Coloured slide transparency. Image is of a male reclining in a chair. He is wearing a white robe over a brown shift. A brooch is pinned to his left shoulder and he has a bracelet on his right wrist. He is holding a bunch of grapes. On the lower edge of the white border the words Roman Toga Ball have been handwritten.Kodachrome Transparencyslide, bendigo, bendigo institute of technology

Slide. Bendigo Views. View of a Lady wearing white robes and standing in an opening in a rock wall, at At Killians Church McRae St Bendigo. Another lady wearing a brown dress and a blue veil is kneeling amongst some plants to her left. May be the statue at the Catholic College in Barkly St just off View Stslide, bendigo, bendigo views, bendigo views

Full length black mayoral ceremonial robe with centre front opening. Silk grosgrain with dark brown ermine fur edging on centre front opening and cuffs. Cream silk lining in sleeves. The cuffs are also trimmed with cream coloured machine made net and lace. Gathered/puckered detail at back. Black ribbons attached to shoulders.mayoral robe, robe, ceremonial wear, mayor, bayside, brighton, sandringham, mayoral regalia

This ceramic lid is from a Holloway’s Ointment pot. It was retrieved from the wreckage of the LOCH ARD. The vessel was laden with an up-to-date, high-value cargo, including luxury items intended for the Melbourne International Exhibition in 1880. Britain exported her manufactures to the Australasian colonies and the Americas. Holloway’s Ointment was one nineteenth-century pharmaceutical product that was advertised in both these markets. The price of this particular jar and its contents was printed on the label as “2S 9D” (2 shillings and nine pence). This value calculated to the approximate price in 2014, would be £51.31 (UK pounds and decimal pence) or $85 AU ― quite an expensive ointment. The label also shows a picture of a stone tablet with the inscription "IN POTS AT 1/½, 2/9, 4/6,11/-, 22/- & 33/- EACH”, which is most likely the alternative prices that the ointment was available for in differently sized containers. Holloway’s claims for his “great remedy” included the cure of sores, wounds, ulcers and boils, gout, rheumatism, diphtheria, bronchitis, influenza, sore throats, coughs and colds, “all varieties of skin diseases”, scrofula, ringworm, scurvy, “dropsical swellings” and liver disease, piles, fistulas, and internal inflammation. The salve cream was said to penetrate the skin when rubbed on; purifying internal tissues and organs, cleansing all bodily fluids particularly the blood, and eradicating all disease from the body. Purchasers were assured that if Holloway’s Ointment alone did not affect immediate cure, then the combination of it and Holloway’s Pills (sold separately) most certainly would. Thomas Holloway began manufacturing and marketing his miraculous ointment from premises at 244 Strand in the 1840s, moving to the more prestigious address of 533 Oxford in the late 1860s. The London address was an important part of his promotional appeal and was displayed prominently on the packaging of his products. Holloway’s attention to marketing is also observed in the pseudo-Classical emblems that decorated his containers. The sign of a snake curled around a staff is a longstanding and commonly recognised symbol of the physician’s power to heal. Similar reference on this lid is also being made to an ancient goddess of healing and her healthy young offspring. History of the Loch Ard: The Loch Ard got its name from ”Loch Ard” a loch which lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Lochard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Lochard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Lochard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Lochard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition in. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register.The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck of which the subject items are a small part. The collections objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. Through is associated with the worst and best-known shipwreck in Victoria's history. The ceramic lid off a Holloway’s Ointment container, retrieved from the wreckage of the LOCH ARD. The artefact is white with the pale blue image of a woman (seated) and a child (standing). The woman is draped in a soft white robe and her throne is beside a pillar that is entwined by a serpent. The child points to an inscribed stone tablet he is holding on the other side of seated woman. The front face of the lid, at the base of the woman on the throne, bears the label “HOLLOWAY’S OINTMENT”. Below this, in smaller letters, is written “TRADE MARK” and “2S.9D.” On the stone tablet pointed to by the child is inscribed “533 OXFORD ST. LONDON”, and beneath this, “IN POTS AT 1/½, 2/9, 4/6,11/-, 22/- & 33/- EACH”.flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, holloway’s ointment, ceramic lid, pot lid, nineteenth-century medicines, pharmaceutical marketing

