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National Wool Museum
Textile - Dress
Long coffee coloured wool lace evening gown with long sleeves and train. According to the donor (see correspondence in supp. file), this gown was made from Australian wool woven in Bradford and made up in Paris. It was given to the Melbourne Legacy Wives Association by Mr Ken Clarke (former head of the Wool Board and a Legatee) for use in a parade of garments by the Legacy Wives Association. This particular gown won an award (Wool Award/Gown of the Year?) in c.1957 and was on display in the window of the Georges department store in Melbourne.Long coffee coloured wool lace evening gown with long sleeves and train. Slip under coffee coloured lace dress. Detail of bodice of coffee coloured lace dress. Photograph from C of A: Ministry of Post War Construction Report c1945 "Wool"AC / AUST WOOL BOARDfashion, australian wool board, lace -
Glenelg Shire Council Cultural Collection
Photograph, Portland Wool Exchange, n.d
Port of Portland AuthorityFront: [Grid lines drawn in blue pen] 4½" wide (lower centre, blue pen) Back: 177 (centre, pencil)port of portland -
Linton and District Historical Society Inc
Photograph, Early model truck with wool bales : Fitridge Carrier
The Fitridge family of Mannibadar worked as carriers. This photograph is said to have been taken at the Knight's property.Sepia photograph of four men and a woman standing in front of an early model truck which is loaded with wool bales.fitridge family [carriers], rural activity, transport, trucks, wool bales, knight's property -
National Wool Museum
Archive - Advertisement, Onkaparinga Woollen Mill Company, 1957
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Pure wool, cuddly and warm (boy asleep with lamb)Pure Wool cuddly and warm/Buy Well…Buy Wool/Onkaparinga new pastel multi-check blanketsblanket, blanket fever, wool, onkaparinga, advertisement, australian women's weekly -
National Wool Museum
Archive - Advertisement, Laconia Woollen Mills, 1957
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Laconia Pure Lamb's Wool Blankets (mother and baby in bed)Laconia Pure Lamb's Wool Blankets/Make Goodnight a Certainty/*There's nothing in the World like WOOLblankets, blanket fever, wool, laconia, advertisement, australian women's weekly -
National Wool Museum
Photograph - Loading Wool Bales, 1960s
One of fifty one photographs originally in a photo album found in the National Wool Museum’s office. The album was water damaged and the images were removed for conservation. The images follow the process of wool. Beginning in a sheep paddock and finishing as a folded fabric. It includes all the steps in between in this process, including shearing, transporting, selling, washing and the many different steps in the process of turning a single thread of wool into fabric.Black and white image showing two men loading wool bales onto a motor transport vehicle.AUSTRALIAN NATIONAL PUBLICITY / ASSOCIATION / FLINDERS STREET RAILWAY BUILDING, / MELBOURNE AUSTRALIA / W68 / W68. Loading wool bales on to / a motor transport.wool industry, working life, women, boonoke station, farming, sheep farming, agriculture, sheep stations, transport, wool processing, shearing, textile industry, wool -
National Wool Museum
Book, Only wool can do it
"Only wool can do it" - Australian Wool Corporation, c.1985. Describes how to care for wool, the various wool trade marks and the advantages of wool.wool - characteristics wool marketing, australian wool corporation, laundering, wool - characteristics, wool marketing -
Glenelg Shire Council Cultural Collection
Photograph, Photograph - Loading wool, n.d
Port of Portland Authority Archivesport of portland -
University of Melbourne, Burnley Campus Archives
Uniform - Blazer Pocket, Wool cloth embroidered pocket, 1958 - 1983
Possibly a sample pocket from 1958 - 1983 Found in Quad classroom 2018Unused black wool cloth blazer pocket with college logo embroidered (backing of cotton) in white and green. (Note a mistake in the colour of the H is grey)HORTICULTURAL COLLEGE * BURNLEY *uniform, burnley college, blazer, student uniform -
National Wool Museum
