Linocut print on paper. Printer's Proof.'P/P' bottom left under printed area, '...AND THEY FLEW FROM THE AIRFIELD AT NGURUPAI II' centred under printed area, signed along bottom right edge of printlinocut, cultural reference, pattern, symbolism, aircraft

Black and white photo shows the front of the Rutherglen State School No. 522 with women in long dresses and big hats. Probably for the opening of the school. The colour photograph is a post card reproduction of a painting "The Sabbath Hat" from Henry John Dobson, R.S.W. (1858-1928)Two postcards pasted onto either side of a piece of green cardboard, probably cut from an album. One photo is a black and white photograph. One is a colour reproduction of a painting.At bottom of black and white photograph: "State School, Rutherglen" On the top left corner of the colour photograph: "A Happy New Year" At bottom right corner of the colour photograph: "The Sabbath Hat" rutherglen state school, school buildings, sabbath hat painting, henry john dobson

Champion sire First VoyageFirst Australian stallion to sire 100 trotting winners. Wooden framed black and white photograph of a horse.Bottom center, handwritten in black ink: First Voyage, Record 2.19 ½ / Bon Voyage - Elsie Downs Bottom right corner handwritten in black ink: Vincent Kelly - Bendigotrotting, stallion, belmont stud, first voyage, bon voyage, elsie downs, horse

The club was located at the south end of Durham Road, Surrey Hills in the 1930s. Black and white photo of members of a tennis club. There are 18 people in the photo - 10 adult females, 4 adult males, 3 younger males and a small dog; 6 females and 2 males are holding tennis racquets. There is a wicker baby's pram behind the group and in the background are the backs of houses.Top in biro in Jocelyn Hall's hand: "For Neighbourhood Centre" then below: "App. 1930" At the bottom in grey pencil: "TENNIS CLUB (BOTTOM OF DURHAM RD) / BACK OF HOUSES IN THAMES ST."tennis, sports and recreations, thames street, durham road, w prewett

This map shows the plans by eminent harbour engineer, Sir John Coode in 1879. Construction of the breakwater commenced in 1884 and was completed in 1890. Coode first visited Australia in 1872 when he commenced work with the Melbourne Harbour Trust to report on ways to improve Melbourne Port. He is considered one of the most eminent harbour engineers of the 19th century. His original plans for Warrnambool were revised because of cost but then subsequently found to be inadequate and later extended. This was not successful either and the harbour continues to have silting problems to this day. The Warrnambool Breakwater is of historical importance to Victoria and as this map depicts the original plans, it too has great historical significance. It is also significant with its association with Sir John Coode, who was one of the most important port engineers of the 19th century. He worked to improve ports along the Victorian coast including Portland, Geelong, Port Fairy and Lakes Entrance. While this map demonstrates the engineering skills of the era, it also reflects the limitations when natural elements are involved. Its Historical importance also lies in the depiction of items on the map which relate to Warrnambool’s early history. Paper on linen map coloured, and depicting the harbour area of Warrnambool with the proposed breakwater plan in red. It has Victorian Harbours information in oval at top of map. It shows depths of some areas.In oval at top, “Victorian Harbours Warrnambool plan to accompany Sir John Coode report dated 28th Feb 1879. Drawing No 2. Scale 500 feet to 1 inch at bottom centre. Sir John Coode signature in bottom left corner. A 33 A on bottom left reversesir john goode, warrnambool harbour map, warrnambool harbour map 1879, port of warrnambool map 1879

