Coloured Photograph of Cr. Robert John Rolfe, Mayor, City of Nunawading, August 1957 to August 1958. This was his second term as Mayor as he was also elected for 1953-54rolfe, robert john, city of nunawading, mayor

Barber House, Carlton was designed by Edmond & Corrigan and built in 1980. The drawing was commissioned by Edmond and Corrigan. This image was published in Transition magazine, No.27/28 1989.This drawing of Barber house by Robert Pearce, who was best known as a fashion designer, broke the mould of how architecture could be represented. Suddenly it was understood as a part of contemporary culture. Illustration of Edmond & Corrian's Barber House, CarltonStamped in black ink, bottom left: 'Robert Pearce'architecture, domestic architecture, illustration, design

A collection of stories and artwork.drawing, vietnamese - 20th century, vietnam war, 1961-1975 - art and the war

This book offers an extraordinary glimpse into the unique power of propaganda art, focusing on Vietnam's history of war, regime change, and economic evolution.propaganda, vietnamese -- pictorial works, vietnam -- history -- posters -- catalogs., vietnam -- history -- posters

Hand thrown glazed vase. ceramics, studio pottery

Hand thrown jug.. australian landscape pottery, landscape, gilbert buchanan, sheparton, graham wood, redbyrne pottery, ceramics

Jon and Alda Hubbard were operating Gellibrand Pottery around the late 1980s on the Old Beech Forrest Road in Gellibrand near Colac in the Otway region.Photo of a hand thrown jug with glaze decoration. It is stamped (impressed) "Gellibrand Pottery". ceramics, pottery, gellibrand pottery, studio pottery

Kalaru Pottery was a production pottery based at Kalaru on the far south coast of NSW. It was registered as a company from 1977-2000 and owned and operated by the Irving (or Irvine) family. Photograph of a hand thrown bowl and lid. Work is signed with a painted 'Kalaru'. ceramics, pottery, kalaru pottery

HMVS Lonsdale is significant as one of only three surviving second-class torpedo boats that were used in the defence of the Australian and New Zealand colonies. HMVS Lonsdale is historically significant as a rare representative of a Victorian second-class torpedo boat. Lonsdale demonstrates technical significance as an early example of the development of the fast attack torpedo craft.Round brass pressure gauge from HMVS Lonsdale with white face and black numbers. range: 0-350 lbs/sq. inchE.Boudon's Pantent Trade Mark: Delta Hannan & Buchcananhmvs, lonsdale, pressure gauge, torpeto boat

Deep Lead – Portrait Robert and Ethel Maud Freeland & Family. Standing L to R Alexander Norman (Charlie). Robert Henry. Marie (nee Cook) Roberts wife. Eric Stanley. C1942. Two of the sons are in uniformstawell ww2

The pencil sketch from which this photo was taken had been hidden from view from 1919 - 1996 when it was located behind a framed photo retrieved from the Surrey Hills Bowling Club at the time of its closure. The sketch had been used as backing when photo framed in 1919. Jocelyn Hall gave the original to great nephew, [name TBC], who was a pharmacist at the Mont Albert tram terminus at the time. Initially the subject's identity was not known. A scribbled name 'Walduck' on a different photo finally resulted in the identification as John Robert Gray, who died 1917. He was engaged at the time of enlistment and after his death his fiancee did not marry. He attended Surrey Hills Primary School and was a salesman at the time of enlistment on 9 May 1916. He embarked from Melbourne on board HMAT A60 Aeneas on 3 October 1916. His AIF papers list his mother as his next of kin, both resident in Suffolk Road, Surrey Hills. He was a gunner in the Howitzer Brigade 120. He was Killed in Action on 21 June 1917 and was buried at Bapaume Australian Cemetery (Row C, Grave NO. 5), France. It is believed that the sketch was made prior to him going overseas to France. John Robert Gray was the eldest son of Emma (nee Beckett) and John Gray. His father John Gray was "actively associated with all movements for the benefit of neighbours and fellow citizens". [Quote from the official tribute on his death in 1909.] He was very active in the Surrey Hills Progress Association in the early 1900's. The rotunda built in the Surrey Gardens by the Progress Association in 1912 was dedicated to him. He married Emma Beckett in 1888 at 'Guildford Villa' in Essex Road, the Beckett home. They are listed in both the 1903 and 1906 electoral rolls in Arundel Crescent; his occupation is given as bootmaker. The Alan Holt property register identifies this as 24 Arundel Crescent, known as 'Tumberumba'. John and Emma had a large family: (Gunner) John Robert Gray (1888, Surrey Hills - 21 June 1917, France) Benjamin Walter Gray (1890, Surrey Hills - 1949, Heidelberg) Herbert Harry Gray (1892, Surrey Hills - 1959, Queensland) William Beckett Gray (1897, Surrey Hills - 1899, Surrey Hills) Norman Douglas Gray (1901, Surrey Hills - 1947, Sydney) Evelyn Lizzie Gray (1906, Surrey Hills - 1983) Evelyn married Reginald Roberts and donated a number of photos to the collection. Both the Beckett and the Gray families were important in the early history of Surrey Hills. This is the only known image of John Robert Gray in WW1 uniform.A black and white photo of a hand-drawn image of a young man in uniform.world war, 1914-1918, (mrs) emma gray, (miss) emma beckett, (mr) john gray, walduck family, (mr) john robert gray, (mr) robert gray, world war, 1914-1919, surrey hills bowling club, bapaume australian cemetery, france

