Foreword by Associate Professor Robert L Allan, Head, School of Arts, University of Ballarat. Information regarding travel awards by Anne Saunders. Book sectioned by study areas, including photos of students, contact details and an example of their work. Final page includes list of sponsors, award donors, exhibition committee and designers.Catalogue accompanying exhibition of final year, Visual Arts student work at University of Ballarat, 1997. Spiral bound landscape book, 36 leaves (72pp) plus card covers front and back. Single colour black and white print throughout.university of ballarat, federation university, ceramics, drawing, graphics, graphic design, printmaking, sculpture.

Likely a companion piece to the End of Year Exhibition (EYE) of Visual Arts students. A compendium of eleven, A5 cards featuring the work and details of graduating students, 2017. Cards are held in a black textured binder of plastic sleeves, bound by three brass screws. federation university, visual arts, arts academy, camp street campus

Three men associated with performing arts at Ballarat College of Advanced Education stand, two shake hands. They are left to right: Peter Tulloch (Senior Lecturer, Performing Arts), Lawrence Price, Associate Professor Ian Hemmingway (Head of Visual And Performing Arts.)performing arts, peter tulloch, ian hemmingway, ballarat college of advanced education, bapa, ballarat academy of performing arts, lawrence price

Design credits, james craig, nigel rowe, jacob thompson. Cover art Matt Turner, photography Jacob Thompson. Foreword by Studio coordinator, Gavin Nash. Lecturers Doug Bartlett, Sam Harmer, Luke Keys, Gavin Nash, Travis Price, Nic Wai. 21 students: Glen Bellman, Penelope Boadle, Nikhil Bora, Mark Cassells, James Craig, Chris Downey, Aiden Grant, Daniel Hatcher, Jacob Lai, Scott Matthews, Phillip McDonald, Tim McDougall, Jena Ramando, Charlie Ryan, Nigel Rowe, Saeed Salimpour, Claire Skrobalak, Elisha Sullivan, Jacob Thompson, Matt Turner, Aimee Young. Exhibition opening held Thursday 27 November, 2008 at Loop Bar, 23 Meyers Place, Melbourne.Promotional 88 page catalogue created by University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) third year, graduating students, 2008. Multi-page full colour book, uncoated brown perfect bound cover, single colour (black) deboss.university of ballarat, federation university, graphic design, multimedia, camp street campus, bachelor, degree, arts academy, glen bellman, penelope boadle, nikhil bora, mark cassells, james craig, chris downey, aiden grant, daniel hatcher, jacob lai, scott matthews, phillip mcdonald, tim mcdougall, jena ramando, charlie ryan, nigel rowe, saeed salimpour, claire skrobalak, elisha sullivan, jacob thompson, matt turner, aimee young

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.A clipping from a 1949 newspaper, depicts a cartoon version of the band adjudicator and composer Frank Wright. In one hand he is holding his baton and in the other he is holding a sheet of music. This visual is accompanied by a ittle ditty. The cartoonist is Dudley Gordon and the newspaper is the Ballarat Courier,frank wright, dudley gordon, ballarat courier, band adjudicator, composer

A brown folder titled "Visual Aids To Oral Teaching 5" (the number 7 has been crossed out and replaced by 5). From the files of Mr. L.J. Pryor. Former Principal of Bendigo Teachers' College. Donated to Education Resource Centre for Archival use 1992.bendigo, education, bendigo teachers' college, la trobe university bendigo collection, collection, bendigo, bendigo teachers' college, curriculum, teaching, education, mr. l.j. pryor, education resource centre, history - study and teaching, history

28 page soft cover booklet 'The 1985 Excursions Guide to Bendigo, the Golden Heart of Victoria'. A detailed listing of Bendigo's attractions and businesses suitable for student groups (as well as family visitors). Produced by John Price (Audio Visual Rescources Centre) on behalf of the Bendigo District Education CommitteeJohn Price