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. HISTORY:-- From Victorian Heritage Database citation for Labassa https://vhd.heritagecouncil.vic.gov.au/places/278 as at (26/10/2020) Labassa, Caulfield is one of Melbourne's most lavishly decorated nineteenth century mansions. It resulted from the extensive remodelling in 1890, of an earlier house, known as Sylliott Hill, which was begun in 1862-3 for lawyer, Richard A. Billing. The land at the corner of Balaclava and Orrong Roads was first acquired in 1854 by William Lyall, transferred to his partner, John Mickle, in 1859, who also acquired the adjoining allotment in Balaclava Road, and the three allotments were conveyed to Billing. His first eight-roomed house was extended significantly in 1873 into a twenty-roomed house by architects Crouch and Wilson, who were possibly also responsible for the first house. This reflected Billing's success as a barrister, and he resided at this property until his death in 1882. In 1883 prominent Melbourne businessman, Alexander William Robertson, leased the Sylliott Hill property from Billing's widow, and in 1885 he purchased the adjoining allotment in Balaclava Road. He purchased the Billing's property in 1887 and renamed the 6.31 hectare property, Ontario. In 1889-90, Robertson commissioned the German born architect, John A. B. Koch, to extensively remodel the house into a thirty-five roomed mansion. The existing house was extended and altered, largely resulting in the nineteenth century mansion as it now appears. After Robertson's death in 1896, the house was tenanted until it was eventually sold to the mining millionaire, John Boyd Watson, in 1904. He renamed the property Labassa and carried out repair and re-decoration work to the house. In the early twentieth century, many large estates were subdivided into smaller allotments as the demand for land grew and it became difficult to maintain such large estates. After Watson's death in 1911, portions of the Labassa estate were offered for sale, with Mrs Watson retaining a 1.73 hectare portion containing the house. In 1913 forty-six allotments were auctioned at Labassa Estate, with the formation of Labassa Grove and Ontario Street to the east of the property. Labassa was first recorded as containing flats in 1923 and in the late 1920s, the owner, Robert Hannon, built a red brick block of flats adjacent to the house. Subdivision continued, until the National Trust of Australia (Victoria) purchased the house in 1980 and subsequently purchased adjoining sites, one to the south-east in 1984 (house demolished in 1988) and to the west in 1988. Labassa as it now stands is substantially as it appeared when Koch completed the work in 1890. The original two storey house was transformed into a French Renaissance style mansion, with the addition of a two level L-shaped arcaded verandah and two prominent terminating bays to the south and the east. The building is of unpainted cement render with dressed bluestone plinths, balustraded parapet and steep, slate covered, flat topped mansard roofs behind. A truncated conical roof is a feature of the south bay and a helmeted head is incorporated in the parapet over the east bay. The main south and east facades incorporate many cast cement details, including sculptures, elaborate cornices, swagged Corinthian columns and caryatid consoles flanking the entrance porch, as well as pink marble panels and imitation marble, or scagliola, on curved surfaces. At the rear of the building is a two storey wing and a single storey cottage, the former being connected to the main house by a tower. This section of the house was constructed in 1873. The estate at its peak included stables (1873), conservatory (probably 1890) and a tennis pavilion (probably 1890). All of these outbuildings survive, with the stables and conservatory being converted for residential use after 1922. Internally a range of decorative treatments remain from the late nineteenth century and the early twentieth century, both from the Robertson and Watson periods of occupancy. These include wallpapers, ceiling decoration, chimney pieces, mouldings, joinery and decorative glass.From Victorian Heritage Database citation for H0135 Labassa 2/2A Manor Grove Caulfield North https://vhd.heritagecouncil.vic.gov.au/places/278 as at (26/10/2020) HOW IS IT SIGNIFICANT? Labassa, Caulfield is of architectural, aesthetic and historical significance to the State of Victoria. WHY IS IT SIGNIFICANT? Labassa, Caulfield is of architectural significance as the most prominent example of a small number of houses built in Australia in the French Renaissance style. It is of further note due to the German interpretation of the style and the use of Hellenistic sources, via Germany. It is exceptional for its lavish treatment externally, including marble, scagliola, caryatids, swagged columns, mansard roofs and ornamental cresting. Labassa is of architectural significance as the most important surviving example of German architect, John Koch's domestic work. He undertook a large variety of work in Melbourne, including a number of houses, however Labassa is the most lavish example of his work. Labassa is of aesthetic significance for its outstanding assemblage of late nineteenth and early twentieth century European style interior decoration, which remain remarkably intact. These include a trompe l'oeil ceiling, painted ceilings, embossed imitation leather and other papers, chimney pieces, ceramic tilework, oak parquetry and stained glass, including a tripartite window by Ferguson and Urie, probably dating from the 1873 period. Labassa is of historical significance as an illustrative example of the wealth acquired by a number of prominent Victorian families in the second half of the 19th century. The early development of the property, Sylliott Hill, was due to the wealth acquired by Richard Billing, barrister and fifth Victorian to be appointed Queen's Counsel in 1878. The significant development in 1890 of Ontario, is illustrative of the wealth of Alexander Robertson, a partner in Cobb and Co., a director of Goldsborough Mort & Co., and a pastoral speculator. John B. Watson, whose father had acquired great wealth from the goldfields of Bendigo and subsequently invested in city and country properties, was the third resident to impact on the house, particularly the interiors. The Labassa estate is of historical significance as an illustrative example of the development that occurred in such suburbs as Caulfield in the 1880s due to the land boom, its proximity to Melbourne and the establishment of the Melbourne to Gippsland railway in 1879. It is also illustrative of an estate which succumbed to the pressures of subdividing in the early twentieth century, as properties became difficult to maintain and demand for land close to the city grew. It was typically divided into flats in the 1920s and was used as such for about sixty years. It is of historical significance for its associations with the remnants of the earlier estate which remain extant. These include the stables, conservatory (H2005) and tennis pavilion which all remain on separate sites. Also significant are the remains of early electrical wiring and fittings. Labassa was one of the first houses in Caulfield to be electrified and some of the original wires remain. [Online Data Upgrade Project 2004]Page 129 of Photograph Album with three landscape photographs of Labassa. One of the photographs is of Labassa's drive and gates.Handwritten: 4 JUNE 1910 / SALE JUNE 28 1910 "LA BASSA' / "AUSTRALASIAN" FORMERLY "ONTARIO"/ RES OF JOHN B WATSON / 15 ACRES 3 ROADS [under bottom left photo] / 4 JUNE 1910 [under bottom right photo] / 129 [bottom left]trevor hart, bracketed eaves, intricate lacework, slate roof, bay windows, decorative brackets, caulfield north, labassa, richard a. billing, balaclava road, orrong road, sylliott hill, william lyall, crouch and wilson, alexander william robertson, ontario, 1880's, john a. b. koch, mansion, john boyd watson, labassa grove, french renaissance style, l-shaped arcaded verandah, bluestone plinths, balustraded parapet, flat topped mansard roofs, conical roof, elaborate cornices, corinthian columns, caryatid consoles, marble panels, imitation marble, scagliola, tower, conservatory, stables, tennis pavilion, mouldings, decorative glass, caryatids, swagged columns, ornamental cresting, trompe l'oeil ceiling, embossed imitation leather, oak parquetry, stained glass, tripartite window, triple window, ferguson and urie, 1870's, flats, 1920's, electric wiring, 1860's, verandahs, curved windows, arched windows, italianate, terraces, gargoyles, ornamentation, ornate entrance, la bassa, manor grove, st kilda east, gates, cast iron work, richard billing, architects, john koch, electrification, victorian style, drives, john mickle, land subdivision, mrs watson, labassa estate, robert hannon, national trust of australia (victoria), sculpture

