Brooch sent home by Roy Hilton Taylor NX94268, enlisted 2.4.1942, age 29 years. On discharge from the 2nd AIF on 17.1.1946 he was a Gunner in 2/1st Field Regt. Blue heart shaped brooch with pin clasp. Island scene in black.On front of brooch in gold: Edna & below a shining sun On rear of brooch: Love from Roy On pin clasp: New Guinea 1945metalcraft, costume accessories - jewellery

Demonstrates aspects of tramway operation, cancelling or showing that tickets had been inspected following sales to passengers by the conductor or motorman. Traditionally used by tramway operators to check or cancel tickets. Possibly has a strong association with Les Denmead - could have personally been used by Les, or collected at the time of closure.Brass cast, chrome plated, machined, device used to cancel or punch paper tickets when purchased. Punch of the type that placed a circular hole in the ticket. Spring loaded, consists of two main parts with a pin & spring. Chrome plated wearing off. - see image.Has letter "A" punched inside of handles near pin.trams, tramways, ticket punch, tickets, fares

St Paul's College tie worn circa 1960s - 1980sRoyal blue tie with pale blue and gold stripe detailingcatholic education, christian brothers, uniform

See 00630 A A hat pin is a decorative pin for holding a hat to the head, usually by the hair that was styled in a Chignon or French Roll style and usually worn in a pair. They are typically around 20 cm in length, with the pinhead being the most decorated part. The women of the pioneer families liked to dress up in their best hand made dresses and fashionable hats for Church gatherings and special occasions as a relief from the daily chores of hand washing, ironing with flat irons and cooking over open fires. A short, lady's steel hat pin, padded and covered in red and gold felt in a spiral patternbonnets, hats, veils, scarves, moorabbin, bentleigh, brighton, cheltenham, early settlers, pioneers, clasps, hairdressing, combs, steel pins, jewellery

See 00630 A A hat pin is a decorative pin for holding a hat to the head, usually by the hair that was styled in a Chignon or French Roll style and usually worn in a pair. They are typically around 20 cm in length, with the pinhead being the most decorated part The women of the pioneer families liked to dress up in their best hand made dresses and fashionable hats for Church gatherings and special occasions as a relief from the daily chores of hand washing, ironing with flat irons and cooking over open fires.A short steel lady's hat pin with a gold coloured metal ball at top with filigree decorationbonnets, hats, veils, scarves, moorabbin, bentleigh, brighton, cheltenham, early settlers, pioneers, clasps, hairdressing, combs, steel pins, jewellery

A hat pin is a decorative pin for holding a hat to the head, usually by the hair that was styled in a Chignon or French Roll style and usually worn in a pair. They are typically around 20 cm in length, with the pinhead being the most decorated part. The hatpin was invented to hold veils in place, and was handmade. Birmingham, England was the centre of production when demand eventually outgrew the number that could be supplied by hand-making and they also began to be imported from France. In 1832, an American machine was invented to manufacture the pins, and they became much more affordable. During the 1880s, bonnets gave way to hats, some of which were very large and the popularity of hatpins soared. In the Victorian era, when appearance was everything, it just wouldn't do for a fashionable lady's hat to blow off in the wind. They remained a standard women's' accessory through the 1910s and were produced in a vast range of materials and types. Hat pin holder boxes were also produced. One of the most well-known makers of hatpins is silversmith Charles Horner, of Halifax, whose turn of the century jewellery company became a leader in the market by creating a series of mass-produced pins that were still of exceptional quality. As a result, thousands of Horner's pins are still on the market and on display in museums worldwide. Women of the 1920’s used hat pins as decoration on their Cloche hats that fitted snugly to their heads. The women of the pioneer families liked to dress up in their best hand made dresses and fashionable hats for Church gatherings and special occasions as a relief from the daily chores of hand washing, ironing with flat irons and cooking over open fires.2 lady's long steel hat pins with sequents in a flower design on mauve material bonnets, hats, veils, scarves, moorabbin, bentleigh, brighton, cheltenham, early settlers, pioneers, clasps, hairdressing, combs, steel pins, jewellery

