This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush and painted on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. He became known as the "Bush Artist." About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth. Miniature oil painting of a landscape, with creek in foreground and bush and hill behind, by A.W. Eustace, under glass, in original timber frame with beige matte and a twist wire stand. One of 3 miniatures. No signature visiblealfred eustace, chiltern, oil painting, landscape

This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist and taxidermist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Miniature oil painting of a landscape, with creek and grassland in foreground surrounded by bushland and hill in distance, by A.W. Eustace, under glass in original timber frame with beige matte and a twist wire stand. One of 3 miniatures. No signature visiblealfred eustace, oil painting, landscape, chiltern

A signed Memorandum of Agreement between Pergamon Press and Robin Boyd for the writing of 'Living in Australia'.Foolscap, 5 pagesSignatures etc

Detailed measurements of the rooms, but the plan of the land noted as being enclosed is not included. The details had been requested in a previous telephone conversation between the parties, indicating early interest in purchasing the property which ultimately became Holmbush. Despite being from a real estate agent there is little in the way of a sales pitch.As well as indicating the extent of the rooms, it also notes that the property had a coke hot water system, which would have been typical of the 1940s, as would the elaborate letterhead.Typewritten undated letter on letterhead of Geo.M.Hume Pty Ltd., black on white, addressed to Mr. D.N. CraigSignature illegible.holmbush initial negotiations, properties, holmbush

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Elephant standing on one legSignature with 355keith wingrove memorial trust, australian bookplate design awards, bookplate

Painting depicts a typical patrol by Australian soldiers, this time in open grasslands.Item is a realistically accurate picture of Australian Soldiers in the field.Original painting, in two pieces depicting Australian soldiers on patrol; also give an insight as to vegetation common within patrol areas at this particular place and time.Signature of painter.vietnam, vietnam war, diamond valley vietnam veterans sub branch

The Northern District School of Nursing opened in 1950 in to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989. The book "The First of its Kind" was published in 2015. Printed in Bendigo by "Bendigo Modern Press". Memories compiled by Peter Rosewall; who attended the last NDSN school PTS 108 between 1986 - 89.A typed letter from Norma Lunt who worked in the NDSN office at Lister House from 1952 to 1959. It includes good information about her many office duties and some lighthearted stories. The letter discusses what skills she had to learn and her other duties.Authors signaturendsn, at lister house., working in the office, 1952 - 1959

Zig Plavina was a technician in science and volunteer at the Geoffrey Blainey Research Pencil/Charcoal drawing on white paper in black frame with dark grey mounting Artist signaturezig plavina, trevor leonard, portrait, drawing

Belonged to Edna Andrews (nee Sebire), Wandin Yallock.This book has a green cover and black printing on the front cover with a printed signature of Isaac Pitman enclosed by an ornamental border. The front cover has a circular black and green label pasted featuring Sir Isaac Pitman. Also his signature. Centenary edition.Edna Andrews. 28/5/23.pitman's shorthand

Book has a red white and Malaya 1941, Nursing Sisters of cover, tile printed in white and author's name printed in black on front cover. On the front cover is a coloured black and white photograph "Malaya 1941, Nursing Sisters of 2/4 Clearing Station, 8 Division. Title and author's name also printed in white on spine. The back cover has a summary of the booknon-fictionn 1942 a group of sixty-five Australian Army nursing sisters was evacuated from Malaya aboard the Vyner Brooke, a few days before the fall of Singapore. Two days later their ship was bombed and sunk by the Japanese. Of the fifty-three survivors who scrambled ashore, twenty-one were murdered and the remaining thirty-two were taken prisoner. The book is the engrossing record kept by one of the sisters, Betty Jeffrey, during the three grueling years of imprisonment that followed. It is an amazing story of survival and deprivation in the harshest of conditions.world war 1939-1945 prisoners of war, nurses

Congratulation note to both Patricia and Robin Boyd for Robin's Commander of British Empire honour. The signature is indecipherable. James Matheson was Vice-Chancellor of Monash University at this time, but the signature does not look like James's.

See Cat 4867.2This is a khaki, cardboard cover, single sheet of cardboard, printed on both sides. Front side is like a postcard with some Govt information ad lines for name and address. Rear side - many lines of Govt instructions. Lines for holder and the signature witness to be filled out.Stamped “Bendigo PO - 1942” Front side has written - “married on 1 Jan 1943 at Bendigo to Robert Charles Letts. Emma Olsson, 34 Calum St. Bendigo NR V4 F18 22248” Rear side - “Witness E L Hood, 34 Calum St, Bendigo, E Olsson Signature, 179 Mitchell Street. With lots Officer NRS”identity card, ww2

This book recorded the ships on which seafarers came to Melbourne.The logbook provides an insight into which ships and the origins of their crews were visiting Melbourne in 2004-2005. Yellow note on the cover with the words: "Melbourne Visitors Log 06/08/04 - 21/03/05sailors, seafarers, seamen, ship, nationality, mission to seafarers, seamen mission, flinders street

This book provides nationality and ship details for visiting seafarers.The logbook provides an insight into which ships and the origins of their crews were visiting Melbourne in 2005.On the cover written on a yellow note are the words: Melbourne Visitors Log 20/10/05 to 08/05/2005 - sailors, seamen, seafarers, mission to seafarers, seamen mission, melbourne, flinders street, ship, crew, nationality

A letter written from Preston Estate telling of issues regarding conditions of station life. Preston station and Devil’s river are both in the vicinity of Mansfield in North East Victoria A letter which is typical of the time and as such has social and historical significance and interest.Blue paper hand written in black pen. Written front and back of paper. The signature is in a different hand.Signed Frederick Griffin preston estate, bostock, warrnambool

The letter indicates that after several years (from 1916 to 1920) working for this company, Arthur Oswald Dixon resigned because of "private affairs".Typewritten letter in blue ink with signature on printed business letterhead from the New Zealand Shipping Company.Top left corner printed in black: The New Zealand Shipping Co. Ld (Incorporated in New Zealand)/ Telegraphic address: "Delectable, Led, London"/Telephone No 4258 Avenue/ All letters to be addressed to the manager Under is printed a round stamp with a crown and the Union Jack in the center and around "National Scheme for Disabled Men" Top right corner printed: 138 Leadenhall Street, London, EC3arthur oswald dixon, seafarers, officers, seamen, seamanship, merchant navy, new zealand, england, sailors, crew

Note dated 13 March 1872 to the Secretary, Court King of the Forest. Most of letter and signature illegible.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, court king of the forest

Letter of apology for not attending meeting due to afternoon shift. Dated November 14 1877. Signature illegible.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, court king of the foresters, mechanics institute long gully

A Wright and Ditson 'Championship' tennis ball, with handwritten signature of former owner. Materials: Rubber, Felt, Inktennis