Reserve Forces Day Council Boer War Commemorative Medallion 2012 Descendant Medallion with ribbon suitable medallion has been struck to allow descendants and supporters to honour those who served in this all-but forgotten conflict 100 years ago. The Reserve Forces Day Council recognises it was a War fought in the main by Reservists. Permanent forces were small in number with only a Permanent Force Artillery unit and a number of staff officers and soldiers serving in the war. The Reserve Forces Day Council’s objective is to "Raise the profile of the Reserve Forces and to thank serving and former members for their service, and their families and employers for their essential support." This medallion has been struck for descendants and in memory of those Soldiers who fought in the War. The "In Memory" medallion is oval 50mm high by 40 mm wide and bears the inscription "BOER WAR 1899-1902" bordering the face within a colour infill and a clear cover of epoxy. The central image is of an Australian soldier in a uniform of the era. The attractive medallion is 'gold', appearing as surrounds for the inscription. The neck ribbon is in the colours of the Queen’s official service medal, all enclosed in a presentation pouch. A space on the reverse side of the Medallion provides for a personal message to be engraved at a later time. An example is "Presented to Leslie Perrett Descendant of Tpr Frederick Avard, NSW Lancers who died in combat 10 October 1900". The Medallion may be worn at memorial ceremonies and will become a family keepsake. It does not matter on which side your ancestor fought, or if the soldier fought in a unit from elsewhere in the then Empire. The Medallion marks an Australian connection, and shows your support for your ancestor's achievement.Associated with the 110th anniversary of the Boer War 1899 to 1902. A descendant's medal issued as a commemorative by the Reserve Forces Day Council in 2012. A round enamel and epoxy medallion issued by the Reseve Forces Day Council for descendants to remember the 110th anniversary of the Boer War and their descendants contribution. The Medallion is round measuring 40mm x 40mm and has the Boer War Campaign Red, Blue and Orange coloured ribbon attached, The medallion has a gold and red border with a photograph of a Boer War Soldier contained in the middle of the medallion. Surrounding wording on the medallion is : Boer War 1899-1902 A War Fought By Reservists. The bottom of the medallion has the letters RFD 2012 (which stands for the Reserve Forces Day National Council). The medallion has a gold and red border with a photograph of a Boer War Soldier contained in the middle of the medallion. Surrounding wording on the medallion is : Boer War 1899-1902 A War Fought By Reservists. The bottom of the medallion has the letters RFD 2012 (which stands for the Reserve Forces Day National Council). boer war descendant's medallion 2012, boer war commemorative medallion, reserve forces day national council boer war commemorative, boer war associated 1899 to 1902