Local Council TieWhitehorse Council Tie. Navy Blue, with embroidered white horses scattered all over.Hollu Greencostume accessories, male

Pin distributed by Council/Councillors to commemorate history of City of which the white horse is the logo.City of Whitehorse lapel pin depicts the white horse on the hotel porch motiff.numismatics, badges

This baby’s long, white cotton christening gown is an example of the dressmaking skills of the women of the pioneer settlers families in Moorabbin Shire c1900Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families The Peck family were early settlers in Moorabbin ShireA baby’s long, white cotton, christening gown with pin-tucks and bodice tiesclothing, moorabbin, ormond, bentleigh, dressmaking, market gardeners, early settlers, craftwork, mr peck, christening service, rites, baptism

metal with gold paint and red and green enamelling. Cuff link or Tie pin.K.C.Luke Melb

These hat pins would have been used by women wearing the large-style hats popular at the end of the 19th and the beginning of the 20th centuries. The hat pin was both a practical and an ornamental item. Smaller varieties of hat pins may still be used today. These items are retained as examples of the type of hat pins used by women over 100 years ago.These are nine hat pins, all with metal spikes and all rusted. One has a round top with an inlay of blue glass, two have aqua and cream-coloured elongated tops made from composite material, four have round black tops and two have pearl-coloured tops. One hat pin has a metal cover at the end. women’s accessories, history of warrnambool

Shepparton pin - produced by Rose Stereograph.Silver - blue enamelled pin with the word "Shepparton" in the centre features a shield with representations of orchard, wheat-sheaf and sheepShepparton - made by Rose Stereograph.shepparton

An example of a Junior Legacy Badge, it has tarnished to this dark colour. These were worn by junior legatees. The age of the pin is not known, though it appears older than the 10 pins at 01704. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them.A record of the badge given to junior legatees when they joined Legacy.Tarnished lapel stick pin of the Legacy torch and the words Junior Legacy.Imprinted 'Stokes Melb' on reverse.junior legatee, membership

Brown leatherette case containing ladies' sewing kit. Lined with flesh coloured moire silk, gathered pocket containing a sheet of 200 pins, brass thread holder containing 2 reels of silk thread, one shade 677 the other 706. Other half of case has leather strap with 2 packets of Lighthouse brand needles, scissors, thimble, two needles, punch, button hook, one unknown tool, 1loose '30's button, 2 needle cards, one containing 12 safety pins of various colours.Lithgow Sheet, 200 solid headed English Pins. Abel Morrall's Dress and Lingerie Pins. Art Silk Hose Mending, Flora MacDonald Needles are a Pleasure to Use.domestic items, sewing

Dressing tables have been around since the beginning of the seventeenth century. However, it wasn't until the early to mid-20th century that middle-class homes included them in their furniture. They were often a matching part of a bedroom suite. Dressing tables often featured a variety of objects such as combs, brushes, hand mirrors, perfume bottles, cosmetics, nail buffers, ring holders, jewellery trinket boxes, trays and pin bowls or pin trays. The latter were small shallow containers used for storing hat pins, hair pins, safety pins, and perhaps earrings. They were made of various materials including glass, metal and ceramic.This pin bowl represents an era in the early-to-mid 20th century when matching dressing table accessories were popular and affordable to middle-class women. They were marketed as gifts and sometimes included perfumed soap and powder.Pin bowl; a light weight, round bowl with straight sides featuring a cut glass pattern, and a flat base with a star design.flagstaff hill maritime village, shipwreck coast, flagstaff hill, warrnambool, flagstaff hill museum and village, domestic object, dressing table, dressing table tray, glass tray, pin tray, pin bowl, dressing table accessory