Studio photograph of Charles and Ellen (nee Whatmough) Partington and sons James and Robert, taken on arrival in Melbourne. This photograph can be dated accurately as baby Robert died shortly after the family's arrival in Melbourne [ie Robert died on 1/2/1857].Digital copy of black and white studio photograph.charles partington, ellen whatmough, ellen partington, partington family

Robert Partington died shortly after the family arrived in Australia in 1857. Parents Charles Partington and Ellen (nee Whatmough) settled in Greensborough. Robert is buried with his Whatmough cousins in the Pioneer Children's Cemetery, Greensborough. A photo was taken of Robert on 31/1/1857, the day before he died. [Robert PARTINGTON b. Sep 1855, Lancashire, England d. 01 Feb 1857, Greensborough].Digital copy of black and white bereavement card.robert partington, pioneer childrens cemetery, charles partington, ellen whatmough

CEMA Art CollectionThe painting depicts a church in an otherwise empty landscape. Within the foreground is a sweeping corner of a dirt road. Along the edge of the road runs a simple fence. Behind the church is a bare yellow and brown hill which reaches into a dark sky. The work has a wooden, white painted frame with grey mount and white trimming and glass.Front: Robert T. Miller 75 (lower right, black signature) Back: ROBERT MILLER " OLD CHURCH PORTLAND" (1966) (lower right, typed) Watercolourportland, church, streetscape, religion

ANN JANE BROWN MARRIED EDWIN ROBERTS, CLUNESCOPY OF PHOTOGRAPH OF ANN JANE BROWN, MARRIED EDWIN ROBERTS, CLUNES [BUTCHER]ANN JANE BROWN MARRIED EDWIN ROBERTS CLUNESlocal history, photography, photographs, costumes, female

The painting was commissioned by ANZCA to mark the presidential term of Dr Lindy Roberts from 2012 until 2014. The artist Robert Hannaford has a long history of painting portraits of politicians and distinguished professionals in the field. Oil on canvas portrait of Dr Lindy Roberts seated in front of a plain brown background. She is facing front on with legs crossed, one hand over the other resting on her knee. She is wearing the Presidential medal which is slightly covered by her multi-coloured jacket of pink, grey and white. The painting is set in a wide timber frame.[artist signature and date, lower RHS] HANNAFORD ' 13painting, anzca president, roberts, lindy, hannaford, robert

Robert Ernest Williams was born in Ballarat in 1855 and died at Melbonre in 1943. He was Town Clerk of the city of Ballarat, a member of the Ballarat School of Mines Council from 14 April 1899 to 26 March 1920.r.e. williams, robert ernest williams, major-general williams, ballarat school of mines council

