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Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Vera Bennett, 14/06/1989 12:00:00 AM
Also a second photograph showing notice inside barge 04674.1 10 x 15 cmSepia toned photograph showing Lady Harriet barge moored at P.O. wharf on Cunninghame Arm, bullock Island and sand dunes in distance, Lakes Entrance VictoriaOld stone barge that transported stone from Mississippi Creek Auary at the P.O. Jetty 14. 6. 89boats and boating, jetties, waterways -
Southern Sherbrooke Historical Society Inc.
Photograph - Photo-colour- snapper caught at Rosebud
Colour photograph of a group of caught snapper (at least eleven) on the beach at Rosebud possibly in 1960. A pair of bare feet are in shot, and the shadows of two other people are on the sand. -
Sunbury Family History and Heritage Society Inc.
Photograph, Werribee Park Open Range Zoo, c1989
The children from Bulla Primary School were taken on an excursion to Werribee Mansion and Open Range Zoo as part of their nature and environmental studies. On that day they saw a variety of exotic animals that inhabit open savannah areas.The excursion was included in the students' environmental and nature studies.A non-digital photograph of two large rhinoceros lying in a large sand pit in a large fenced off enclosure with trees in the middle distance beyond the fence line.werribee park open range zoo, werribee mansion, bulla primary school, school excursions -
Port Fairy Historical Society Museum and Archives
Postcard, Semco Series, Bathing boxes and Beach Port Fairy
Black and white photograph of the South beach with the Bathing boxes and swings in the centre middle ground and six people walking across the the sand in the foreground taken for use as a postcardBathing boxes and Beach Port Fairybeach, bathing boxes, south beach, pea soup, boarding school bay, swings, ocean, sea -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Todd, Della, 1945c
Black and white photograph of the footbridge over Cunninghame Arm. It shows the scrub covered sand dunes of the south shore in the foreground, footbridge in background. Lakes Entrance Victoria waterfront, topography -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, Cooper Alexander, 1900c
CunninghameSepia coloured postcard of first bridge over North Arm, showing view of town buildings, including Club Hotel; sand hummocks; Cunninghame Arm; die back of melaleuca on sand flats. In foreground post and rail fence beside road, two wheeled horse drawn vehicle, jinker, with grey horse standing in shafts. Ten or eleven people standing on bridge. Lakes Entrance Victoriatopography, bridges, transport -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Main Breakwater construction, Portland, n.d
Port Of Portland Authority Archivesport of portland archives, harbour construction, development, wharf, barge -
The Ed Muirhead Physics Museum
Glass donut for 2.8 MeV Betatron
Glass donut with injector arm and attached wires. Internal surface is sand blasted and silver plated. Mounted on specially made demonstration stand. Reg 269.6 is photographs of the object.Plaque on mould: “Glass Donut for 2.8 MEV Betatron W.B.Laish and L.Riddiford 1946” -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 2009
Date made January 2009Colour photograph, closeup view showing old tramline and remains of old wooden western pier, reinforced with rocks, and partly covered with sand buildup, at Lakes Entrance, Victoria.fishing industry, jetties, shipwrecks, ships and shipping -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Glenice Soderlund, 1/06/1989 12:00:00 AM
Also an enlarged colour lamenated photograph almost identical 04673.1 29 x 19.5 cmColour photograph showing Lady Harriet barge moored at wharf in Cunninghame Arm mast and rigging intact. Bullock Island and sand dunes in background Lakes Entrance Victoriaauction, businesses -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1918
Black and white photograph of Vi Coate, Elgar Mann,Nell Bliss, Eva Harbeck and another Miss Harbeck and one man sitting on the sand dunes at Lakes Entrancecoast, clothing, genealogy -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Edie Jemmeson, 1927 c
This photograph was used in the 150 year Lakes Entrance 1858 to 2008 display as the before picture paired with colour photograph number 03727.1 as the after picture size 10 x 15 cm road now paved with many buildings showingBlack and white photograph of Palmers Road looking south towards the sand dunes and ocean, teatree along the side of the road photographers shadow in foreground, Lakes Entrance Victoriatopography, sand dunes -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph - Footbridge, 1937