Object. Cardboard advertising fan from the Laurel Cafe Bendigo. Rounded top and bottom edges. Bottom edge reinforced with Ushaped pieces of cardboard glued onto front and back. Circular finger hole (2.5cm) just above reinforcement on bottom edge ( 4.5 cm). Coloured photo of head and shoulders of a young woman holding a blonde toddler sitting on her shoulder is printed on one side. Printing on the reverse side "With Compliments from LAUREL CAFE (Miss L. Nankervuis) Williamson St Bendigo. High Class Meals. Wedding parties and Banquets, especially catered for Phone 1164''. Doe Bros Adelaide (Manufacturers).ephemera, mementoes, laurel café advertising fan

From its beginnings in the late 1840's, Warrnambool progressed through the years from being a town and borough to finally being proclaimed a city in May 1918. The Governor of the day Mr Arthur Stanley officiated at the event on May 23rd, 1918. It was only the fourth such municipality to achieve this status at the time These medallions were a memento of this occasion.These small medals are significant as they are linked to an important event in the growth of Warrnambool. Three similar medallions in the form of a brooch with clasp, all in gilt metal and enamel. Round medallions 25mm in circumference, with blue enamel circular rim of 4mm around most of the outside, except for white enamel decal of 10mm at bottom. Pin clasp on reverse of the medallions. Two medallions donated from a separate source are identical with the others in markings; one with pin clip, one without pin clip. All medals identical, though manufacturers imprint " Bridgland & King " only appears on reverse of two. "City of Warrnambool" appears in gold block letters around blue enamel circumference of medal, "1918" appears in gold lettering in white enamel decal at the bottom. Warrnambool city crest is pressed in gold relief in the centre of the medal, consisting of a ship at sea, a sheaf of wheat, these quartered below the Victorian Coat of Arms. Beneath the crest the words, "By These We Flourish" are inscribed. city of warrnambool, proclamation of city of warrnambool

