Black and white image of George Lansell's 180 mine in Bendigo.george lansell, bendigo, 180 mine, mining

Black and white image of The George Hotel in Lydiard Street, Ballarat.the george hotel, hotels, ballarat

Donated by Carine Williams Wettenhall in 1991 for the Centenary Year. Sepia photograph of George Russ Standing in a garden bed of dahlias.On reverse, "Mr. Russ (our Garden Boss) - a good disciplinarian and needed to be! 1929"garden beds, carine williams (née wettenhall), 1991, centenary, 1929, george russ, dahlias, staff

Brown marbled hardcover book of a French translation of the New Testament, Le Nouveau Testament De Notre Seigneur Jesus - Christ. No title on front cover or spine.non-fictionAn antique copy of the New Testament in French.religion, new testament

In 1896 Ada Bersey, a daughter of William Thomas and Sarah Bersey (née Godden) married George Garnsworthy Bennett, a son of William Garnsworthy and Susan Bennett (née Williams). They had three sons, Gordon, born 1897, Harold, born 1902 and Stan, born 1904. George Bennett initially worked for his father W G Bennett, but around the time he married he bought Fraser's butchery shop in Sussex Street (next to the bakery) and established his own butchery business.Sepia photograph of a gentleman wearing three-piece suit with fob watch and lapel emblem, with right hand resting on lap, seated behind a child wearing dress with large white collar sitting on balustrade, his left arm held by woman wearing long sleeved long outfit, white blouse, seated in chair beside him. George and Ada Bennett (nee Bersey), and their son Gordon."Geo Bennett Ada Bennett and myself".george bennett, ada bennett, ada bersey, gordon bennett

George Dickie arrived in the Bacchus Marsh area around 1857. In 1863, he married Ellen Ross Anderson, and after five years of farming in Coimadai, they moved into Bacchus Marsh and established a business. In 1866 he bought the bakery business which had been established by James Boatwood and later conducted by William Watson. This business was in Main Street and is shown in this image during the time it was owned and operated by George Dickie. Ellen and George Dickie had seven children, two sons and five daughters. In his later years he changed the business into a general store and also engaged in grain dealing. He died in 1904 but the business was carried on by his sons until sold in March 1916 to a Charles Medling from Numurkah. The building was later demolished in 1927 to make way for four new shops.Small sepia 'carte de viste' style unframed photograph on card with gold border framing photograph. Housed in the Jeremeas Family Album which contains photographs of Bacchus Marsh and District in 1883 by the photographers Stevenson and McNicoll. The picture shows the business of George Dickie which was located in Main Street Bacchus Marsh. The building is a brick or stone structure with a verandah along the entire frontage of the building. Standing in front of the building is a group of adults and children. On the far left is a man wearing a dress coat and hat. He is possibly Mr. George Dickie the owner of this business. To his left are some younger and older children, and a woman, possibly Mrs DIckie. In the background in the doorway is a young boy with woman behind him. On the right of the picture on the street is a man standing alongside a horse and cart. Some advertising signs are leaning against the shop, footpath and verandah pillar. One of them says 'Chaff, Oats, Bran'. Printed On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, bakeries, shops bacchus marsh, george dickie 1831-1904, dickie family bacchus marsh

George Barber built a homestead later named Forest Edge on Barber's Road and lived there with his wife Sarah Ann (nee Richardson).Black and white photograph showing the side view of a house and three outbuildings. Reverse of photograph has handwritten description by John Lundy-Clarke.George Barber's home on bend of Barber's Road on Lot 25, Village Settlement. Showing passionfruit plantation. Buggy shed top right. Hay shed lower right. Stables, cart shed and men's quarters lower left about 1912. Photo copied by JLC in 1973.forest edge, george barber, sarah ann barber, kalorama, barber's road

Photograph showing crowd at the opening of the bridge over the George River in 1926 g.o.r; george river bridge 1926;

Ten profiles of Aboriginal people of King George Sound, Western Australiaaboriginal, aborigines, king george's sound, bookplate, carngham mechanics' institue

Black and white photo of George Raftis' home, Blackburn Road, Blackburnraftis, george

Engravings of looms produced by George Hodgson Limited, Frizinghall Works, Bradford, Yorkshire, England.Engravings of looms produced by George Hodgson Limited, Frizinghall Works, Bradford, Yorkshire, England.textile machinery, george hodgson limited