Two colour photographs of religious ceremony.Written on back of one photograph: "Holy Spirit Parish, North Ringwood 20/9/81. Bishop ordains Len Phillips as a Deacon. The laying on of hands." Written on back of second photograph: "Ordination as a Deacon. Fr. Mogg robes Len Phillips, Church of the Holy Spirit, North Ringwood. 20/9/81."

Black and white photo: two Poor Clare sisters in process of making altar bread. One sister standing, holding mould for making circular communion bread, the other feeding the mould into a 'press' like machine, presumably to stamp out the communion bread. Sisters dressed in full robes and veils. The Poor Clare convent is situated in Edwards Road, Kennington, 3555.church, diocese of bendigo, poor clare order

In 1895 artist Gordon Coutts was commissioned by Elizabeth Harding (Mrs. Silas Harding), a wealthy pastoralist, to paint this portrait of Prince Albert. The portrait was completed by 1896 and is a copy of an original by German artist Franz Xaver Winterhalter (1805-1873). In 1843 Winterhalter was commissioned to paint matching portraits of Queen Victoria and Albert, the Prince Consort. These originals hang in the Garter Throne Room at Windsor Castle and are part of the UK Royal Collection. Queen Victoria’s appreciation of Winterhalter began after she saw portraits by him of other European monarchs. Accordingly, between 1842 and 1861 he made fifteen visits to England and painted over 100 portraits of Her Majesty, the royal family and other friends and dignitaries. There are a number of notable differences in the original Winterhalter work and this painting. The local artist Coutts has changed the colour of the Prince’s cloak from deep blue/black to red (perhaps as a result of working from a black and white photograph). Other differences include extra satin shoulder ribbons, a simplification of the furnishings, notably the floor, and an inexact representation of the medallions worn; collars of the Order of the Garter, Bath, and the Golden Fleece. The painting is framed to match the official copy portrait of Queen Victoria, with the coat of arms of Prince Albert of Saxe-Coburg and Gotha, fixed atop the frame in place of the royal crown.Framed portrait, oil on cotton, of Prince Albert. The Prince Consort wears the robes of the Order of the Garter, holds a Field-Marshal’s baton, and is posed in front of a curtain and colonnade. Timber frame with a layer of gesso and decorative composition ornaments. There are rose, scotch thistle, clover leaf and Acanthus ornaments. The coat of arms that sits on top of the frame is a combination of carved timber and composition elements.Signed lower right corner in red brushpoint: ‘after Winterhalter / By Gordon Coutts / 1896’.albert, prince consort of victoria, queen of great britain, 1819-1861, winterhalter, franz xaver, 1805-1873, coutts, gordon (1865-1938)

Black and white photo: four sisters of the Poor Clare order (Bendigo Community of Poor Clare Colletines) which is situated at 18 Edward's Road, Kennington, 3550. Three nuns seated at long desk, one standing. Nuns are dressed in full robe and veil. Appear to be engaged in a drawing activity. Labrador dog sitting in front of desk. Written on back of photo in blue ink 'Painting'.church, diocese of bendigo, poor clare order