These postcards are part of the Rose series of photograph / postcards taken around Victoria. Rose was born in Clunes in 1861 and later worked in his father’s boot-making business in Prahran while studying photography. In 1880 he founded the Rose Stereograph Company and became famous for producing stereographs, or stereoviews, which gave the illusion of being in 3D when seen through a hand-held viewer, a big craze of the era. Rose produced stereoviews of the Western Front during the First World War. In all, he took about 9000 images in about 38 countries. As stereographs lost popularity in the 1920s, Rose switched to production of postcards and decorative cards, and he and the photographers who followed took thousands of scenes around Victoria as well as interstate that became iconic images of Australian life.These postcards are pictorial records of Orbost in the mid 20th century.Postcards such as these were a way of showing the scenic attractions of Orbost to potential tourists.Three black / white postcards of views over the Orbost flats and railway viaduct. 3183.1 is of a railway viaduct in the foreground and farming flats. 3183.2 is a view over the Orbost flats taken from Grandview Lookout. 3183.3 is a view from the Grandview Lookout showing the back of a woman looking across a rail fence. 3183.1 - bottom front - Rose Series P 478 SNOWY RIVER FLATS, ORBOST VIC 3183.2 - bottom front - Rose Series P 49 ORBOST, FROM GRANDVIEW HEIGHTS,VIC 3183.3 - bottom front - Rose Series P 14443 A VIEW FROM THE LOOKOUT, ORBOST, VICpostcards-orbost rose-series orbost-railway-viaduct grandview-lookout-orbost

Certificate reads "Awarded to Association for the Arthur Wilkins Northern Suburbs Day Centre. By the Australian Bicentennial Authority which was established to plan and coordinate a nationwide profram of celebrations in 1988 to commemorate the 200th anniversary of permanent European settlement in Australia" Signed by the Executive Director (illegible), dated 2nd July 1987. All text on this certificate is located on the bottom half of the document. 1 x paper certificate from Australian Bicentennial AuthorityThe top half is populated by a repeated stylised graphic of a map of Australia, in various shades of green and gold. There is also a gold version of the same logo, labelled with "Endorsed Bicentennial Activity" , situated above the official signatures. arthur wilkins centre, essendon, association for the blind

Membership cards are issued to members and feature either a historic or current photo of the Museum's activities. The 2024-25 one features a photo of tram 40 in Wendouree Parade following the completion of the junction to allow trams to operate in Wendouree Parade. On the rear along the bottom edge of the rear, has the words "Photo First Day 7 December 1974 (Peter Winspur)Demonstrates the method of issuing Ballarat Tramway Museum membership cards.Colour photograph printed onto white card as a BTM Membership card for 2024-25trams, tramways, membership cards, museum, btps, wendouree parade, first tram

Item in the collection re Craig Triffett. Refer Cat No 5997.5 for his service details.1. This is a clear piece of flexible plastic. It has 180 degree arc markings on it. The reference line is at the bottom. Internal rings have numbers marked on them, i.e. 1,2,3,4,5. The outside ring has graduations in 1*. At the bottom are words "Observers Location - Grid", and "Altitude". Scale 1:50000 Army Form B 6716 (1971). 2. Similar to above, but slightly cropped. No explanatory notes.artillery, plotting, protractor,

Students attended Sunday School classes at the Kergunyah Presbyterian Church. Sunday school was held in a little 16 foot square wooden building which came from Rocky Valley after it was no longer needed there. Ewen Wallace's father initiated and organised the move. C2011 the building was knocked down because of white ants. The Presbyterian Church will be 125 years old in 2015. Historical: Religious Education: This book was used by students who attended the Sunday School classes at Kergunyah Presbyterian Church. Religion: Presbyterian Church at Kergunyah, in the Kiewa Valley, celebrates its 125th anniversary in 2015 after being handed over to the Uniting Church in the 1970s.Brown hard covered book with coloured pictures. Title at top - 1st letter of each word R,B,L is decorated & in gold followed by black print shaded in red. Circular picture seemingly behind it and coming out across the book (gold figures, black background). Shepherd in colour bottom right and church bottom left. Title in black with gold background on spine.(Kergunyah Sabbath School / Library) stamp on inside front cover and back coverreligion, bible, kergunyah, sunday school, sabbath school, ewen wallace, presbyterian church

Thomas Alan Broadbent, a student prior to enlisting had served 4 years in Snr Cadets. He enlisted in the AIF aged 18 years 5 months under a special condition from his parents that he not embark for overseas until he turned 19 years. Enlisted No 15887 in 10 reinforcements 46th Batt AIF on 7.5.17. Embarked for England 28.2.18, hospital 18.6.18 with Bronchitis, hospital 1.8.18 with Influenza, embarked for France 22.8.18, KIA by high explosive shell on the advance towards Bellicourt on 20.9.18. Refer 2567P, 2568.2..1) Medals, court mounted, set of (2) re T.A Broadbent. 1. War Medal 1914-19. 2. Victory Medal. .2) Badge "Mothers & Widows Ribbon" re T.A Broadbent. Metal and fabric, centre fabric has the Rising Sun in colour, metal plate top and bottom, bottom plate has one Star depicting one person lost in the War..1) "15887 Pte T.A Broadbent 46 BN A.I.F" .2) "32774"medals, badges, military