The basic balance scale has been around for thousands of years and its accuracy has improved dramatically over the last several centuries, the principle behind this tool remains unchanged. Its parts include a fulcrum, a beam that balances on it, a pan at the end of the beam to hold the materials to be weighed, and a flat platform at the other for the counter-balancing weights. Balance scales that require equal weights on each side of the fulcrum have been used by everyone from apothecaries and assayers to jewellers and postal workers. Known as an unequal arm balance scale, this variety builds the counterweight into the device. Counter scales used in dry-goods stores and domestic kitchens often featured Japanned or (blackened) cast iron with bronze trims. Made by companies such as Howe and Fairbanks, the footed tin pans of these scales were often oblong, some encircled at one end so bulk items could be easily poured into a bag. Seamless pans were typically stamped from brass and given style names like Snuff (the smallest) and Birmingham (the largest). Some counter scales were designed for measuring spices, others for weighing slices of cake. In the 18th century, spring scales began to appear and would use the resistance of spring to calculate weights, which are read automatically on the scale’s face. The ease of use of spring scales over balance scales. One of the most common types of spring scales was the kitchen scale also known as a family or dial scale. Designed for horizontal surfaces, these vintage kitchen scales used the weight of goods in a pan at the top of the scale to force the spring down rather than the balance system. Such scales were common in early 20th century households and were sold by many companies. Many had flat weighing surfaces but some were topped by shallow pans. Companies such as Salters, Chatillon, and Fairbanks were the most popular brands used. These scales are significant as they identify one of the basic preparation items for the weighing of foodstuff in the family kitchen to prepare everyday meals. This item is significant as it gives a snapshot into domestic life within the average home in Australia around the turn of the twentieth century and is, therefore, an item with social relevance. Black cast iron, medium weighing scales, with a fulcrum which the beam that balances on, there is as scoop at one end for the material to be weighted and a flat circular disc at the other end that holds the weights. Around the cast iron base is an embossed leaf pattern. All the weights have their weight embossed within the casting.There are 5 weights, marked 2 oz, 4 oz,8 oz,1 lb,2 lb, This scale does not have any visual markings on the arms to identify a maker or true balance. It is therefore assumed that these scales were made for domestic use only.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, spring scale, scale

AGIdeas was a student design conference held from annually from 1991, for at least 20 years. (Alliance Graphique Internationale AGI). The project outcome "is the combined impact of eighteen individuals reflecting upon their personal design philosophy and the space they occupy." The students determined that the University of Ballarat's course was special due to its "unique learning and teaching environment", all year levels "interspersed throughout the open-plan workspace" at individual workstations with twenty-four hour, seven day access to the space (at Camp Street Campus, Ballarat). Students: Narj Bickerdike, Sarah Birks, Lauren Drew, Rene Furlong, Mark Iskra, Brooke Jury, Kathryn Kandera, Bree McKenzie, Stuart Shepherd, Amber Smith, Eliza Steele, Chris Stephen, Cameron Suttie, Jarrod Vanstan, Luke Vanstan, Tim Ware, Alison White, Alison Wright. Staff: Helmut Stenzel, Leigh Whetter, Nic Wai, Assistance: Elise Whetter Copywriting and finished artwork by Elise and Leigh Whetter, Celtink Creative. Back page notes sponsors, including CPI paper, Energi Print (transparency printing) and Sovereign Press (paper printing).Project created by University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) students by invitation for AGIdeas. This is a double spiral bound landscape booklet, with 18 student works on paper bound to the left and 18 works on transparency bound to the right, to allow interplay and layering for multiple combinations by the reader/viewer.university of ballarat, federation university, graphic design, multimedia, camp street campus, new north, narj bickerdike, sarah birks, lauren drew, rene furlong, mark iskra, brooke jury, kathryn kandera, bree mckenzie, stuart shepherd, amber smith, eliza steele, chris stephen, cameron suttie, jarrod vanstan, luke vanstan, tim ware, alison white, alison wright., helmut stenzel, leigh whetter, nic wai, elise whetter