Medical practitioner Sir Stanley Seymour Argyle (1867-1940) was a man ‘much admired’ for his civic contribution to Kew. To ensure ‘pure [uncontaminated]’ milk for Kew, he co-foundered the Willsmere Certified Milk Company in 1898. His mayoralty of Kew, 1902-04, exhibited superior leadership. In association with local chartable institutions and churches he ensured the unemployed of Kew were not distressed. He also agitated for the removal of the Kew Lunatic Asylum. After a long stint as a doctor in the Army Medical Corps with the Australian Expeditionary Force, Kew formally welcomed him back home in 1918. However, in 1919 he left his two-storey red brick home, on the ‘corner of Gellibrand Street’ for Toorak. He went on to have an outstanding career in radiology at the Alfred Hospital and in Victorian politics. He was cremated following a State funeral. (SMcW)An important photograph of local and statewide historical significance showing Sir Stanley Argyle, Mayor of Kew. Argyle was later to be Premier of Victoria. This is a commemorative photograph, presented by Argyle to the Town of Kew.An early, important photograph of the Kew Councillors at a meeting in the Council Chamber of the Kew Town Hall in Walpole Street. The framed photograph was donated by Sir Stanley Seymour Argyle (1867-1940) who was Mayor of Kew in 1902-03 and 1903-04. Stanley Argyle, later to be Premier of Victoria, is in the mayoral chair wearing his robes of office. The photograph was once displayed in the Kew Town Hall. Brass Plaque: "Presented by / Cr Stanley S. Argyle / Mayor 1902-3 & 1903-4".sir stanley argyle (1867-1940), kew town council, council chamber (kew town hall)

A rectangular cream Ivory style relief carved panel of ten Ancient Greek figures playing and listening to musical instruments played outdoors. They are wearing robes; some are standing and some are sitting on or near rocks and a plant. The artwork has a mottled wooden frame and gold painted cardboard mount. It is covered by celluloid or plastic to protect the carving. The backing is wooden with small screws holding it all together.The whole sculpture is carved in fine detail.relief engraving, objects of vertu, carved picture, ancient greece, carvings

The Medal, Presentation Box and Certificate from Buckingham Palace are a very important addition to Council’s History and Heritage collection because of their association with a past Mayor of the City of Caulfield Harry Carl Hortin Smith. Although a total of 85,234 Jubilee medals were awarded to 'the great and good throughout the Empire' in 1935 to celebrate the Silver Jubilee of King George V, only a handful of these medals survive in major Australian museum collections. The National Museum of Australia holds a similar medal which was awarded to Sir Robert Menzies. The Museum of Victoria also holds a similar medal but neither collection contains a presentation box or certificate from Buckingham Palace. The significance of the donation is greatly enhanced due to its good condition and the fact that it includes all items associated with the presentation the Medal. Most museum collections only include the jubilee medal. Together these unique historical objects tell a complete story of this important event which was cause for great celebration around the world.George V Silver Jubilee Medal, 1935. Round silver medal with attached loop and red ribbon with blue and white stripes on the edges. Awarded to Harry, Carl, Hortin Smith Mayor of the City of Caulfield. A total of 85,234 Jubilee medals were awarded to 'the great and good throughout the Empire' in 1935 to celebrate the Silver Jubilee of King George V.OBVERSE: Conjoined half-length busts of King George V and Queen Mary wearing crowns and robes of state; around, GEORGE . V . AND . QUEEN . MARY . MAY . VI . MCMXXXV. REVERSE: A crowned monogram GRI (Translation - George King and Emperor) with the dates of his reign at either side, MAY 6 1910 May 6 1935.commemorative medal, silver jubilee, king george v, 1935, queen mary, harry carl hortin smith, mayor, city of caulfield

sepia photo on fawn board. A group of eight young ladies in fancy dress, as attendants of a queen, taken in the photographic studio of W.Vincent Kelly. The large ermine edged robe is swirled on the floor in front of the standing and seated damsels six of whom are holding bouquets. Inscription: 'W.Vincent Kelly\Mitchell St\Bendigo' on mount. RHSV stamp on back, Bendigo branch. Hand written' with love from Marjorie 1917?'W.Vincent Kellyperson, group, fancy dress, queen and attendants