Items worn by George Henry Fullerton to the 1990 ANZAC 75th Anniversary Commemoration. Refer Cat No’s 4069.2 for service details also 4070.Gallipoli Coat and Tie mounted in wooden frame with glass cover. Frame: Timber with decorative edge, brown coloured stain, glass front. Mount: Green cardboard with deep recessed between dark green and light green. Gallipoli Coat: dark green fabric with gold buttons and pocket patch with gold embroidery. Tie: Navy blue fabric with gold, green and red embroidery. Shirt: white business shirt.Embroidered on pocket patches - Rising Sun emblem "GALLIPOLI/1915 - 1990". Embroidered on tie - Rising Sun emblem "GALLIPOLI/1915 - 1990". White label on glass with black print - "COAT AND TIE/ Donated by/ A.J. Fullerton"uniforms - army, trades -carpentery, ww1

Used at the Moorooduc Station opening ceremony 14th Septembers 1991. Shire Presidant Councillor Pat Leech perfomed the striking of the Pin. The Pin was later removed for posterity and to be re-used when the line is re-opened to Baxter.Only one ever produced specifically for MRPS.Stained timber box of 200x40x50mm with maroon silk lining containing a gold plated rail dog spike/pin.No inscriptions of memorial plates. Striking marks and withrawing marks present with mild tarnishing.mrps, mornington railway preservation society, moorooduc station opening ceremony, 14-sept-1991, rail dog pin

Badge or lapel pin for tram crews at the 1999 Qantas Grand Prix featuring a checkered flag and the front of a B class tram, with a card giving details or the item and signed by Russell Nathan as Chief Executive.Demonstrates a Swanston Trams badge given to crewsBadge or lapel pin made with a gloss painted finish and a pin with the retaining clip on the rear within a plastic packet and card. Two copies held. tramways, badges, grand prix, swanston trams, crews

This gold-plated prefect's badge is an excellent example of its era. It is interesting that the school does not list a prefect in 1972 with the name 'Pitcher'. There is no student with the surname Pitcher registered as attending the school in 1972. Gold-plated prefect's badge featuring oval school emblem (Minervan head surrounded by motto) and decorative edge. Engraved with 'Prefect' in black across top of badge and '1972' at bottom of badge. There is a single pin attached to the rear of the badge and the name 'Pitcher' is engraved on the pin base. Engraved around top of badge front: 'PREFECT'; and around base of front: '1972'. Engraved on pin at back of badge: 'Pitcher'badge, ballarat college, prefect, 1972

Blueprint of drawing No. R3232, titled "MTOC - Sheaves and Pins" providing a drawing of each type of cable car sheaves, pins and washers, includes title, dimensions and weight of each piece for use on the Melbourne cable tram system. See also Reg Item 353 for a book of these drawings. Drawing dated 23/6/1897, has been given a MMTB drawing number.On rear of drawing in red felt pen, "Cable car pins and parts" and in black ink "R3232"trams, tramways, mmtb, mto co, cable trams, cables, winding houses

Has a strong association with Dave Kellett, motorman and inspector in Ballarat; issued to crews in order check and cancel tickets.Brass cast, chrome plated, machined, device used to cancel or punch paper tickets when purchased. Placed a hole in the ticket. Spring loaded, consists of two main parts with a pin & spring. Chrome plated wearing off. - see sketch on original worksheet.Has letter "U" punched inside of handles near pin.trams, tramways, ticket punch, tickets, fares

A thin strip of wood for resting tie on while it is clamped between 2 laminated pieces of timber with metal clamps. 9012.1 Press is missing long strip of timber for resting tie on. 9012.2 Top of press is printed with a coloured patternTy LIfes KEEPS YOUR TIE IN SHAPE. PATENTED AUST. NO. 5309/ On back plaque reads Beaucaire MADE IN ENGLAND The Best Men's Wear

Alan Charles Quinn went to sea as a 16 year old and photographed his work and the places he visited. This photograph is one object from the Alan Charles Quinn Collection consisting of a number of photograph albums and letters written to and from his mother.Black and white photograph of a seaplane tied to the dock. There are a number of buildings in the background and some rippling on the water.Blue/green ink, handwritten on reverse: "20.0.49" Handwritten on page from original photograph album: "Private seaplane tied to dock - Brooklyn"mission-to-seafarers, missions-to-seamen, america, seaplane, brooklyn, docks, allan charles quinn, hydroplane, usa