The booklet provides information for prospective students, styled around a passport and travel guide. Page 24 features quotes regarding the forthcoming move from Mt Helen Campus to the Camp Street Campus at the end of 2001, early 2022. Pages 28 and 29 feature small quotes from GD/MM alumni, as well as naming contacts and connections. Co-production of students and staff. Initiated by lecturer Helmut Stenzel, concept by student Anthony Boulton. Design, direction, copy and production by Elise Whetter. Student works contributed by: Tim Allan, Michelle Allen, Matthew Avent, Reuben Barnett, Michelle Berry, Anthony Boulton, Lucy Brisbane, Amanda Brizzi, Simone Carras-Kerr, Naomi Craig, Belinda Garth, Alex Gillett, Danielle Harris, Andrew Isaac, Hamish McDougall, Heath McGregor, Ange Nastos, Jackie Orr, Marc Oswin, Andrea Read, Ed Sawyers, Leigh Scholten, Jessica Steinke, Peta Wallace, Andrew Wapling, Leigh Webb, Fiona Woolley, Sony Zwolinski. The cover stock is Reaction, Night Offshore Blue, 310gsm, produced by the Gmund paper company, Germany. Its reverse is matt black.Promotional brochure for prospective students of the Bachelor of Visual Arts (Graphic Design/Multimedia). 32pp text (full colour throughout) plus 4pp cover (on blue Reaction specialty stock) debossing and laser cut holes. Saddlestitched with matching blue staples. Booklet contained in a plastic sleeve with clear front.university of ballarat, federation university, graphic design, multimedia, bachelor, degree, tim allan, michelle allen, matthew avent, reuben barnett, michelle berry, anthony boulton, lucy brisbane, amanda brizzi, simone carras-kerr, naomi craig, belinda garth, alex gillett, danielle harris, andrew isaac, hamish mcdougall, heath mcgregor, ange nastos, jackie orr, marc oswin, andrea read, ed sawyers, leigh scholten, jessica steinke, peta wallace, andrew wapling, leigh webb, fiona woolley, sony zwolinski, elise whetter, helmut stenzel

This building was built for the teaching of Visual Art on the Mt Helen Campus. With the move of Visual and Performing Arts to the Camp Street Arts Academy the buildings have been repurposed. Colour photograph of the building beside the oval at Federation University Australia Mount Helen Campus.federation university, buildings, mount helen campus, a building, visual art

Eva J.VOLVY Born Czech Republic Eva Volvy was Bachelor of Art (Visual Art) and graduate Diploma of Visual Art student at the Gippsland Centre for Art and Design.This sculpture is based on a folktale of the Sea Islanders 'The Bull and the Eagle'. artwork, artist, sculpture, eva volny, gippsland campus, alumni

Single issue of ''Work on Paper'' - late Autumn Edition 1998. 21 -paged issue of magazine committed to critical debate of the arts in Greater Bendigo and Macedon Ranges regions. (Lynda Newton - Editor). Contents - articles (3); prose; poetry; visuals; review (1). ''Glossy'' well-printed magazine with images/photos..

Foreword by Gavin Nash and Chrissie Smith, lecturers Graphic Design / Multimedia. Double page spread per student, names appear listed black on black on reverse cover, and throughout book.Promotional 60 pp + cover catalogue created by University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) third year, graduating students, 2009. Four colour process plus special colour (flourescent orange) throughout. Textured black card cover, single colour black deboss. Perfect/burst bound.university of ballarat, federation university, graphic design, multimedia, camp street campus, bachelor, degree, arts academy

8 photographs of Staff engaged in preparations for the 1991 Centenary Celebrations. (1) Peter Shepherd and son. (2) Jamie Pearson, Jim Pleasance. (3) James Hitchmough. (4) Putting Self-guided tour brochurse in envelopes. (5) Student Representative in Audio Visual Room. (6) Darryl Gibbs, Jamie Pearson, Ian Winstone.staff, preparations, 1991, centenary celebrations, peter shepherd, jamie pearson, jim pleasance, james hitchmough, student representative, audio visual room, darryl gibbs, jamie pearson, ian winstone