Black and white photograph mounted on cream card with embossed border. Subject is a young lady dressed in a white dress with a black graduation robe with three stripes on the sleeves. On her head is mortarboard with tassel hanging on the left. She is standing with one hand resting on a table and in the other she is holding a book with the word Longfellow on the cover. She has a brooch in the shape of a bar with a cameo suspended from it at her neck.photograph, portrait, female

In 1915 Arthur Swanwick from Bendigo enlisted in the AIF. He left for overseas service in March 1916. He wrote a message to his sweetheart Jessie Campbell, placed it in a bottle and threw it overboard from HMAT A18 "Wiltshire". The bottle was found on a beach near Robe SA and the message was sent to Jessie. Arthur returned home and he and Jessie married in 1918. Arthur died on 11 April 1968. Arthur's niece sent the updated information after the story was shared with the family who knew nothing about it. A hand written letter on lined green paper sent to BHS providing an update on the story of a "Message in a Bottle" written by Arthur Swanwick to Jessie Campbell. A black and white wedding photograph of Arthur and Jessie, a black and white photograph of dedication plaques from the Bendigo RSL WW1 Honour Board and a Thank you card form Arthur's niece thanking someone for letting the family know about the story (18 October 2013). ww1, message in a bottle, swanick

The 2 cannons in the gardens were acquired by Mr Arthur Brookes, popularly known as 'Empire Brookes'. They were from a British vessel used during the Crimean War and were originally placed in the grounds of the Guildford Road Recreation Oval. The Dimmick Gateway was erected in 1950 by the citizens of Camberwell in memory of Cr William Dimmick, JP, Mayor of Camberwell, 1935-1936 and a Councillor from 1934-1947. There is a photo of him in Mayoral robes in the City of Boroondara Library Service collection. Cr Dimmick was commonly called Roy.Black and white photo of the Dimmick Gateway in Surrey Gardens. The gateway is built as if it was designed to have a fence attached but there is none. There are 2 tall central pillars and an arched bridge to 2 smaller pillars. It appears to be constructed from a variegated slate material. There is a light on the top of each of the tall pillars and also a plaque. To the RHS of the photo is part of the Surrey Shrine, skirted by 2 cypress trees. A canon and the Memorial Cross can be seen between the gateway pillars and to the LHS of the photo the wooden bandstand can be seen.dimmick gateway, surrey gardens, surrey shrine, boer war, bandstand, parks and reserves, cr william dimmick, roy dimmick

Rev Frank Morris Ordained in the Methodist Church 1966, Minster at Casterton 1966-1968, Yarram 1969-1971, Tasmania LA 1972-1989, Glamorgan 1990-1993, Hobart City Centre 1994-1995, PR 1995. Rev Des Ivens Ordained 1970 SA Minster at Robe 1963, Port MacDonnell 1964-1966, Plympton (Hare St) 1967, Bute 1968-1970, Rocky River (Laura) 1971-1973, Barunga Range 1974-1976, Kangaroo Island 1977-1981, Huon Tas 1982-1985, SA, Wallaroo 02.86 B & W waist length photograph of the Rev. Frank Morris and the Rev. Des Ivens in conversation.rev. frank morris; rev. des ivens; casterton; yarram; hobart city centre; robe; port macdonnell; plympton; bute; rocky river; barunga range; kangaroo island; huon tasmania; wallaroo

Black and white photograph on fawn mount. Studio portrait of Mayor of Bendigo, in full mayoral robes with chain of office. Taken in mayor's parlour in Town Hall (?). Inscriptions: 'Bartlett Bros, Bendigo'. On front - on top RHC 'P675'. Circular stamp 'Royal Historical society of Victoria, Bendigo Branch'. Bottom centre in pencil 'Cr A Dunstan, Mayor 1904 - 1905, 1918 - 1919'. History: Portrait of Councillor Albert Dunstan, elected Mayor of Bendigo 1905 and 1918.Bartlett Bros, Bendigoperson, group, mayor

