Pilot Officer Robert Charles CARVER, 24, was a career air force officer in No. 2 Squadron, RAAF. On 3 November 1970 the Canberra bomber in which he was in disappeared from a radar screen while returning from a night bombing mission in the northern I Corps Tactical Zone of South Vietnam. An extensive aerial search of the area failed to find any trace of the aircraft or crew and was called off after three days. In April 2009 the wreckage of the Canberra bomber was located in thick jungle in Quang Nam Province near the Laotian border. Human remains discovered near the site were identified in July 2009 as those of Carver and his crew and were repatriated to Australia on 31 August 2009 for burial in separate military funerals.White Wooden Cross with red knitted poppy with green and black centre. The name Carver, Robert Charles 0119223 is stenciled on in black. An Australian flag has been fixed on the back of the Cross. Rank -Pilot Officer - Royal Australian Airforce, No2 Squadron. He died in Vietnam 3rd December 1970Carver, Robert Charles 0119223cross, carver, robert charles, air force officer, royal australian air force, robert charles carver, 0119223, pilot officer, no 2 squadron', 1 corps tactical zone, canberra bomber, quang nam province, laotian border

Pilot Officer Robert Charles CARVER, 24was a career air force officer in No. 2 Squadron, RAAF. On 3 November 1970 the Canberra bomber he was in disappeared from a radar screen while returning from a night bombing mission in the northern I Corps Tactical Zone of South Vietnam. An extensive aerial search of the area failed to find any trace of the aircraft or crew and was called off after three days. In April 2009 the wreckage of the Canberra bomber was located in thick jungle in Quang Nam Province near the Laotian border. Human remains discovered near the site were identified in July 2009 as those of Carver and his crew and were repatriated to Australia on 31 August 2009 for burial in separate military funerals.Framed black and white head and shoulders photo of P.O. Carver (Missing In Action) in dress shirtphotograph, missing in action, p.o. robert carver, mia, no 2 squadron', canberra bomber, quang nam province, laotian border, royal australian air force, 0119223

This item contributes to an understanding of those involved in the war in Vietnam.Black and white photograph featuring five soldiers in full battle gear making their way through the jungle.LAST PATROL FROM 1 AFT NUI DAT SOUTH VIETNAM 1971/7 Section 6PL B Coy4 RAR/NZ (ANZAC) Bn/L-R 17367 L/Cpl T.C. (Tex) Contor, 2791452 Pte R.J. (Mudguts) Foster/56293 Pte J.R. (Hawkeye) Hawke, 2795446 Pte D.G. (Don) Miers/and 311263 Pte C.J. (Lukie) Lucaslast patrol, nui dat, 1 atf, 1971, contor, foster, hawke, miers, lucas

Index, bibliography, notes, ill, maps, p.722.non-fictionVietnam became the Western world's most divisive modern conflict, precipitating a battlefield humiliation for France in 1954, then a vastly greater one for the United States in 1975. Max Hastings has spent the past three years interviewing scores of participants on both sides, as well as researching a multitude of American and Vietnamese documents and memoirs, to create an epic narrative of an epic struggle. He portrays the set pieces of Dienbienphu, the Tet offensive, the air blitz of North Vietnam, and less familiar battles such as the bloodbath at Daido, where a US Marine battalion was almost wiped out, together with extraordinary recollections of Ho Chi Minh's warriors. Here are the vivid realities of strife amid jungle and paddies that killed 2 million people. Many writers treat the war as a US tragedy, yet Hastings sees it as overwhelmingly that of the Vietnamese people, of whom forty died for every American. While all the world has seen the image of a screaming, naked girl seared by napalm, it forgets countless eviscerations, beheadings and murders carried out by the communists. The people of both former Vietnams paid a bitter price for the Northerners' victory in privation and oppression. Here is testimony from Vietcong guerrillas, Southern paratroopers, Saigon bargirls and Hanoi students alongside that of infantrymen from South Dakota, Marines from North Carolina, Huey pilots from Arkansas.vietnam war 1961-1975 – history, vietnam war 1961-1975 – personal recollections

"Another day at the office as a platoon prepares to mount tracks for insertion into night ambush positions. The gunners were the heart of the platoon with enormous firepower." (3 Platoon, A Company, 8RAR )This series of paintings was created by Robert E D'Arcy, who served as a Corporal in 8RAR in 1969-1970. Figures in this painting are from 3 Platoon, A Company, 8RAR. The images are from colour photographs taken by the artist, each being an interpretation of the snapshot. The photographic image has been simplified with a flattened perspective to give the impression of a 1970s style poster. The olive green signifies the colour of the jungle and the uniforms worn by troops, with the dark shades providing an atmosphere reminiscent of old photographs and their negatives. The paintings in "Snapshots from the Front" depict remembered images that endure in the minds of Vietnam veterans.Work in 2 shades of khaki green and black on a white background features four Australian soldiers in uniform carrying weapons and wearing bandoliers of cartridges leading a group of other soldiers.vietnam war, vietnam soldiers, robert d'arcy, 8rar, service number 55668, d'arcy, gunner, 8 rar