2 other copies existBlack and white photograph of the crowd following Melbourne Lifesavers across footbridge after the official opening in 1937, sand hummocks of southern shore in background. Lakes Entrance Victoriabridges, celebration -
Flagstaff Hill Maritime Museum and Village
Equipment - Lead line
The lead line or hand lead is a simple navigational instrument used as a depth finder to measure the depth of water under the ship’s keel and to take samples of the sea bed. The long line may be marked at regular intervals with tags of different coloured and textured fabric, such as rope, leather and cloth. Each tag was a code to represent a certain depth. The leadsman’s eyes and hands could distinguish the depth easily as he drew in the lead line, day or night and in poor weather conditions. The lead weight could be between 7 -14 pounds (3.5 – 6.5kg) and the rope would be approximately 25 fathoms (45m). The hollowed-out end of the weight would hold a stick substance such as tallow or wax, which would pick up samples from the sea bed and indicate whether the vessel was close to shore. The leadsman would stand at the front of the vessel and cast the lead line into the sea. When it hit bottom he would note the tag marker nearest the surface of the water and call out his finding. Then he would haul it up again and examine the kind of matter that adhered to the end of the weight, whether it be sand, mud, gravel, and the colour of it. This information would be given to the ship’s helmsman or navigator and would help indicate the proximity to the land.This handheld lead is an example of early marine navigational equipment used be sailors to travel the seas. It helps to understand the history and progress made form the very basic to the sophisticated technology of today.Lead line, sounding line or depth finder. Long length of rope with heavy lead weight attached to end. Coloured fabric ties at regular intervals along rope represent different depths. Concave base of weight holds sticky substance e.g. tallow, wax, providing adhesive surface to collect samples of sea bed e.g. sand, shell, pebbles. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, lead line, depth finder, hand lead, sounding lin, leadsmane, navigation instrument -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, Bulmer H D, 1922c
Black and white photographic postcard, showing early aerial view of township of Lakes Entrance, Cunninghame Arm, North Arm and sand dunes, ocean in lower foreground, Eastern wharf and various boats on lake. Princes Highway went along Esplanade, Myer Street and Roadknight Street, very little vegetation on sand dunes, no foot bridge yet, good view of North Arm, few houses. Lakes Entrance VictoriaLakes Entrance and Backwater from the Air.islands, aerial photograph, waterways, topography, township -
Mont De Lancey
Glass bottle, The Eastman Pharmacal Co. Ltd
Narrow glass bottle containing Citronella Compound Mosquito Oil (approx. 20-25 ml) Has metal screw-on lid and label.On label: "Citronella compound mosquito oil. Will effectively prevent the bites of mosquitoes and sand flies. Apply freely. Will not harm the skin." The Eastman Pharmacal Co. Ltd. Sydney, Australia. bottles, containers, medicine containers -
Victorian Interpretive Projects Inc.
Photograph - colour, Watering Camels in Egypt, 1916
This card was sent to Australia during World War OneBlack and white photographic postcard of camels watering at wells in the desert in Egypt.Verso: Egypt September 14th 1916 To Mother This is very fine view of Camels watering taken a few hundred yards from our camp & is in what we call a dry salt lake, the top of the sand being damp is quite hard, You will notice a clear patch marked x this is a football ground. You will also notice the heavy sand & camps in the background. Billieworld war one, egypt, camels, salt lake, desert, mmm -
National Vietnam Veterans Museum (NVVM)
Print, Fire Support Base Coral - May 1968
Coloured photo in black wooden frame with brown matt board depicting 3 U.S. Army self-propelled artillery & 3 soldiers in the foreground in a sand bagged defensive position.54GP 3F35 , A-16 (on artillery piece). My Vietnam collection @Fred Bowden; Fire Support Base Coral, May 1968.fire support base - coral -
City of Ballarat
Artwork, other - Public Artwork, Diana Nikkelson, Goanna Ground by Diana Nikkelson, 2006