Large cream, brown, green & beige certificate awarded to Misses Mary Foster and Mattie Kaue for First Prize at the Austral Literary and Debating Society's Competitions Bendigo 1903 in the Piano Duet (under 16). Certificate has 2 angels at the top, 1 with a harp and the other writing. At each side and the bottom are ladies dressed in robes. Certificate is decorated with leaves and scroll work. Signed by E. S. Cahill, President and Frederic A. King, Hon. Sec.document, certificate, music, foster & wilson collection, piano certificate, mary foster, mattie kaue, e s cahill, frederic a king, austral literary and debating society's competitions bendigo

The picture was framed by business, Leighton House, paint and art merchants at 346 Little Collins Street, Melbourne. It was made to order, number 6777. The business was also called The Leighton Gallery of Art and was owned by W & G Dean Pty Ltd. The phone number on the label "MU 8291" indicates that the picture was framed circa the 1960s or earlier, during the time that Melbourne was using 6-0digit alpha-numeric numbers. Below the picture is an excerpt of a hymn "The Head that Once was Crowned with Thorns" by Thomas Kelly: The head that once was crowned with thorns Is crowned with glory now; A royal diadem adorns The mighty Victor's brow. The Cross He bore is life and heath, Though shame and death to Him; His people's hope, his people's wealth, Their everlasting theme. This picture was part of the original furnishings of the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. This picture is significant through its association with the St Nicholas' Mission to Seamen Church in Williamstown, Melbourne, established in 1857. The items in our collection from the Missions to Seamen in Williamstown, Victoria, have historical and social significance. They show that people of the 1800s and 1900s cared about the seafarers’ religious, moral, and social welfare, no matter what the religion, social status or nationality. It had its origins in Bristol, England when a Seamen's Mission was formed in 1837. The first Australian branch was started in 1856 by the Rev. Kerr Johnston, a Church of England clergyman, and operated from a hulk moored in Hobson’s Bay; later the Mission occupied buildings in Williamstown and Port Melbourne. Picture, print of "The Cross of Glory", rectangular, framed print on matt. It depicts Jesus Christ on a cross with an angel on each side, at his feet. He is wearing priestly robes and a gold crown on top of thorns on his head. In the background there is a rainbow and clouds. The text below the picture includes "From the picture by T. Noyes Lewis". Lines from a hymn are also printed below the picture. The back of the picture has pencilled numbers in three places plus a printed label with the framer's details. "From the picture by T. Noyes Lewis". Backing paper has pencil "6777" in two places. Label has bencil "677-" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, the cross of glory, print, t. noyes lewis, leighton house, home decoration, religioius picture, church furnishing, w & g dean pty ltd, leighton gallery of art, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, ladies harbour light guild, missions to seamen victoria, mission to seafarers, flying angles club, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown

.1) Medallion, round, metal silver colour, front has rising sun and crown at top, each side is an Australian sailor and soldier centre is a wreath with "Victory, The Triumph of Liberty and Justice the peace of 1919". Rear has a female form in billowing robe with "Peach 1919 Australia". .2) Medallion, round, metal, gold colour front has a kangaroo with "Anzac Day 1994 commonwealth medallion". Rear has a koala with "Anzac Day 1994 Commemorative Medallion. medallions, anzac, victory

1.. Grandfather Colgan standing in Military uniform with 2 medals 2.. Mother and father Colgan ( of Miss Colgan ) mother in long black dress, lace robe, sitting holding umbrella. Father in black suit, white shirt, black tie, white handkerchief in pocket, top hat, standing holding umbrella. 3.. Brother of grandfather Colgan ( Miss Colgans great-uncle ) sitting in military uniform with 2 medals. Ornamentation on wooden frame with grey mount, under glass.Bartlett Bros Bendigo & David Wood Sth Melbourneperson, family, colgan family portrait

''The Chinese'' - typed 8 paged History tutorial paper by Wendy Allan (no date or other information). Covers - early (pre discovery of gold) use of Chinese ('coolie) labour for farming purposes; gold- era Chinese and 'agents'; overland from Robe; attitudes to Chinese; Chinese camps in Bendigo ( Ironbark; White Hills; Back Creek; Charcole Gully; Kangaroo Flat; Long Gully; Peg Leg); crime; resentment; post-alluvial;developments union exclusion of Chinese. Bibliography.Wendy Allanbendigo, chinese, history, labor shortage. chinese labor. asiatic coolie-labour. captain king. governer gipps. ironbark. white hills. back creek. charcoal gully. kangaroo flat. long gully. peg leg.