"Recruit training, both aged about 19, Felix (left) died in a single vehicle accident soon after his return from service in Vietnam with the SAS. Motor accidents were a problem for servicemen after 12 months of adrenalin, then normal on return."This series of paintings was created by Robert E D'Arcy, who served as a Corporal in 8RAR in 1969-1970.The images are from colour photographs taken by the artist, each being an interpretation of the snapshot. The photographic image has been simplified with a flattened perspective to give the impression of a 1970s style poster. The olive green signifies the colour of the jungle and the uniforms worn by troops, with the dark shades providing an atmosphere reminiscent of old photographs and their negatives. The paintings in "Snapshots from the Front" depict remembered images that endure in the minds of Vietnam veterans. Robert completed his recruit and corps training with Felix Henry Richards, Service Number: 55669 . Trooper Richards served with 2nd Special Air Service Squadron (SAS) Vietnam, 17 Feb 1971 - 11 Oct 1971. Work in 2 shades of khaki green and black on a white background features two smiling young men in army uniforms with trees in the background.kapooka, army training, vietnam war, vietnam soldiers, robert d'arcy, 8rar, service number 55668, d'arcy, richards, felix richards, trooper richards

"Pod-mounted M60 machine gun in the platoon bunker on the defensive perimeter of Nui Dat base camp. When not on operations, you mounted the piquet (picket) - 24/7."This series of paintings was created by Robert E D'Arcy, who served as a Corporal in 8RAR in 1969-1970.The images are from colour photographs taken by the artist, each being an interpretation of the snapshot. The photographic image has been simplified with a flattened perspective to give the impression of a 1970s style poster. The olive green signifies the colour of the jungle and the uniforms worn by troops, with the dark shades providing an atmosphere reminiscent of old photographs and their negatives. The paintings in "Snapshots from the Front" depict remembered images that endure in the minds of Vietnam veterans.Image mostly black with some dark khaki on a white background features a machine gun resting on the top of a darkened pit as if at a horizon line, with a distant landscape outline above it. vietnam war, vietnam soldiers, robert d'arcy, 8rar, service number 55668, d'arcy, picket duty, machine gun, nuidat, m60, piquet

"We were inserted by chopper, resupplied by chopper, medevacked by chopper - always reliable, always there when needed the most."This series of paintings was created by Robert E D'Arcy, who served as a Corporal in 8RAR in 1969-1970.The images are from colour photographs taken by the artist, each being an interpretation of the snapshot. The photographic image has been simplified with a flattened perspective to give the impression of a 1970s style poster. The olive green signifies the colour of the jungle and the uniforms worn by troops, with the dark shades providing an atmosphere reminiscent of old photographs and their negatives. The paintings in "Snapshots from the Front" depict remembered images that endure in the minds of Vietnam veterans.Work in 2 shades of khaki green and black on a white background features four Australian soldiers in uniform carrying weapons and wearing bandoliers of cartridges leading a group of other soldiers.vietnam war, robert d'arcy, 8rar, service number 55668, d'arcy, 8 rar, helicopter, uh-1, huey, workhorse

'Private Garry M West was 19 when he was killed in action in the Long Hai hills on 28 February 1970. This day in 1992 was the first time I had met his dad and spoken about what happened on that day all those years ago." This series of paintings was created by Robert E D'Arcy, who served as a Corporal in 8RAR in 1969-1970.The images are from colour photographs taken by the artist, each being an interpretation of the snapshot. The photographic image has been simplified with a flattened perspective to give the impression of a 1970s style poster. The olive green signifies the colour of the jungle and the uniforms worn by troops, with the dark shades providing an atmosphere reminiscent of old photographs and their negatives. The paintings in "Snapshots from the Front" depict remembered images that endure in the minds of Vietnam veterans.Image in black and dark khaki on white background of middle-aged man in jacket with medals, carrying an Australian flag.vietnam war, vietnam soldiers, robert d'arcy, 8rar, service number 55668, d'arcy, war dead, casualty, flags, memorial, canberra