Book, Australian wool- table of types and descriptions 1966
"Australian wool- table of types and descriptions" Australian Wool Board Wool Statistical Service, 1966wool sales wool brokering woolclassing, australian wool board, wool sales, wool brokering, woolclassing -
National Wool Museum
Book, An Historical Record of the Great Wool Store Days
"An Historical Record of the Great Wool Store Days" - Bob Williams, 1993. A history (based on anecdotes and oral history) of Australian wool stores, wool brokers and wool sales.wool brokering wool marketing wool sales wool stores, wool brokering, wool marketing, wool sales, wool stores -
National Wool Museum
Archive - Wool Processing, c.1990s
Part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.One sided A4 sized leaflet showing images and text relating to the processing of wool from fibre into fabric.front: WOOL / PROCESSING / Two main systems are used to process wool from fibre into fabric.stuart ascough, international wool secretariat, victoria wool processors, port phillip mills pty ltd, topmaking, career, wool industry, mills, leaflet -
National Wool Museum
Book, Craftmanship in Wool Throughout the Ages
"Craftmanship in Wool Throughout the Ages: British Wool Cloth Leads the World" - National Wool Textile Export Corporation, 1951. Provides an overview of hand and machine techniques in wool processing.wool processing weaving, national wool textile export corporation, wool processing, weaving -
National Wool Museum
Scrapbook, Opening of Wool House
"Opening of Wool House" - Australian Wool Bureau, 1957. Scrapbook of clippings, speech by Prime Minister Menzies; all associated with the opening of Wool House (headquarters of the Australian Wool Bureau) in 1957.wool marketing, australian wool bureau, 'wool house', melbourne -
National Wool Museum
Machine - Donald's Patent No. 4 Wool Press, Donald and Co, 1930s
Donald & Co. Paddington, Sydney, Patent No. 4. Serial No. 87086 wool press. From the Penna's property at Meredith.Wood and metal wool press. No. 87086 / DONALDS / PATENT / No. 4 / WOOL PRESS / PADDINGTON / SYDNEY / TRADE / DONALDS / MARKwool growing wool brokering wool bales, donald and co., wool press, wool growing, wool brokering, wool bales -
Ballarat Heritage Services
Photograph - Black and white photograph, Spinning Wool during the Kew Festival Colonial Dance, 1979, 1979
Jonathan Benyei spins wool during the Kew Festival Colonial Dance held at the Kew Town Hall. He is warched by his mother Dorothy Benyei. city of kew, kew festival, colonial dance, kew town hall, jonathan benyei, dorothy benyei, spinning wool -
Linton and District Historical Society Inc
Photograph, O'Beirne's Wool and Skin Business, circa 1900, 1900
Man standing on bales in front of the 'Linton' railway station sign is identified as F W O'Beirne. No others identified.Original sepia photo of O'Beirne's wool and skin wagons loaded with bales, at Linton railway station. Numerous draught horses in foreground, some with feeding bags.On back: "Sturgeon-26".o'beirne family, f.w. o'beirne, transport, business enterprises, wool and skin merchants, wool bales, horses, linton railway station -
National Wool Museum
Book, The Australian Wool Industry
"The Australian Wool Industry" was produced by the Australian Wool Corporation and provides an overview of wool growing and processing aimed at children.australian wool corporation -
National Wool Museum
Book, Wolstatistiek: Wool statistics
"Wolstatistiek: Wool statistics" - South African Wool Board. Statistics up to 1988 for the South African wool industry.wool marketing -
National Wool Museum
Program, Programme of Fashions in Wool for 1959
Program for a fashion parade of woollen garments for women. Descriptions of the garments, including the manufacturers and designers, are given. The parade was presented by the Australian, Canadian, American Women's Club of Geelong in 1959.PROGRAMME / of Fashions In Wool for 1959 / Presented by / Australian, Canadian, American Women's Club / of Geelong / Sponsored by / The Myer Emporium (Geelong) Pty. Ltd. / in conjunction with the / Australian Wool Bureau / Proceeds to aid the Australian Red Cross We are grateful for the / co-operation of: / Geelong Wool Brokers / Geelong Woollen Mills / Mr. James Fogarty. / No. 152fashion -