This chain was part of the official regalia worn by the Mayor of the City of Sandringham before the amalgamation into Bayside City Council in 1994. The chain was seen as an outward sign of power, authority, and responsibility and was a formal, full-dress type of regalia that was worn by the mayor over their robes at ceremonial functions. The large central drop medallion features the design of the council sea, and the links of the chains are made of cutwork initials of each Mayor. The Sandringham seal was designed by Sans and McDougal had been selected in 1917, by a special committee and its main features are the Sandringham pier and breakwater, with a yacht in full sail as an inset, supported by two dolphins. The motto reads 'Omni Opere' which translates to ‘With all earnestness.’9 carat yellow gold mayoral chain for the City of Sandringham. Consists of two concentric circles of 57 small oval links, with an Australian Coat of Arms as a centrepiece and a large 'drop' medallion of the City of Sandringham seal below. Each oval link is made up of the cutwork initials of a mayor, the surrounding oval border has an inscription above the initials which gives the mayor's name; an inscription below gives dates of office; the earliest is Cr. B.J. Ferdinando 1917-18, and latest is Cr. S.T. Russell 1993-94. The ovals are surrounded by decorative scrolls and are joined by small curb chains. The outer circle contains 31 links, while the inner contains 26. On both shoulders sit decorative bars, joining the front of the chain to the back. The main medallion has an oval central panel that features the coloured Sandringham seal in enamel depicting two sailboats in the water, a pier protruding from the left, a coastline on the right with two pine trees. Above the scene are decorative triangles in light blue and yellow, above which is another section in dark blue containing a third sailboat. The seal is flanked by two engraved dolphins and above it sits an engraved St Edward's gold crown filled with red enamel. Below the seal, there is a ribbon containing the Latin motto 'OMNI OPERE' which is engraved and filled in dark blue enamel. The pendant is surrounded by cutwork lettering reading 'CITY OF SANDRINGHAM / 1919' and leaf decorations. The medallion is inscribed on the reverse with important dates in Sandringham's history. A fleur-de-lys joins the medallion to the Australian Coat of Arms centrepiece above. The Coat of Arms features a shield, depicting symbols of Australia's six states, in enamel, flanked by an engraved kangaroo on the left and emu on the right. Below it sits a ribbon engraved 'ADVANCE AUSTRALIA'.mayoral chain, ceremonial wear, seal, medallion, mayor, coat of arms, crest, bayside, blashki & sons, city of sandringham, sandringham, omni opere, blashki, mayoral regalia, motto, st edward's crown, sans and mcdougall