Trevor WREN (1952- ) A graduate of the Bachelor of Art (Visual Art), and Graduate Diploma of Visual Arts at the Gippsland Centre of Art and Design (GCAD). This work was purchased as part of the Gippsland Campus Art Enhancement Project, 1996Sculpture by Trevor Wrenartwork, artist, sculpture, trevor wren, gippsland campus, alumni

The Association for The Blind is a Victorian voluntary agency which offers specialised services to members of the community with visual impairment. The Association is also committed to community development education, in order to provide more opportunities in the community for people with visual impairment.Significant as a record of the year's activity of the Association for The Blind 199229.5cmHx21cmW, 28 pages

The Association for The Blind is a Victorian voluntary agency which offers specialised services to members of the community with visual impairment. The Association is also committed to community development education, in order to provide more opportunities in the community for people with visual impairment.Significant as a record of the year's activity of the Association for The Blind 1987Orange cover, 24cmHx18cmW, 28 pagesassociation for the blind, illawarra community centre geelong

This speaking calculator was designed to perform several functions as well as memory, in synthetic voice. With two modes - visual or visual plus voice - it was powered by a nickel cadmium rechargeable battery or by a special adaptor from mains supply voltage. Dark brown rectangular box with numerical and mathematical keyboardTSIassistive devices, audio equipment, office equipment and supplies

Joan Thompson, wife Lindsay Thompson, Minister for Education, shakes hands at the opening of the Gippsland Institute of Advanced Education. John Milton-Smith (glasses - Dean Gippsland Institute of Education (GIAE) Business and Arts), far left C. Head of School Visual Arts, Lindsay Thomson, 3rd from the right , 2nd from right Sen J. Carrickgippsland campus collection, john milton-smith, lindsay thompson, joan thomson

Bottled Phenyle cleaner was used throughout the 1900's in domestic kitchens, toilets and other "clean, germ free" environments. Some of these environments would encompass dairying milk handling rooms and hospital kitchens and ablution areas. It is a product which has resulted in the poisoning of some unwitting users (newspaper accounts of a woman in 1928 who drank some phenyle mistakenly for wine and died). The reliance of effective poisonous cleaning products in kitchens, especially in the 1900's was and is still a very hazardous element that the "most pivotal place in a house" contains. In the era when this particular bottle was used (1920's) the main means where consumed around the kitchen table, and this was especially so in rural areas. Keeping this area "germ" free was a mandatory requirement.This bottle is significant to the Kiewa Valley because this area was mostly rural with "out houses" and milk collection areas that required that "extra attention" of sanitation. Rural areas also where more prone to have the kitchen area as a general meeting place for the family before dinner and other meals. Sanitation was of greater importance in rural areas, due to the greater distances to hospitals and doctors if contamination occurred. City homes at this time frame had lounge rooms for the daily get together of the family unit. This was an era before the television and computer age fragmented and isolated family members from one another. This was a time that family members grouped together in the kitchen to find out "the latest news".This amber glass, diamond shaped bottle with cork stopper once contained Phenyle. Phenyle is a highly poisonous liquid. The amber opaque glass was used and not a clear glass to highlight it's content. It has a cork stopper at the top of a slender neck. All the glass embossed writing is highlighted by a string of crosses. The cross was used to enforce a visual danger sign.On one side "THIS BOTTLE IS THE PROPERTY OF" and in large print underneath "KITCHEN'S" and below this and underlined "POISONOUS". On the next side "NOT TO BE TAKEN" and next side in very large print and surrounded by a border "PHENYLE" with crosses enclosing it. On the bottom of a "blank side is "REGd. No. 2140" On the base is M 959 and Mkitchen cleaners, food preparation area, ablutions

Golden Square Primary School No. 1189 Policy & Curriculum. Light blue/grey cover with black printing and black picture of the school. Part A. Subjects covered are: Organization and Procedures; Visual Perception - Preparatory Year; Word Structure; Preparatory Written Expression; Writing; Reading Program; Art/Craft Program; Science, and Social Studies; Bound copy of 63 pages.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - golden square primary school no 1189 policy & curriculum