Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘View of the township of Omeo’ : Views of Victoria (General Series) No.44 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The subject of this illustration is the most remote Township in the Colony of Victoria, being about 250 miles distant from Melbourne. It is situated on the Australian Alps, near Mt. Livingstone. The bed of the River, which is seen on the right-hand side of the picture, is one of the sources of the Mitchell River, which empties itself in the Gipps Land Lakes. This Township is frequently covered with snow in winter time, owing to its being several thousand feet above the level of the sea.’ nicholas caire (1837-1918), omeo (vic), gippsland, mount livingstone, australian alps

Photo showing Powder Monkey working at Devil's Elbow near Eastern Viewg.o.r., devil's elbow, eastern view, powder monkey

Colour photograph of oblique aerial view centred on Eltham Shire Offices, 1994eltham shire office, eltham library, main road, eltham, aerial photograph

View of Ballarat Towards Mount Warrenheip from the Ballarat School of Mines, 2015smb campus, federation university, mount warrenheip

black and white photograph: Aerial view of Mt Helen campus from the north mount helen campus, mount helen campus aerial, student residences, p building, f building, g building, l building, mt helen library, union building, u building, e.j. barker library, aerial

Coloured photograph of front view of Museum showing two windows and front door.schwerkolt cottage & museum complex, nunawading & district historical society

Framed Colour Photograph - View of the city and highway from western suburbs 1985

The Old Colonists' Hall opened in 1887.View down Lydiard Street North from the verandah of the Old Colonists' Hall.ballarat old colonists' club, ballarat old colonists' hall, balcony, lydiard street

Photograph taken by a staff member of the main entry of the Kooyong building, with 'Wicking Centre' signage. vision australia, buildings, john wicking, janet wicking

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘View of the Township of Mt. Blackwood’ : Views of Victoria (General Series) No.42 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The locality which this illustration represents was formerly known as the Blackwood Forest, and has been the scene of considerable mining activity. The shallow alluvial diggings of the early days have given place to the deep sinking in search of reefs. This scene is characteristic of the wild appearance which many of the inland townships of Victoria represent.’nicholas caire (1837-1918), blackwood (vic), mount blackwood, landscape photography - victoria

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘View on the upper Buckland River’ : Views of Victoria (General Series) No.46 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The Buckland River is situated near the western extremity of the Australian Alps, and forms one of the sources of the Ovens River. Its watercourse is very shallow, except in flood time. Our illustration is taken on the upper portion of the River, near Reeve’s dam.’nicholas caire (1837-1918), buckland river (vic), landscape photography - victoria

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘View of the township of Golden Square’ : Views of Victoria (General Series) No.57 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘This Township is situated in the Bendigo district, on the road to Castlemaine, and although it is of little importance as a business town, is nevertheless of large importance in consequence of the great number of Quartz Reefs it contains. Almost every house is undermined, and large fortunes have been made by the proprietors. The Church in the distance is that of the Wesleyan body. It was in this township that gold was first discovered in the district of Bendigo.’nicholas caire (1837-1918), golden square (vic), bendigo (vic), gold mining, landscape photography - victoria

One of 4 photographs donated by Norma Smith. On back of postcard is an order sent to Mrs Smith of Rhyll from Mrs Eva Richardson of Bay View Cowes, for eating apples and pears. Black & White postcard of Bay View Guesthouse."Bay View Cowes, Phillip Island"bay view cowes phillip island, bayview guesthouse cowes, mrs richardson, mrs smith, norma smith

Postcard size coloured photograph"Written on back of photograph" View of Ringwood showing berry farms West of New Street -circa1960's

Written on plastic sleeve, "Aerial view taken from slide - Ringwood Lake 7/8/69".

Written on back of photograph, "1982 - View across Debbie Place down Kubis Drive looking west."

Written on back of photograph, "E648. N2A. 8.1.82. View from Charters St. of unloading bay at 'Target'."

Part of a 43-photo record of the MMBW�s engineering feat in drilling a 12 inch pipe line up to 40 feet deep through rock hardened by volcanic action associated with geological fault that occurs along the line. The work took place from October 1979 to May 1980 on the southern boundary of Hubbard Reserve, North Ringwood. The collection was presented to the Ringwood Historical Research Group by J Clarke on 9th June 1980.E561 N13 28 Feb 1980 A43 View from Debbie Place, preliminary sewer work

Written on back of photograph, "Panoramic View of land for sale. Coleman's Heathmont Estate 15/12/1923."

Esplanade and Alfred Square, Boer War memorialcolour postcard, unmounted, originalwritten on front: 'from Norma Martin(?), printed: View of Esplanade, St Kilda, post marked 1907

Aerial View of Mt Clear showing Mt Clear Technical School and Canadian Creek.mount clear, mount clear techncial school, canadian creek

Sepia aerial view of Yarra river at Bend of Islands; Henley Road on left in foregroundbend of isles, kangaroo ground, yarra river, henley road

Aerial view showing Mullum Ovals 1 and 2, Mullum Road. c.1970.

Social/ political, legalColour photo, Interior Buninyong Courthouse, view to NW corner showing entrance door.buninyong, courthouse, buninyong council chamber

Colour photograph of Daylesford. This view was used for the opening scenes of the ABC television seried 'Bellbird'.heritage, daylesford, townscape, view

Black Hill is showing significant environmental damage from mining. The early timber-built ANA Hall seems to be under construction (1892-3). This view encompasses the Post Office, Camp Street, parts of Ballarat East to Black Hill.

Builder Richard Rennie, completed 1860 as Presbyterian ChurchHistoric building, Richard Rennie unique designB/W photoBuninyong Uniting Church (formerly Presbyterian) side view, close-upbuninyong, presbyterian, uniting, church, learmonth st, richard rennie

The Gong has been part of the Buninyong industrial, cultural and recreational history pre and post 1837Fed by springs, the Gong has been a major source of water for industrial, pastoral, recreational uses and local wildlifeBlack and white photograph of the Gong, view of the South East Corner with the Old Brewery in the backgroundbotanic gardens, brewery, landscape, industry, water supply, springs

The Gong has been part of the Buninyong industrial, cultural and recreational history pre and post 1837Fed by springs, the Gong has been a major source of water for industrial, pastoral, recreational uses and local wildlifeBlack and white photograph of the Gong, view from Scott Street to the South West cornerbotanic gardens, landscape, industry, water supply, springs