This 1935 Coronation medal was awarded to individuals for distinguished Citizenry. To celebrate the 25th anniversary of the coronation of King George V, a commemorative medal awarded to citizens who had made contributions to their community, as recognised by their local council. The silver medal has the profile of the King and Queen Mary on the front, in their crowns and robes. Around the edge in raised letters is written 'George V and Queen Mary May VI MCMXXXV'. On the reverse are the letters GRI (Georgius Rex Imperator) in the centre, with the outline of a crown directly above the letters and the words 'May 1910' and 'May 1935' written either side of GRI. A red ribbon with blue and white edging attaches the medal to a pin. 1937 Coronation medal was awarded to individuals for distinguished Citizenry. To celebrate the coronation of King George VI, a commemorative medal was awarded to citizens who had made contributions to their community, as recognised by their local council. The silver medal has the profile of the King and Queen Elizabeth on the front, in their crowns and robes. On the reverse are the letters GRI (Georgius Rex Imperator) in the centre, with the outline of a crown directly above the letters and the words 'Crowned 12 May 1937' below. Around the edge in raised letters is 'George VI Queen Elizabeth'. A garter blue ribbon with red and white edging attaches the medal to a pin. Awards presented to males consisted of a single piece of fabric hanging from a metal bar, whilst awards presented to females had the fabric tied into a bow with the medal hanging below the centre. 2 silver medals hanging from a blue ribbon with red and white edging. 2 silver medals hanging from a red ribbon with blue and white edging.1935 - 'George V and Queen Mary May VI MCMXXXV' around the edge of the front of medal. On the reverse are the letters 'GRI' (Georgius Rex Imperator) in the centre and 'May 1910-May 1935'. 1937 - 'George VI Queen Elizabeth' around the edge of the front of medal. On the reverse are the letters 'GRI' and 'Crowned 12 May 1937'. tilly aston, tom marks, medals

Small bronze medal made by Stokes & Son issued to Australian schoolchildren in 1919 at the end of WWI. Small bronze medal. The obverse has a figure of Victory, a female figure with flowing robes and hair, with doves flying around her head; there are two supine figures at her feet, and they appear to be breaking the chains of war. The reverse depicts a soldier and a sailor with a crown and laurel wreath. The laurel wreath encloses the inscription. The figures stand near a scroll. There is a small metal loop at the top of the medal to allow it to be attached to a ribbon or hung on a chain.

This is a smaller version of the large framed photograph donated to the new City of Kew by Cr Wishart. The framed photograph was hung in the Walpole Street Town Hall. Presumably, each of the Councillors in the portrait was presented with a smaller version.This photograph was donated by a descendant of the Kellett family. This picture, like it framed counterpart, is historically significant as a record of a major civic event in Kew's history. It is also aesthetically significant as the last official photograph taken by the photographer Josiah Earl Barnes before his death in the same year.Kew Becomes a City, 1921. Small photograph mounted on card of the official portrait of the Mayor and Councillors of Kew in 1921. Josiah Earl Barnes, the photographer, posed the group in front of the Jubilee Rotunda in the Alexandra Gardens in Cotham Road, Kew. At the centre of the group in mayoral robes is the then mayor of Kew, Cr. F.G.A. Barnard. This was to be the last major commission by the Council for J.E. Barnes, who had been responsible for creating the series of 19th Century portraits of former mayors that was displayed in the Kew Town Hall in Walpole Street.J. E. Barnes / Photoj.e. barnes, kew (victoria), kew city council, alexandra gardens, f.g.a. barnard

The Chancellor is the head of the university and presides over meetings of Council. The Chancellor is also an ex officio member of all other bodies of the University. As well as being the traditional colour of embellishment on a Chancellor's gown, gold also provides a tangible link between the new university and its Ballarat ancestry. Academic gowns distinguish between the university's senior office holders, The design of the Chancellor's gown at the University of Ballarat is based on an Oxford and Cambridge tradition for university Chancellors' robes. It is made after the style of an English Queen's Counsel gown, with appropriate traditional adornment (chevrons) on the sleeves and edges. The decorative braiding is in gold oak-leaf braid. The velvet trencher with gold tassel is the traditional headwear for a Chancellor. Black and white 16 page booklet with a primarily black cover. The booklet is the programme for the installation of Emeritus Professor Geoffrey Blainey as the foundation Chancellor of the University of Ballarat. The contents include an order of proceedings, history, Geoffrey Blainey, the role of Chancellor, the chancellor's regalia, University of Ballarat logo.university of ballarat, chancellor, geoffrey blainey, blainey, governor of victoria, richard mcgarvie, bill pryor, nina valentine, david james, vern robson, lee francis, david fitzgerald, redmond barry, ballarat school of mines