Dressing tables have been around since the beginning of the seventeenth century. However, it wasn't until the early to mid-20th century that middle-class homes included them in their furniture. They were often a matching part of a bedroom suite. Dressing tables often featured a variety of objects such as combs, brushes, hand mirrors, perfume bottles, cosmetics, nail buffers, ring holders, jewellery trinket boxes, trays and pin bowls or pin trays. The latter were small shallow containers used for storing hat pins, hair pins, safety pins, and perhaps earrings. They were made of various materials including glass, metal and ceramic.This pin bowl represents an era in the early-to-mid 20th century when matching dressing table accessories were popular and affordable to middle-class women. They were marketed as gifts and sometimes included perfumed soap and powder.Pin dish, round, cut glass, slightly convex sides without a pattern. Thick heavy, concave base with a concertina fold pattern.flagstaff hill maritime village, shipwreck coast, flagstaff hill, warrnambool, flagstaff hill museum and village, domestic object, dressing table, dressing table tray, glass tray, pin tray, pin bowl, dressing table accessory

A hat pin is a decorative pin for holding a hat to the head, usually by the hair that was styled in a Chignon or French Roll style and usually worn in a pair. They are typically around 20 cm in length, with the pinhead being the most decorated part. The women of the pioneer families liked to dress up in their best hand made dresses and fashionable hats for Church gatherings and special occasions as a relief from the daily chores of hand washing, ironing with flat irons and cooking over open fires. 1 long, lady's, steel, hat pin , padded and covered in black linen decorated with spherical shaped black sequins bonnets, hats, veils, scarves, moorabbin, bentleigh, brighton, cheltenham, early settlers, pioneers, clasps, hairdressing, combs, steel pins, jewellery

Before loose leaf bailing was introduced dried tobacco was graded then tied in bunches. 300 - 350 bunches went into one bale ready for sale.Tobacco farming began c1960 in the Kiewa Valley and consequently became one of its major industries.Groups of dried tobacco leaves tied at the stem.tobacco, farming, bortolo stefani, kiewa valley

This badge belonged to Dorothy May Mortlock (VF518245) who was part of the Australian Womens Army Service (AWAS). Dorothy Mortlock was born in Swan Hill and enlisted with the 3rd AUST AWS REC DEPOT.Rising sun badge in bronze-coloured metal with pin and loop on reverse for attachment to tie.Badge reads "AUSTRALIAN COMMONWEALTH/MILITARY FORCES"world war ii, second world war, wwii, women, australian women's army service

The logo of the Uniting Church in Australia (UCA) shows the cross of Jesus Christ, in its light and love, standing over a darkened world — redeeming it through grace and truth. By that cross people are bound to Christ and each other. The Holy Spirit, symbolised by the dove with the wings of flame, empowers and guides us to be witnesses to Jesus Christ. The wide U at the bottom points to the fact that we are uniting; as a semicircle it also reminds us that the renewing of both church and world are as yet incomplete.B051.1, B051.2 - Lapel badge or tie pin with Uniting Church in Australia logo at the centre.

A tie pin is a neckwear controlling device, originally worn by wealthy English gentlemen to secure the folds of their cravats. They were first popularized at the beginning of the 19th century. Cravats were made of silk, satin, lace and lightly starched cambric, lawn and muslin, and stickpins were necessary accoutrements to keep these expensive fabrics in place and safe. Stickpins commonly used pearls, and other precious gemstones set in gold or other precious metals and were designed specifically for their owners. By the 1860s, wearing cravats had been embraced by the English upper middle classes with a consequently lower quality of materials and designs used in both the neckwear and in the stickpins used to keep it in place. By the 1870s Americans had embraced stickpins and designs were mass-produced. 3 men's metal lapel pins with coloured glass inserts 1 yellow 2 red jewellery, tie-pins, male neckwear, moorabbin, brighton, early settlers, pioneers, cheltenham