This butter pat profiler may have been manufactured post 1967(year post codes appeared in Australia) however the post code was only stamped on after it was machined. This type of butter mould was used by rural families to fashion home/farm made butter. This period was in most rural regions a time of self sufficiency where any domestic type implement which could be fashioned by the family would be crafted with skill. Shopping for goods required catalogues from stores located in major rural towns and cities and involved lengthy waiting times. Travelling to and from these specialised stores was not pleasant due to the relatively poor quality of the roads and the lengthy times taken. The small general stores in the Kiewa Valley could not cater for all the needs of the valley. The 1960's was a time when facilities especially goods and services started to improve drastically. The S.E.C. of Victoria with its Kiewa Hydro Electricity Scheme provided not only an improvement of facilities in the valley but also a increase in the population. This increase resulted in a greater demand for local produce.This item is one of many domestic food processing implements used by Kiewa Valley households in the mid 1900s, whether on the farm or in the small towns and hamlets. Self sufficiency was the key to survival during these early times. Where ever possible supplies from within the valley were preferred to that brought in by travelling salesmen or traders. This butter mould and butter pat was commonly used to fashion "home" made butter throughout the valley and in some cases supplied to "outside" regional towns. Although this method of production was phased out by better access to goods from nearby cities the revival of the good organic home grown produce in the 1980s saw a greater demand of this type of farm based produce.This butter pat is one of two,see KVHS 0071 (A). It has been crafted from wood. One side has grooves running from the handle to the square shaped bottom. These grooves would stop the wet butter from clinging to the pat. The top side of the pat has been bevelled on both sides and the bottom edge. The hand grip is flat and curved to allow for a comfortable hold.domestic food preparation, wooden butter pat, butter mould circular, dairy industry

This coffee pot was made for flat heating surfaces and not the open fire. The enamel coating was used as a thermal barrier to keep the contents hot. This could have been used as an all day coffee source for busy farm workers or breakfast and lunch times. When this pot was used at dinner time, it was a time period when dinner was more formal, with the whole family sitting at the dinner table. The white enamel would have been sufficient for the majority of households. When this pot was in use the dinner period was when the whole family was together and communication within the family was considered very important as a cohesive force. This was a time before television intruded into the atmosphere of relaying the day's activities to the whole family.In small rural communities within the Kiewa Valley a good cup of tea or coffee was a time for relaxation from the hard work of the day. This relaxation period was beneficial for not only the mind but also the body. This was particularly for the house bound mother with domestic chores that had, at this time in history not many "time saving" pieces of domestic equipment. A good pot of tea or coffee at "smoko" was a god sent. Although regarded by well groomed city folk that a coffee pot was for coffee only the less social etiquette standards of country folk permitted its use for tea. Versatility even within the household was of great benefit to the folk in the Kiewa Valley. This was even so for the immigrants that joined in and were warmly welcomed within this rural sector of Australia.This coffee pot is in the French style with a goose neck. It is fully coated in white enamel and has a concave bottom. It has a hinged lid and the main body has been rolled fastened to the bottom plate. The sandwiched steel body is approximately 1mm thick. The two piece neck has been welded together similarly the hinged lid and handle. Rivets are installed to the both bases of the handle. country kitchens, well heated coffee, coffee break in rural regions

Black and white photograph, mounted on cream board. Wedding group comprising three females and three males. Bride wearing calf length dress. Bridesmaid seated, flower girl seated at left. Male attendants standing at back. Inscriptions: printed on centre bottom on front 'Lorne Studios, Baylis St., Wagga'. Hand written in R bottom corner 'Yours sincerely, Louie & Bob'person, group, wedding

Sepia photo, on cream board, of band of tug of war team Eaglehawk. Man in suit in centre with fob chain and bowler hat. Competitors in trousers with stripes, belts with motif. Flannel like shirts. Trophy in centre with rope coiled underneath. Inscriptions (on front (H.J.G Biggs Eaglehawk, right bottom. Eaglehawk, left bottom.) 'Royal Historic Society of Victoria / Bendigo Branch' circular stamp.organization, club/society, band tug of war eaglehawk, prev, acc no. g.p. 36.(24 red ballpoint cross out.)