Peter Ball (born Cohuna, enlisted Bendigo) was conscripted for two years National Service beginning on 23.4.1969 Regt No 3796117. Postings, Recruit Training Puckapunyal Vic, Infantry Corp Training Singleton NSW, Infantry Corp Reinforcement Wing Ingleburn NSW, Jungle Training Centre Canungra QLD 3 weeks, ankle injury 5.9.69, return to Ingleburn, Basic Signals Course Ingleburn 5.11.69 - 10.12.69, Volunteered for service Vietnam, passed medically fit, fly out 3.3.1970 for Saigon, posted to Reinforcement Wing Nui Dat for 3 weeks acclimatisation training, posted to 6 Pl B Coy 8 RAR 25.3.70, embark HMAS Sydney for Australia 1.11.70, disembark Brisbane 12.11.70, posted to Enogerra Barracks Brisbane, posted to Vic Barracks Melbourne 5.3.1971 for discharge, posted to Sale 2 weeks with CMF fortnight Camp, discharged from the Army 23.4.1971 with the rank of PTE. Enlist in the CMF Geraldton WA in A Coy 16 RWAR on 24.6.1978 same Regt No, discharged re interstate transfer on 18.2.1981, rank L/Cpl.Pay Book No C 23443, brown covers with green tape on binding, print in black on front, hand written in black texta, white label on with hand writing in blue pen, 40 pages with entries in blue & red hand writing, large purple “DISCHARGED” stamp on many pages, rear page has a yellow envelope taped on with 3 X “Pay Book variation Authority” slips in, off white, layout in green, typing in black with red hand written items on, rear page cover has photo of a soldier with name, rank and date onFront cover in texta, “3796117 BALL PETER CHARLES”, date stamp on page 1 “23 APR 1969”, rear page photo date has ,”26.4.69”. Pay book Variations Authorities dated, “14.12.70, 14.12.70, 15.12.70” pay books, administrative record, soldiers

"They always looked like kids, about 14-16 years old, very slight build, short, smooth-skinned. Very good soldiers though. We always thought if we could join forces, we'd finish the war quick smart." The enemy soldier in this work lies at across the canvas at a 35-45 degree angle, with the head in the right side foreground.This series of paintings was created by Robert E D'Arcy, who served as a Corporal in 8RAR in 1969-1970.The images are from colour photographs taken by the artist, each being an interpretation of the snapshot. The photographic image has been simplified with a flattened perspective to give the impression of a 1970s style poster. The olive green signifies the colour of the jungle and the uniforms worn by troops, with the dark shades providing an atmosphere reminiscent of old photographs and their negatives. The paintings in "Snapshots from the Front" depict remembered images that endure in the minds of Vietnam veterans. The abstracted enemy soldier in this work lies across the canvas at a 35-45 degree angle, with the head in the right- side foreground.Image mostly dark khaki with black to the right and left at the bottom. Abstracted image is depicted in white splashes and streaks.vietnam war, vietnam soldiers, robert d'arcy, 8rar, service number 55668, d'arcy, enemy, viet cong, vc, north vietnamese soldier, war dead, casualty, unknown soldier

"Relatives and friends carrying the flags, one for each soldier killed in Vietnam."This series of paintings was created by Robert E D'Arcy, who served as a Corporal in 8RAR in 1969-1970.The images are from colour photographs taken by the artist, each being an interpretation of the snapshot. The photographic image has been simplified with a flattened perspective to give the impression of a 1970s style poster. The olive green signifies the colour of the jungle and the uniforms worn by troops, with the dark shades providing an atmosphere reminiscent of old photographs and their negatives. The paintings in "Snapshots from the Front" depict remembered images that endure in the minds of Vietnam veterans.Image in black and dark khaki on white of a parade of Australian flags being carried by walking people, with trees in the background.vietnam war, vietnam soldiers, robert d'arcy, 8rar, service number 55668, d'arcy, war dead, casualty, flags, memorial, canberra

"These paintings manage to be both intimate and distanced. The intimacy belongs to their source in the artist's snapshots over a 30-year period: while the uniform colouring (dark sea green, black and white) and stylised interpretation of photographic shades of grey by flat areas of colour create a mechanical feel. D'Arcy's treatment of his subject matter - events and people encountered as a soldier in Vietnam 1969-70 and in commemoration of that war since - is coolly dispassionate, in the tradition of the classical memento mori. War and mortality: timely themes." Review of series, The Age, Friday 23 April 2004This series of paintings was created by Robert E D'Arcy, who served as a Corporal in 8RAR in 1969-1970.The images are from colour photographs taken by the artist, each being an interpretation of the snapshot. The photographic image has been simplified with a flattened perspective to give the impression of a 1970s style poster. The olive green signifies the colour of the jungle and the uniforms worn by troops, with the dark shades providing an atmosphere reminiscent of old photographs and their negatives. The paintings in "Snapshots from the Front" depict remembered images that endure in the minds of Vietnam veterans.Abstracted images in black and khaki on white - Series of 14 Paintings _ 13 donated to NVVM. Painting shown here is the artist's self-portrait, which he retained for his family to keep.vietnam war, robert d'arcy, 8rar, service number 55668, d'arcy, 8 rar, robert e d'arcy