Soft cover book. Green background. Black and white writing. Two photos. Pages about 50 Illustrated with photos, drawings and documents."Donation to RSL Bendigo by GEORGE H NICHOLLS"books, history, autobiography

historic, social, familyB/W portrait of George King of Durham Lead, photographed 1890'sdurham lead, king family

Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. The Bendigo Mayoress medallion was commissioned by Sir George Lansell Jnr in the tradition of making a mayoral presentation in gold. It was first worn by Mayoress Snell and was presented to her on April 11th, 1956 at the municipal centenary dinner at the Shamrock Hotel. The medallion was passed on to each subsequent Mayoress when the new Mayor was appointed. The Mayoress medallion was commissioned by Sir George Lansell Jnr in the tradition of making a mayoral presentation in gold. The drop and chain have been hand crafted n 18ct yellow gold and engraved by a master engraver also by hand. It was first worn by Mayoress Snell and was presented to her on April 11th, 1956 at the municipal centenary dinner at the Shamrock Hotel. Front; Progress / BENDIGO. Verso; PRESENTED / TO THE / BENDIGO CITY COUNCIL / by / SIR GEORGE LANSELL, / TO COMMEMORATE THE CENTENARY OF / LOCAL GOVERNMENT IN BENDIGO / 10 - 1 - 56george lansell jnr, mayoress chain, bendigo centenary, mayoress snell, city of greater bendigo ceremonial item, lansell pendant

(1) Correspondence between T. Kneen, Principal, and Kraft Foods Ltd. Re George Toyne recipient of a Kraft Scholarship. (2-7) Photographs of George Toyne taken in 1966 for an article about him in the "Kraftsman" November 1966.t.h. kneen, principal, kraft foods ltd, george toyne, kraft scholarship

These five photographs of the George Mann printing presses were probably taken circa 1960s in Lithographic Squadron at the Army Survey Regiment, Fortuna, Bendigo. The photos are not annotated except for .4P. The George Mann Fast Five Printing Press was a two-colour demy quad offset press. It was a robust and well-made lithographic printing machine built by the George Mann company in Leeds, UK. The two presses were in service at the Army Svy Regt in the 1960s and 1970s and replaced with the Komori and Planeta offset printing presses in 1975 and 1976 respectively.This is a set of photographs of the George Mann Printing Presses operational at the Army Survey Regiment, Bendigo from c1960s to 1970s. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, c1960s, printing press, Lithographic Squadron .2) - Photo, black & white, c1960s, unidentified, printing press, Lithographic Squadron .3) - Photo, black & white, c1960s, printing press, Lithographic Squadron .4) - Photo, black & white, c1960s, SPR Howard Dingle, Lithographic Squadron .5) - Photo, black & white, c1960s, printing presses, Lithographic Squadron.1 to .3 – no annotation .4 - personnel names (with rank) annotated on back. .5 – no annotation royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, printing, litho

Black and white image of a poster relating to the departure of Governor George Arthur from Tasmania.port arthur, convicts, poster, george arthur

The George Hotel in St Kilda was one of the largest and most well known hotels in Victoria and the largest in Melbourne outside the city. By the late 1970s and early 1980s, renamed the Seaview in 1976, it no longer operated as a hotel and fostered Melbourne's alternative and punk music scenes. It was de-licenced and closed in 1987 and redeveloped in the mid 1990s as apartments, with bars, cafes and shops at ground level and an art gallery and cinema. On 6 January 1996, Harry Hogg, a local photographer and a member of the Save St Kilda movement, sent the photographs of the demitasse coffee cup to the new owner of The George, Donlevy Fitzpatrick. His covering letter said: 'The reason for this note is to send you copies of photographs of a fragment of a demitasse coffee cup I unearthed recently from along the light rail in Albert Park. I regret the poor quality of the prints (I was funning a test on a 1000 ASA film in low flat light) but hope the contents of the photographs may be of interest to you.'Colour photographSide of cup: George Hotel St Kilda; image of warrior on horse Base of cup: Dunn Bennet's (Gold Medal) Hotel Ware. Burslem, England. Made for: J. Leigh Jones & C Sydney.st kilda, dunn bennett, george hotel, fitzroy street, donlevy fitzpatrick

The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する　東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama

Mack Jost Bequest, 2001oil on board