Robert Ulmann was born in Zurich, Switzerland, where he studied sculpture and painting, exhibiting annually with the National Art Society of Switzerland and in Paris, Munich and Stockholm. He migrated to Canada in 1956 and became a Canadian citizen. After working on the restoration of sculpture on the west wing of the Parliament Buildings Ottawa, he took up a Government appointment as one of six artist advisers to the Eskimos, initiating handicraft and sculpture programs in isolated settlements across the Central Arctic. He arrived in Australia with his Australian wife, Helen, in 1969, after two adventurous years backpacking and sketching through the United States, Central and South America and the South Pacific. From 1970 to 1972 he was employed by the Northern Territory Administration as a manual arts instructor to the aboriginal people of Docker River, a remote settlement west of Ayers Rock. A series of drawings from this period was exhibited by the Department of the Interior in Canberra, Sydney and Adelaide. Robert Ulmann’s paintings and prints of wildlife from Australia and overseas fill a beautiful studio overlooking the famous Logans Beach whale nursery at Warrnambool in the Western District of Victoria. His previous studio and home, together with 13 years of field sketches and his best work collected together for two books were destroyed by the Ash Wednesday fires at Naringal in 1983. Rob exhibited in Sydney, Melbourne, Adelaide and Perth as well as in the Regional Galleries of Warrnambool, Ballarat, Portland and Horsham, and, among numerous prizes, he won the award for watercolour at six of the annual exhibitions of the Wildlife Art Society of Australasia, between 1978 and 1983. Although his principal interest was in drawing and painting, he retained a fascination with sculpture. His works range from two stone fountains with figures commissioned by the City of Zurich, while he was still a student, to a 4 ½ ton sculpture in bluestone commissioned in 1977 as a memorial to Sir Fletcher Jones., a five metre representation of whale tails in steel, and a life-size bronze of St. John of God commissioned for a private hospital.Image of a goat beginning to rise from a seated position, possible struggling out of mud. Painted in yellow and brown tones, with blue shadows. Earth colours form a rough ground area surrounding the goat. A brown wash provides a cursory background behind the goat's head. Dark cream matt surrounds image. Gold painted wooden frame, with glass.Front: Robert Ulmann (lower centre, paint) Back: (no inscriptions)

This painting was created by Robert Dowling (1827-1886) in 1885. At this time Dowling was considered Australia's best portraitist. Dowling had been born in England, but migrated to Van Diemen's Land in the early 1830s with his parents. Dowling worked in both Tasmania and Victoria as an artist, before returning to England in 1857. He did not return to Australia until 1884 and received eighteen commissions for portraits. The Barry portrait was commissioned after Barry's death which explains some of the mistakes in the depiction of Barry's robes; the fur cuffs and collar are too large, and the cummerbund is sitting in the wrong place. Sir Redmond Barry is an important figure in Colonial Victorian History, responsible for the establishment and support of some of our finest cultural institutions (the University of Melbourne, the State Library of Victoria, the Supreme Court Library, and aspects of the Museum of Victoria's collection). This is in addition to his role as barrister defending aborigines in the 1840s and his position as a foundation judge of the Supreme Court of Victoria, a position he held for nearly 30 years, presiding over two of the most well known of colonial trials: the Eureka Trials in 1854 and the Kelly trial in 1880.The portrait of Sir Redmond Barry is significant because of the historical importance of Redmond Barry in colonial Victorian history. The painting is also of aesthetic significance as the work of the distinguished portraitist Robert Dowling. Portrait in oils of Sir Redmond Barry. Barry is depicted standing, dressed in red Judicial robes, his hand resting on a chair; behind is a table with books.Signed and dated 1886 (lower left) by Robert Dowling.redmond barry, portraits, judges, robert dowling

Robert Whatmough (1815-1887) emigrated to Australia in 1840 and became a prominent horticulturalist in Greensborough. This book written by descendant Jacinta Crealy outlines the life and times of Robert Whatmough. 178 p., illus. (some col.), paperback.robert whatmough

A short article about Robert Morton Tait and his service in World War 1. In the post-war period, Robert and his wife lived in Alexandra Street Greensborough.1 page, text and colour images.world war 1 project, robert morton tait

Archie Hoadley was involved with Antarctic Exploration, and taught at the Ballarat School of Mines in 1914 and 1916. A black and white image showing Lord Robert Baden-Powell, Chief Scout of the World and founder of the Scout Movement with the walking stick, and Charles Archibald 'Archie' Hoadley to his left. They are walking through Gilwell Park, Gembrook.hoadley, archie hoadley, charles archibald hoadley, baden-powell, scouts, gilwell park, gembrook, antarctica, ballarat school of mines

The soldier on the left of the phot is Ken Buchanan.Brown wooden framed black & white photo on white background. Glass front, fawn plywood backing. Photo of six members of 38th Battalion colour party in battledress uniform, rifles with fixed bayonets. Photo taken in front of The Northern Victorian Regiment Headquarters. 38th Battalion emblem on top of headquarters sign.In biro on backing: On Loan - “K D Buchanan” In texta on backing: “Trust No 23”passchendaele barracks trust, photography, 38th

Robert Clark was the owner of the Ballarat Courier.Black and white photograph portrait of a bearded man.robert clark, courier, ballarat courier