National Wool Museum
Photograph, Commonwealth of Australia, Central Wool Committee, Season 1917-18
Portraits of the Commonwealth of Australia Central Wool Committee from 1917-18. Those depicted are: A.H. Moore, F.B.S. Falkiner, B. Laycock, J.M. Balfour (Secretary), W. Stevenson Fraser (Vice Chairman), Sir J.M. Higgins (Chairman), W.J. Young (Vice Chairman), D. Gibb, R.B. McComas, E. Jowett.COMMONWEALTH OF AUSTRALIA / CENTRAL WOOL COMMITTEE / SEASON 1917-18 A.H. MOORE ESQ. / E. JOWETT ESQ. M.P. / F.B.S. FALKINER ESQ. M.P. / R.B. McCOMAS ESQ. / B. LAYCOCK ESQ. / SIR J.M. HIGGINS K.C.M.G. / CHAIRMAN / W.J. YOUNGER ESQ. C.B.E. / VICE CHAIRMAN / W. STEVENSON FRASER ESQ. VICE CHAIRMAN / D. GIBB ESQ. / J.M. BALFOUR ESQ. / SECRETARY Alice Millsc. of a. - central wool committee -
National Wool Museum
Book, Vegetable Matter in Australian Wool
"Vegetable Matter in Australian Wool" - Australian Wool Testing Authority Ltd, 1986. Produced to help enable standardised measuring and descriptions of wool.woolclassing, australian wool testing authority ltd, wool clip contamination -
National Wool Museum
Book, Report on wool marketing, vol. 1 part 2, 1967
"Report on wool marketing, vol 1 pt2 1967" -the Australian Wool Board, presented to the Ausralian Wool Industry Conference, Oct, 1967.wool processing wool - transportation wool stores, australian wool board, wool processing, wool - transportation, wool stores -
National Wool Museum
Book, Proceedings of the International Wool Textile Research Conference Australia 1955 vol. F
"Proceedings of the International Wool Textile Research Conference Australia 1955; vol. F histology of wool and hair and of the wool follicle" produced by CSIRO.csiro -
National Wool Museum
Book, Wool: the fashion fibre
"Wool: the fashion fibre" - Australian Wool Corporation, c.1985. Examines the use of wool for womens garments and includes descriptions of processes and styles.fashion textile production, australian wool corporation, fashion, textile production -
National Wool Museum
Book, Wool: eminently suitable
"Wool: the fashion fibre" - Australian Wool Corporation, c.1985. Examines the use of wool for mens garments and includes descriptions of processes and styles.fashion textile production, australian wool corporation, fashion, textile production -
Glenelg Shire Council Cultural Collection
Photograph, Portland Wool Brokers Limited, n.d
Port of Portland AuthorityFront: (no inscriptions) Back: 177 (centre, pencil)port of portland -
National Wool Museum
Book, Wool in Australia 1788 - 1988
"Wool in Australia 1788 - 1988", published by the Communications Department of the Australian Wool Corporation, Parkville, Victoria, 1988. Summary history of the Australian wool industry.wool - history sheep - australian, woolmark company australian wool corporation, skender, mr frank - the woolmark company, melbourne, victoria, wool - history, sheep - australian -
National Wool Museum
Booklet, 50 Years Selling Wool in Geleong 1857-1907, 1907
Presumably created in 1907 to highlight achievements in the previous 50 years of selling wool in Geelong. Booklet features images of wool sales, wool stores, wool shipping and train transport within Geelong CBD, as well as meat sales and shipping.Booklet with red paper cover set to a landscape orientation. Gold text on the front cover with a swirling design surrounding the heading and encircling a sketch of the Geelong waterfront. Small box on bottom left corner describes authors of the book. Booklet is 36 pages, all white pages, several with images and text, but many with just images or just text. Booklet is stapled together on spine on left side.national wool museum,, geelong, wool sales, transport, wool store -
National Wool Museum
Book, Wool Textile Research
"Wool Textile Research; CSIRO Research for Australia 9". Contains articles re: the latest CSIRO research (as of 1986) into areas such as wool marketing, wool cleaning, standard descriptions of wool, production of woollen fabric and yarn and current research trends.wool marketing woolclassing, csiro, scouring, dyeing, wool marketing, woolclassing