Sepia photo. 67th Battalion, large number of men, in the front 2 rows have music instruments. Markings/Inscriptions: 67 Batt is written on the trees centre rear. X1572 bottom of photo on the left. Bottom right corner of board: Phone 4397. 'Darge'1,5 Collins St, Melbourne. On rear in hand writing is Broadmeadows February 1917. Golden Square 31 Aug '22.Darge, Collins St, Melbourneorganization, military, 67 batallion, darge, collins street, melbourne. ph 4397

Document. Greeting Cards. Small white tri-fold card with uneven cut edges with gold edging resembling a ribbon threaded through the material. Around the edges are gold & white ivy leaves framing a blue coloured scene of an old water wheel and building. Another ivy vine from the top right cornewr to the bottom left corner. 'With kindest Wishes' written in gold at the bottom.person, greeting cards, malone collection, malone collection, greeting cards

Document. Malone Collection. Small white card with narrow raised edge. Towards the left is a silver rectangle with a white and green inner and a bunch of small blue flowers. On the bottom left is a small spray of small blue flowers. On the right is small blue flowers and silver dots twining to the bottom of the card. Inside the top of the flowers (printed in silver) is: Sent in all Sincerity to Greet You.person, greeting cards, malone collection, malone collection, greeting cards

Malone Collection. Greeting card. Small white card with a coloured scene of trees & water with a sliver border then a white border then another silver one. On the left and top and bottom is a spray of red roses and leaves. A hearty Greeting with silver scrolls is printed at the bottom. The A is printed in red and the G is printed in purple.Given to Miss Malone from one of her students. 927 printed in silver on the back.person, greeting cards, malone collection, malone collection, greeting card

Rectangular metal buckle or clasp. Engraving in relief depicts an eight pointed star against a globe with grid lines. Two soldiers flank either side at the bottom of the globe. One is carrying a weapon. Surrounding the globe and the soldiers are flowers and leaves. The letter C R I C K E T are engraved along the bottom. A metal loop and clasp is on the reverse. Item is rusted.bendigo, gold mining, qc binks

Coloured postcard, grey border embellished with spray of gold wattle left side, and kangaroo in bottom RH corner. Image shows Charing Cross , Alexandra fountain in centre, Queen Victoria statue centre bottom. Horse drawn vehicles on Pall Mall and Charing Cross. City Family Hotel in background. View Point buildings on RH side. Receipt number 355/16Valentine & Sons Melbournebendigo, business, carwardine soap and candles

Coloured postcard, embellished with wattle left hand side, and kangaroo bottom Rh corner. Image shows Pall Mall, looking northwards. Post Office, Hustler's mine with brick chimney visible on left. Alexandra Fountain in centre bottom, horse drawn vehicles and two trams at Charing Cross. Henderson and Goode Beehive building and Shamrock Hotel on right. Receipt number 355/16bendigo, business, carwardine soap and candle

Oliver Lewis Randell (1836-1/7/1899) was a Welshman who began in Ballarat in the 1860's before moving to the Bendigo goldfields in 1871. He was a speculator and one of the first members of the Bendigo Stock Exchange. He had large stock holdings throughout the state, including at the time of his death, 2000 shares in the New Chum Mining Co., and 1000 shares in the North Duke Mining Co., both of BendigoThree metal stencils. Brass frame with gold outer edge and oval shape in centre. Name O.L.Randall in one stencil and two with initials OLR in centre. Bailey Bros in left hand corner Engravers in right hand corner Chancery Lane in bottom left hand corner London WC in bottom right hand corner. Cardboard square with Logo on engraver in purple inkstencils, o.l. randall