. A souvenir program for the opening of a C.W.A. rest room in 1953. It is rectangular in shape with green print on white card with a black frame. Handwritten in pen on the back -"Thought you might like to have this love Annie"c.w.a. country-women's-association-victoria-orbost associations-women

This is an example of a once common motoring accessory no longer used.A hand-operated car tyre pump with brass fittings. It has a steel tube, a wooden handle and a metal foot rest.pump tyre-pump car-accessories

Pair of wooden crutches with wooden rests for arm pits. Rubber stoppers on base. Fitted together with binding and nuts and bolts.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

This photograph is of Percy Nixon, son of James Nixon and Alice Roberts Percy Nixon married Evelyn Harding. The photographer was Warren, Helena (1871-1962) who was a self-taught photographer who became both the local press correspondent and a producer of humorous trompe l'oeil postcard images. Helena Warren was a thirty-two year old settler living on a small mixed farm with her husband, William, at Newmerella, near Orbost in Gippsland, Victoria, when she bought her first camera, an Austral Box quarter-plate. Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. In over fifty years practice she graduated from the total novice, who opened all her first mail order plates in bright sunlight and ruined them, to a competent photographer who became both the local press correspondent and an inveterate producer of humorous trompe l’oeil postcard images. Helena Francis Warren (nee McKeown) was married to William John Warren and lived in Newmerella. She supplied the photos for the Back-To-Orbost celebration book in 1937 and also designed the Back-To-Orbost badge. She was known for her soft toy making. (by Ivy Rodwell in from Personalities and Stories of the Early Orbost District by Mary Gilbert). This item is associated with a prominent Orbost family. George Nixon was the son of James and Alice Nixon. The Nixon families were among the earliest settlers on the Snowy River. This photograph also has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker.A black / white photograph of a young boy standing next to a very large pumpkin. His right arm is resting on the top.pumpkins-orbost warren-helena-photography nixon-percy

The photo relates to the collection re George Frederick Pierce DCM. This is the same photo as per others in the collection. Refer Cat No 1891P for his service, award and death.Round B & W portrait showing a soldier in uniform with one arm leaning on a rest. On the rear is hand written in pencil. On rear, “George Pierce of Sebastion Vic DCM KIA France 4.10.1917 age 22 years”photography, military, aif

Constable Alexander Fitzpatrick had a questionable character even before being posted to Greta Police Station in 1878. He made an attempt to arrest Dan Kelly but did not follow correct procedure. He went by himself and had also been drinking beforehand. While Fitzpatrick stated that he was assaulted and suffered a minor gun show wound at the hands of "Ned" Kelly and other family members, his claims were disputed by them. The Kellys "went bush" after this incident and two police parties - one led by Michael Kennedy - were sent in pursuit of them.Sepia toned photograph on cardboard showing Constable Alexander Fitzpatrick holding a riding crop with left elbow resting on a pillar."J.E. Bray, Photo Beecworth" (underneath photograph). "Portrait & Landscape Photographer J.E. Bray Beecworth, Victoria. Negatives kept, copies 1/. each, may be had by forwarding name and address accompanied with remittance to the amount of the order. Photographs coloured in water colours" (on reverse of carte de visite)alexander fitzpatrick, edward kelly, ned kelly, kelly gang, arrest, greta police station, 1878, bushrangers, carte de visite, bray, beechworth

This is a Victorian mourning sampler.This handwork is an example of the needlework skills of women in early settler families.Sampler of needlework with "sweet rest in heaven" . Simple geometric design and flowers. Gold and green carved ornate frame with nails.handcraft needlework hobbies

8684.1 - Metal stapler with one section painted red, the pressure pad is painted light green and the rest is bare metal.- MADE INENGLAND - USE VELOS 323 STAPLES - VELOS - REGISTERED DESIGN

Photograph of Vietnamese civilian mena and boys resting by the side of a dirt road. A bicycle and other civilians can be seen in the background.photograph, bicycle

This artwork was a finalist in the 1987 Shire of Eltham Art Awards. The materials Cowcher has chosen constitute different transformations of earth - stone, sand (fired into glass), bamboo and dried grass. The work is a sign of the artist's passion in working with these materials and 'packaging' them into an aesthetic composition that connect and dance with one another.Three purple glass objects in the form of pine cones, held together by raffia, resting on a large slab of white stone. N/A

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of Denis Gibbons in camoflague gear taking a rest at the 1 ATF Base Nui Dat, Vietnam.photograph, 1 atf base, gibbons collection catalogue, denis gibbons, photographer, vietnam war, nui dat

The two-door nineteenth century cabinet was purpose built with a curved back to fit the proportions of the lantern room interior and is likely to date from 1888-89 when the new lighthouse was fitted out and provided with furnishings and fixtures. The Public Works Department provided a range of lightstation furnishings including office desks and cabinets, and domestic settings for keepers’ quarters, with nineteenth century items often stamped with a crown motif and the PWD monogram. The curved cabinets installed in lantern rooms however do not appear to display this small feature. The cabinet needed to be custom made to fit the proportions of the room, and for this reason it was possibly made on site or perhaps even supplied by Chance Bros as part of the entire lantern room installation. The company usually provided timber panelling for their lantern room interiors (since removed from Point Hicks), and a cabinet may have been included in the assemblage. It may not have originally been painted; today doors area grey/silver colour and the rest of the cabinet is emerald green. It is not known whether it is freestanding or fixed to the wall. A similar cabinet with panelled doors remains in the Gabo Island lighthouse and evidence of green paint on the wood indicates that the cabinet frame was also formerly painted green but later stripped to reveal the wood finish. The Cape Nelson lantern room has a curved cabinet with the same door type but has a drawer above each door. It too was formerly painted emerald green before it was stripped back to its present wood finish. Cape Schanck’s lantern room cabinet is unique for its curved front as well as curved back, and it stands on a skirting. The two doors are in the same style, although they open with a brass knob. Further research into these distinctive cabinets may resolve the interesting question of their construction. The Point Hicks cabinet is a unique, original feature of the lighthouse lantern room and has first level contributory significance for its historic values and provenance. The Point Hicks cabinet has two doors, each framed and beaded around a central panel, and there is a simple door knob. The back is curved and the front is straight and the doors are painted a grey/silver colour and the rest of the cabinet is emerald green.

Black charcoal / crayon print of sketch of horses resting under trees. Wooden frame, glass covered, cream border surrounds.Handwritten bottom left: “Group under cover, Glisy, A Streeton”illustrations-prints, military history, glass technology, horses