This is an Aboriginal artwork that depicts a Goanna Totem. Designed by Ballarat-based, Gunditjmara artist Aunty Diana Nikkelson, the design is inspired by the artist’s totem and is a tribute to the first artists of the region, the Wadawurrung people. It acknowledges Aboriginal survival and the dynamic regeneration of the Aboriginal art and culture in the region. The artwork is in-set to the basalt paving along Police Lane by a series of etched footsteps, which evolve from human footprints to goanna prints as viewers approach the rear of the Art Gallery of Ballarat. The artwork was originally located only outdoors and half of it was brought into the Art Gallery of Ballarat in 2011, when the former Federation Plaza was enclosed to form the Art Gallery of Ballarat's McCain Annexe. The artwork was created in 2006 as part of the cultural festival of the Commonwealth Games. The artwork is of cultural and aesthetic significance to the people of BallaratSand blasted petroglyph forms into bluestone on laneway surface. The carved inlay of the Goanna Totem design into the bluestone of Police Lane (beside Art Gallery of Ballarat) continues inside the building.goanna totem ballarat, goanna totem, diana nikkelson, aboriginal, dreaming, nikkelson, gunditjmara -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1997 c
Rocket shed (built 1890) was used to store rockets used to warn ships coming through the entrance of dangerous conditions.Colour photograph showing brick rocket shed on sand dune at the entrance to the ocean. Scrub around shed, entrance and western pier behind and ocean in distance. Lakes Entrance Victoriaships and shipping, waterways, fishing industry -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1998c
Colour photograph of the Thunderbird, tourist launch passing Bullock Island. Lakes Entrance fishing Co-Operative in view on Bullock Island, dredged sand in foreground. Lakes Entrance Victoriaislands, fishing industry -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1996 c
Also two more colour photographs showing the four camels and the attendants on the beach east of the Footbridge number 04179.1 size 10 x 15 cm, and 04179.2 size 10 x 15 cmColour photograph showing three camels and two people, female rider taking a selfie while on camel ride on the sand beach east side of the Footbridge Lakes Entrance Victoriatourism -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph
Black and white photograph SHOWING TRACK THROUGH VEGETATIONON SAND HUMMOCKS WITH DISTANT OCEAN Part of western end of township across Cunninghame Arm in distance Lakes Entrance Victoriatopography, information -
Stawell Historical Society Inc
Photograph, Magdala Cum Moonlight Gold Mining company and Workers c1890
Magdala cum Moonlight Mine. Group of mine workers c1890 against the background of the mine. The wooden ramp built on trestles was used by horse drawn drays to deliver the Quartz for treatment in the cyanide vats.Dark photo of mine workers lined up in front of ore ramp. Horses and drays would go up the ramp to dump the crushed sand into the cyanide vats. Building is on right."Elite" Studio Co. Melbournestawell gold mining -
Bendigo Historical Society Inc.
Slide - DIGGERS & MINING. THE GOLD ERA, c1850s
BHS CollectionDiggers & mining. The gold era. Then the sand was washed from the gold. Slide shows miner tin dish washing. Markings 17 994.031 GOL:5. Used as a teaching aid.hanimounteducation, tertiary, goldfields -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Fish, Marie, 1990c
Colour photograph of the kiosk on the sand hummocks. It shows a corner of the kiosk, the rustic garden, picnic tables and seats. Pathway to footbridge and glimpse of Cunninghame Arm in distance. Lakes Entrance Victoriarestaurant, recreation, room display -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph - Lake Tyers
Second similar image plus six small photographs taken of Lake Tyers 03825.1, 03825.2, 03825.3, 03825.4, 03825.5, 03825.6, 03825.7 size 6 x 8.5 cmBlack and white photograph of Cross's Landing showing lake, shoreline with frames for fishing nets small boat on sand, jetty beyond track to lake edge Lake Tyers VictoriaLake Tyers where lake is near the ocean Crossforest, waterways -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1940c
Prior to shed being built, equipment stored in Kiosk|This is the before paired photograph used in the 150 year Lakes Entrance 1858-2008 display.|The after paired photograph number is 01538.1|Also one 12 x 16 framed photograph use in room display.Black and white photograph of eight adults and child at the southern end of the footbridge. Wooden path, sand dune, and Royal Lifesaving Tower and equipment shed in distance. Lakes Entrance Victoriawaterfront, bridges, people -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Nelson Joan, 1980c
Colour photograph of a crowd on the beach at the southern shore of Cunninghame Arm. It shows many people enjoying the sand and water, footbridge and northern shore of township in distance. Lakes Entrance Victoriawaterfront, recreation -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Dutton Way, Portland, n.d
Port of Portland Authority Archievesport of portland archives, dutton way, portland, environment, erosion, coastal